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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 60 141 it is the complementary color RGB 100 195 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 60 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 60 141 shade: RGB 160 60 136, RGB 177 78 155, RGB 194 96 174, RGB 211 114 193 and RGB 228 132 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 60 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 60 141 shade: RGB 155 60 141, RGB 138 42 122, RGB 121 24 103, RGB 104 6 84 and RGB 87 0 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 60 141 shade: RGB 154 60 140, RGB 154 60 115, RGB 154 60 90, RGB 154 60 64 and RGB 154 60 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 60 141 shade: RGB 154 60 140, RGB 143 60 154, RGB 117 60 154, RGB 92 60 154 and RGB 66 60 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 60 141 shade matches the following richer shades: RGB 154 60 140, RGB 172 43 153, RGB 189 25 165 and RGB 206 8 177

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 60 141 shade: RGB 154 60 140, RGB 137 77 128, RGB 120 95 116, RGB 102 112 104 and RGB 85 129 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 60 141 shade: RGB 117 60 154, RGB 142 60 154, RGB 154 60 142, RGB 154 60 117 and RGB 154 60 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 60 141 shade: RGB 95 37 86, RGB 125 48 113, RGB 154 60 140, RGB 184 72 167 and RGB 195 101 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 60 141 shade: RGB 155 60 141, RGB 154 91 60 and RGB 60 154 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 60 141 shade: RGB 155 60 141, RGB 142 154 60 and RGB 60 142 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 60 141 shade: RGB 155 60 141, RGB 154 91 60, RGB 60 154 73 and RGB 60 123 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 60 141 shade: RGB 155 60 141, RGB 154 120 60, RGB 60 154 73 and RGB 60 95 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 9 / 39

HEX #9B3C8D

RGB 155 60 141

HSL 308.84, 0.44%, 0.42%

LAB 41.41, 49.64, -25.87

 

Complementary color

CMYK 49 / 0 / 42 / 24

HEX #64C372

RGB 100 195 114

HSL 128.84, 0.44%, 0.58%

LAB 71.52, -45.33, 32.23

 

CMYK 0 / 63 / 15 / 37

HEX #A03C88

RGB 160 60 136

HSL 314.4, 0.45%, 0.43%

LAB 41.97, 50.24, -21.89

 

CMYK 0 / 56 / 12 / 31

HEX #B14E9B

RGB 177 78 155

HSL 313.33, 0.39%, 0.5%

LAB 48.46, 49.89, -23.08

 

CMYK 0 / 51 / 10 / 24

HEX #C260AE

RGB 194 96 174

HSL 312.24, 0.45%, 0.57%

LAB 54.96, 49.32, -24.01

 

CMYK 0 / 46 / 9 / 17

HEX #D372C1

RGB 211 114 193

HSL 311.13, 0.52%, 0.64%

LAB 61.42, 48.64, -24.77

 

CMYK 0 / 42 / 7 / 11

HEX #E484D4

RGB 228 132 212

HSL 310, 0.64%, 0.71%

LAB 67.84, 47.92, -25.42

 

CMYK 0 / 61 / 9 / 39

HEX #9B3C8D

RGB 155 60 141

HSL 308.84, 0.44%, 0.42%

LAB 41.41, 49.64, -25.87

 

CMYK 0 / 70 / 12 / 46

HEX #8A2A7A

RGB 138 42 122

HSL 310, 0.53%, 0.35%

LAB 34.93, 49.6, -24.47

 

CMYK 0 / 80 / 15 / 53

HEX #791867

RGB 121 24 103

HSL 311.13, 0.67%, 0.28%

LAB 28.64, 48.73, -22.45

 

CMYK 0 / 94 / 19 / 59

HEX #680654

RGB 104 6 84

HSL 312.24, 0.89%, 0.22%

LAB 22.7, 46.44, -19.47

 

CMYK 0 / 100 / 25 / 66

HEX #570041

RGB 87 0 65

HSL 315.17, 1%, 0.17%

LAB 17.5, 41.51, -14.85

 

CMYK 0 / 61 / 9 / 40

HEX #9A3C8C

RGB 154 60 140

HSL 308.94, 0.44%, 0.42%

LAB 41.21, 49.19, -25.59

 

CMYK 0 / 61 / 25 / 40

HEX #9A3C73

RGB 154 60 115

HSL 324.89, 0.44%, 0.42%

LAB 40.15, 45.32, -11.85

 

CMYK 0 / 61 / 42 / 40

HEX #9A3C5A

RGB 154 60 90

HSL 340.85, 0.44%, 0.42%

LAB 39.31, 42.13, 2.55

 

CMYK 0 / 61 / 58 / 40

HEX #9A3C40

RGB 154 60 64

HSL 357.45, 0.44%, 0.42%

LAB 38.68, 39.64, 18.01

 

CMYK 0 / 61 / 61 / 40

HEX #9A3C3C

RGB 154 60 60

HSL 0, 0.44%, 0.42%

LAB 38.6, 39.33, 20.4

 

CMYK 0 / 61 / 9 / 40

HEX #9A3C8C

RGB 154 60 140

HSL 308.94, 0.44%, 0.42%

LAB 41.21, 49.19, -25.59

 

CMYK 7 / 61 / 0 / 40

HEX #8F3C9A

RGB 143 60 154

HSL 292.98, 0.44%, 0.42%

LAB 40.25, 48.73, -35.68

 

CMYK 24 / 61 / 0 / 40

HEX #753C9A

RGB 117 60 154

HSL 276.38, 0.44%, 0.42%

LAB 36.64, 41.99, -41.65

 

CMYK 40 / 61 / 0 / 40

HEX #5C3C9A

RGB 92 60 154

HSL 260.43, 0.44%, 0.42%

LAB 33.65, 35.87, -46.62

 

CMYK 57 / 61 / 0 / 40

HEX #423C9A

RGB 66 60 154

HSL 243.83, 0.44%, 0.42%

LAB 31.17, 30.31, -50.75

 

CMYK 0 / 61 / 9 / 40

HEX #9A3C8C

RGB 154 60 140

HSL 308.94, 0.44%, 0.42%

LAB 41.21, 49.19, -25.59

 

CMYK 0 / 75 / 11 / 33

HEX #AC2B99

RGB 172 43 153

HSL 308.84, 0.6%, 0.42%

LAB 42.46, 62.41, -31.29

 

CMYK 0 / 87 / 13 / 26

HEX #BD19A5

RGB 189 25 165

HSL 308.78, 0.77%, 0.42%

LAB 44.56, 72.15, -34.97

 

CMYK 0 / 96 / 14 / 19

HEX #CE08B1

RGB 206 8 177

HSL 308.79, 0.93%, 0.42%

LAB 47.58, 79.03, -37.12

 

CMYK 0 / 61 / 9 / 40

HEX #9A3C8C

RGB 154 60 140

HSL 308.94, 0.44%, 0.42%

LAB 41.21, 49.19, -25.59

 

CMYK 0 / 44 / 7 / 46

HEX #894D80

RGB 137 77 128

HSL 309, 0.28%, 0.42%

LAB 41.51, 33.1, -18

 

CMYK 0 / 21 / 3 / 53

HEX #785F74

RGB 120 95 116

HSL 309.6, 0.12%, 0.42%

LAB 43.42, 14.04, -7.98

 

CMYK 9 / 0 / 7 / 56

HEX #667068

RGB 102 112 104

HSL 132, 0.05%, 0.42%

LAB 46.19, -5.46, 3.15

 

CMYK 34 / 0 / 29 / 49

HEX #55815B

RGB 85 129 91

HSL 128.18, 0.21%, 0.42%

LAB 49.96, -23.54, 15.92

 

CMYK 24 / 61 / 0 / 40

HEX #753C9A

RGB 117 60 154

HSL 276.38, 0.44%, 0.42%

LAB 36.64, 41.99, -41.65

 

CMYK 8 / 61 / 0 / 40

HEX #8E3C9A

RGB 142 60 154

HSL 292.34, 0.44%, 0.42%

LAB 40.11, 48.47, -35.92

 

CMYK 0 / 61 / 8 / 40

HEX #9A3C8E

RGB 154 60 142

HSL 307.66, 0.44%, 0.42%

LAB 41.3, 49.53, -26.66

 

CMYK 0 / 61 / 24 / 40

HEX #9A3C75

RGB 154 60 117

HSL 323.62, 0.44%, 0.42%

LAB 40.22, 45.6, -12.97

 

CMYK 0 / 61 / 41 / 40

HEX #9A3C5B

RGB 154 60 91

HSL 340.21, 0.44%, 0.42%

LAB 39.34, 42.25, 1.96

 

CMYK 0 / 61 / 9 / 63

HEX #5F2556

RGB 95 37 86

HSL 309.31, 0.44%, 0.26%

LAB 25.04, 33.3, -17.28

 

CMYK 0 / 62 / 10 / 51

HEX #7D3071

RGB 125 48 113

HSL 309.35, 0.45%, 0.34%

LAB 33.28, 41.83, -21.55

 

CMYK 0 / 61 / 9 / 40

HEX #9A3C8C

RGB 154 60 140

HSL 308.94, 0.44%, 0.42%

LAB 41.21, 49.19, -25.59

 

CMYK 0 / 61 / 9 / 28

HEX #B848A7

RGB 184 72 167

HSL 309.11, 0.44%, 0.5%

LAB 49.03, 56.55, -29.22

 

CMYK 0 / 48 / 7 / 24

HEX #C365B5

RGB 195 101 181

HSL 308.94, 0.44%, 0.58%

LAB 56.33, 48.3, -25.93

 

CMYK 0 / 61 / 9 / 39

HEX #9B3C8D

RGB 155 60 141

HSL 308.84, 0.44%, 0.42%

LAB 41.41, 49.64, -25.87

 

CMYK 0 / 41 / 61 / 40

HEX #9A5B3C

RGB 154 91 60

HSL 19.79, 0.44%, 0.42%

LAB 45.19, 22.76, 28.7

 

CMYK 61 / 0 / 16 / 40

HEX #3C9A81

RGB 60 154 129

HSL 164.04, 0.44%, 0.42%

LAB 57.71, -33.91, 4.94

 

CMYK 0 / 61 / 9 / 39

HEX #9B3C8D

RGB 155 60 141

HSL 308.84, 0.44%, 0.42%

LAB 41.41, 49.64, -25.87

 

CMYK 8 / 0 / 61 / 40

HEX #8E9A3C

RGB 142 154 60

HSL 67.66, 0.44%, 0.42%

LAB 60.95, -17.73, 46.63

 

CMYK 61 / 8 / 0 / 40

HEX #3C8E9A

RGB 60 142 154

HSL 187.66, 0.44%, 0.42%

LAB 54.7, -21, -13.83

 

CMYK 0 / 61 / 9 / 39

HEX #9B3C8D

RGB 155 60 141

HSL 308.84, 0.44%, 0.42%

LAB 41.41, 49.64, -25.87

 

CMYK 0 / 41 / 61 / 40

HEX #9A5B3C

RGB 154 91 60

HSL 19.79, 0.44%, 0.42%

LAB 45.19, 22.76, 28.7

 

CMYK 61 / 0 / 53 / 40

HEX #3C9A49

RGB 60 154 73

HSL 128.3, 0.44%, 0.42%

LAB 56.64, -45.18, 34.19

 

CMYK 61 / 20 / 0 / 40

HEX #3C7B9A

RGB 60 123 154

HSL 199.79, 0.44%, 0.42%

LAB 48.83, -10.59, -22.78

 

CMYK 0 / 61 / 9 / 39

HEX #9B3C8D

RGB 155 60 141

HSL 308.84, 0.44%, 0.42%

LAB 41.41, 49.64, -25.87

 

CMYK 0 / 22 / 61 / 40

HEX #9A783C

RGB 154 120 60

HSL 38.3, 0.44%, 0.42%

LAB 52.54, 6.15, 37.46

 

CMYK 61 / 0 / 53 / 40

HEX #3C9A49

RGB 60 154 73

HSL 128.3, 0.44%, 0.42%

LAB 56.64, -45.18, 34.19

 

CMYK 61 / 38 / 0 / 40

HEX #3C5F9A

RGB 60 95 154

HSL 217.66, 0.44%, 0.42%

LAB 40.37, 6.36, -36

 

Description

Color code: RGB 155 60 141 | qconv.com Color code: RGB 155 60 141 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 60 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 60 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 9 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 9% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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