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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 56.2 10.6 it is the complementary color RGB 100 198.8 244.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 56.2 10.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 56.2 10.6 shade: RGB 160 56.2 5.6, RGB 177 74.2 24.6, RGB 194 92.2 43.6, RGB 211 110.2 62.6 and RGB 228 128.2 81.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 56.2 10.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 56.2 10.6 shade: RGB 155 56.2 10.6, RGB 138 38.2 0, RGB 121 20.2 0, RGB 104 2.2 0 and RGB 87 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 56.2 10.6 shade: RGB 153 55 11, RGB 153 17 11 and RGB 153 11 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 56.2 10.6 shade: RGB 153 55 11, RGB 153 94 11, RGB 153 132 11, RGB 135 153 11 and RGB 97 153 11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 56.2 10.6 shade matches the following richer shades: RGB 153 55 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 56.2 10.6 shade: RGB 153 55 11, RGB 139 60 24, RGB 126 65 37, RGB 113 70 50 and RGB 100 75 63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 56.2 10.6 shade: RGB 153 11 44, RGB 153 15 11, RGB 153 53 11, RGB 153 91 11 and RGB 153 129 11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 56.2 10.6 shade: RGB 75 27 5, RGB 114 41 8, RGB 153 55 11, RGB 191 69 13 and RGB 230 83 16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 56.2 10.6 shade: RGB 155 56.2 10.6, RGB 82 153 11 and RGB 11 25 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 56.2 10.6 shade: RGB 155 56.2 10.6, RGB 11 153 53 and RGB 53 11 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 56.2 10.6 shade: RGB 155 56.2 10.6, RGB 82 153 11, RGB 11 110 153 and RGB 82 11 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 56.2 10.6 shade: RGB 155 56.2 10.6, RGB 39 153 11, RGB 11 110 153 and RGB 124 11 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 93 / 39

HEX #9B380A

RGB 155 56.2 10.6

HSL 18.95, 0.87%, 0.32%

LAB 37.55, 39.37, 45.33

 

Complementary color

CMYK 59 / 19 / 0 / 4

HEX #64C6F4

RGB 100 198.8 244.4

HSL 198.95, 0.87%, 0.68%

LAB 76.08, -16, -31.23

 

CMYK 0 / 65 / 97 / 37

HEX #A03805

RGB 160 56.2 5.6

HSL 19.66, 0.93%, 0.32%

LAB 38.43, 41.17, 47.97

 

CMYK 0 / 58 / 86 / 31

HEX #B14A18

RGB 177 74.2 24.6

HSL 19.53, 0.76%, 0.4%

LAB 44.72, 39.43, 47.31

 

CMYK 0 / 52 / 78 / 24

HEX #C25C2B

RGB 194 92.2 43.6

HSL 19.39, 0.63%, 0.47%

LAB 51.08, 37.67, 45.61

 

CMYK 0 / 48 / 70 / 17

HEX #D36E3E

RGB 211 110.2 62.6

HSL 19.25, 0.63%, 0.54%

LAB 57.46, 36.01, 43.63

 

CMYK 0 / 44 / 64 / 11

HEX #E48051

RGB 228 128.2 81.6

HSL 19.1, 0.73%, 0.61%

LAB 63.83, 34.48, 41.69

 

CMYK 0 / 64 / 93 / 39

HEX #9B380A

RGB 155 56.2 10.6

HSL 18.95, 0.87%, 0.32%

LAB 37.55, 39.37, 45.33

 

CMYK 0 / 72 / 100 / 46

HEX #8A2600

RGB 138 38.2 0

HSL 16.61, 1%, 0.27%

LAB 31.35, 40.88, 43.7

 

CMYK 0 / 83 / 100 / 53

HEX #791400

RGB 121 20.2 0

HSL 10.02, 1%, 0.24%

LAB 25.48, 41.59, 37.44

 

CMYK 0 / 98 / 100 / 59

HEX #680200

RGB 104 2.2 0

HSL 1.27, 1%, 0.2%

LAB 20.01, 40.88, 30.56

 

CMYK 0 / 100 / 100 / 66

HEX #570000

RGB 87 0 0

HSL 0, 1%, 0.17%

LAB 15.62, 36.59, 24.31

 

CMYK 0 / 64 / 93 / 40

HEX #99370B

RGB 153 55 11

HSL 18.59, 0.87%, 0.32%

LAB 36.98, 39.18, 44.63

 

CMYK 0 / 89 / 93 / 40

HEX #99110B

RGB 153 17 11

HSL 2.54, 0.87%, 0.32%

LAB 32.25, 52.23, 41.31

 

CMYK 0 / 93 / 93 / 40

HEX #990B0B

RGB 153 11 11

HSL 0, 0.87%, 0.32%

LAB 31.89, 53.28, 41.07

 

CMYK 0 / 64 / 93 / 40

HEX #99370B

RGB 153 55 11

HSL 18.59, 0.87%, 0.32%

LAB 36.98, 39.18, 44.63

 

CMYK 0 / 39 / 93 / 40

HEX #995E0B

RGB 153 94 11

HSL 35.07, 0.87%, 0.32%

LAB 45.36, 18.32, 50.77

 

CMYK 0 / 14 / 93 / 40

HEX #99840B

RGB 153 132 11

HSL 51.13, 0.87%, 0.32%

LAB 55.38, -3.26, 58.38

 

CMYK 12 / 0 / 93 / 40

HEX #87990B

RGB 135 153 11

HSL 67.61, 0.87%, 0.32%

LAB 59.85, -22.56, 61.21

 

CMYK 37 / 0 / 93 / 40

HEX #61990B

RGB 97 153 11

HSL 83.66, 0.87%, 0.32%

LAB 57.41, -38.18, 58.22

 

CMYK 0 / 64 / 93 / 40

HEX #99370B

RGB 153 55 11

HSL 18.59, 0.87%, 0.32%

LAB 36.98, 39.18, 44.63

 

CMYK 0 / 64 / 93 / 40

HEX #99370B

RGB 153 55 11

HSL 18.59, 0.87%, 0.32%

LAB 36.98, 39.18, 44.63

 

CMYK 0 / 57 / 83 / 45

HEX #8B3C18

RGB 139 60 24

HSL 18.78, 0.71%, 0.32%

LAB 35.57, 31.5, 36.99

 

CMYK 0 / 48 / 71 / 51

HEX #7E4125

RGB 126 65 37

HSL 18.88, 0.55%, 0.32%

LAB 34.7, 23.85, 28.44

 

CMYK 0 / 38 / 56 / 56

HEX #714632

RGB 113 70 50

HSL 19.05, 0.39%, 0.32%

LAB 34.23, 16.13, 19.68

 

CMYK 0 / 25 / 37 / 61

HEX #644B3F

RGB 100 75 63

HSL 19.46, 0.23%, 0.32%

LAB 34.19, 8.73, 11.24

 

CMYK 0 / 93 / 71 / 40

HEX #990B2C

RGB 153 11 44

HSL 346.06, 0.87%, 0.32%

LAB 32.24, 54.28, 22.45

 

CMYK 0 / 90 / 93 / 40

HEX #990F0B

RGB 153 15 11

HSL 1.69, 0.87%, 0.32%

LAB 32.12, 52.61, 41.22

 

CMYK 0 / 65 / 93 / 40

HEX #99350B

RGB 153 53 11

HSL 17.75, 0.87%, 0.32%

LAB 36.64, 40.1, 44.38

 

CMYK 0 / 41 / 93 / 40

HEX #995B0B

RGB 153 91 11

HSL 33.8, 0.87%, 0.32%

LAB 44.63, 20.04, 50.23

 

CMYK 0 / 16 / 93 / 40

HEX #99810B

RGB 153 129 11

HSL 49.86, 0.87%, 0.32%

LAB 54.55, -1.6, 57.75

 

CMYK 0 / 64 / 93 / 71

HEX #4B1B05

RGB 75 27 5

HSL 18.86, 0.88%, 0.16%

LAB 16.94, 21.46, 23.34

 

CMYK 0 / 64 / 93 / 55

HEX #722908

RGB 114 41 8

HSL 18.68, 0.87%, 0.24%

LAB 27.24, 30.66, 35.25

 

CMYK 0 / 64 / 93 / 40

HEX #99370B

RGB 153 55 11

HSL 18.59, 0.87%, 0.32%

LAB 36.98, 39.18, 44.63

 

CMYK 0 / 64 / 93 / 25

HEX #BF450D

RGB 191 69 13

HSL 18.88, 0.87%, 0.4%

LAB 46.13, 46.87, 53.5

 

CMYK 0 / 64 / 93 / 10

HEX #E65310

RGB 230 83 16

HSL 18.79, 0.87%, 0.48%

LAB 55.12, 54.6, 61.88

 

CMYK 0 / 64 / 93 / 39

HEX #9B380A

RGB 155 56.2 10.6

HSL 18.95, 0.87%, 0.32%

LAB 37.55, 39.37, 45.33

 

CMYK 46 / 0 / 93 / 40

HEX #52990B

RGB 82 153 11

HSL 90, 0.87%, 0.32%

LAB 56.68, -43.5, 57.33

 

CMYK 93 / 84 / 0 / 40

HEX #0B1999

RGB 11 25 153

HSL 234.08, 0.87%, 0.32%

LAB 20.31, 45.16, -68.12

 

CMYK 0 / 64 / 93 / 39

HEX #9B380A

RGB 155 56.2 10.6

HSL 18.95, 0.87%, 0.32%

LAB 37.55, 39.37, 45.33

 

CMYK 93 / 0 / 65 / 40

HEX #0B9935

RGB 11 153 53

HSL 137.75, 0.87%, 0.32%

LAB 55.19, -54.81, 41.91

 

CMYK 65 / 93 / 0 / 40

HEX #350B99

RGB 53 11 153

HSL 257.75, 0.87%, 0.32%

LAB 21.19, 52.59, -66.57

 

CMYK 0 / 64 / 93 / 39

HEX #9B380A

RGB 155 56.2 10.6

HSL 18.95, 0.87%, 0.32%

LAB 37.55, 39.37, 45.33

 

CMYK 46 / 0 / 93 / 40

HEX #52990B

RGB 82 153 11

HSL 90, 0.87%, 0.32%

LAB 56.68, -43.5, 57.33

 

CMYK 93 / 28 / 0 / 40

HEX #0B6E99

RGB 11 110 153

HSL 198.17, 0.87%, 0.32%

LAB 43.54, -9.6, -30.51

 

CMYK 46 / 93 / 0 / 40

HEX #520B99

RGB 82 11 153

HSL 270, 0.87%, 0.32%

LAB 24.74, 55.19, -60.59

 

CMYK 0 / 64 / 93 / 39

HEX #9B380A

RGB 155 56.2 10.6

HSL 18.95, 0.87%, 0.32%

LAB 37.55, 39.37, 45.33

 

CMYK 75 / 0 / 93 / 40

HEX #27990B

RGB 39 153 11

HSL 108.17, 0.87%, 0.32%

LAB 55.32, -54.57, 55.63

 

CMYK 93 / 28 / 0 / 40

HEX #0B6E99

RGB 11 110 153

HSL 198.17, 0.87%, 0.32%

LAB 43.54, -9.6, -30.51

 

CMYK 19 / 93 / 0 / 40

HEX #7C0B99

RGB 124 11 153

HSL 287.75, 0.87%, 0.32%

LAB 31.4, 60.87, -49.43

 

Description

Color code: RGB 155 56.2 10.6 | qconv.com Color code: RGB 155 56.2 10.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 56.2 green and 10.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 56.2 10.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 93 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 93% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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