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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 46 136 it is the complementary color RGB 100 209 119. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 46 136. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 46 136 shade: RGB 160 46 131, RGB 177 64 150, RGB 194 82 169, RGB 211 100 188 and RGB 228 118 207

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 46 136. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 46 136 shade: RGB 155 46 136, RGB 138 28 117, RGB 121 10 98, RGB 104 0 79 and RGB 87 0 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 46 136 shade: RGB 153 45 134, RGB 153 45 105, RGB 153 45 76, RGB 153 45 47 and RGB 153 45 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 46 136 shade: RGB 153 45 134, RGB 142 45 153, RGB 113 45 153, RGB 84 45 153 and RGB 56 45 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 46 136 shade matches the following richer shades: RGB 153 45 134, RGB 169 29 144 and RGB 185 13 155

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 46 136 shade: RGB 153 45 134, RGB 137 61 123, RGB 120 77 113, RGB 104 94 102 and RGB 88 110 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 46 136 shade: RGB 113 45 153, RGB 142 45 153, RGB 153 45 135, RGB 153 45 106 and RGB 153 45 77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 46 136 shade: RGB 89 26 78, RGB 121 36 106, RGB 153 45 134, RGB 184 55 162 and RGB 202 78 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 46 136 shade: RGB 155 46 136, RGB 153 85 45 and RGB 45 153 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 46 136 shade: RGB 155 46 136, RGB 135 153 45 and RGB 45 135 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 46 136 shade: RGB 155 46 136, RGB 153 85 45, RGB 45 153 63 and RGB 45 113 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 46 136 shade: RGB 155 46 136, RGB 153 117 45, RGB 45 153 63 and RGB 45 81 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 12 / 39

HEX #9B2E88

RGB 155 46 136

HSL 310.46, 0.54%, 0.39%

LAB 39.07, 54.66, -26.46

 

Complementary color

CMYK 52 / 0 / 43 / 18

HEX #64D177

RGB 100 209 119

HSL 130.46, 0.54%, 0.61%

LAB 75.85, -50.31, 35.27

 

CMYK 0 / 71 / 18 / 37

HEX #A02E83

RGB 160 46 131

HSL 315.26, 0.55%, 0.4%

LAB 39.69, 55.2, -22.36

 

CMYK 0 / 64 / 15 / 31

HEX #B14096

RGB 177 64 150

HSL 314.34, 0.47%, 0.47%

LAB 45.93, 55.42, -24.01

 

CMYK 0 / 58 / 13 / 24

HEX #C252A9

RGB 194 82 169

HSL 313.39, 0.48%, 0.54%

LAB 52.25, 55.19, -25.28

 

CMYK 0 / 53 / 11 / 17

HEX #D364BC

RGB 211 100 188

HSL 312.43, 0.56%, 0.61%

LAB 58.6, 54.71, -26.28

 

CMYK 0 / 48 / 9 / 11

HEX #E476CF

RGB 228 118 207

HSL 311.45, 0.67%, 0.68%

LAB 64.93, 54.09, -27.1

 

CMYK 0 / 70 / 12 / 39

HEX #9B2E88

RGB 155 46 136

HSL 310.46, 0.54%, 0.39%

LAB 39.07, 54.66, -26.46

 

CMYK 0 / 80 / 15 / 46

HEX #8A1C75

RGB 138 28 117

HSL 311.45, 0.66%, 0.33%

LAB 32.96, 53.7, -24.41

 

CMYK 0 / 92 / 19 / 53

HEX #790A62

RGB 121 10 98

HSL 312.43, 0.85%, 0.26%

LAB 27.2, 51.4, -21.45

 

CMYK 0 / 100 / 24 / 59

HEX #68004F

RGB 104 0 79

HSL 314.42, 1%, 0.2%

LAB 21.97, 47.1, -17.23

 

CMYK 0 / 100 / 31 / 66

HEX #57003C

RGB 87 0 60

HSL 318.62, 1%, 0.17%

LAB 17.24, 40.85, -11.73

 

CMYK 0 / 71 / 12 / 40

HEX #992D86

RGB 153 45 134

HSL 310.56, 0.55%, 0.39%

LAB 38.5, 54.22, -26.15

 

CMYK 0 / 71 / 31 / 40

HEX #992D69

RGB 153 45 105

HSL 326.67, 0.55%, 0.39%

LAB 37.24, 50.14, -9.99

 

CMYK 0 / 71 / 50 / 40

HEX #992D4C

RGB 153 45 76

HSL 342.78, 0.55%, 0.39%

LAB 36.31, 46.98, 7.14

 

CMYK 0 / 71 / 69 / 40

HEX #992D2F

RGB 153 45 47

HSL 358.89, 0.55%, 0.39%

LAB 35.7, 44.85, 24.78

 

CMYK 0 / 71 / 71 / 40

HEX #992D2D

RGB 153 45 45

HSL 0, 0.55%, 0.39%

LAB 35.67, 44.74, 25.97

 

CMYK 0 / 71 / 12 / 40

HEX #992D86

RGB 153 45 134

HSL 310.56, 0.55%, 0.39%

LAB 38.5, 54.22, -26.15

 

CMYK 7 / 71 / 0 / 40

HEX #8E2D99

RGB 142 45 153

HSL 293.89, 0.55%, 0.39%

LAB 37.71, 54.78, -39.12

 

CMYK 26 / 71 / 0 / 40

HEX #712D99

RGB 113 45 153

HSL 277.78, 0.55%, 0.39%

LAB 33.32, 48.27, -46.4

 

CMYK 45 / 71 / 0 / 40

HEX #542D99

RGB 84 45 153

HSL 261.67, 0.55%, 0.39%

LAB 29.57, 42.31, -52.67

 

CMYK 63 / 71 / 0 / 40

HEX #382D99

RGB 56 45 153

HSL 246.11, 0.55%, 0.39%

LAB 26.78, 37.58, -57.33

 

CMYK 0 / 71 / 12 / 40

HEX #992D86

RGB 153 45 134

HSL 310.56, 0.55%, 0.39%

LAB 38.5, 54.22, -26.15

 

CMYK 0 / 83 / 15 / 34

HEX #A91D90

RGB 169 29 144

HSL 310.71, 0.71%, 0.39%

LAB 40.13, 64.3, -29.53

 

CMYK 0 / 93 / 16 / 27

HEX #B90D9B

RGB 185 13 155

HSL 310.47, 0.87%, 0.39%

LAB 42.72, 71.77, -31.93

 

CMYK 0 / 71 / 12 / 40

HEX #992D86

RGB 153 45 134

HSL 310.56, 0.55%, 0.39%

LAB 38.5, 54.22, -26.15

 

CMYK 0 / 55 / 10 / 46

HEX #893D7B

RGB 137 61 123

HSL 311.05, 0.38%, 0.39%

LAB 38, 40.78, -20.34

 

CMYK 0 / 36 / 6 / 53

HEX #784D71

RGB 120 77 113

HSL 309.77, 0.22%, 0.39%

LAB 38.71, 24.27, -13.24

 

CMYK 0 / 10 / 2 / 59

HEX #685E66

RGB 104 94 102

HSL 312, 0.05%, 0.39%

LAB 41.07, 5.61, -3.1

 

CMYK 20 / 0 / 16 / 57

HEX #586E5C

RGB 88 110 92

HSL 130.91, 0.11%, 0.39%

LAB 44.23, -12.09, 7.38

 

CMYK 26 / 71 / 0 / 40

HEX #712D99

RGB 113 45 153

HSL 277.78, 0.55%, 0.39%

LAB 33.32, 48.27, -46.4

 

CMYK 7 / 71 / 0 / 40

HEX #8E2D99

RGB 142 45 153

HSL 293.89, 0.55%, 0.39%

LAB 37.71, 54.78, -39.12

 

CMYK 0 / 71 / 12 / 40

HEX #992D87

RGB 153 45 135

HSL 310, 0.55%, 0.39%

LAB 38.55, 54.38, -26.69

 

CMYK 0 / 71 / 31 / 40

HEX #992D6A

RGB 153 45 106

HSL 326.11, 0.55%, 0.39%

LAB 37.28, 50.26, -10.57

 

CMYK 0 / 71 / 50 / 40

HEX #992D4D

RGB 153 45 77

HSL 342.22, 0.55%, 0.39%

LAB 36.34, 47.08, 6.53

 

CMYK 0 / 71 / 12 / 65

HEX #591A4E

RGB 89 26 78

HSL 310.48, 0.55%, 0.23%

LAB 21.63, 35.39, -17.32

 

CMYK 0 / 70 / 12 / 53

HEX #79246A

RGB 121 36 106

HSL 310.59, 0.54%, 0.31%

LAB 30.32, 44.87, -21.75

 

CMYK 0 / 71 / 12 / 40

HEX #992D86

RGB 153 45 134

HSL 310.56, 0.55%, 0.39%

LAB 38.5, 54.22, -26.15

 

CMYK 0 / 70 / 12 / 28

HEX #B837A2

RGB 184 55 162

HSL 310.23, 0.54%, 0.47%

LAB 46.35, 62.56, -30.43

 

CMYK 0 / 61 / 11 / 21

HEX #CA4EB4

RGB 202 78 180

HSL 310.65, 0.54%, 0.55%

LAB 53.28, 60.86, -30.01

 

CMYK 0 / 70 / 12 / 39

HEX #9B2E88

RGB 155 46 136

HSL 310.46, 0.54%, 0.39%

LAB 39.07, 54.66, -26.46

 

CMYK 0 / 44 / 71 / 40

HEX #99552D

RGB 153 85 45

HSL 22.22, 0.55%, 0.39%

LAB 43.45, 24.7, 34.96

 

CMYK 71 / 0 / 16 / 40

HEX #2D9980

RGB 45 153 128

HSL 166.11, 0.55%, 0.39%

LAB 56.98, -36.37, 4.4

 

CMYK 0 / 70 / 12 / 39

HEX #9B2E88

RGB 155 46 136

HSL 310.46, 0.54%, 0.39%

LAB 39.07, 54.66, -26.46

 

CMYK 12 / 0 / 71 / 40

HEX #87992D

RGB 135 153 45

HSL 70, 0.55%, 0.39%

LAB 60, -21.26, 51.84

 

CMYK 71 / 12 / 0 / 40

HEX #2D8799

RGB 45 135 153

HSL 190, 0.55%, 0.39%

LAB 52.05, -20.16, -17.31

 

CMYK 0 / 70 / 12 / 39

HEX #9B2E88

RGB 155 46 136

HSL 310.46, 0.54%, 0.39%

LAB 39.07, 54.66, -26.46

 

CMYK 0 / 44 / 71 / 40

HEX #99552D

RGB 153 85 45

HSL 22.22, 0.55%, 0.39%

LAB 43.45, 24.7, 34.96

 

CMYK 71 / 0 / 59 / 40

HEX #2D993F

RGB 45 153 63

HSL 130, 0.55%, 0.39%

LAB 55.79, -49.38, 38.05

 

CMYK 71 / 26 / 0 / 40

HEX #2D7199

RGB 45 113 153

HSL 202.22, 0.55%, 0.39%

LAB 45.18, -7.82, -27.91

 

CMYK 0 / 70 / 12 / 39

HEX #9B2E88

RGB 155 46 136

HSL 310.46, 0.54%, 0.39%

LAB 39.07, 54.66, -26.46

 

CMYK 0 / 24 / 71 / 40

HEX #99752D

RGB 153 117 45

HSL 40, 0.55%, 0.39%

LAB 51.48, 6.4, 43.64

 

CMYK 71 / 0 / 59 / 40

HEX #2D993F

RGB 45 153 63

HSL 130, 0.55%, 0.39%

LAB 55.79, -49.38, 38.05

 

CMYK 71 / 47 / 0 / 40

HEX #2D5199

RGB 45 81 153

HSL 220, 0.55%, 0.39%

LAB 35.48, 12.34, -43.24

 

Description

Color code: RGB 155 46 136 | qconv.com Color code: RGB 155 46 136 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 46 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 46 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 12 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 12% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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