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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 26 158 it is the complementary color RGB 100 229 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 26 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 26 158 shade: RGB 160 26 153, RGB 177 44 172, RGB 194 62 191, RGB 211 80 210 and RGB 228 98 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 26 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 26 158 shade: RGB 155 26 158, RGB 138 8 139, RGB 121 0 120, RGB 104 0 101 and RGB 87 0 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 26 158 shade: RGB 154 25 157, RGB 157 25 125, RGB 157 25 89, RGB 157 25 53 and RGB 157 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 26 158 shade: RGB 154 25 157, RGB 119 25 157, RGB 83 25 157, RGB 47 25 157 and RGB 25 25 157

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 26 158 shade matches the following richer shades: RGB 154 25 157 and RGB 169 10 172

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 26 158 shade: RGB 154 25 157, RGB 140 40 143, RGB 126 55 128, RGB 112 70 113 and RGB 98 85 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 26 158 shade: RGB 82 25 157, RGB 118 25 157, RGB 153 25 157, RGB 157 25 127 and RGB 157 25 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 26 158 shade: RGB 85 14 86, RGB 120 19 122, RGB 154 25 157, RGB 189 31 193 and RGB 216 45 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 26 158 shade: RGB 155 26 158, RGB 157 47 25 and RGB 25 157 100

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 26 158 shade: RGB 155 26 158, RGB 157 153 25 and RGB 25 157 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 26 158 shade: RGB 155 26 158, RGB 157 47 25, RGB 30 157 25 and RGB 25 135 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 26 158 shade: RGB 155 26 158, RGB 157 87 25, RGB 30 157 25 and RGB 25 96 157

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 84 / 0 / 38

HEX #9B1A9E

RGB 155 26 158

HSL 298.64, 0.72%, 0.36%

LAB 38.16, 64.25, -41.31

 

Complementary color

CMYK 56 / 0 / 58 / 10

HEX #64E561

RGB 100 229 97

HSL 118.64, 0.72%, 0.64%

LAB 81.63, -60.95, 52.86

 

CMYK 0 / 84 / 4 / 37

HEX #A01A99

RGB 160 26 153

HSL 303.13, 0.72%, 0.36%

LAB 38.75, 64.44, -37.29

 

CMYK 0 / 75 / 3 / 31

HEX #B12CAC

RGB 177 44 172

HSL 302.26, 0.6%, 0.43%

LAB 44.41, 66.15, -39.51

 

CMYK 0 / 68 / 2 / 24

HEX #C23EBF

RGB 194 62 191

HSL 301.36, 0.52%, 0.5%

LAB 50.31, 66.94, -41.14

 

CMYK 0 / 62 / 0 / 17

HEX #D350D2

RGB 211 80 210

HSL 300.46, 0.6%, 0.57%

LAB 56.33, 67.16, -42.37

 

CMYK 0 / 57 / 0 / 10

HEX #E462E5

RGB 228 98 229

HSL 299.54, 0.72%, 0.64%

LAB 62.41, 67, -43.32

 

CMYK 2 / 84 / 0 / 38

HEX #9B1A9E

RGB 155 26 158

HSL 298.64, 0.72%, 0.36%

LAB 38.16, 64.25, -41.31

 

CMYK 1 / 94 / 0 / 45

HEX #8A088B

RGB 138 8 139

HSL 299.54, 0.89%, 0.29%

LAB 32.79, 61.26, -38.44

 

CMYK 0 / 100 / 1 / 53

HEX #790078

RGB 121 0 120

HSL 300.5, 1%, 0.24%

LAB 27.9, 56.45, -34.52

 

CMYK 0 / 100 / 3 / 59

HEX #680065

RGB 104 0 101

HSL 301.73, 1%, 0.2%

LAB 23.28, 50.34, -29.83

 

CMYK 0 / 100 / 6 / 66

HEX #570052

RGB 87 0 82

HSL 303.45, 1%, 0.17%

LAB 18.52, 44.05, -24.95

 

CMYK 2 / 84 / 0 / 38

HEX #9A199D

RGB 154 25 157

HSL 298.64, 0.73%, 0.36%

LAB 37.84, 64.12, -41.22

 

CMYK 0 / 84 / 20 / 38

HEX #9D197D

RGB 157 25 125

HSL 314.55, 0.73%, 0.36%

LAB 36.64, 60, -23.42

 

CMYK 0 / 84 / 43 / 38

HEX #9D1959

RGB 157 25 89

HSL 330.91, 0.73%, 0.36%

LAB 35.17, 55.83, -2.79

 

CMYK 0 / 84 / 66 / 38

HEX #9D1935

RGB 157 25 53

HSL 347.27, 0.73%, 0.36%

LAB 34.23, 53.05, 19.3

 

CMYK 0 / 84 / 84 / 38

HEX #9D1919

RGB 157 25 25

HSL 0, 0.73%, 0.36%

LAB 33.84, 51.88, 36.04

 

CMYK 2 / 84 / 0 / 38

HEX #9A199D

RGB 154 25 157

HSL 298.64, 0.73%, 0.36%

LAB 37.84, 64.12, -41.22

 

CMYK 24 / 84 / 0 / 38

HEX #77199D

RGB 119 25 157

HSL 282.73, 0.73%, 0.36%

LAB 31.92, 57.75, -51.06

 

CMYK 47 / 84 / 0 / 38

HEX #53199D

RGB 83 25 157

HSL 266.36, 0.73%, 0.36%

LAB 26.65, 52.23, -59.9

 

CMYK 70 / 84 / 0 / 38

HEX #2F199D

RGB 47 25 157

HSL 250, 0.73%, 0.36%

LAB 22.77, 48.34, -66.43

 

CMYK 84 / 84 / 0 / 38

HEX #19199D

RGB 25 25 157

HSL 240, 0.73%, 0.36%

LAB 21.34, 46.95, -68.84

 

CMYK 2 / 84 / 0 / 38

HEX #9A199D

RGB 154 25 157

HSL 298.64, 0.73%, 0.36%

LAB 37.84, 64.12, -41.22

 

CMYK 2 / 94 / 0 / 33

HEX #A90AAC

RGB 169 10 172

HSL 298.89, 0.89%, 0.36%

LAB 40.62, 71.6, -45.63

 

CMYK 2 / 84 / 0 / 38

HEX #9A199D

RGB 154 25 157

HSL 298.64, 0.73%, 0.36%

LAB 37.84, 64.12, -41.22

 

CMYK 2 / 72 / 0 / 44

HEX #8C288F

RGB 140 40 143

HSL 298.25, 0.56%, 0.36%

LAB 36.13, 54.4, -35.56

 

CMYK 2 / 57 / 0 / 50

HEX #7E3780

RGB 126 55 128

HSL 298.36, 0.4%, 0.36%

LAB 35.45, 41.44, -27.53

 

CMYK 1 / 38 / 0 / 56

HEX #704671

RGB 112 70 113

HSL 298.6, 0.23%, 0.36%

LAB 36.02, 25.59, -17.45

 

CMYK 0 / 13 / 0 / 62

HEX #625562

RGB 98 85 98

HSL 300, 0.07%, 0.36%

LAB 37.8, 7.95, -5.54

 

CMYK 48 / 84 / 0 / 38

HEX #52199D

RGB 82 25 157

HSL 265.91, 0.73%, 0.36%

LAB 26.52, 52.1, -60.12

 

CMYK 25 / 84 / 0 / 38

HEX #76199D

RGB 118 25 157

HSL 282.27, 0.73%, 0.36%

LAB 31.76, 57.58, -51.33

 

CMYK 3 / 84 / 0 / 38

HEX #99199D

RGB 153 25 157

HSL 298.18, 0.73%, 0.36%

LAB 37.67, 63.93, -41.51

 

CMYK 0 / 84 / 19 / 38

HEX #9D197F

RGB 157 25 127

HSL 313.64, 0.73%, 0.36%

LAB 36.74, 60.27, -24.52

 

CMYK 0 / 84 / 42 / 38

HEX #9D195B

RGB 157 25 91

HSL 330, 0.73%, 0.36%

LAB 35.24, 56.02, -3.98

 

CMYK 1 / 84 / 0 / 66

HEX #550E56

RGB 85 14 86

HSL 299.17, 0.72%, 0.2%

LAB 19.71, 40.44, -25.79

 

CMYK 2 / 84 / 0 / 52

HEX #78137A

RGB 120 19 122

HSL 298.83, 0.73%, 0.28%

LAB 29.07, 52.99, -33.94

 

CMYK 2 / 84 / 0 / 38

HEX #9A199D

RGB 154 25 157

HSL 298.64, 0.73%, 0.36%

LAB 37.84, 64.12, -41.22

 

CMYK 2 / 84 / 0 / 24

HEX #BD1FC1

RGB 189 31 193

HSL 298.52, 0.72%, 0.44%

LAB 46.51, 75.11, -48.39

 

CMYK 2 / 80 / 0 / 14

HEX #D82DDC

RGB 216 45 220

HSL 298.63, 0.71%, 0.52%

LAB 53.65, 81.17, -52.26

 

CMYK 2 / 84 / 0 / 38

HEX #9B1A9E

RGB 155 26 158

HSL 298.64, 0.72%, 0.36%

LAB 38.16, 64.25, -41.31

 

CMYK 0 / 70 / 84 / 38

HEX #9D2F19

RGB 157 47 25

HSL 10, 0.73%, 0.36%

LAB 36.5, 44.48, 38.52

 

CMYK 84 / 0 / 36 / 38

HEX #199D64

RGB 25 157 100

HSL 154.09, 0.73%, 0.36%

LAB 57.31, -47.25, 20.52

 

CMYK 2 / 84 / 0 / 38

HEX #9B1A9E

RGB 155 26 158

HSL 298.64, 0.72%, 0.36%

LAB 38.16, 64.25, -41.31

 

CMYK 0 / 3 / 84 / 38

HEX #9D9919

RGB 157 153 25

HSL 58.18, 0.73%, 0.36%

LAB 61.67, -12.43, 60.56

 

CMYK 84 / 0 / 3 / 38

HEX #199D99

RGB 25 157 153

HSL 178.18, 0.73%, 0.36%

LAB 58.62, -33.41, -7.45

 

CMYK 2 / 84 / 0 / 38

HEX #9B1A9E

RGB 155 26 158

HSL 298.64, 0.72%, 0.36%

LAB 38.16, 64.25, -41.31

 

CMYK 0 / 70 / 84 / 38

HEX #9D2F19

RGB 157 47 25

HSL 10, 0.73%, 0.36%

LAB 36.5, 44.48, 38.52

 

CMYK 81 / 0 / 84 / 38

HEX #1E9D19

RGB 30 157 25

HSL 117.73, 0.73%, 0.36%

LAB 56.55, -56.62, 53.61

 

CMYK 84 / 14 / 0 / 38

HEX #19879D

RGB 25 135 157

HSL 190, 0.73%, 0.36%

LAB 51.8, -21.15, -20.04

 

CMYK 2 / 84 / 0 / 38

HEX #9B1A9E

RGB 155 26 158

HSL 298.64, 0.72%, 0.36%

LAB 38.16, 64.25, -41.31

 

CMYK 0 / 45 / 84 / 38

HEX #9D5719

RGB 157 87 25

HSL 28.18, 0.73%, 0.36%

LAB 44.31, 24.42, 45.59

 

CMYK 81 / 0 / 84 / 38

HEX #1E9D19

RGB 30 157 25

HSL 117.73, 0.73%, 0.36%

LAB 56.55, -56.62, 53.61

 

CMYK 84 / 39 / 0 / 38

HEX #19609D

RGB 25 96 157

HSL 207.73, 0.73%, 0.36%

LAB 39.59, 1.58, -39.12

 

Description

Color code: RGB 155 26 158 | qconv.com Color code: RGB 155 26 158 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 26 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 26 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 84 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 84% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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