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Color name
RGB 155 24 9

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 24 9 it is the complementary color RGB 100 231 246. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 24 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 24 9 shade: RGB 160 24 4, RGB 177 42 23, RGB 194 60 42, RGB 211 78 61 and RGB 228 96 80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 24 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 24 9 shade: RGB 155 24 9, RGB 138 6 0, RGB 121 0 0, RGB 104 0 0 and RGB 87 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 24 9 shade: RGB 154 24 9 and RGB 154 9 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 24 9 shade: RGB 154 24 9, RGB 154 63 9, RGB 154 102 9, RGB 154 141 9 and RGB 128 154 9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 24 9 shade matches the following richer shades: RGB 154 24 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 24 9 shade: RGB 154 24 9, RGB 141 34 22, RGB 128 45 35, RGB 115 55 49 and RGB 101 66 62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 24 9 shade: RGB 154 9 72, RGB 154 9 33, RGB 154 24 9, RGB 154 62 9 and RGB 154 101 9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 24 9 shade: RGB 76 12 4, RGB 115 18 7, RGB 154 24 9, RGB 193 30 11 and RGB 232 36 14

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 24 9 shade: RGB 155 24 9, RGB 111 154 9 and RGB 9 53 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 24 9 shade: RGB 155 24 9, RGB 9 154 24 and RGB 24 9 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 24 9 shade: RGB 155 24 9, RGB 111 154 9, RGB 9 140 154 and RGB 53 9 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 24 9 shade: RGB 155 24 9, RGB 67 154 9, RGB 9 140 154 and RGB 96 9 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 94 / 39

HEX #9B1809

RGB 155 24 9

HSL 6.16, 0.89%, 0.32%

LAB 33.22, 51.21, 42.97

 

Complementary color

CMYK 59 / 6 / 0 / 4

HEX #64E7F6

RGB 100 231 246

HSL 186.16, 0.89%, 0.68%

LAB 85.26, -31.58, -18.1

 

CMYK 0 / 85 / 98 / 37

HEX #A01804

RGB 160 24 4

HSL 7.69, 0.95%, 0.32%

LAB 34.26, 52.62, 46.16

 

CMYK 0 / 76 / 87 / 31

HEX #B12A17

RGB 177 42 23

HSL 7.4, 0.77%, 0.39%

LAB 39.69, 52.9, 43.79

 

CMYK 0 / 69 / 78 / 24

HEX #C23C2A

RGB 194 60 42

HSL 7.11, 0.64%, 0.46%

LAB 45.45, 52.38, 40.71

 

CMYK 0 / 63 / 71 / 17

HEX #D34E3D

RGB 211 78 61

HSL 6.8, 0.63%, 0.53%

LAB 51.42, 51.44, 37.68

 

CMYK 0 / 58 / 65 / 11

HEX #E46050

RGB 228 96 80

HSL 6.49, 0.73%, 0.6%

LAB 57.5, 50.32, 34.96

 

CMYK 0 / 85 / 94 / 39

HEX #9B1809

RGB 155 24 9

HSL 6.16, 0.89%, 0.32%

LAB 33.22, 51.21, 42.97

 

CMYK 0 / 96 / 100 / 46

HEX #8A0600

RGB 138 6 0

HSL 2.61, 1%, 0.27%

LAB 28.2, 49.73, 41.3

 

CMYK 0 / 100 / 100 / 53

HEX #790000

RGB 121 0 0

HSL 0, 1%, 0.24%

LAB 23.89, 46.15, 35.9

 

CMYK 0 / 100 / 100 / 59

HEX #680000

RGB 104 0 0

HSL 0, 1%, 0.2%

LAB 19.81, 41.44, 30.34

 

CMYK 0 / 100 / 100 / 66

HEX #570000

RGB 87 0 0

HSL 0, 1%, 0.17%

LAB 15.62, 36.59, 24.31

 

CMYK 0 / 84 / 94 / 40

HEX #9A1809

RGB 154 24 9

HSL 6.21, 0.89%, 0.32%

LAB 33.01, 50.91, 42.73

 

CMYK 0 / 94 / 94 / 40

HEX #9A0909

RGB 154 9 9

HSL 0, 0.89%, 0.32%

LAB 32, 53.81, 42.07

 

CMYK 0 / 84 / 94 / 40

HEX #9A1809

RGB 154 24 9

HSL 6.21, 0.89%, 0.32%

LAB 33.01, 50.91, 42.73

 

CMYK 0 / 59 / 94 / 40

HEX #9A3F09

RGB 154 63 9

HSL 22.34, 0.89%, 0.32%

LAB 38.63, 35.65, 46.5

 

CMYK 0 / 34 / 94 / 40

HEX #9A6609

RGB 154 102 9

HSL 38.48, 0.89%, 0.32%

LAB 47.49, 14.16, 52.86

 

CMYK 0 / 8 / 94 / 40

HEX #9A8D09

RGB 154 141 9

HSL 54.62, 0.89%, 0.32%

LAB 57.98, -7.75, 60.74

 

CMYK 17 / 0 / 94 / 40

HEX #809A09

RGB 128 154 9

HSL 70.76, 0.89%, 0.32%

LAB 59.64, -26.13, 61.11

 

CMYK 0 / 84 / 94 / 40

HEX #9A1809

RGB 154 24 9

HSL 6.21, 0.89%, 0.32%

LAB 33.01, 50.91, 42.73

 

CMYK 0 / 84 / 94 / 40

HEX #9A1809

RGB 154 24 9

HSL 6.21, 0.89%, 0.32%

LAB 33.01, 50.91, 42.73

 

CMYK 0 / 76 / 84 / 45

HEX #8D2216

RGB 141 34 22

HSL 6.05, 0.73%, 0.32%

LAB 31.5, 44.01, 34.3

 

CMYK 0 / 65 / 73 / 50

HEX #802D23

RGB 128 45 35

HSL 6.45, 0.57%, 0.32%

LAB 30.85, 35.24, 25.27

 

CMYK 0 / 52 / 57 / 55

HEX #733731

RGB 115 55 49

HSL 5.45, 0.4%, 0.32%

LAB 30.88, 25.77, 16.01

 

CMYK 0 / 35 / 39 / 60

HEX #65423E

RGB 101 66 62

HSL 6.15, 0.24%, 0.32%

LAB 31.83, 14.62, 8.63

 

CMYK 0 / 94 / 53 / 40

HEX #9A0948

RGB 154 9 72

HSL 333.93, 0.89%, 0.32%

LAB 32.99, 56.57, 5.06

 

CMYK 0 / 94 / 79 / 40

HEX #9A0921

RGB 154 9 33

HSL 350.07, 0.89%, 0.32%

LAB 32.2, 54.38, 29.46

 

CMYK 0 / 84 / 94 / 40

HEX #9A1809

RGB 154 24 9

HSL 6.21, 0.89%, 0.32%

LAB 33.01, 50.91, 42.73

 

CMYK 0 / 60 / 94 / 40

HEX #9A3E09

RGB 154 62 9

HSL 21.93, 0.89%, 0.32%

LAB 38.44, 36.15, 46.37

 

CMYK 0 / 34 / 94 / 40

HEX #9A6509

RGB 154 101 9

HSL 38.07, 0.89%, 0.32%

LAB 47.23, 14.74, 52.68

 

CMYK 0 / 84 / 95 / 70

HEX #4C0C04

RGB 76 12 4

HSL 6.67, 0.9%, 0.16%

LAB 14.45, 29.1, 20.64

 

CMYK 0 / 84 / 94 / 55

HEX #731207

RGB 115 18 7

HSL 6.11, 0.89%, 0.24%

LAB 23.98, 40.47, 32.69

 

CMYK 0 / 84 / 94 / 40

HEX #9A1809

RGB 154 24 9

HSL 6.21, 0.89%, 0.32%

LAB 33.01, 50.91, 42.73

 

CMYK 0 / 84 / 94 / 24

HEX #C11E0B

RGB 193 30 11

HSL 6.26, 0.89%, 0.4%

LAB 41.67, 60.79, 51.47

 

CMYK 0 / 84 / 94 / 9

HEX #E8240E

RGB 232 36 14

HSL 6.06, 0.89%, 0.48%

LAB 50.04, 70.26, 59.51

 

CMYK 0 / 85 / 94 / 39

HEX #9B1809

RGB 155 24 9

HSL 6.16, 0.89%, 0.32%

LAB 33.22, 51.21, 42.97

 

CMYK 28 / 0 / 94 / 40

HEX #6F9A09

RGB 111 154 9

HSL 77.79, 0.89%, 0.32%

LAB 58.52, -33.22, 59.75

 

CMYK 94 / 66 / 0 / 40

HEX #09359A

RGB 9 53 154

HSL 221.79, 0.89%, 0.32%

LAB 26.56, 28.31, -58.4

 

CMYK 0 / 85 / 94 / 39

HEX #9B1809

RGB 155 24 9

HSL 6.16, 0.89%, 0.32%

LAB 33.22, 51.21, 42.97

 

CMYK 94 / 0 / 84 / 40

HEX #099A18

RGB 9 154 24

HSL 126.21, 0.89%, 0.32%

LAB 55.31, -57.72, 52.67

 

CMYK 84 / 94 / 0 / 40

HEX #18099A

RGB 24 9 154

HSL 246.21, 0.89%, 0.32%

LAB 18.9, 52.01, -71.07

 

CMYK 0 / 85 / 94 / 39

HEX #9B1809

RGB 155 24 9

HSL 6.16, 0.89%, 0.32%

LAB 33.22, 51.21, 42.97

 

CMYK 28 / 0 / 94 / 40

HEX #6F9A09

RGB 111 154 9

HSL 77.79, 0.89%, 0.32%

LAB 58.52, -33.22, 59.75

 

CMYK 94 / 9 / 0 / 40

HEX #098C9A

RGB 9 140 154

HSL 185.79, 0.89%, 0.32%

LAB 53.11, -25.76, -16.33

 

CMYK 66 / 94 / 0 / 40

HEX #35099A

RGB 53 9 154

HSL 258.21, 0.89%, 0.32%

LAB 21.15, 53.35, -67.26

 

CMYK 0 / 85 / 94 / 39

HEX #9B1809

RGB 155 24 9

HSL 6.16, 0.89%, 0.32%

LAB 33.22, 51.21, 42.97

 

CMYK 56 / 0 / 94 / 40

HEX #439A09

RGB 67 154 9

HSL 96, 0.89%, 0.32%

LAB 56.41, -48.56, 57.16

 

CMYK 94 / 9 / 0 / 40

HEX #098C9A

RGB 9 140 154

HSL 185.79, 0.89%, 0.32%

LAB 53.11, -25.76, -16.33

 

CMYK 38 / 94 / 0 / 40

HEX #60099A

RGB 96 9 154

HSL 276, 0.89%, 0.32%

LAB 26.78, 57.45, -57.78

 

Description

Color code: RGB 155 24 9 | qconv.com Color code: RGB 155 24 9 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 24 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 24 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 94 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 94% 39% C M Y K

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