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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 23 197 it is the complementary color RGB 100 232 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 23 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 23 197 shade: RGB 160 23 192, RGB 177 41 211, RGB 194 59 230, RGB 211 77 249 and RGB 228 95 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 23 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 23 197 shade: RGB 155 23 197, RGB 138 5 178, RGB 121 0 159, RGB 104 0 140 and RGB 87 0 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 23 197 shade: RGB 154 23 196, RGB 196 23 191, RGB 196 23 145, RGB 196 23 98 and RGB 196 23 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 23 197 shade: RGB 154 23 196, RGB 108 23 196, RGB 61 23 196 and RGB 23 23 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 23 197 shade matches the following richer shades: RGB 154 23 196 and RGB 164 5 214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 23 197 shade: RGB 154 23 196, RGB 145 41 179, RGB 136 59 161, RGB 127 76 143 and RGB 118 94 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 23 197 shade: RGB 61 23 196, RGB 107 23 196, RGB 153 23 196, RGB 196 23 193 and RGB 196 23 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 23 197 shade: RGB 96 14 122, RGB 125 19 159, RGB 154 23 196, RGB 181 32 229 and RGB 193 69 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 23 197 shade: RGB 155 23 197, RGB 196 23 32 and RGB 23 196 84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 23 197 shade: RGB 155 23 197, RGB 196 153 23 and RGB 23 196 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 23 197 shade: RGB 155 23 197, RGB 196 23 32, RGB 66 196 23 and RGB 23 196 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 23 197 shade: RGB 155 23 197, RGB 196 66 23, RGB 66 196 23 and RGB 23 153 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 88 / 0 / 23

HEX #9B17C5

RGB 155 23 197

HSL 285.52, 0.79%, 0.43%

LAB 40.59, 71.66, -60.54

 

Complementary color

CMYK 57 / 0 / 75 / 9

HEX #64E83A

RGB 100 232 58

HSL 105.52, 0.79%, 0.57%

LAB 82.23, -65.46, 68.69

 

CMYK 17 / 88 / 0 / 25

HEX #A017C0

RGB 160 23 192

HSL 288.64, 0.79%, 0.42%

LAB 41.04, 71.54, -56.85

 

CMYK 16 / 81 / 0 / 17

HEX #B129D3

RGB 177 41 211

HSL 288, 0.67%, 0.49%

LAB 46.49, 73.63, -58.94

 

CMYK 16 / 74 / 0 / 10

HEX #C23BE6

RGB 194 59 230

HSL 287.37, 0.77%, 0.57%

LAB 52.19, 74.74, -60.45

 

CMYK 15 / 69 / 0 / 2

HEX #D34DF9

RGB 211 77 249

HSL 286.74, 0.93%, 0.64%

LAB 58.03, 75.2, -61.56

 

CMYK 11 / 63 / 0 / 0

HEX #E45FFF

RGB 228 95 255

HSL 289.88, 1%, 0.69%

LAB 63.26, 72.83, -56.39

 

CMYK 21 / 88 / 0 / 23

HEX #9B17C5

RGB 155 23 197

HSL 285.52, 0.79%, 0.43%

LAB 40.59, 71.66, -60.54

 

CMYK 22 / 97 / 0 / 30

HEX #8A05B2

RGB 138 5 178

HSL 286.13, 0.95%, 0.36%

LAB 35.45, 68.36, -57.83

 

CMYK 24 / 100 / 0 / 38

HEX #79009F

RGB 121 0 159

HSL 285.66, 1%, 0.31%

LAB 30.8, 63.22, -54.09

 

CMYK 26 / 100 / 0 / 45

HEX #68008C

RGB 104 0 140

HSL 284.57, 1%, 0.27%

LAB 26.26, 57.3, -49.92

 

CMYK 28 / 100 / 0 / 53

HEX #570079

RGB 87 0 121

HSL 283.14, 1%, 0.24%

LAB 21.6, 51.24, -45.65

 

CMYK 21 / 88 / 0 / 23

HEX #9A17C4

RGB 154 23 196

HSL 285.43, 0.79%, 0.43%

LAB 40.36, 71.33, -60.35

 

CMYK 0 / 88 / 3 / 23

HEX #C417BF

RGB 196 23 191

HSL 301.73, 0.79%, 0.43%

LAB 47.12, 77.49, -46.18

 

CMYK 0 / 88 / 26 / 23

HEX #C41791

RGB 196 23 145

HSL 317.69, 0.79%, 0.43%

LAB 44.79, 71.38, -22.49

 

CMYK 0 / 88 / 50 / 23

HEX #C41762

RGB 196 23 98

HSL 333.99, 0.79%, 0.43%

LAB 43.11, 66.76, 4

 

CMYK 0 / 88 / 74 / 23

HEX #C41733

RGB 196 23 51

HSL 350.29, 0.79%, 0.43%

LAB 42.14, 63.99, 32.05

 

CMYK 21 / 88 / 0 / 23

HEX #9A17C4

RGB 154 23 196

HSL 285.43, 0.79%, 0.43%

LAB 40.36, 71.33, -60.35

 

CMYK 45 / 88 / 0 / 23

HEX #6C17C4

RGB 108 23 196

HSL 269.48, 0.79%, 0.43%

LAB 33.53, 65.16, -71.78

 

CMYK 69 / 88 / 0 / 23

HEX #3D17C4

RGB 61 23 196

HSL 253.18, 0.79%, 0.43%

LAB 28.35, 61, -80.52

 

CMYK 88 / 88 / 0 / 23

HEX #1717C4

RGB 23 23 196

HSL 240, 0.79%, 0.43%

LAB 26.1, 59.38, -84.33

 

CMYK 21 / 88 / 0 / 23

HEX #9A17C4

RGB 154 23 196

HSL 285.43, 0.79%, 0.43%

LAB 40.36, 71.33, -60.35

 

CMYK 23 / 98 / 0 / 16

HEX #A405D6

RGB 164 5 214

HSL 285.65, 0.95%, 0.43%

LAB 42.55, 78.36, -67.16

 

CMYK 21 / 88 / 0 / 23

HEX #9A17C4

RGB 154 23 196

HSL 285.43, 0.79%, 0.43%

LAB 40.36, 71.33, -60.35

 

CMYK 19 / 77 / 0 / 30

HEX #9129B3

RGB 145 41 179

HSL 285.22, 0.63%, 0.43%

LAB 39.34, 61.82, -52.06

 

CMYK 16 / 63 / 0 / 37

HEX #883BA1

RGB 136 59 161

HSL 285.29, 0.46%, 0.43%

LAB 39.47, 48.83, -41.2

 

CMYK 11 / 47 / 0 / 44

HEX #7F4C8F

RGB 127 76 143

HSL 285.67, 0.31%, 0.43%

LAB 40.68, 33.46, -28.52

 

CMYK 6 / 25 / 0 / 51

HEX #765E7D

RGB 118 94 125

HSL 286.45, 0.14%, 0.43%

LAB 43.27, 15.79, -13.69

 

CMYK 69 / 88 / 0 / 23

HEX #3D17C4

RGB 61 23 196

HSL 253.18, 0.79%, 0.43%

LAB 28.35, 61, -80.52

 

CMYK 45 / 88 / 0 / 23

HEX #6B17C4

RGB 107 23 196

HSL 269.13, 0.79%, 0.43%

LAB 33.4, 65.04, -72.01

 

CMYK 22 / 88 / 0 / 23

HEX #9917C4

RGB 153 23 196

HSL 285.09, 0.79%, 0.43%

LAB 40.2, 71.17, -60.62

 

CMYK 0 / 88 / 2 / 23

HEX #C417C1

RGB 196 23 193

HSL 301.04, 0.79%, 0.43%

LAB 47.23, 77.78, -47.16

 

CMYK 0 / 88 / 25 / 23

HEX #C41793

RGB 196 23 147

HSL 316.99, 0.79%, 0.43%

LAB 44.88, 71.62, -23.57

 

CMYK 21 / 89 / 0 / 52

HEX #600E7A

RGB 96 14 122

HSL 285.56, 0.79%, 0.27%

LAB 24.34, 49.66, -41.77

 

CMYK 21 / 88 / 0 / 38

HEX #7D139F

RGB 125 19 159

HSL 285.43, 0.79%, 0.35%

LAB 32.54, 60.65, -51.22

 

CMYK 21 / 88 / 0 / 23

HEX #9A17C4

RGB 154 23 196

HSL 285.43, 0.79%, 0.43%

LAB 40.36, 71.33, -60.35

 

CMYK 21 / 86 / 0 / 10

HEX #B520E5

RGB 181 32 229

HSL 285.38, 0.79%, 0.51%

LAB 47.64, 79.63, -67.33

 

CMYK 17 / 70 / 0 / 9

HEX #C145E9

RGB 193 69 233

HSL 285.37, 0.79%, 0.59%

LAB 53.47, 71.57, -60.09

 

CMYK 21 / 88 / 0 / 23

HEX #9B17C5

RGB 155 23 197

HSL 285.52, 0.79%, 0.43%

LAB 40.59, 71.66, -60.54

 

CMYK 0 / 88 / 84 / 23

HEX #C41720

RGB 196 23 32

HSL 356.88, 0.79%, 0.43%

LAB 41.93, 63.38, 42.72

 

CMYK 88 / 0 / 57 / 23

HEX #17C454

RGB 23 196 84

HSL 141.16, 0.79%, 0.43%

LAB 69.68, -63.77, 44.38

 

CMYK 21 / 88 / 0 / 23

HEX #9B17C5

RGB 155 23 197

HSL 285.52, 0.79%, 0.43%

LAB 40.59, 71.66, -60.54

 

CMYK 0 / 22 / 88 / 23

HEX #C49917

RGB 196 153 23

HSL 45.09, 0.79%, 0.43%

LAB 65.42, 5.06, 65.66

 

CMYK 88 / 0 / 22 / 23

HEX #17C499

RGB 23 196 153

HSL 165.09, 0.79%, 0.43%

LAB 70.84, -50.41, 10.33

 

CMYK 21 / 88 / 0 / 23

HEX #9B17C5

RGB 155 23 197

HSL 285.52, 0.79%, 0.43%

LAB 40.59, 71.66, -60.54

 

CMYK 0 / 88 / 84 / 23

HEX #C41720

RGB 196 23 32

HSL 356.88, 0.79%, 0.43%

LAB 41.93, 63.38, 42.72

 

CMYK 66 / 0 / 88 / 23

HEX #42C417

RGB 66 196 23

HSL 105.09, 0.79%, 0.43%

LAB 69.97, -62.89, 66.23

 

CMYK 88 / 0 / 4 / 23

HEX #17C4BC

RGB 23 196 188

HSL 177.23, 0.79%, 0.43%

LAB 71.75, -40.98, -7.4

 

CMYK 21 / 88 / 0 / 23

HEX #9B17C5

RGB 155 23 197

HSL 285.52, 0.79%, 0.43%

LAB 40.59, 71.66, -60.54

 

CMYK 0 / 66 / 88 / 23

HEX #C44217

RGB 196 66 23

HSL 14.91, 0.79%, 0.43%

LAB 46.57, 50.09, 50.82

 

CMYK 66 / 0 / 88 / 23

HEX #42C417

RGB 66 196 23

HSL 105.09, 0.79%, 0.43%

LAB 69.97, -62.89, 66.23

 

CMYK 88 / 22 / 0 / 23

HEX #1799C4

RGB 23 153 196

HSL 194.91, 0.79%, 0.43%

LAB 58.93, -17.33, -31.32

 

Description

Color code: RGB 155 23 197 | qconv.com Color code: RGB 155 23 197 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 23 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 23 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 88 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 88% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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