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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 220 250 it is the complementary color RGB 100 35 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 220 250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 220 250 shade: RGB 160 220 245, RGB 177 238 255, RGB 194 255 255, RGB 211 255 255 and RGB 228 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 220 250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 220 250 shade: RGB 155 220 250, RGB 138 202 231, RGB 121 184 212, RGB 104 166 193 and RGB 87 148 174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 220 250 shade: RGB 153 219 250, RGB 153 193 250, RGB 153 167 250, RGB 165 153 250 and RGB 191 153 250

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 220 250 shade: RGB 153 219 250, RGB 153 193 250, RGB 153 167 250 and RGB 153 153 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 220 250 shade matches the following richer shades: RGB 153 219 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 220 250 shade: RGB 153 219 250, RGB 162 216 241, RGB 171 213 232, RGB 179 210 224 and RGB 188 206 215

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 220 250 shade: RGB 153 250 227, RGB 153 246 250, RGB 153 221 250, RGB 153 195 250 and RGB 153 169 250

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 220 250 shade: RGB 75 192 246, RGB 114 205 248, RGB 153 219 250, RGB 192 233 252 and RGB 232 247 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 220 250 shade: RGB 155 220 250, RGB 201 153 250 and RGB 250 240 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 220 250 shade: RGB 155 220 250, RGB 250 153 221 and RGB 221 250 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 220 250 shade: RGB 155 220 250, RGB 201 153 250, RGB 250 182 153 and RGB 201 250 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 220 250 shade: RGB 155 220 250, RGB 230 153 250, RGB 250 182 153 and RGB 173 250 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 12 / 0 / 2

HEX #9BDCFA

RGB 155 220 250

HSL 198.95, 0.9%, 0.79%

LAB 84.51, -13.17, -21.13

 

Complementary color

CMYK 0 / 65 / 95 / 61

HEX #642305

RGB 100 35 5

HSL 18.95, 0.9%, 0.21%

LAB 23.41, 27.91, 31.92

 

CMYK 35 / 10 / 0 / 4

HEX #A0DCF5

RGB 160 220 245

HSL 197.65, 0.81%, 0.79%

LAB 84.61, -13.09, -18.31

 

CMYK 31 / 7 / 0 / 0

HEX #B1EEFF

RGB 177 238 255

HSL 193.08, 1%, 0.85%

LAB 90.65, -15.25, -14.4

 

CMYK 24 / 0 / 0 / 0

HEX #C2FFFF

RGB 194 255 255

HSL 180, 1%, 0.88%

LAB 96.08, -18.92, -6.22

 

CMYK 17 / 0 / 0 / 0

HEX #D3FFFF

RGB 211 255 255

HSL 180, 1%, 0.91%

LAB 97.06, -13.92, -4.67

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 38 / 12 / 0 / 2

HEX #9BDCFA

RGB 155 220 250

HSL 198.95, 0.9%, 0.79%

LAB 84.51, -13.17, -21.13

 

CMYK 40 / 13 / 0 / 9

HEX #8ACAE7

RGB 138 202 231

HSL 198.71, 0.66%, 0.72%

LAB 78.12, -13.05, -20.78

 

CMYK 43 / 13 / 0 / 17

HEX #79B8D4

RGB 121 184 212

HSL 198.46, 0.51%, 0.65%

LAB 71.62, -12.9, -20.43

 

CMYK 46 / 14 / 0 / 24

HEX #68A6C1

RGB 104 166 193

HSL 198.2, 0.42%, 0.58%

LAB 65.01, -12.71, -20.08

 

CMYK 50 / 15 / 0 / 32

HEX #5794AE

RGB 87 148 174

HSL 197.93, 0.35%, 0.51%

LAB 58.28, -12.45, -19.72

 

CMYK 39 / 12 / 0 / 2

HEX #99DBFA

RGB 153 219 250

HSL 199.18, 0.91%, 0.79%

LAB 84.14, -13.17, -21.7

 

CMYK 39 / 23 / 0 / 2

HEX #99C1FA

RGB 153 193 250

HSL 215.26, 0.91%, 0.79%

LAB 77.17, 0.58, -32.36

 

CMYK 39 / 33 / 0 / 2

HEX #99A7FA

RGB 153 167 250

HSL 231.34, 0.91%, 0.79%

LAB 70.39, 15.02, -42.88

 

CMYK 34 / 39 / 0 / 2

HEX #A599FA

RGB 165 153 250

HSL 247.42, 0.91%, 0.79%

LAB 67.79, 26.12, -46.91

 

CMYK 24 / 39 / 0 / 2

HEX #BF99FA

RGB 191 153 250

HSL 263.51, 0.91%, 0.79%

LAB 70.01, 33.26, -43.27

 

CMYK 39 / 12 / 0 / 2

HEX #99DBFA

RGB 153 219 250

HSL 199.18, 0.91%, 0.79%

LAB 84.14, -13.17, -21.7

 

CMYK 39 / 23 / 0 / 2

HEX #99C1FA

RGB 153 193 250

HSL 215.26, 0.91%, 0.79%

LAB 77.17, 0.58, -32.36

 

CMYK 39 / 33 / 0 / 2

HEX #99A7FA

RGB 153 167 250

HSL 231.34, 0.91%, 0.79%

LAB 70.39, 15.02, -42.88

 

CMYK 39 / 39 / 0 / 2

HEX #9999FA

RGB 153 153 250

HSL 240, 0.91%, 0.79%

LAB 66.87, 22.99, -48.42

 

CMYK 39 / 12 / 0 / 2

HEX #99DBFA

RGB 153 219 250

HSL 199.18, 0.91%, 0.79%

LAB 84.14, -13.17, -21.7

 

CMYK 39 / 12 / 0 / 2

HEX #99DBFA

RGB 153 219 250

HSL 199.18, 0.91%, 0.79%

LAB 84.14, -13.17, -21.7

 

CMYK 33 / 10 / 0 / 5

HEX #A2D8F1

RGB 162 216 241

HSL 198.99, 0.74%, 0.79%

LAB 83.52, -11.46, -17.83

 

CMYK 26 / 8 / 0 / 9

HEX #ABD5E8

RGB 171 213 232

HSL 198.69, 0.57%, 0.79%

LAB 82.95, -9.47, -13.85

 

CMYK 20 / 6 / 0 / 12

HEX #B3D2E0

RGB 179 210 224

HSL 198.67, 0.42%, 0.79%

LAB 82.41, -7.29, -10.35

 

CMYK 13 / 4 / 0 / 16

HEX #BCCED7

RGB 188 206 215

HSL 200, 0.25%, 0.79%

LAB 81.7, -4.26, -6.54

 

CMYK 39 / 0 / 9 / 2

HEX #99FAE3

RGB 153 250 227

HSL 165.77, 0.91%, 0.79%

LAB 91.99, -33.76, 2.02

 

CMYK 39 / 2 / 0 / 2

HEX #99F6FA

RGB 153 246 250

HSL 182.47, 0.91%, 0.79%

LAB 91.5, -26.6, -10.65

 

CMYK 39 / 12 / 0 / 2

HEX #99DDFA

RGB 153 221 250

HSL 197.94, 0.91%, 0.79%

LAB 84.68, -14.19, -20.88

 

CMYK 39 / 22 / 0 / 2

HEX #99C3FA

RGB 153 195 250

HSL 214.02, 0.91%, 0.79%

LAB 77.7, -0.5, -31.54

 

CMYK 39 / 32 / 0 / 2

HEX #99A9FA

RGB 153 169 250

HSL 230.1, 0.91%, 0.79%

LAB 70.91, 13.89, -42.08

 

CMYK 70 / 22 / 0 / 4

HEX #4BC0F6

RGB 75 192 246

HSL 198.95, 0.9%, 0.63%

LAB 73.45, -15.96, -36.23

 

CMYK 54 / 17 / 0 / 3

HEX #72CDF8

RGB 114 205 248

HSL 199.25, 0.91%, 0.71%

LAB 78.47, -15.46, -29.44

 

CMYK 39 / 12 / 0 / 2

HEX #99DBFA

RGB 153 219 250

HSL 199.18, 0.91%, 0.79%

LAB 84.14, -13.17, -21.7

 

CMYK 24 / 8 / 0 / 1

HEX #C0E9FC

RGB 192 233 252

HSL 199, 0.91%, 0.87%

LAB 90.1, -9.14, -13.57

 

CMYK 9 / 3 / 0 / 0

HEX #E8F7FE

RGB 232 247 254

HSL 199.09, 0.92%, 0.95%

LAB 96.34, -3.59, -5.05

 

CMYK 38 / 12 / 0 / 2

HEX #9BDCFA

RGB 155 220 250

HSL 198.95, 0.9%, 0.79%

LAB 84.51, -13.17, -21.13

 

CMYK 20 / 39 / 0 / 2

HEX #C999FA

RGB 201 153 250

HSL 269.69, 0.91%, 0.79%

LAB 70.94, 36.11, -41.74

 

CMYK 0 / 4 / 39 / 2

HEX #FAF099

RGB 250 240 153

HSL 53.81, 0.91%, 0.79%

LAB 93.86, -8.77, 43.24

 

CMYK 38 / 12 / 0 / 2

HEX #9BDCFA

RGB 155 220 250

HSL 198.95, 0.9%, 0.79%

LAB 84.51, -13.17, -21.13

 

CMYK 0 / 39 / 12 / 2

HEX #FA99DD

RGB 250 153 221

HSL 317.94, 0.91%, 0.79%

LAB 75.03, 45.57, -19.18

 

CMYK 12 / 0 / 39 / 2

HEX #DDFA99

RGB 221 250 153

HSL 77.94, 0.91%, 0.79%

LAB 94.33, -24.56, 43.41

 

CMYK 38 / 12 / 0 / 2

HEX #9BDCFA

RGB 155 220 250

HSL 198.95, 0.9%, 0.79%

LAB 84.51, -13.17, -21.13

 

CMYK 20 / 39 / 0 / 2

HEX #C999FA

RGB 201 153 250

HSL 269.69, 0.91%, 0.79%

LAB 70.94, 36.11, -41.74

 

CMYK 0 / 27 / 39 / 2

HEX #FAB699

RGB 250 182 153

HSL 17.94, 0.91%, 0.79%

LAB 79.66, 21.08, 24.49

 

CMYK 20 / 0 / 39 / 2

HEX #C9FA99

RGB 201 250 153

HSL 90.31, 0.91%, 0.79%

LAB 93.05, -31.76, 41.52

 

CMYK 38 / 12 / 0 / 2

HEX #9BDCFA

RGB 155 220 250

HSL 198.95, 0.9%, 0.79%

LAB 84.51, -13.17, -21.13

 

CMYK 8 / 39 / 0 / 2

HEX #E699FA

RGB 230 153 250

HSL 287.63, 0.91%, 0.79%

LAB 73.87, 44.56, -36.95

 

CMYK 0 / 27 / 39 / 2

HEX #FAB699

RGB 250 182 153

HSL 17.94, 0.91%, 0.79%

LAB 79.66, 21.08, 24.49

 

CMYK 31 / 0 / 39 / 2

HEX #ADFA99

RGB 173 250 153

HSL 107.63, 0.91%, 0.79%

LAB 91.48, -41.23, 39.18

 

Description

Color code: RGB 155 220 250 | qconv.com Color code: RGB 155 220 250 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 220 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 220 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 12 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 12% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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