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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 20.2 62.6 it is the complementary color RGB 100 234.8 192.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 20.2 62.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 20.2 62.6 shade: RGB 160 20.2 57.6, RGB 177 38.2 76.6, RGB 194 56.2 95.6, RGB 211 74.2 114.6 and RGB 228 92.2 133.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 20.2 62.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 20.2 62.6 shade: RGB 155 20.2 62.6, RGB 138 2.2 43.6, RGB 121 0 24.6, RGB 104 0 5.6 and RGB 87 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 20.2 62.6 shade: RGB 153 20 62, RGB 153 20 26 and RGB 153 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 20.2 62.6 shade: RGB 153 20 62, RGB 153 20 98, RGB 153 20 134, RGB 137 20 153 and RGB 101 20 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 20.2 62.6 shade matches the following richer shades: RGB 153 20 62 and RGB 167 6 57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 20.2 62.6 shade: RGB 153 20 62, RGB 139 34 67, RGB 125 48 72, RGB 111 62 78 and RGB 97 76 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 20.2 62.6 shade: RGB 153 20 133, RGB 153 20 98, RGB 153 20 62, RGB 153 20 27 and RGB 153 49 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 20.2 62.6 shade: RGB 80 10 32, RGB 117 15 47, RGB 153 20 62, RGB 190 25 77 and RGB 226 30 92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 20.2 62.6 shade: RGB 155 20.2 62.6, RGB 153 138 20 and RGB 20 116 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 20.2 62.6 shade: RGB 155 20.2 62.6, RGB 62 153 20 and RGB 20 62 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 20.2 62.6 shade: RGB 155 20.2 62.6, RGB 153 138 20, RGB 20 153 111 and RGB 20 36 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 20.2 62.6 shade: RGB 155 20.2 62.6, RGB 129 153 20, RGB 20 153 111 and RGB 44 20 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 60 / 39

HEX #9B143E

RGB 155 20.2 62.6

HSL 341.13, 0.77%, 0.34%

LAB 33.63, 54.22, 12.16

 

Complementary color

CMYK 57 / 0 / 18 / 8

HEX #64EAC0

RGB 100 234.8 192.4

HSL 161.13, 0.77%, 0.66%

LAB 84.91, -46.82, 9.59

 

CMYK 0 / 87 / 64 / 37

HEX #A01439

RGB 160 20.2 57.6

HSL 343.95, 0.78%, 0.35%

LAB 34.56, 55.25, 16.87

 

CMYK 0 / 78 / 57 / 31

HEX #B1264C

RGB 177 38.2 76.6

HSL 343.4, 0.64%, 0.42%

LAB 40.04, 56.61, 12.64

 

CMYK 0 / 71 / 51 / 24

HEX #C2385F

RGB 194 56.2 95.6

HSL 342.84, 0.55%, 0.49%

LAB 45.84, 57.02, 9.33

 

CMYK 0 / 65 / 46 / 17

HEX #D34A72

RGB 211 74.2 114.6

HSL 342.28, 0.61%, 0.56%

LAB 51.84, 56.86, 6.69

 

CMYK 0 / 60 / 41 / 11

HEX #E45C85

RGB 228 92.2 133.6

HSL 341.71, 0.72%, 0.63%

LAB 57.94, 56.36, 4.53

 

CMYK 0 / 87 / 60 / 39

HEX #9B143E

RGB 155 20.2 62.6

HSL 341.13, 0.77%, 0.34%

LAB 33.63, 54.22, 12.16

 

CMYK 0 / 98 / 68 / 46

HEX #8A022B

RGB 138 2.2 43.6

HSL 341.71, 0.97%, 0.27%

LAB 28.46, 51.68, 17.25

 

CMYK 0 / 100 / 80 / 53

HEX #790018

RGB 121 0 24.6

HSL 347.8, 1%, 0.24%

LAB 24.11, 46.76, 23.79

 

CMYK 0 / 100 / 95 / 59

HEX #680005

RGB 104 0 5.6

HSL 356.77, 1%, 0.2%

LAB 19.86, 41.58, 28.12

 

CMYK 0 / 100 / 100 / 66

HEX #570000

RGB 87 0 0

HSL 0, 1%, 0.17%

LAB 15.62, 36.59, 24.31

 

CMYK 0 / 87 / 59 / 40

HEX #99143E

RGB 153 20 62

HSL 341.05, 0.77%, 0.34%

LAB 33.18, 53.68, 11.87

 

CMYK 0 / 87 / 83 / 40

HEX #99141A

RGB 153 20 26

HSL 357.29, 0.77%, 0.34%

LAB 32.58, 51.93, 33.98

 

CMYK 0 / 87 / 87 / 40

HEX #991414

RGB 153 20 20

HSL 0, 0.77%, 0.34%

LAB 32.53, 51.77, 37.24

 

CMYK 0 / 87 / 59 / 40

HEX #99143E

RGB 153 20 62

HSL 341.05, 0.77%, 0.34%

LAB 33.18, 53.68, 11.87

 

CMYK 0 / 87 / 36 / 40

HEX #991462

RGB 153 20 98

HSL 324.81, 0.77%, 0.34%

LAB 34.3, 56.89, -9.97

 

CMYK 0 / 87 / 12 / 40

HEX #991486

RGB 153 20 134

HSL 308.57, 0.77%, 0.34%

LAB 35.97, 61.46, -30.12

 

CMYK 10 / 87 / 0 / 40

HEX #891499

RGB 137 20 153

HSL 292.78, 0.77%, 0.34%

LAB 34.23, 61.38, -44.75

 

CMYK 34 / 87 / 0 / 40

HEX #651499

RGB 101 20 153

HSL 276.54, 0.77%, 0.34%

LAB 28.29, 55.42, -54.66

 

CMYK 0 / 87 / 59 / 40

HEX #99143E

RGB 153 20 62

HSL 341.05, 0.77%, 0.34%

LAB 33.18, 53.68, 11.87

 

CMYK 0 / 96 / 66 / 35

HEX #A70639

RGB 167 6 57

HSL 340.99, 0.93%, 0.34%

LAB 35.28, 59.22, 18.48

 

CMYK 0 / 87 / 59 / 40

HEX #99143E

RGB 153 20 62

HSL 341.05, 0.77%, 0.34%

LAB 33.18, 53.68, 11.87

 

CMYK 0 / 76 / 52 / 45

HEX #8B2243

RGB 139 34 67

HSL 341.14, 0.61%, 0.34%

LAB 31.89, 46, 6.37

 

CMYK 0 / 62 / 42 / 51

HEX #7D3048

RGB 125 48 72

HSL 341.3, 0.45%, 0.34%

LAB 31.67, 35.82, 2.43

 

CMYK 0 / 44 / 30 / 56

HEX #6F3E4E

RGB 111 62 78

HSL 340.41, 0.28%, 0.34%

LAB 32.65, 23.6, -0.32

 

CMYK 0 / 22 / 14 / 62

HEX #614C53

RGB 97 76 83

HSL 340, 0.12%, 0.34%

LAB 34.67, 10.12, -0.76

 

CMYK 0 / 87 / 13 / 40

HEX #991485

RGB 153 20 133

HSL 309.02, 0.77%, 0.34%

LAB 35.92, 61.31, -29.58

 

CMYK 0 / 87 / 36 / 40

HEX #991462

RGB 153 20 98

HSL 324.81, 0.77%, 0.34%

LAB 34.3, 56.89, -9.97

 

CMYK 0 / 87 / 59 / 40

HEX #99143E

RGB 153 20 62

HSL 341.05, 0.77%, 0.34%

LAB 33.18, 53.68, 11.87

 

CMYK 0 / 87 / 82 / 40

HEX #99141B

RGB 153 20 27

HSL 356.84, 0.77%, 0.34%

LAB 32.59, 51.96, 33.41

 

CMYK 0 / 68 / 87 / 40

HEX #993114

RGB 153 49 20

HSL 13.08, 0.77%, 0.34%

LAB 36.02, 42.08, 40.24

 

CMYK 0 / 88 / 60 / 69

HEX #500A20

RGB 80 10 32

HSL 341.14, 0.78%, 0.18%

LAB 15.63, 32.79, 5.91

 

CMYK 0 / 87 / 60 / 54

HEX #750F2F

RGB 117 15 47

HSL 341.18, 0.77%, 0.26%

LAB 24.73, 43.75, 9.14

 

CMYK 0 / 87 / 59 / 40

HEX #99143E

RGB 153 20 62

HSL 341.05, 0.77%, 0.34%

LAB 33.18, 53.68, 11.87

 

CMYK 0 / 87 / 59 / 25

HEX #BE194D

RGB 190 25 77

HSL 341.09, 0.77%, 0.42%

LAB 41.5, 63.39, 14.8

 

CMYK 0 / 87 / 59 / 11

HEX #E21E5C

RGB 226 30 92

HSL 341.02, 0.77%, 0.5%

LAB 49.34, 72.47, 17.31

 

CMYK 0 / 87 / 60 / 39

HEX #9B143E

RGB 155 20.2 62.6

HSL 341.13, 0.77%, 0.34%

LAB 33.63, 54.22, 12.16

 

CMYK 0 / 10 / 87 / 40

HEX #998A14

RGB 153 138 20

HSL 53.23, 0.77%, 0.34%

LAB 57.08, -6.36, 57.83

 

CMYK 87 / 24 / 0 / 40

HEX #147499

RGB 20 116 153

HSL 196.69, 0.77%, 0.34%

LAB 45.55, -12.51, -27.36

 

CMYK 0 / 87 / 60 / 39

HEX #9B143E

RGB 155 20.2 62.6

HSL 341.13, 0.77%, 0.34%

LAB 33.63, 54.22, 12.16

 

CMYK 59 / 0 / 87 / 40

HEX #3E9914

RGB 62 153 20

HSL 101.05, 0.77%, 0.34%

LAB 55.94, -49.2, 54.61

 

CMYK 87 / 59 / 0 / 40

HEX #143E99

RGB 20 62 153

HSL 221.05, 0.77%, 0.34%

LAB 29.14, 22.33, -53.55

 

CMYK 0 / 87 / 60 / 39

HEX #9B143E

RGB 155 20.2 62.6

HSL 341.13, 0.77%, 0.34%

LAB 33.63, 54.22, 12.16

 

CMYK 0 / 10 / 87 / 40

HEX #998A14

RGB 153 138 20

HSL 53.23, 0.77%, 0.34%

LAB 57.08, -6.36, 57.83

 

CMYK 87 / 0 / 27 / 40

HEX #14996F

RGB 20 153 111

HSL 161.05, 0.77%, 0.34%

LAB 56.17, -43.6, 12.82

 

CMYK 87 / 76 / 0 / 40

HEX #142499

RGB 20 36 153

HSL 232.78, 0.77%, 0.34%

LAB 22.69, 39.46, -64.16

 

CMYK 0 / 87 / 60 / 39

HEX #9B143E

RGB 155 20.2 62.6

HSL 341.13, 0.77%, 0.34%

LAB 33.63, 54.22, 12.16

 

CMYK 16 / 0 / 87 / 40

HEX #819914

RGB 129 153 20

HSL 70.83, 0.77%, 0.34%

LAB 59.43, -24.95, 58.99

 

CMYK 87 / 0 / 27 / 40

HEX #14996F

RGB 20 153 111

HSL 161.05, 0.77%, 0.34%

LAB 56.17, -43.6, 12.82

 

CMYK 71 / 87 / 0 / 40

HEX #2C1499

RGB 44 20 153

HSL 250.83, 0.77%, 0.34%

LAB 21.34, 49.02, -66.35

 

Description

Color code: RGB 155 20.2 62.6 | qconv.com Color code: RGB 155 20.2 62.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 20.2 green and 62.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 20.2 62.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 60 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 60% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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