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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 191 201 it is the complementary color RGB 100 64 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 191 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 155 191 201: RGB 160 191 196, RGB 177 209 215, RGB 194 227 234, RGB 211 245 253 and RGB 228 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 191 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 155 191 201: RGB 155 191 201, RGB 138 173 182, RGB 121 155 163, RGB 104 137 144 and RGB 87 119 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 5 / 0 / 21

HEX #9BBFC9

RGB 155 191 201

HSL 193.04, 0.3%, 0.7%

LAB 75.11, -9.78, -9.01

 

Complementary color

CMYK 0 / 36 / 46 / 61

HEX #644036

RGB 100 64 54

HSL 13.04, 0.3%, 0.3%

LAB 30.98, 14.37, 12.56

 

CMYK 18 / 3 / 0 / 23

HEX #A0BFC4

RGB 160 191 196

HSL 188.33, 0.23%, 0.7%

LAB 75.28, -9.33, -6.01

 

CMYK 18 / 3 / 0 / 16

HEX #B1D1D7

RGB 177 209 215

HSL 189.47, 0.32%, 0.77%

LAB 81.76, -9.32, -6.53

 

CMYK 17 / 3 / 0 / 8

HEX #C2E3EA

RGB 194 227 234

HSL 190.5, 0.49%, 0.84%

LAB 88.14, -9.32, -7.04

 

CMYK 17 / 3 / 0 / 1

HEX #D3F5FD

RGB 211 245 253

HSL 191.43, 0.91%, 0.91%

LAB 94.42, -9.33, -7.53

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 23 / 5 / 0 / 21

HEX #9BBFC9

RGB 155 191 201

HSL 193.04, 0.3%, 0.7%

LAB 75.11, -9.78, -9.01

SW® 9061

CMYK 24 / 5 / 0 / 29

HEX #8AADB6

RGB 138 173 182

HSL 192.27, 0.23%, 0.63%

LAB 68.51, -9.79, -8.53

 

CMYK 26 / 5 / 0 / 36

HEX #799BA3

RGB 121 155 163

HSL 191.43, 0.19%, 0.56%

LAB 61.79, -9.8, -8.03

 

CMYK 28 / 5 / 0 / 44

HEX #688990

RGB 104 137 144

HSL 190.5, 0.16%, 0.49%

LAB 54.92, -9.83, -7.52

 

CMYK 30 / 5 / 0 / 51

HEX #57777D

RGB 87 119 125

HSL 189.47, 0.18%, 0.42%

LAB 47.88, -9.86, -7

 

CMYK 23 / 5 / 0 / 21

HEX #9BBFC9

RGB 155 191 201

HSL 193.04, 0.3%, 0.7%

LAB 75.11, -9.78, -9.01

SW® 9061

CMYK 23 / 9 / 0 / 21

HEX #9BB7C9

RGB 155 183 201

HSL 203.48, 0.3%, 0.7%

LAB 72.93, -5.53, -12.26

 

CMYK 23 / 12 / 0 / 21

HEX #9BB0C9

RGB 155 176 201

HSL 212.61, 0.3%, 0.7%

LAB 71.03, -1.75, -15.11

 

CMYK 23 / 16 / 0 / 21

HEX #9BA8C9

RGB 155 168 201

HSL 223.04, 0.3%, 0.7%

LAB 68.89, 2.64, -18.35

 

CMYK 23 / 20 / 0 / 21

HEX #9BA0C9

RGB 155 160 201

HSL 233.48, 0.3%, 0.7%

LAB 66.77, 7.1, -21.57

 

CMYK 23 / 5 / 0 / 21

HEX #9BBFC9

RGB 155 191 201

HSL 193.04, 0.3%, 0.7%

LAB 75.11, -9.78, -9.01

SW® 9061

CMYK 23 / 5 / 0 / 1

HEX #C2EFFC

RGB 194 239 252

HSL 193.45, 0.91%, 0.87%

LAB 91.79, -11.6, -11.03

 

CMYK 23 / 4 / 0 / 81

HEX #252E30

RGB 37 46 48

HSL 190.91, 0.13%, 0.17%

LAB 18.19, -3.31, -2.58

 

CMYK 23 / 5 / 0 / 61

HEX #4C5E63

RGB 76 94 99

HSL 193.04, 0.13%, 0.34%

LAB 38.63, -5.59, -5.13

 

CMYK 23 / 5 / 0 / 41

HEX #748F96

RGB 116 143 150

HSL 192.35, 0.14%, 0.52%

LAB 57.62, -7.87, -6.87

 

CMYK 23 / 5 / 0 / 21

HEX #9BBFC9

RGB 155 191 201

HSL 193.04, 0.3%, 0.7%

LAB 75.11, -9.78, -9.01

SW® 9061

CMYK 13 / 23 / 0 / 21

HEX #AE9BC9

RGB 174 155 201

HSL 264.78, 0.3%, 0.7%

LAB 67.02, 15.97, -21.05

 

CMYK 0 / 4 / 23 / 21

HEX #C9C19B

RGB 201 193 155

HSL 49.57, 0.3%, 0.7%

LAB 77.83, -3.32, 20.18

 

CMYK 23 / 5 / 0 / 21

HEX #9BBFC9

RGB 155 191 201

HSL 193.04, 0.3%, 0.7%

LAB 75.11, -9.78, -9.01

SW® 9061

CMYK 0 / 23 / 5 / 21

HEX #C99BBF

RGB 201 155 191

HSL 313.04, 0.3%, 0.7%

LAB 69.2, 23.07, -11.96

 

CMYK 5 / 0 / 23 / 21

HEX #BFC99B

RGB 191 201 155

HSL 73.04, 0.3%, 0.7%

LAB 79.17, -11.23, 21.89

 

CMYK 23 / 5 / 0 / 21

HEX #9BBFC9

RGB 155 191 201

HSL 193.04, 0.3%, 0.7%

LAB 75.11, -9.78, -9.01

SW® 9061

CMYK 13 / 23 / 0 / 21

HEX #AE9BC9

RGB 174 155 201

HSL 264.78, 0.3%, 0.7%

LAB 67.02, 15.97, -21.05

 

CMYK 0 / 18 / 23 / 21

HEX #C9A59B

RGB 201 165 155

HSL 13.04, 0.3%, 0.7%

LAB 70.66, 11.66, 10.14

 

CMYK 9 / 0 / 23 / 21

HEX #B6C99B

RGB 182 201 155

HSL 84.78, 0.3%, 0.7%

LAB 78.51, -14.54, 20.89

 

CMYK 23 / 5 / 0 / 21

HEX #9BBFC9

RGB 155 191 201

HSL 193.04, 0.3%, 0.7%

LAB 75.11, -9.78, -9.01

SW® 9061

CMYK 6 / 23 / 0 / 21

HEX #BC9BC9

RGB 188 155 201

HSL 283.04, 0.3%, 0.7%

LAB 68.28, 20.58, -19.02

 

CMYK 0 / 18 / 23 / 21

HEX #C9A59B

RGB 201 165 155

HSL 13.04, 0.3%, 0.7%

LAB 70.66, 11.66, 10.14

 

CMYK 16 / 0 / 23 / 21

HEX #A8C99B

RGB 168 201 155

HSL 103.04, 0.3%, 0.7%

LAB 77.56, -19.57, 19.42

 

Description

Color code: RGB 155 191 201 | qconv.com Color code: RGB 155 191 201 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 191 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 191 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 5 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 5% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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