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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 190 18 it is the complementary color RGB 100 65 237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 190 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 190 18 shade: RGB 160 190 13, RGB 177 208 32, RGB 194 226 51, RGB 211 244 70 and RGB 228 255 89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 190 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 190 18 shade: RGB 155 190 18, RGB 138 172 0, RGB 121 154 0, RGB 104 136 0 and RGB 87 118 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 190 18 shade: RGB 156 191 17, RGB 191 179 17, RGB 191 133 17, RGB 191 86 17 and RGB 191 39 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 190 18 shade: RGB 156 191 17, RGB 109 191 17, RGB 62 191 17, RGB 17 191 19 and RGB 17 191 66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 190 18 shade matches the following richer shades: RGB 156 191 17 and RGB 166 208 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 190 18 shade: RGB 156 191 17, RGB 145 174 34, RGB 135 157 51, RGB 125 140 68 and RGB 115 123 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 190 18 shade: RGB 191 133 17, RGB 191 179 17, RGB 156 191 17, RGB 110 191 17 and RGB 64 191 17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 190 18 shade: RGB 94 115 10, RGB 125 153 14, RGB 156 191 17, RGB 186 229 21 and RGB 199 236 55

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 190 18 shade: RGB 155 190 18, RGB 17 191 87 and RGB 156 17 191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 190 18 shade: RGB 155 190 18, RGB 17 156 191 and RGB 191 17 156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 190 18 shade: RGB 155 190 18, RGB 17 191 87, RGB 52 17 191 and RGB 191 17 121

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 190 18 shade: RGB 155 190 18, RGB 17 191 139, RGB 52 17 191 and RGB 191 17 69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 91 / 25

HEX #9BBE12

RGB 155 190 18

HSL 72.21, 0.83%, 0.41%

LAB 72.12, -31.85, 70.52

 

Complementary color

CMYK 58 / 73 / 0 / 7

HEX #6441ED

RGB 100 65 237

HSL 252.21, 0.83%, 0.59%

LAB 42.16, 58.3, -81.22

 

CMYK 16 / 0 / 93 / 25

HEX #A0BE0D

RGB 160 190 13

HSL 70.17, 0.87%, 0.4%

LAB 72.45, -29.88, 71.63

 

CMYK 15 / 0 / 85 / 18

HEX #B1D020

RGB 177 208 32

HSL 70.57, 0.73%, 0.47%

LAB 78.79, -30.94, 73.98

 

CMYK 14 / 0 / 77 / 11

HEX #C2E233

RGB 194 226 51

HSL 70.97, 0.75%, 0.54%

LAB 85.05, -31.81, 75.1

 

CMYK 14 / 0 / 71 / 4

HEX #D3F446

RGB 211 244 70

HSL 71.38, 0.89%, 0.62%

LAB 91.23, -32.52, 75.4

 

CMYK 11 / 0 / 65 / 0

HEX #E4FF59

RGB 228 255 89

HSL 69.76, 1%, 0.67%

LAB 95.47, -29.89, 73.23

 

CMYK 18 / 0 / 91 / 25

HEX #9BBE12

RGB 155 190 18

HSL 72.21, 0.83%, 0.41%

LAB 72.12, -31.85, 70.52

 

CMYK 20 / 0 / 100 / 33

HEX #8AAC00

RGB 138 172 0

HSL 71.86, 1%, 0.34%

LAB 65.68, -30.7, 67.31

 

CMYK 21 / 0 / 100 / 40

HEX #799A00

RGB 121 154 0

HSL 72.86, 1%, 0.3%

LAB 59.14, -29.27, 61.86

 

CMYK 24 / 0 / 100 / 47

HEX #688800

RGB 104 136 0

HSL 74.12, 1%, 0.27%

LAB 52.45, -27.82, 56.29

 

CMYK 26 / 0 / 100 / 54

HEX #577600

RGB 87 118 0

HSL 75.76, 1%, 0.23%

LAB 45.61, -26.35, 50.59

 

CMYK 18 / 0 / 91 / 25

HEX #9CBF11

RGB 156 191 17

HSL 72.07, 0.84%, 0.41%

LAB 72.48, -31.93, 70.98

 

CMYK 0 / 6 / 91 / 25

HEX #BFB311

RGB 191 179 17

HSL 55.86, 0.84%, 0.41%

LAB 71.8, -11.04, 71.59

 

CMYK 0 / 30 / 91 / 25

HEX #BF8511

RGB 191 133 17

HSL 40, 0.84%, 0.41%

LAB 59.79, 13.65, 62.39

 

CMYK 0 / 55 / 91 / 25

HEX #BF5611

RGB 191 86 17

HSL 23.79, 0.84%, 0.41%

LAB 49.22, 38.88, 54.5

 

CMYK 0 / 80 / 91 / 25

HEX #BF2711

RGB 191 39 17

HSL 7.59, 0.84%, 0.41%

LAB 42.1, 57.99, 49.42

 

CMYK 18 / 0 / 91 / 25

HEX #9CBF11

RGB 156 191 17

HSL 72.07, 0.84%, 0.41%

LAB 72.48, -31.93, 70.98

 

CMYK 43 / 0 / 91 / 25

HEX #6DBF11

RGB 109 191 17

HSL 88.28, 0.84%, 0.41%

LAB 69.86, -49.57, 67.77

 

CMYK 68 / 0 / 91 / 25

HEX #3EBF11

RGB 62 191 17

HSL 104.48, 0.84%, 0.41%

LAB 68.26, -62.28, 65.79

 

CMYK 91 / 0 / 90 / 25

HEX #11BF13

RGB 17 191 19

HSL 120.69, 0.84%, 0.41%

LAB 67.6, -68.08, 64.63

 

CMYK 91 / 0 / 65 / 25

HEX #11BF42

RGB 17 191 66

HSL 136.9, 0.84%, 0.41%

LAB 67.85, -64.81, 50.31

 

CMYK 18 / 0 / 91 / 25

HEX #9CBF11

RGB 156 191 17

HSL 72.07, 0.84%, 0.41%

LAB 72.48, -31.93, 70.98

 

CMYK 20 / 0 / 100 / 18

HEX #A6D000

RGB 166 208 0

HSL 72.12, 1%, 0.41%

LAB 78, -35.94, 77.43

 

CMYK 18 / 0 / 91 / 25

HEX #9CBF11

RGB 156 191 17

HSL 72.07, 0.84%, 0.41%

LAB 72.48, -31.93, 70.98

 

CMYK 17 / 0 / 80 / 32

HEX #91AE22

RGB 145 174 34

HSL 72.43, 0.67%, 0.41%

LAB 66.83, -27.93, 62.26

 

CMYK 14 / 0 / 68 / 38

HEX #879D33

RGB 135 157 51

HSL 72.45, 0.51%, 0.41%

LAB 61.22, -22.89, 50.68

 

CMYK 11 / 0 / 51 / 45

HEX #7D8C44

RGB 125 140 68

HSL 72.5, 0.35%, 0.41%

LAB 55.62, -16.97, 36.31

 

CMYK 7 / 0 / 31 / 52

HEX #737B55

RGB 115 123 85

HSL 72.63, 0.18%, 0.41%

LAB 50.06, -9.85, 19.83

 

CMYK 0 / 30 / 91 / 25

HEX #BF8511

RGB 191 133 17

HSL 40, 0.84%, 0.41%

LAB 59.79, 13.65, 62.39

 

CMYK 0 / 6 / 91 / 25

HEX #BFB311

RGB 191 179 17

HSL 55.86, 0.84%, 0.41%

LAB 71.8, -11.04, 71.59

 

CMYK 18 / 0 / 91 / 25

HEX #9CBF11

RGB 156 191 17

HSL 72.07, 0.84%, 0.41%

LAB 72.48, -31.93, 70.98

 

CMYK 42 / 0 / 91 / 25

HEX #6EBF11

RGB 110 191 17

HSL 87.93, 0.84%, 0.41%

LAB 69.91, -49.24, 67.83

 

CMYK 66 / 0 / 91 / 25

HEX #40BF11

RGB 64 191 17

HSL 103.79, 0.84%, 0.41%

LAB 68.31, -61.87, 65.85

 

CMYK 18 / 0 / 91 / 55

HEX #5E730A

RGB 94 115 10

HSL 72, 0.84%, 0.25%

LAB 45.17, -21.47, 48.26

 

CMYK 18 / 0 / 91 / 40

HEX #7D990E

RGB 125 153 14

HSL 72.09, 0.83%, 0.33%

LAB 59.14, -26.82, 59.83

 

CMYK 18 / 0 / 91 / 25

HEX #9CBF11

RGB 156 191 17

HSL 72.07, 0.84%, 0.41%

LAB 72.48, -31.93, 70.98

 

CMYK 19 / 0 / 91 / 10

HEX #BAE515

RGB 186 229 21

HSL 72.4, 0.83%, 0.49%

LAB 85.27, -37.21, 81.45

 

CMYK 16 / 0 / 77 / 7

HEX #C7EC37

RGB 199 236 55

HSL 72.27, 0.83%, 0.57%

LAB 88.17, -34.26, 76.92

 

CMYK 18 / 0 / 91 / 25

HEX #9BBE12

RGB 155 190 18

HSL 72.21, 0.83%, 0.41%

LAB 72.12, -31.85, 70.52

 

CMYK 91 / 0 / 54 / 25

HEX #11BF57

RGB 17 191 87

HSL 144.14, 0.84%, 0.41%

LAB 68.07, -62.12, 41.02

 

CMYK 18 / 91 / 0 / 25

HEX #9C11BF

RGB 156 17 191

HSL 287.93, 0.84%, 0.41%

LAB 39.97, 71.76, -58.04

 

CMYK 18 / 0 / 91 / 25

HEX #9BBE12

RGB 155 190 18

HSL 72.21, 0.83%, 0.41%

LAB 72.12, -31.85, 70.52

 

CMYK 91 / 18 / 0 / 25

HEX #119CBF

RGB 17 156 191

HSL 192.07, 0.84%, 0.41%

LAB 59.58, -21.01, -27.51

 

CMYK 0 / 91 / 18 / 25

HEX #BF119C

RGB 191 17 156

HSL 312.07, 0.84%, 0.41%

LAB 44.06, 72.58, -30.35

 

CMYK 18 / 0 / 91 / 25

HEX #9BBE12

RGB 155 190 18

HSL 72.21, 0.83%, 0.41%

LAB 72.12, -31.85, 70.52

 

CMYK 91 / 0 / 54 / 25

HEX #11BF57

RGB 17 191 87

HSL 144.14, 0.84%, 0.41%

LAB 68.07, -62.12, 41.02

 

CMYK 73 / 91 / 0 / 25

HEX #3411BF

RGB 52 17 191

HSL 252.07, 0.84%, 0.41%

LAB 26.43, 60.94, -80.79

 

CMYK 0 / 91 / 37 / 25

HEX #BF1179

RGB 191 17 121

HSL 324.14, 0.84%, 0.41%

LAB 42.55, 68.58, -11.3

 

CMYK 18 / 0 / 91 / 25

HEX #9BBE12

RGB 155 190 18

HSL 72.21, 0.83%, 0.41%

LAB 72.12, -31.85, 70.52

 

CMYK 91 / 0 / 27 / 25

HEX #11BF8B

RGB 17 191 139

HSL 162.07, 0.84%, 0.41%

LAB 68.93, -52.15, 15.19

 

CMYK 73 / 91 / 0 / 25

HEX #3411BF

RGB 52 17 191

HSL 252.07, 0.84%, 0.41%

LAB 26.43, 60.94, -80.79

 

CMYK 0 / 91 / 64 / 25

HEX #BF1145

RGB 191 17 69

HSL 342.07, 0.84%, 0.41%

LAB 41.07, 64.51, 19.32

 

Description

Color code: RGB 155 190 18 | qconv.com Color code: RGB 155 190 18 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 190 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 190 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 91 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 91% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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