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Complementary color
Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.
With this color tone RGB 155 170 162 it is the complementary color RGB 100 85 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.
If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.
Lighter colors
Exposures are based on the same hue and represent lighter versions of the current color RGB 155 170 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design
The following lighter shades match the RGB 155 170 162 shade: RGB 160 170 157, RGB 177 188 176, RGB 194 206 195, RGB 211 224 214 and RGB 228 242 233
You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.
Darker colors
Shades are based on the same hue and represent a darker version of the current color RGB 155 170 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.
The following darker shades match the RGB 155 170 162 shade: RGB 155 170 162, RGB 138 152 143, RGB 121 134 124, RGB 104 116 105 and RGB 87 98 86
Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.
Warmer colors
Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.
The following warmer shades match the RGB 155 170 162 shade: RGB 155 170 162, RGB 155 170 158, RGB 156 170 155, RGB 160 170 155 and RGB 164 170 155
They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.
Colder colors
Colder colors are created by shifting the hue towards green, blue and violet.
The following colder shades match the RGB 155 170 162 shade: RGB 155 170 162, RGB 155 170 166, RGB 155 170 170, RGB 155 166 170 and RGB 155 162 170
These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.
Richer colors
Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.
The RGB 155 170 162 shade matches the following richer shades: RGB 155 170 162, RGB 141 185 161, RGB 126 200 160, RGB 111 215 159 and RGB 96 229 158
An example is the development from a pale pink to a strong and bright red.
Paler colors
Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.
The following paler shades match the RGB 155 170 162 shade: RGB 155 170 162, RGB 170 155 163, RGB 185 140 164, RGB 200 125 165 and RGB 215 111 166
An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.
Analogue colors
The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.
The following analogous shades match the RGB 155 170 162 shade: RGB 156 170 155, RGB 155 170 158, RGB 155 170 162, RGB 155 170 166 and RGB 155 170 170
Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent
Monochromatic colors
The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.
The following monochrome shades match the RGB 155 170 162 shade: RGB 112 131 121, RGB 133 151 141, RGB 155 170 162, RGB 178 189 183 and RGB 200 208 204
Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye
Partial complementary colors
The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.
The following split-complementary shades match the RGB 155 170 162 shade: RGB 155 170 162, RGB 155 160 170 and RGB 170 156 155
This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.
Triadic colors
A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.
The following triaden shades match the RGB 155 170 162 shade: RGB 155 170 162, RGB 162 155 170 and RGB 170 162 155
The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.
Rectangular (tetradic) colors
The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.
The following tetraden shades match the RGB 155 170 162 shade: RGB 155 170 162, RGB 155 160 170, RGB 170 155 163 and RGB 170 165 155
It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design
Square colors
The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.
The following squaren shades match the RGB 155 170 162 shade: RGB 155 170 162, RGB 155 156 170, RGB 170 155 163 and RGB 170 170 155
Again, pay attention to the balance between warm and cold colors in the design.
Note
Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.
Display options
Primary color
Complementary color
Lighter colors
Darker colors
HSL 148, 0.08%, 0.64%
LAB 68.26, -6.82, 2.32
HSL 141.43, 0.06%, 0.57%
LAB 61.52, -6.8, 3.02
HSL 133.85, 0.05%, 0.5%
LAB 54.63, -6.79, 3.76
HSL 125, 0.05%, 0.43%
LAB 47.56, -6.79, 4.55
Warmer colors
HSL 148, 0.08%, 0.64%
LAB 68.26, -6.82, 2.32
HSL 132, 0.08%, 0.64%
LAB 68.16, -7.59, 4.38
HSL 116, 0.08%, 0.64%
LAB 68.16, -7.8, 6.05
HSL 100, 0.08%, 0.64%
LAB 68.45, -6.36, 6.52
HSL 84, 0.08%, 0.64%
LAB 68.76, -4.91, 6.99
Colder colors
HSL 148, 0.08%, 0.64%
LAB 68.26, -6.82, 2.32
HSL 164, 0.08%, 0.64%
LAB 68.37, -6.04, 0.25
HSL 180, 0.08%, 0.64%
LAB 68.48, -5.23, -1.8
HSL 196, 0.08%, 0.64%
LAB 67.38, -3.06, -3.41
HSL 212, 0.08%, 0.64%
LAB 66.3, -0.87, -5.01
Richer colors
HSL 148, 0.08%, 0.64%
LAB 68.26, -6.82, 2.32
HSL 147.27, 0.24%, 0.64%
LAB 71.51, -19.61, 7.43
HSL 147.57, 0.4%, 0.64%
LAB 75, -31.82, 12.83
HSL 147.69, 0.57%, 0.64%
LAB 78.74, -42.92, 18.5
HSL 147.97, 0.72%, 0.64%
LAB 82.38, -52.44, 23.95
Paler colors
HSL 148, 0.08%, 0.64%
LAB 68.26, -6.82, 2.32
HSL 328, 0.08%, 0.64%
LAB 65.46, 6.94, -2.18
HSL 328, 0.24%, 0.64%
LAB 63.14, 20.95, -6.02
HSL 328, 0.41%, 0.64%
LAB 61.36, 34.7, -9.04
HSL 328.27, 0.57%, 0.64%
LAB 60.4, 47.22, -10.86
Analogue colors
HSL 148, 0.08%, 0.64%
LAB 68.26, -6.82, 2.32
HSL 164, 0.08%, 0.64%
LAB 68.37, -6.04, 0.25
HSL 180, 0.08%, 0.64%
LAB 68.48, -5.23, -1.8
Monochromatic colors
HSL 148, 0.08%, 0.64%
LAB 68.26, -6.82, 2.32
HSL 147.27, 0.08%, 0.72%
LAB 75.62, -4.93, 1.71
HSL 150, 0.08%, 0.8%
LAB 82.78, -3.46, 1.03
Partial complementary colors
HSL 148, 0.08%, 0.64%
LAB 68.26, -6.82, 2.32
HSL 220, 0.08%, 0.64%
LAB 65.76, 0.23, -5.81
HSL 4, 0.08%, 0.64%
LAB 65.51, 4.94, 2.37
Triadic colors
HSL 148, 0.08%, 0.64%
LAB 68.26, -6.82, 2.32
HSL 268, 0.08%, 0.64%
LAB 64.98, 5.44, -6.89
HSL 28, 0.08%, 0.64%
LAB 67.09, 1.64, 4.66
Rectangular (tetradic) colors
HSL 148, 0.08%, 0.64%
LAB 68.26, -6.82, 2.32
HSL 220, 0.08%, 0.64%
LAB 65.76, 0.23, -5.81
HSL 328, 0.08%, 0.64%
LAB 65.46, 6.94, -2.18
Square colors
HSL 148, 0.08%, 0.64%
LAB 68.26, -6.82, 2.32
HSL 236, 0.08%, 0.64%
LAB 64.68, 2.45, -7.4
HSL 328, 0.08%, 0.64%
LAB 65.46, 6.94, -2.18
HSL 60, 0.08%, 0.64%
LAB 69.23, -2.71, 7.73
Description
Since the color values are relatively high compared to others, this hue appears lighter to us.
The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 170 green and 162 blue.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 5 yellow and 33 key.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
Verification of their color palette as a manufacturer!
Provide designers and agencies with accurate color values.
Popular conversions
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HEX to RAL®
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HEX to HKS®
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HEX to PANTONE®
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HEX to Sherwin Williams®
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HEX to NCS®
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RAL® to RGB
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RAL® to CMYK
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RAL® to HEX
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RAL® to HKS®
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RAL® to PANTONE®
convert from RAL®-number (RAL 0000) to Pantone®-number (Pantone 0000)
RAL® to Sherwin Williams®
convert from RAL®-number (RAL 0000) to Sherwin Williams®-number (SW 0000)
RAL® to NCS®
convert from RAL®-number (RAL 0000) to NCS-number (S0000-X00X)
HKS® to RGB
convert from HKS®-number (HKS 00) to RGB red green blue
HKS® to CMYK
convert from HKS®-number (HKS 00) to CMYK cyan / magenta / yellow / black
HKS® to HEX
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HKS® to RAL®
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HKS® to PANTONE®
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HKS® to Sherwin Williams®
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HKS® to NCS®
convert from HKS®-number (HKS 00) to NCS-number (S0000-X00X)
PANTONE® to RGB
convert from Pantone®-number (Pantone 0000) to RGB red green blue
PANTONE® to CMYK
convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black
PANTONE® to HEX
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PANTONE® to RAL®
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PANTONE® to HKS®
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PANTONE® to Sherwin Williams®
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PANTONE® to NCS®
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Sherwin Williams® to RGB
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Sherwin Williams® to CMYK
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Sherwin Williams® to HEX
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Sherwin Williams® to RAL®
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Sherwin Williams® to HKS®
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Sherwin Williams® to PANTONE®
convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)
Sherwin Williams® to NCS®
convert from Sherwin Williams®-number (SW 0000) to NCS-number (S0000-X00X)
NCS® to RGB
convert from NCS-number (S0000-X00X) to RGB red green blue
NCS® to CMYK
convert from NCS-number (S0000-X00X) to CMYK cyan / magenta / yellow / black
NCS® to HEX
convert from NCS-number (S0000-X00X) to #RRGGBB
NCS® to RAL®
convert from NCS-number (S0000-X00X) to RAL®-number (RAL 0000)
NCS® to HKS®
convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)
NCS® to PANTONE®
convert from NCS-number (S0000-X00X) to Pantone®-number (Pantone 0000)
NCS® to Sherwin Williams®
convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)