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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 156 145 it is the complementary color RGB 100 99 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 156 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 156 145 shade: RGB 160 156 140, RGB 177 174 159, RGB 194 192 178, RGB 211 210 197 and RGB 228 228 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 156 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 156 145 shade: RGB 155 156 145, RGB 138 138 126, RGB 121 120 107, RGB 104 102 88 and RGB 87 84 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 156 145 shade: RGB 155 156 145, RGB 156 154 145, RGB 156 151 145, RGB 156 148 145 and RGB 156 145 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 156 145 shade: RGB 155 156 145, RGB 152 156 145, RGB 149 156 145, RGB 146 156 145 and RGB 145 156 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 156 145 shade matches the following richer shades: RGB 155 156 145, RGB 169 173 128, RGB 182 190 111, RGB 196 206 94 and RGB 210 223 78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 156 145 shade: RGB 155 156 145, RGB 141 139 162, RGB 127 122 179, RGB 113 105 196 and RGB 99 88 213

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 156 145 shade: RGB 156 151 145, RGB 156 154 145, RGB 155 156 145, RGB 152 156 145 and RGB 149 156 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 156 145 shade: RGB 114 115 104, RGB 135 136 124, RGB 155 156 145, RGB 175 175 167 and RGB 194 195 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 156 145 shade: RGB 155 156 145, RGB 145 156 148 and RGB 152 145 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 156 145 shade: RGB 155 156 145, RGB 145 155 156 and RGB 156 145 155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 156 145 shade: RGB 155 156 145, RGB 145 156 148, RGB 146 145 156 and RGB 156 145 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 156 145 shade: RGB 155 156 145, RGB 145 156 151, RGB 146 145 156 and RGB 156 145 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 7 / 39

HEX #9B9C91

RGB 155 156 145

HSL 65.45, 0.05%, 0.59%

LAB 63.99, -2.41, 5.63

 

Complementary color

CMYK 9 / 10 / 0 / 57

HEX #64636E

RGB 100 99 110

HSL 245.45, 0.05%, 0.41%

LAB 42.4, 2.77, -6.06

 

CMYK 0 / 2 / 13 / 37

HEX #A09C8C

RGB 160 156 140

HSL 48, 0.1%, 0.59%

LAB 64.28, -1.41, 8.89

 

CMYK 0 / 2 / 10 / 31

HEX #B1AE9F

RGB 177 174 159

HSL 50, 0.1%, 0.66%

LAB 70.96, -1.6, 8.07

 

CMYK 0 / 1 / 8 / 24

HEX #C2C0B2

RGB 194 192 178

HSL 52.5, 0.12%, 0.73%

LAB 77.51, -1.77, 7.29

 

CMYK 0 / 0 / 7 / 17

HEX #D3D2C5

RGB 211 210 197

HSL 55.71, 0.14%, 0.8%

LAB 83.95, -1.94, 6.55

 

CMYK 0 / 0 / 5 / 11

HEX #E4E4D8

RGB 228 228 216

HSL 60, 0.18%, 0.87%

LAB 90.29, -2.09, 5.84

 

CMYK 1 / 0 / 7 / 39

HEX #9B9C91

RGB 155 156 145

HSL 65.45, 0.05%, 0.59%

LAB 63.99, -2.41, 5.63

 

CMYK 0 / 0 / 9 / 46

HEX #8A8A7E

RGB 138 138 126

HSL 60, 0.05%, 0.52%

LAB 57.16, -2.26, 6.42

 

CMYK 0 / 1 / 12 / 53

HEX #79786B

RGB 121 120 107

HSL 55.71, 0.06%, 0.45%

LAB 50.17, -2.09, 7.28

 

CMYK 0 / 2 / 15 / 59

HEX #686658

RGB 104 102 88

HSL 52.5, 0.08%, 0.38%

LAB 42.99, -1.89, 8.2

 

CMYK 0 / 3 / 21 / 66

HEX #575445

RGB 87 84 69

HSL 50, 0.12%, 0.31%

LAB 35.59, -1.66, 9.22

 

CMYK 1 / 0 / 7 / 39

HEX #9B9C91

RGB 155 156 145

HSL 65.45, 0.05%, 0.59%

LAB 63.99, -2.41, 5.63

 

CMYK 0 / 1 / 7 / 39

HEX #9C9A91

RGB 156 154 145

HSL 49.09, 0.05%, 0.59%

LAB 63.53, -0.94, 4.97

 

CMYK 0 / 3 / 7 / 39

HEX #9C9791

RGB 156 151 145

HSL 32.73, 0.05%, 0.59%

LAB 62.71, 0.72, 3.8

 

CMYK 0 / 5 / 7 / 39

HEX #9C9491

RGB 156 148 145

HSL 16.36, 0.05%, 0.59%

LAB 61.91, 2.39, 2.63

 

CMYK 0 / 7 / 7 / 39

HEX #9C9191

RGB 156 145 145

HSL 0, 0.05%, 0.59%

LAB 61.1, 4.07, 1.46

 

CMYK 1 / 0 / 7 / 39

HEX #9B9C91

RGB 155 156 145

HSL 65.45, 0.05%, 0.59%

LAB 63.99, -2.41, 5.63

 

CMYK 3 / 0 / 7 / 39

HEX #989C91

RGB 152 156 145

HSL 81.82, 0.05%, 0.59%

LAB 63.75, -3.52, 5.25

 

CMYK 4 / 0 / 7 / 39

HEX #959C91

RGB 149 156 145

HSL 98.18, 0.05%, 0.59%

LAB 63.52, -4.62, 4.88

 

CMYK 6 / 0 / 7 / 39

HEX #929C91

RGB 146 156 145

HSL 114.55, 0.05%, 0.59%

LAB 63.29, -5.71, 4.52

 

CMYK 7 / 0 / 6 / 39

HEX #919C93

RGB 145 156 147

HSL 130.91, 0.05%, 0.59%

LAB 63.26, -5.69, 3.35

 

CMYK 1 / 0 / 7 / 39

HEX #9B9C91

RGB 155 156 145

HSL 65.45, 0.05%, 0.59%

LAB 63.99, -2.41, 5.63

 

CMYK 2 / 0 / 26 / 32

HEX #A9AD80

RGB 169 173 128

HSL 65.33, 0.22%, 0.59%

LAB 69.38, -8.97, 22.72

 

CMYK 4 / 0 / 42 / 25

HEX #B6BE6F

RGB 182 190 111

HSL 66.08, 0.38%, 0.59%

LAB 74.77, -14.79, 38.88

 

CMYK 5 / 0 / 54 / 19

HEX #C4CE5E

RGB 196 206 94

HSL 65.36, 0.53%, 0.59%

LAB 80, -18.82, 53.64

 

CMYK 6 / 0 / 65 / 13

HEX #D2DF4E

RGB 210 223 78

HSL 65.38, 0.69%, 0.59%

LAB 85.52, -22.59, 66.75

 

CMYK 1 / 0 / 7 / 39

HEX #9B9C91

RGB 155 156 145

HSL 65.45, 0.05%, 0.59%

LAB 63.99, -2.41, 5.63

 

CMYK 13 / 14 / 0 / 36

HEX #8D8BA2

RGB 141 139 162

HSL 245.22, 0.11%, 0.59%

LAB 58.73, 5.51, -11.89

 

CMYK 29 / 32 / 0 / 30

HEX #7F7AB3

RGB 127 122 179

HSL 245.26, 0.27%, 0.59%

LAB 53.69, 14.97, -29.45

 

CMYK 42 / 46 / 0 / 23

HEX #7169C4

RGB 113 105 196

HSL 245.27, 0.44%, 0.59%

LAB 49.01, 25.98, -46.69

 

CMYK 54 / 59 / 0 / 16

HEX #6358D5

RGB 99 88 213

HSL 245.28, 0.6%, 0.59%

LAB 44.85, 38.27, -63.18

 

CMYK 0 / 3 / 7 / 39

HEX #9C9791

RGB 156 151 145

HSL 32.73, 0.05%, 0.59%

LAB 62.71, 0.72, 3.8

 

CMYK 0 / 1 / 7 / 39

HEX #9C9A91

RGB 156 154 145

HSL 49.09, 0.05%, 0.59%

LAB 63.53, -0.94, 4.97

 

CMYK 1 / 0 / 7 / 39

HEX #9B9C91

RGB 155 156 145

HSL 65.45, 0.05%, 0.59%

LAB 63.99, -2.41, 5.63

 

CMYK 3 / 0 / 7 / 39

HEX #989C91

RGB 152 156 145

HSL 81.82, 0.05%, 0.59%

LAB 63.75, -3.52, 5.25

 

CMYK 4 / 0 / 7 / 39

HEX #959C91

RGB 149 156 145

HSL 98.18, 0.05%, 0.59%

LAB 63.52, -4.62, 4.88

 

CMYK 1 / 0 / 10 / 55

HEX #727368

RGB 114 115 104

HSL 65.45, 0.05%, 0.43%

LAB 48.06, -2.53, 5.95

 

CMYK 1 / 0 / 9 / 47

HEX #87887C

RGB 135 136 124

HSL 65, 0.05%, 0.51%

LAB 56.3, -2.65, 6.31

 

CMYK 1 / 0 / 7 / 39

HEX #9B9C91

RGB 155 156 145

HSL 65.45, 0.05%, 0.59%

LAB 63.99, -2.41, 5.63

 

CMYK 0 / 0 / 5 / 31

HEX #AFAFA7

RGB 175 175 167

HSL 60, 0.05%, 0.67%

LAB 71.26, -1.47, 4.09

 

CMYK 1 / 0 / 3 / 24

HEX #C2C3BD

RGB 194 195 189

HSL 70, 0.05%, 0.75%

LAB 78.56, -1.43, 2.88

 

CMYK 1 / 0 / 7 / 39

HEX #9B9C91

RGB 155 156 145

HSL 65.45, 0.05%, 0.59%

LAB 63.99, -2.41, 5.63

 

CMYK 7 / 0 / 5 / 39

HEX #919C94

RGB 145 156 148

HSL 136.36, 0.05%, 0.59%

LAB 63.29, -5.5, 2.83

 

CMYK 3 / 7 / 0 / 39

HEX #98919C

RGB 152 145 156

HSL 278.18, 0.05%, 0.59%

LAB 61.07, 4.7, -4.88

 

CMYK 1 / 0 / 7 / 39

HEX #9B9C91

RGB 155 156 145

HSL 65.45, 0.05%, 0.59%

LAB 63.99, -2.41, 5.63

 

CMYK 7 / 1 / 0 / 39

HEX #919B9C

RGB 145 155 156

HSL 185.45, 0.05%, 0.59%

LAB 63.23, -3.36, -1.76

 

CMYK 0 / 7 / 1 / 39

HEX #9C919B

RGB 156 145 155

HSL 305.45, 0.05%, 0.59%

LAB 61.38, 5.95, -3.81

 

CMYK 1 / 0 / 7 / 39

HEX #9B9C91

RGB 155 156 145

HSL 65.45, 0.05%, 0.59%

LAB 63.99, -2.41, 5.63

 

CMYK 7 / 0 / 5 / 39

HEX #919C94

RGB 145 156 148

HSL 136.36, 0.05%, 0.59%

LAB 63.29, -5.5, 2.83

 

CMYK 6 / 7 / 0 / 39

HEX #92919C

RGB 146 145 156

HSL 245.45, 0.05%, 0.59%

LAB 60.57, 2.57, -5.67

 

CMYK 0 / 7 / 2 / 39

HEX #9C9199

RGB 156 145 153

HSL 316.36, 0.05%, 0.59%

LAB 61.32, 5.57, -2.76

 

CMYK 1 / 0 / 7 / 39

HEX #9B9C91

RGB 155 156 145

HSL 65.45, 0.05%, 0.59%

LAB 63.99, -2.41, 5.63

 

CMYK 7 / 0 / 3 / 39

HEX #919C97

RGB 145 156 151

HSL 152.73, 0.05%, 0.59%

LAB 63.37, -4.91, 1.26

 

CMYK 6 / 7 / 0 / 39

HEX #92919C

RGB 146 145 156

HSL 245.45, 0.05%, 0.59%

LAB 60.57, 2.57, -5.67

 

CMYK 0 / 7 / 4 / 39

HEX #9C9196

RGB 156 145 150

HSL 332.73, 0.05%, 0.59%

LAB 61.24, 5, -1.18

 

Description

Color code: RGB 155 156 145 | qconv.com Color code: RGB 155 156 145 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 156 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 156 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 7 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 7% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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