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Color name
RGB 155 154 79

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 154 79 it is the complementary color RGB 100 101 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 154 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 154 79 shade: RGB 160 154 74, RGB 177 172 93, RGB 194 190 112, RGB 211 208 131 and RGB 228 226 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 154 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 154 79 shade: RGB 155 154 79, RGB 138 136 60, RGB 121 118 41, RGB 104 100 22 and RGB 87 82 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 154 79 shade: RGB 154 153 79, RGB 154 133 79, RGB 154 113 79, RGB 154 93 79 and RGB 154 79 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 154 79 shade: RGB 154 153 79, RGB 135 154 79, RGB 115 154 79, RGB 95 154 79 and RGB 79 154 84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 154 79 shade matches the following richer shades: RGB 154 153 79, RGB 173 172 60, RGB 192 190 41, RGB 211 209 22 and RGB 230 227 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 154 79 shade: RGB 154 153 79, RGB 135 135 98, RGB 116 116 117, RGB 97 98 136 and RGB 78 79 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 154 79 shade: RGB 154 113 79, RGB 154 133 79, RGB 154 153 79, RGB 136 154 79 and RGB 116 154 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 154 79 shade: RGB 100 99 51, RGB 127 126 65, RGB 154 153 79, RGB 175 174 100 and RGB 189 188 127

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 154 79 shade: RGB 155 154 79, RGB 79 154 93 and RGB 123 79 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 154 79 shade: RGB 155 154 79, RGB 79 154 153 and RGB 153 79 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 154 79 shade: RGB 155 154 79, RGB 79 154 93, RGB 79 81 154 and RGB 154 79 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 154 79 shade: RGB 155 154 79, RGB 79 154 116, RGB 79 81 154 and RGB 154 79 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 49 / 39

HEX #9B9A4F

RGB 155 154 79

HSL 59.21, 0.32%, 0.46%

LAB 62.21, -10.52, 39.17

 

Complementary color

CMYK 43 / 43 / 0 / 31

HEX #6465B0

RGB 100 101 176

HSL 239.21, 0.32%, 0.54%

LAB 45.84, 19.22, -40.18

 

CMYK 0 / 4 / 54 / 37

HEX #A09A4A

RGB 160 154 74

HSL 55.81, 0.37%, 0.46%

LAB 62.57, -8.83, 42.21

 

CMYK 0 / 3 / 47 / 31

HEX #B1AC5D

RGB 177 172 93

HSL 56.43, 0.35%, 0.53%

LAB 69.21, -9.4, 41.01

 

CMYK 0 / 2 / 42 / 24

HEX #C2BE70

RGB 194 190 112

HSL 57.07, 0.4%, 0.6%

LAB 75.74, -9.86, 39.79

 

CMYK 0 / 1 / 38 / 17

HEX #D3D083

RGB 211 208 131

HSL 57.75, 0.48%, 0.67%

LAB 82.16, -10.24, 38.6

 

CMYK 0 / 1 / 34 / 11

HEX #E4E296

RGB 228 226 150

HSL 58.46, 0.59%, 0.74%

LAB 88.49, -10.56, 37.45

 

CMYK 0 / 1 / 49 / 39

HEX #9B9A4F

RGB 155 154 79

HSL 59.21, 0.32%, 0.46%

LAB 62.21, -10.52, 39.17

 

CMYK 0 / 1 / 57 / 46

HEX #8A883C

RGB 138 136 60

HSL 58.46, 0.39%, 0.39%

LAB 55.42, -9.94, 40.36

 

CMYK 0 / 2 / 66 / 53

HEX #797629

RGB 121 118 41

HSL 57.75, 0.49%, 0.32%

LAB 48.49, -9.19, 41.35

 

CMYK 0 / 4 / 79 / 59

HEX #686416

RGB 104 100 22

HSL 57.07, 0.65%, 0.25%

LAB 41.4, -8.18, 41.75

 

CMYK 0 / 6 / 97 / 66

HEX #575203

RGB 87 82 3

HSL 56.43, 0.93%, 0.18%

LAB 34.12, -6.82, 40.99

 

CMYK 0 / 1 / 49 / 40

HEX #9A994F

RGB 154 153 79

HSL 59.2, 0.32%, 0.46%

LAB 61.84, -10.41, 38.71

 

CMYK 0 / 14 / 49 / 40

HEX #9A854F

RGB 154 133 79

HSL 43.2, 0.32%, 0.46%

LAB 56.3, 0.52, 31.92

 

CMYK 0 / 27 / 49 / 40

HEX #9A714F

RGB 154 113 79

HSL 27.2, 0.32%, 0.46%

LAB 50.97, 11.87, 25.16

 

CMYK 0 / 40 / 49 / 40

HEX #9A5D4F

RGB 154 93 79

HSL 11.2, 0.32%, 0.46%

LAB 45.99, 23.35, 18.62

 

CMYK 0 / 49 / 49 / 40

HEX #9A4F4F

RGB 154 79 79

HSL 0, 0.32%, 0.46%

LAB 42.8, 31.17, 14.3

 

CMYK 0 / 1 / 49 / 40

HEX #9A994F

RGB 154 153 79

HSL 59.2, 0.32%, 0.46%

LAB 61.84, -10.41, 38.71

 

CMYK 12 / 0 / 49 / 40

HEX #879A4F

RGB 135 154 79

HSL 75.2, 0.32%, 0.46%

LAB 60.63, -18.9, 36.9

 

CMYK 25 / 0 / 49 / 40

HEX #739A4F

RGB 115 154 79

HSL 91.2, 0.32%, 0.46%

LAB 59.27, -26.86, 34.92

 

CMYK 38 / 0 / 49 / 40

HEX #5F9A4F

RGB 95 154 79

HSL 107.2, 0.32%, 0.46%

LAB 58.14, -34.12, 33.28

 

CMYK 49 / 0 / 45 / 40

HEX #4F9A54

RGB 79 154 84

HSL 124, 0.32%, 0.46%

LAB 57.48, -38.46, 29.66

 

CMYK 0 / 1 / 49 / 40

HEX #9A994F

RGB 154 153 79

HSL 59.2, 0.32%, 0.46%

LAB 61.84, -10.41, 38.71

 

CMYK 0 / 1 / 65 / 32

HEX #ADAC3C

RGB 173 172 60

HSL 59.47, 0.48%, 0.46%

LAB 68.54, -13.7, 55.47

 

CMYK 0 / 1 / 79 / 25

HEX #C0BE29

RGB 192 190 41

HSL 59.21, 0.65%, 0.46%

LAB 74.95, -15.6, 68.84

 

CMYK 0 / 1 / 90 / 17

HEX #D3D116

RGB 211 209 22

HSL 59.37, 0.81%, 0.46%

LAB 81.57, -17.45, 79.15

 

CMYK 0 / 1 / 99 / 10

HEX #E6E303

RGB 230 227 3

HSL 59.21, 0.97%, 0.46%

LAB 87.86, -18.46, 86.57

 

CMYK 0 / 1 / 49 / 40

HEX #9A994F

RGB 154 153 79

HSL 59.2, 0.32%, 0.46%

LAB 61.84, -10.41, 38.71

 

CMYK 0 / 0 / 27 / 47

HEX #878762

RGB 135 135 98

HSL 60, 0.16%, 0.46%

LAB 55.44, -6.34, 19.96

 

CMYK 1 / 1 / 0 / 54

HEX #747475

RGB 116 116 117

HSL 240, 0%, 0.46%

LAB 48.87, 0.21, -0.56

 

CMYK 29 / 28 / 0 / 47

HEX #616288

RGB 97 98 136

HSL 238.46, 0.17%, 0.46%

LAB 42.84, 8.78, -21.15

 

CMYK 50 / 49 / 0 / 39

HEX #4E4F9B

RGB 78 79 155

HSL 239.22, 0.33%, 0.46%

LAB 37.07, 21.04, -41.79

 

CMYK 0 / 27 / 49 / 40

HEX #9A714F

RGB 154 113 79

HSL 27.2, 0.32%, 0.46%

LAB 50.97, 11.87, 25.16

 

CMYK 0 / 14 / 49 / 40

HEX #9A854F

RGB 154 133 79

HSL 43.2, 0.32%, 0.46%

LAB 56.3, 0.52, 31.92

 

CMYK 0 / 1 / 49 / 40

HEX #9A994F

RGB 154 153 79

HSL 59.2, 0.32%, 0.46%

LAB 61.84, -10.41, 38.71

 

CMYK 12 / 0 / 49 / 40

HEX #889A4F

RGB 136 154 79

HSL 74.4, 0.32%, 0.46%

LAB 60.7, -18.49, 37

 

CMYK 25 / 0 / 49 / 40

HEX #749A4F

RGB 116 154 79

HSL 90.4, 0.32%, 0.46%

LAB 59.33, -26.48, 35.02

 

CMYK 0 / 1 / 49 / 61

HEX #646333

RGB 100 99 51

HSL 58.78, 0.32%, 0.3%

LAB 41.01, -7.25, 27.26

 

CMYK 0 / 1 / 49 / 50

HEX #7F7E41

RGB 127 126 65

HSL 59.03, 0.32%, 0.38%

LAB 51.63, -8.86, 33.11

 

CMYK 0 / 1 / 49 / 40

HEX #9A994F

RGB 154 153 79

HSL 59.2, 0.32%, 0.46%

LAB 61.84, -10.41, 38.71

 

CMYK 0 / 1 / 43 / 31

HEX #AFAE64

RGB 175 174 100

HSL 59.2, 0.32%, 0.54%

LAB 69.69, -10.56, 38

 

CMYK 0 / 1 / 33 / 26

HEX #BDBC7F

RGB 189 188 127

HSL 59.03, 0.32%, 0.62%

LAB 75.02, -9.11, 31.06

 

CMYK 0 / 1 / 49 / 39

HEX #9B9A4F

RGB 155 154 79

HSL 59.21, 0.32%, 0.46%

LAB 62.21, -10.52, 39.17

 

CMYK 49 / 0 / 40 / 40

HEX #4F9A5D

RGB 79 154 93

HSL 131.2, 0.32%, 0.46%

LAB 57.62, -36.97, 25.02

 

CMYK 20 / 49 / 0 / 40

HEX #7B4F9A

RGB 123 79 154

HSL 275.2, 0.32%, 0.46%

LAB 41.43, 33.04, -33.99

 

CMYK 0 / 1 / 49 / 39

HEX #9B9A4F

RGB 155 154 79

HSL 59.21, 0.32%, 0.46%

LAB 62.21, -10.52, 39.17

 

CMYK 49 / 0 / 1 / 40

HEX #4F9A99

RGB 79 154 153

HSL 179.2, 0.32%, 0.46%

LAB 59.04, -23.46, -6.68

 

CMYK 1 / 49 / 0 / 40

HEX #994F9A

RGB 153 79 154

HSL 299.2, 0.32%, 0.46%

LAB 45.22, 42.04, -27.79

 

CMYK 0 / 1 / 49 / 39

HEX #9B9A4F

RGB 155 154 79

HSL 59.21, 0.32%, 0.46%

LAB 62.21, -10.52, 39.17

 

CMYK 49 / 0 / 40 / 40

HEX #4F9A5D

RGB 79 154 93

HSL 131.2, 0.32%, 0.46%

LAB 57.62, -36.97, 25.02

 

CMYK 49 / 47 / 0 / 40

HEX #4F519A

RGB 79 81 154

HSL 238.4, 0.32%, 0.46%

LAB 37.63, 19.68, -40.3

 

CMYK 0 / 49 / 8 / 40

HEX #9A4F8D

RGB 154 79 141

HSL 310.4, 0.32%, 0.46%

LAB 44.78, 39.95, -20.66

 

CMYK 0 / 1 / 49 / 39

HEX #9B9A4F

RGB 155 154 79

HSL 59.21, 0.32%, 0.46%

LAB 62.21, -10.52, 39.17

 

CMYK 49 / 0 / 25 / 40

HEX #4F9A74

RGB 79 154 116

HSL 149.6, 0.32%, 0.46%

LAB 58.07, -32.49, 12.89

 

CMYK 49 / 47 / 0 / 40

HEX #4F519A

RGB 79 81 154

HSL 238.4, 0.32%, 0.46%

LAB 37.63, 19.68, -40.3

 

CMYK 0 / 49 / 23 / 40

HEX #9A4F76

RGB 154 79 118

HSL 328.8, 0.32%, 0.46%

LAB 43.9, 36.16, -8.04

 

Description

Color code: RGB 155 154 79 | qconv.com Color code: RGB 155 154 79 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 154 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 154 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 49 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 49% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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