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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 150 78 it is the complementary color RGB 100 105 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 150 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 155 150 78: RGB 160 150 73, RGB 177 168 92, RGB 194 186 111, RGB 211 204 130 and RGB 228 222 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 150 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 155 150 78: RGB 155 150 78, RGB 138 132 59, RGB 121 114 40, RGB 104 96 21 and RGB 87 78 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 50 / 39

HEX #9B964E

RGB 155 150 78

HSL 56.1, 0.33%, 0.46%

LAB 61.07, -8.47, 38.32

 

Complementary color

CMYK 44 / 41 / 0 / 31

HEX #6469B1

RGB 100 105 177

HSL 236.1, 0.33%, 0.54%

LAB 46.96, 17.05, -39

 

CMYK 0 / 6 / 54 / 37

HEX #A09649

RGB 160 150 73

HSL 53.1, 0.37%, 0.46%

LAB 61.45, -6.77, 41.4

 

CMYK 0 / 5 / 48 / 31

HEX #B1A85C

RGB 177 168 92

HSL 53.65, 0.35%, 0.53%

LAB 68.11, -7.39, 40.17

 

CMYK 0 / 4 / 43 / 24

HEX #C2BA6F

RGB 194 186 111

HSL 54.22, 0.4%, 0.6%

LAB 74.66, -7.89, 38.94

 

CMYK 0 / 3 / 38 / 17

HEX #D3CC82

RGB 211 204 130

HSL 54.81, 0.48%, 0.67%

LAB 81.1, -8.31, 37.74

 

CMYK 0 / 3 / 35 / 11

HEX #E4DE95

RGB 228 222 149

HSL 55.44, 0.59%, 0.74%

LAB 87.44, -8.67, 36.59

 

CMYK 0 / 3 / 50 / 39

HEX #9B964E

RGB 155 150 78

HSL 56.1, 0.33%, 0.46%

LAB 61.07, -8.47, 38.32

 

CMYK 0 / 4 / 57 / 46

HEX #8A843B

RGB 138 132 59

HSL 55.44, 0.4%, 0.39%

LAB 54.26, -7.84, 39.53

 

CMYK 0 / 6 / 67 / 53

HEX #797228

RGB 121 114 40

HSL 54.81, 0.5%, 0.32%

LAB 47.3, -7.02, 40.56

 

CMYK 0 / 8 / 80 / 59

HEX #686015

RGB 104 96 21

HSL 54.22, 0.66%, 0.25%

LAB 40.19, -5.92, 41

 

CMYK 0 / 10 / 98 / 66

HEX #574E02

RGB 87 78 2

HSL 53.65, 0.96%, 0.17%

LAB 32.87, -4.47, 40.39

 

CMYK 0 / 3 / 50 / 39

HEX #9B964E

RGB 155 150 78

HSL 56.1, 0.33%, 0.46%

LAB 61.07, -8.47, 38.32

 

CMYK 5 / 0 / 50 / 39

HEX #949C4E

RGB 148 156 78

HSL 66.15, 0.33%, 0.46%

LAB 62.19, -14.64, 39.52

 

CMYK 13 / 0 / 50 / 39

HEX #879C4E

RGB 135 156 78

HSL 76.15, 0.33%, 0.46%

LAB 61.2, -20.04, 38.1

 

CMYK 22 / 0 / 50 / 39

HEX #7A9C4E

RGB 122 156 78

HSL 86.15, 0.33%, 0.46%

LAB 60.31, -25.25, 36.81

 

CMYK 30 / 0 / 50 / 39

HEX #6D9C4E

RGB 109 156 78

HSL 96.15, 0.33%, 0.46%

LAB 59.51, -30.21, 35.65

 

CMYK 0 / 3 / 50 / 39

HEX #9B964E

RGB 155 150 78

HSL 56.1, 0.33%, 0.46%

LAB 61.07, -8.47, 38.32

 

CMYK 0 / 3 / 50 / 19

HEX #CEC768

RGB 206 199 104

HSL 55.88, 0.51%, 0.61%

LAB 79.02, -10.37, 47.99

 

CMYK 0 / 0 / 50 / 99

HEX #020201

RGB 2 2 1

HSL 60, 0.33%, 0.01%

LAB 0.53, -0.14, 0.38

 

CMYK 0 / 4 / 49 / 79

HEX #35331B

RGB 53 51 27

HSL 55.38, 0.33%, 0.16%

LAB 20.84, -3.47, 15.52

 

CMYK 0 / 3 / 50 / 59

HEX #686534

RGB 104 101 52

HSL 56.54, 0.33%, 0.31%

LAB 42, -6.46, 27.98

 

CMYK 0 / 3 / 50 / 39

HEX #9B964E

RGB 155 150 78

HSL 56.1, 0.33%, 0.46%

LAB 61.07, -8.47, 38.32

 

CMYK 50 / 0 / 44 / 39

HEX #4E9C58

RGB 78 156 88

HSL 127.69, 0.33%, 0.46%

LAB 58.13, -38.98, 28.37

 

CMYK 24 / 50 / 0 / 39

HEX #774E9C

RGB 119 78 156

HSL 271.54, 0.33%, 0.46%

LAB 40.85, 32.94, -36.14

 

CMYK 0 / 3 / 50 / 39

HEX #9B964E

RGB 155 150 78

HSL 56.1, 0.33%, 0.46%

LAB 61.07, -8.47, 38.32

 

CMYK 50 / 0 / 4 / 39

HEX #4E9C96

RGB 78 156 150

HSL 175.38, 0.33%, 0.46%

LAB 59.52, -25.51, -4.26

 

CMYK 4 / 50 / 0 / 39

HEX #964E9C

RGB 150 78 156

HSL 295.38, 0.33%, 0.46%

LAB 44.71, 42.05, -29.81

 

CMYK 0 / 3 / 50 / 39

HEX #9B964E

RGB 155 150 78

HSL 56.1, 0.33%, 0.46%

LAB 61.07, -8.47, 38.32

 

CMYK 50 / 0 / 44 / 39

HEX #4E9C58

RGB 78 156 88

HSL 127.69, 0.33%, 0.46%

LAB 58.13, -38.98, 28.37

 

CMYK 50 / 47 / 0 / 39

HEX #4E539C

RGB 78 83 156

HSL 236.15, 0.33%, 0.46%

LAB 38.21, 18.8, -40.57

 

CMYK 0 / 50 / 7 / 39

HEX #9C4E91

RGB 156 78 145

HSL 308.46, 0.33%, 0.46%

LAB 45.03, 41.82, -22.66

 

CMYK 0 / 3 / 50 / 39

HEX #9B964E

RGB 155 150 78

HSL 56.1, 0.33%, 0.46%

LAB 61.07, -8.47, 38.32

 

CMYK 50 / 0 / 28 / 39

HEX #4E9C70

RGB 78 156 112

HSL 146.15, 0.33%, 0.46%

LAB 58.57, -34.53, 15.82

 

CMYK 50 / 47 / 0 / 39

HEX #4E539C

RGB 78 83 156

HSL 236.15, 0.33%, 0.46%

LAB 38.21, 18.8, -40.57

 

CMYK 0 / 50 / 22 / 39

HEX #9C4E7A

RGB 156 78 122

HSL 326.15, 0.33%, 0.46%

LAB 44.12, 37.99, -10.12

 

Description

Color code: RGB 155 150 78 | qconv.com Color code: RGB 155 150 78 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 150 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 150 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 50 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 50% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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