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Color name
RGB 155 150 144

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 150 144 it is the complementary color RGB 100 105 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 150 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 150 144 shade: RGB 160 150 139, RGB 177 168 158, RGB 194 186 177, RGB 211 204 196 and RGB 228 222 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 150 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 150 144 shade: RGB 155 150 144, RGB 138 132 125, RGB 121 114 106, RGB 104 96 87 and RGB 87 78 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 150 144 shade: RGB 155 150 145, RGB 155 148 145, RGB 155 145 145 and RGB 155 145 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 150 144 shade: RGB 155 150 145, RGB 155 153 145, RGB 154 155 145, RGB 151 155 145 and RGB 149 155 145

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 150 144 shade matches the following richer shades: RGB 155 150 145, RGB 172 152 128, RGB 189 154 111, RGB 206 155 94 and RGB 223 157 77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 150 144 shade: RGB 155 150 145, RGB 138 149 162, RGB 121 147 179, RGB 104 146 195 and RGB 88 144 212

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 150 144 shade: RGB 155 145 145, RGB 155 148 145, RGB 155 150 145, RGB 155 153 145 and RGB 154 155 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 150 144 shade: RGB 114 109 103, RGB 136 130 123, RGB 155 150 145, RGB 175 171 166 and RGB 194 191 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 150 144 shade: RGB 155 150 144, RGB 148 155 145 and RGB 146 145 155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 150 144 shade: RGB 155 150 144, RGB 145 155 150 and RGB 150 145 155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 150 144 shade: RGB 155 150 144, RGB 148 155 145, RGB 145 150 155 and RGB 152 145 155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 150 144 shade: RGB 155 150 144, RGB 145 155 145, RGB 145 150 155 and RGB 155 145 155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 7 / 39

HEX #9B9690

RGB 155 150 144

HSL 32.73, 0.05%, 0.59%

LAB 62.33, 0.72, 3.8

 

Complementary color

CMYK 10 / 5 / 0 / 56

HEX #64696F

RGB 100 105 111

HSL 212.73, 0.05%, 0.41%

LAB 44.18, -0.6, -4.03

 

CMYK 0 / 6 / 13 / 37

HEX #A0968B

RGB 160 150 139

HSL 31.43, 0.1%, 0.59%

LAB 62.63, 1.73, 7.11

 

CMYK 0 / 5 / 11 / 31

HEX #B1A89E

RGB 177 168 158

HSL 31.58, 0.11%, 0.66%

LAB 69.34, 1.47, 6.31

 

CMYK 0 / 4 / 9 / 24

HEX #C2BAB1

RGB 194 186 177

HSL 31.76, 0.12%, 0.73%

LAB 75.92, 1.24, 5.55

 

CMYK 0 / 3 / 7 / 17

HEX #D3CCC4

RGB 211 204 196

HSL 32, 0.15%, 0.8%

LAB 82.39, 1.03, 4.83

RGB 211 204 196

CMYK 0 / 3 / 6 / 11

HEX #E4DED7

RGB 228 222 215

HSL 32.31, 0.19%, 0.87%

LAB 88.75, 0.83, 4.14

RGB 228 222 215

CMYK 0 / 3 / 7 / 39

HEX #9B9690

RGB 155 150 144

HSL 32.73, 0.05%, 0.59%

LAB 62.33, 0.72, 3.8

 

CMYK 0 / 4 / 9 / 46

HEX #8A847D

RGB 138 132 125

HSL 32.31, 0.05%, 0.52%

LAB 55.47, 0.95, 4.57

 

CMYK 0 / 6 / 12 / 53

HEX #79726A

RGB 121 114 106

HSL 32, 0.07%, 0.45%

LAB 48.44, 1.2, 5.39

 

CMYK 0 / 8 / 16 / 59

HEX #686057

RGB 104 96 87

HSL 31.76, 0.09%, 0.37%

LAB 41.21, 1.5, 6.29

 

CMYK 0 / 10 / 22 / 66

HEX #574E44

RGB 87 78 68

HSL 31.58, 0.12%, 0.3%

LAB 33.76, 1.86, 7.28

 

CMYK 0 / 3 / 6 / 39

HEX #9B9691

RGB 155 150 145

HSL 30, 0.05%, 0.59%

LAB 62.36, 0.9, 3.28

 

CMYK 0 / 5 / 6 / 39

HEX #9B9491

RGB 155 148 145

HSL 18, 0.05%, 0.59%

LAB 61.82, 2.02, 2.49

 

CMYK 0 / 6 / 6 / 39

HEX #9B9191

RGB 155 145 145

HSL 0, 0.05%, 0.59%

LAB 61.01, 3.7, 1.32

 

CMYK 0 / 6 / 6 / 39

HEX #9B9191

RGB 155 145 145

HSL 0, 0.05%, 0.59%

LAB 61.01, 3.7, 1.32

 

CMYK 0 / 3 / 6 / 39

HEX #9B9691

RGB 155 150 145

HSL 30, 0.05%, 0.59%

LAB 62.36, 0.9, 3.28

 

CMYK 0 / 1 / 6 / 39

HEX #9B9991

RGB 155 153 145

HSL 48, 0.05%, 0.59%

LAB 63.17, -0.76, 4.45

 

CMYK 1 / 0 / 6 / 39

HEX #9A9B91

RGB 154 155 145

HSL 66, 0.05%, 0.59%

LAB 63.64, -2.23, 5.11

 

CMYK 3 / 0 / 6 / 39

HEX #979B91

RGB 151 155 145

HSL 84, 0.05%, 0.59%

LAB 63.4, -3.34, 4.73

 

CMYK 4 / 0 / 6 / 39

HEX #959B91

RGB 149 155 145

HSL 96, 0.05%, 0.59%

LAB 63.24, -4.07, 4.49

 

CMYK 0 / 3 / 6 / 39

HEX #9B9691

RGB 155 150 145

HSL 30, 0.05%, 0.59%

LAB 62.36, 0.9, 3.28

 

CMYK 0 / 12 / 26 / 33

HEX #AC9880

RGB 172 152 128

HSL 32.73, 0.21%, 0.59%

LAB 63.99, 3.56, 15.35

 

CMYK 0 / 19 / 41 / 26

HEX #BD9A6F

RGB 189 154 111

HSL 33.08, 0.37%, 0.59%

LAB 65.81, 7.15, 27.47

 

CMYK 0 / 25 / 54 / 19

HEX #CE9B5E

RGB 206 155 94

HSL 32.68, 0.53%, 0.59%

LAB 67.56, 12.01, 39.1

 

CMYK 0 / 30 / 65 / 13

HEX #DF9D4D

RGB 223 157 77

HSL 32.88, 0.7%, 0.59%

LAB 69.71, 16.85, 50.58

 

CMYK 0 / 3 / 6 / 39

HEX #9B9691

RGB 155 150 145

HSL 30, 0.05%, 0.59%

LAB 62.36, 0.9, 3.28

 

CMYK 15 / 8 / 0 / 36

HEX #8A95A2

RGB 138 149 162

HSL 212.5, 0.11%, 0.59%

LAB 61.23, -1.17, -8.17

 

CMYK 32 / 18 / 0 / 30

HEX #7993B3

RGB 121 147 179

HSL 213.1, 0.28%, 0.59%

LAB 60.06, -1.37, -19.69

 

CMYK 47 / 25 / 0 / 24

HEX #6892C3

RGB 104 146 195

HSL 212.31, 0.43%, 0.59%

LAB 59.38, -1.02, -29.86

 

CMYK 58 / 32 / 0 / 17

HEX #5890D4

RGB 88 144 212

HSL 212.9, 0.59%, 0.59%

LAB 58.77, 1.82, -40.43

 

CMYK 0 / 6 / 6 / 39

HEX #9B9191

RGB 155 145 145

HSL 0, 0.05%, 0.59%

LAB 61.01, 3.7, 1.32

 

CMYK 0 / 5 / 6 / 39

HEX #9B9491

RGB 155 148 145

HSL 18, 0.05%, 0.59%

LAB 61.82, 2.02, 2.49

 

CMYK 0 / 3 / 6 / 39

HEX #9B9691

RGB 155 150 145

HSL 30, 0.05%, 0.59%

LAB 62.36, 0.9, 3.28

 

CMYK 0 / 1 / 6 / 39

HEX #9B9991

RGB 155 153 145

HSL 48, 0.05%, 0.59%

LAB 63.17, -0.76, 4.45

 

CMYK 1 / 0 / 6 / 39

HEX #9A9B91

RGB 154 155 145

HSL 66, 0.05%, 0.59%

LAB 63.64, -2.23, 5.11

 

CMYK 0 / 4 / 10 / 55

HEX #726D67

RGB 114 109 103

HSL 32.73, 0.05%, 0.43%

LAB 46.3, 0.79, 4.04

 

CMYK 0 / 4 / 10 / 47

HEX #88827B

RGB 136 130 123

HSL 32.31, 0.05%, 0.51%

LAB 54.69, 0.95, 4.58

 

CMYK 0 / 3 / 6 / 39

HEX #9B9691

RGB 155 150 145

HSL 30, 0.05%, 0.59%

LAB 62.36, 0.9, 3.28

 

CMYK 0 / 2 / 5 / 31

HEX #AFABA6

RGB 175 171 166

HSL 33.33, 0.05%, 0.67%

LAB 70.17, 0.52, 3.07

 

CMYK 0 / 2 / 3 / 24

HEX #C2BFBC

RGB 194 191 188

HSL 30, 0.05%, 0.75%

LAB 77.5, 0.51, 1.87

 

CMYK 0 / 3 / 7 / 39

HEX #9B9690

RGB 155 150 144

HSL 32.73, 0.05%, 0.59%

LAB 62.33, 0.72, 3.8

 

CMYK 5 / 0 / 6 / 39

HEX #949B91

RGB 148 155 145

HSL 102, 0.05%, 0.59%

LAB 63.16, -4.44, 4.36

 

CMYK 6 / 6 / 0 / 39

HEX #92919B

RGB 146 145 155

HSL 246, 0.05%, 0.59%

LAB 60.54, 2.36, -5.15

 

CMYK 0 / 3 / 7 / 39

HEX #9B9690

RGB 155 150 144

HSL 32.73, 0.05%, 0.59%

LAB 62.33, 0.72, 3.8

 

CMYK 6 / 0 / 3 / 39

HEX #919B96

RGB 145 155 150

HSL 150, 0.05%, 0.59%

LAB 63.06, -4.56, 1.38

RGB 145 155 150

CMYK 3 / 6 / 0 / 39

HEX #96919B

RGB 150 145 155

HSL 270, 0.05%, 0.59%

LAB 60.87, 3.79, -4.62

RGB 150 145 155

CMYK 0 / 3 / 7 / 39

HEX #9B9690

RGB 155 150 144

HSL 32.73, 0.05%, 0.59%

LAB 62.33, 0.72, 3.8

 

CMYK 5 / 0 / 6 / 39

HEX #949B91

RGB 148 155 145

HSL 102, 0.05%, 0.59%

LAB 63.16, -4.44, 4.36

 

CMYK 6 / 3 / 0 / 39

HEX #91969B

RGB 145 150 155

HSL 210, 0.05%, 0.59%

LAB 61.83, -0.79, -3.26

 

CMYK 2 / 6 / 0 / 39

HEX #98919B

RGB 152 145 155

HSL 282, 0.05%, 0.59%

LAB 61.04, 4.51, -4.36

 

CMYK 0 / 3 / 7 / 39

HEX #9B9690

RGB 155 150 144

HSL 32.73, 0.05%, 0.59%

LAB 62.33, 0.72, 3.8

 

CMYK 6 / 0 / 6 / 39

HEX #919B91

RGB 145 155 145

HSL 120, 0.05%, 0.59%

LAB 62.93, -5.53, 4

 

CMYK 6 / 3 / 0 / 39

HEX #91969B

RGB 145 150 155

HSL 210, 0.05%, 0.59%

LAB 61.83, -0.79, -3.26

 

CMYK 0 / 6 / 0 / 39

HEX #9B919B

RGB 155 145 155

HSL 300, 0.05%, 0.59%

LAB 61.3, 5.59, -3.95

 

Description

Color code: RGB 155 150 144 | qconv.com Color code: RGB 155 150 144 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 150 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 150 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 7 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 7% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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