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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 136 67 it is the complementary color RGB 100 119 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 136 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 136 67 shade: RGB 160 136 62, RGB 177 154 81, RGB 194 172 100, RGB 211 190 119 and RGB 228 208 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 136 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 136 67 shade: RGB 155 136 67, RGB 138 118 48, RGB 121 100 29, RGB 104 82 10 and RGB 87 64 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 136 67 shade: RGB 157 137 67, RGB 157 113 67, RGB 157 89 67 and RGB 157 67 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 136 67 shade: RGB 157 137 67, RGB 152 157 67, RGB 128 157 67, RGB 103 157 67 and RGB 79 157 67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 136 67 shade matches the following richer shades: RGB 157 137 67, RGB 175 148 49, RGB 193 158 31 and RGB 211 168 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 136 67 shade: RGB 157 137 67, RGB 138 127 85, RGB 120 117 103, RGB 102 106 121 and RGB 84 96 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 136 67 shade: RGB 157 89 67, RGB 157 113 67, RGB 157 137 67, RGB 152 157 67 and RGB 128 157 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 136 67 shade: RGB 99 87 42, RGB 128 112 54, RGB 157 137 67, RGB 181 160 83 and RGB 194 176 112

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 136 67 shade: RGB 155 136 67, RGB 68 157 67 and RGB 101 67 157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 136 67 shade: RGB 155 136 67, RGB 67 157 137 and RGB 137 67 157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 136 67 shade: RGB 155 136 67, RGB 68 157 67, RGB 67 86 157 and RGB 155 67 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 136 67 shade: RGB 155 136 67, RGB 67 157 92, RGB 67 86 157 and RGB 157 67 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 57 / 39

HEX #9B8843

RGB 155 136 67

HSL 47.05, 0.4%, 0.44%

LAB 57.06, -1.82, 39.16

 

Complementary color

CMYK 47 / 37 / 0 / 26

HEX #6477BC

RGB 100 119 188

HSL 227.05, 0.4%, 0.56%

LAB 51.31, 11.82, -38.51

 

CMYK 0 / 15 / 61 / 37

HEX #A0883E

RGB 160 136 62

HSL 45.31, 0.44%, 0.44%

LAB 57.49, 0, 42.28

 

CMYK 0 / 13 / 54 / 31

HEX #B19A51

RGB 177 154 81

HSL 45.63, 0.38%, 0.51%

LAB 64.2, -0.89, 41.02

 

CMYK 0 / 11 / 48 / 24

HEX #C2AC64

RGB 194 172 100

HSL 45.96, 0.44%, 0.58%

LAB 70.8, -1.63, 39.74

 

CMYK 0 / 10 / 44 / 17

HEX #D3BE77

RGB 211 190 119

HSL 46.3, 0.51%, 0.65%

LAB 77.29, -2.25, 38.48

 

CMYK 0 / 9 / 39 / 11

HEX #E4D08A

RGB 228 208 138

HSL 46.67, 0.63%, 0.72%

LAB 83.67, -2.77, 37.27

 

CMYK 0 / 12 / 57 / 39

HEX #9B8843

RGB 155 136 67

HSL 47.05, 0.4%, 0.44%

LAB 57.06, -1.82, 39.16

 

CMYK 0 / 14 / 65 / 46

HEX #8A7630

RGB 138 118 48

HSL 46.67, 0.48%, 0.36%

LAB 50.18, -0.87, 40.36

 

CMYK 0 / 17 / 76 / 53

HEX #79641D

RGB 121 100 29

HSL 46.3, 0.61%, 0.29%

LAB 43.16, 0.36, 41.23

 

CMYK 0 / 21 / 90 / 59

HEX #68520A

RGB 104 82 10

HSL 45.96, 0.82%, 0.22%

LAB 35.98, 1.97, 41.04

 

CMYK 0 / 26 / 100 / 66

HEX #574000

RGB 87 64 0

HSL 44.14, 1%, 0.17%

LAB 28.62, 4.09, 37.98

 

CMYK 0 / 13 / 57 / 38

HEX #9D8943

RGB 157 137 67

HSL 46.67, 0.4%, 0.44%

LAB 57.53, -1.49, 39.75

 

CMYK 0 / 28 / 57 / 38

HEX #9D7143

RGB 157 113 67

HSL 30.67, 0.4%, 0.44%

LAB 51.13, 12.05, 32.14

 

CMYK 0 / 43 / 57 / 38

HEX #9D5943

RGB 157 89 67

HSL 14.67, 0.4%, 0.44%

LAB 45.25, 25.72, 24.81

 

CMYK 0 / 57 / 57 / 38

HEX #9D4343

RGB 157 67 67

HSL 0, 0.4%, 0.44%

LAB 40.55, 37.53, 18.72

 

CMYK 0 / 13 / 57 / 38

HEX #9D8943

RGB 157 137 67

HSL 46.67, 0.4%, 0.44%

LAB 57.53, -1.49, 39.75

 

CMYK 3 / 0 / 57 / 38

HEX #989D43

RGB 152 157 67

HSL 63.33, 0.4%, 0.44%

LAB 62.67, -14.45, 45.53

 

CMYK 18 / 0 / 57 / 38

HEX #809D43

RGB 128 157 67

HSL 79.33, 0.4%, 0.44%

LAB 60.88, -24.5, 43.01

 

CMYK 34 / 0 / 57 / 38

HEX #679D43

RGB 103 157 67

HSL 96, 0.4%, 0.44%

LAB 59.35, -34.15, 40.84

 

CMYK 50 / 0 / 57 / 38

HEX #4F9D43

RGB 79 157 67

HSL 112, 0.4%, 0.44%

LAB 58.21, -42.1, 39.23

 

CMYK 0 / 13 / 57 / 38

HEX #9D8943

RGB 157 137 67

HSL 46.67, 0.4%, 0.44%

LAB 57.53, -1.49, 39.75

 

CMYK 0 / 15 / 72 / 31

HEX #AF9431

RGB 175 148 49

HSL 47.14, 0.56%, 0.44%

LAB 62.1, -0.7, 53.49

 

CMYK 0 / 18 / 84 / 24

HEX #C19E1F

RGB 193 158 31

HSL 47.04, 0.72%, 0.44%

LAB 66.44, 1.23, 64.34

 

CMYK 0 / 20 / 94 / 17

HEX #D3A80C

RGB 211 168 12

HSL 47.04, 0.89%, 0.44%

LAB 70.79, 3.5, 72.39

 

CMYK 0 / 13 / 57 / 38

HEX #9D8943

RGB 157 137 67

HSL 46.67, 0.4%, 0.44%

LAB 57.53, -1.49, 39.75

 

CMYK 0 / 8 / 38 / 46

HEX #8A7F55

RGB 138 127 85

HSL 47.55, 0.24%, 0.44%

LAB 53.21, -2.36, 24.36

 

CMYK 0 / 3 / 14 / 53

HEX #787567

RGB 120 117 103

HSL 49.41, 0.08%, 0.44%

LAB 49.12, -1.47, 8.14

 

CMYK 16 / 12 / 0 / 53

HEX #666A79

RGB 102 106 121

HSL 227.37, 0.09%, 0.44%

LAB 44.96, 1.83, -8.87

 

CMYK 40 / 31 / 0 / 45

HEX #54608B

RGB 84 96 139

HSL 226.91, 0.25%, 0.44%

LAB 41.4, 6.86, -25.29

 

CMYK 0 / 43 / 57 / 38

HEX #9D5943

RGB 157 89 67

HSL 14.67, 0.4%, 0.44%

LAB 45.25, 25.72, 24.81

 

CMYK 0 / 28 / 57 / 38

HEX #9D7143

RGB 157 113 67

HSL 30.67, 0.4%, 0.44%

LAB 51.13, 12.05, 32.14

 

CMYK 0 / 13 / 57 / 38

HEX #9D8943

RGB 157 137 67

HSL 46.67, 0.4%, 0.44%

LAB 57.53, -1.49, 39.75

 

CMYK 3 / 0 / 57 / 38

HEX #989D43

RGB 152 157 67

HSL 63.33, 0.4%, 0.44%

LAB 62.67, -14.45, 45.53

 

CMYK 18 / 0 / 57 / 38

HEX #809D43

RGB 128 157 67

HSL 79.33, 0.4%, 0.44%

LAB 60.88, -24.5, 43.01

 

CMYK 0 / 12 / 58 / 61

HEX #63572A

RGB 99 87 42

HSL 47.37, 0.4%, 0.28%

LAB 37.18, -1.57, 27.63

 

CMYK 0 / 13 / 58 / 50

HEX #807036

RGB 128 112 54

HSL 47.03, 0.41%, 0.36%

LAB 47.55, -1.57, 34.09

 

CMYK 0 / 13 / 57 / 38

HEX #9D8943

RGB 157 137 67

HSL 46.67, 0.4%, 0.44%

LAB 57.53, -1.49, 39.75

 

CMYK 0 / 12 / 54 / 29

HEX #B5A053

RGB 181 160 83

HSL 47.14, 0.4%, 0.52%

LAB 66.21, -2.25, 42.49

 

CMYK 0 / 9 / 42 / 24

HEX #C2B070

RGB 194 176 112

HSL 46.83, 0.4%, 0.6%

LAB 72.02, -2.54, 35.09

 

CMYK 0 / 12 / 57 / 39

HEX #9B8843

RGB 155 136 67

HSL 47.05, 0.4%, 0.44%

LAB 57.06, -1.82, 39.16

 

CMYK 57 / 0 / 57 / 38

HEX #449D43

RGB 68 157 67

HSL 119.33, 0.4%, 0.44%

LAB 57.8, -45.19, 38.64

 

CMYK 36 / 57 / 0 / 38

HEX #65439D

RGB 101 67 157

HSL 262.67, 0.4%, 0.44%

LAB 36.4, 34.77, -43.96

 

CMYK 0 / 12 / 57 / 39

HEX #9B8843

RGB 155 136 67

HSL 47.05, 0.4%, 0.44%

LAB 57.06, -1.82, 39.16

 

CMYK 57 / 0 / 13 / 38

HEX #439D89

RGB 67 157 137

HSL 166.67, 0.4%, 0.44%

LAB 59.08, -31.84, 2.41

 

CMYK 13 / 57 / 0 / 38

HEX #89439D

RGB 137 67 157

HSL 286.67, 0.4%, 0.44%

LAB 40.84, 44.28, -36.61

 

CMYK 0 / 12 / 57 / 39

HEX #9B8843

RGB 155 136 67

HSL 47.05, 0.4%, 0.44%

LAB 57.06, -1.82, 39.16

 

CMYK 57 / 0 / 57 / 38

HEX #449D43

RGB 68 157 67

HSL 119.33, 0.4%, 0.44%

LAB 57.8, -45.19, 38.64

 

CMYK 57 / 45 / 0 / 38

HEX #43569D

RGB 67 86 157

HSL 227.33, 0.4%, 0.44%

LAB 38.35, 14.68, -41

 

CMYK 1 / 57 / 0 / 38

HEX #9B439D

RGB 155 67 157

HSL 298.67, 0.4%, 0.44%

LAB 43.39, 49.2, -32.43

 

CMYK 0 / 12 / 57 / 39

HEX #9B8843

RGB 155 136 67

HSL 47.05, 0.4%, 0.44%

LAB 57.06, -1.82, 39.16

 

CMYK 57 / 0 / 41 / 38

HEX #439D5C

RGB 67 157 92

HSL 136.67, 0.4%, 0.44%

LAB 58.11, -41.64, 26.12

 

CMYK 57 / 45 / 0 / 38

HEX #43569D

RGB 67 86 157

HSL 227.33, 0.4%, 0.44%

LAB 38.35, 14.68, -41

 

CMYK 0 / 57 / 17 / 38

HEX #9D4383

RGB 157 67 131

HSL 317.33, 0.4%, 0.44%

LAB 42.49, 45.31, -18.08

 

Description

Color code: RGB 155 136 67 | qconv.com Color code: RGB 155 136 67 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 136 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 136 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 57 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 57% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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