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Color name
RGB 155 134 8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 134 8 it is the complementary color RGB 100 121 247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 134 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 134 8 shade: RGB 160 134 3, RGB 177 152 22, RGB 194 170 41, RGB 211 188 60 and RGB 228 206 79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 134 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 134 8 shade: RGB 155 134 8, RGB 138 116 0, RGB 121 98 0, RGB 104 80 0 and RGB 87 62 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 134 8 shade: RGB 155 134 8, RGB 155 94 8, RGB 155 55 8, RGB 155 15 8 and RGB 155 8 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 134 8 shade: RGB 155 134 8, RGB 136 155 8, RGB 97 155 8, RGB 57 155 8 and RGB 18 155 8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 134 8 shade matches the following richer shades: RGB 155 134 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 134 8 shade: RGB 155 134 8, RGB 142 125 21, RGB 129 115 35, RGB 115 106 48 and RGB 102 96 61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 134 8 shade: RGB 155 55 8, RGB 155 94 8, RGB 155 133 8, RGB 138 155 8 and RGB 99 155 8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 134 8 shade: RGB 77 66 4, RGB 116 100 6, RGB 155 134 8, RGB 194 168 10 and RGB 233 202 12

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 134 8 shade: RGB 155 134 8, RGB 8 155 16 and RGB 74 8 155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 134 8 shade: RGB 155 134 8, RGB 8 155 133 and RGB 133 8 155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 134 8 shade: RGB 155 134 8, RGB 8 155 16, RGB 8 30 155 and RGB 155 8 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 134 8 shade: RGB 155 134 8, RGB 8 155 60, RGB 8 30 155 and RGB 155 8 104

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 95 / 39

HEX #9B8608

RGB 155 134 8

HSL 51.43, 0.9%, 0.32%

LAB 56.12, -3.48, 59.54

 

Complementary color

CMYK 60 / 51 / 0 / 3

HEX #6479F7

RGB 100 121 247

HSL 231.43, 0.9%, 0.68%

LAB 55.17, 29.36, -65.63

 

CMYK 0 / 16 / 98 / 37

HEX #A08603

RGB 160 134 3

HSL 50.06, 0.96%, 0.32%

LAB 56.61, -1.24, 60.97

 

CMYK 0 / 14 / 88 / 31

HEX #B19816

RGB 177 152 22

HSL 50.32, 0.78%, 0.39%

LAB 63.23, -2.95, 63.33

 

CMYK 0 / 12 / 79 / 24

HEX #C2AA29

RGB 194 170 41

HSL 50.59, 0.65%, 0.46%

LAB 69.74, -4.4, 64.27

 

CMYK 0 / 11 / 72 / 17

HEX #D3BC3C

RGB 211 188 60

HSL 50.86, 0.63%, 0.53%

LAB 76.16, -5.62, 64.22

 

CMYK 0 / 10 / 65 / 11

HEX #E4CE4F

RGB 228 206 79

HSL 51.14, 0.73%, 0.6%

LAB 82.49, -6.65, 63.64

 

CMYK 0 / 14 / 95 / 39

HEX #9B8608

RGB 155 134 8

HSL 51.43, 0.9%, 0.32%

LAB 56.12, -3.48, 59.54

 

CMYK 0 / 16 / 100 / 46

HEX #8A7400

RGB 138 116 0

HSL 50.43, 1%, 0.27%

LAB 49.37, -1.56, 55.31

 

CMYK 0 / 19 / 100 / 53

HEX #796200

RGB 121 98 0

HSL 48.6, 1%, 0.24%

LAB 42.46, 0.6, 49.61

 

CMYK 0 / 23 / 100 / 59

HEX #685000

RGB 104 80 0

HSL 46.15, 1%, 0.2%

LAB 35.36, 2.89, 43.76

 

CMYK 0 / 29 / 100 / 66

HEX #573E00

RGB 87 62 0

HSL 42.76, 1%, 0.17%

LAB 28.04, 5.35, 37.5

 

CMYK 0 / 14 / 95 / 39

HEX #9B8608

RGB 155 134 8

HSL 51.43, 0.9%, 0.32%

LAB 56.12, -3.48, 59.54

 

CMYK 0 / 39 / 95 / 39

HEX #9B5E08

RGB 155 94 8

HSL 35.1, 0.9%, 0.32%

LAB 45.62, 19.18, 51.79

 

CMYK 0 / 65 / 95 / 39

HEX #9B3708

RGB 155 55 8

HSL 19.18, 0.9%, 0.32%

LAB 37.33, 39.89, 46.02

 

CMYK 0 / 90 / 95 / 39

HEX #9B0F08

RGB 155 15 8

HSL 2.86, 0.9%, 0.32%

LAB 32.54, 53.13, 42.94

 

CMYK 0 / 95 / 95 / 39

HEX #9B0808

RGB 155 8 8

HSL 0, 0.9%, 0.32%

LAB 32.17, 54.21, 42.7

 

CMYK 0 / 14 / 95 / 39

HEX #9B8608

RGB 155 134 8

HSL 51.43, 0.9%, 0.32%

LAB 56.12, -3.48, 59.54

 

CMYK 12 / 0 / 95 / 39

HEX #889B08

RGB 136 155 8

HSL 67.76, 0.9%, 0.32%

LAB 60.51, -23.17, 62.19

 

CMYK 37 / 0 / 95 / 39

HEX #619B08

RGB 97 155 8

HSL 83.67, 0.9%, 0.32%

LAB 58.04, -39.11, 59.18

 

CMYK 63 / 0 / 95 / 39

HEX #399B08

RGB 57 155 8

HSL 100, 0.9%, 0.32%

LAB 56.42, -51.57, 57.19

 

CMYK 88 / 0 / 95 / 39

HEX #129B08

RGB 18 155 8

HSL 115.92, 0.9%, 0.32%

LAB 55.67, -58, 56.27

 

CMYK 0 / 14 / 95 / 39

HEX #9B8608

RGB 155 134 8

HSL 51.43, 0.9%, 0.32%

LAB 56.12, -3.48, 59.54

 

CMYK 0 / 14 / 95 / 39

HEX #9B8608

RGB 155 134 8

HSL 51.43, 0.9%, 0.32%

LAB 56.12, -3.48, 59.54

 

CMYK 0 / 12 / 85 / 44

HEX #8E7D15

RGB 142 125 21

HSL 51.57, 0.74%, 0.32%

LAB 52.37, -4.27, 53.21

 

CMYK 0 / 11 / 73 / 49

HEX #817323

RGB 129 115 35

HSL 51.06, 0.57%, 0.32%

LAB 48.32, -4.16, 44.06

 

CMYK 0 / 8 / 58 / 55

HEX #736A30

RGB 115 106 48

HSL 51.94, 0.41%, 0.32%

LAB 44.47, -4.64, 33.32

 

CMYK 0 / 6 / 40 / 60

HEX #66603D

RGB 102 96 61

HSL 51.22, 0.25%, 0.32%

LAB 40.45, -3.39, 20.87

 

CMYK 0 / 65 / 95 / 39

HEX #9B3708

RGB 155 55 8

HSL 19.18, 0.9%, 0.32%

LAB 37.33, 39.89, 46.02

 

CMYK 0 / 39 / 95 / 39

HEX #9B5E08

RGB 155 94 8

HSL 35.1, 0.9%, 0.32%

LAB 45.62, 19.18, 51.79

 

CMYK 0 / 14 / 95 / 39

HEX #9B8508

RGB 155 133 8

HSL 51.02, 0.9%, 0.32%

LAB 55.85, -2.93, 59.33

 

CMYK 11 / 0 / 95 / 39

HEX #8A9B08

RGB 138 155 8

HSL 66.94, 0.9%, 0.32%

LAB 60.66, -22.3, 62.37

 

CMYK 36 / 0 / 95 / 39

HEX #639B08

RGB 99 155 8

HSL 82.86, 0.9%, 0.32%

LAB 58.14, -38.37, 59.31

 

CMYK 0 / 14 / 95 / 70

HEX #4D4204

RGB 77 66 4

HSL 50.96, 0.9%, 0.16%

LAB 28.07, -2.22, 35.41

 

CMYK 0 / 14 / 95 / 55

HEX #746406

RGB 116 100 6

HSL 51.27, 0.9%, 0.24%

LAB 42.52, -2.87, 47.87

 

CMYK 0 / 14 / 95 / 39

HEX #9B8608

RGB 155 134 8

HSL 51.43, 0.9%, 0.32%

LAB 56.12, -3.48, 59.54

 

CMYK 0 / 13 / 95 / 24

HEX #C2A80A

RGB 194 168 10

HSL 51.52, 0.9%, 0.4%

LAB 69.11, -4.07, 70.64

 

CMYK 0 / 13 / 95 / 9

HEX #E9CA0C

RGB 233 202 12

HSL 51.58, 0.9%, 0.48%

LAB 81.62, -4.63, 81.3

 

CMYK 0 / 14 / 95 / 39

HEX #9B8608

RGB 155 134 8

HSL 51.43, 0.9%, 0.32%

LAB 56.12, -3.48, 59.54

 

CMYK 95 / 0 / 90 / 39

HEX #089B10

RGB 8 155 16

HSL 123.27, 0.9%, 0.32%

LAB 55.62, -58.45, 54.82

 

CMYK 52 / 95 / 0 / 39

HEX #4A089B

RGB 74 8 155

HSL 266.94, 0.9%, 0.32%

LAB 23.66, 55.49, -63.64

 

CMYK 0 / 14 / 95 / 39

HEX #9B8608

RGB 155 134 8

HSL 51.43, 0.9%, 0.32%

LAB 56.12, -3.48, 59.54

 

CMYK 95 / 0 / 14 / 39

HEX #089B85

RGB 8 155 133

HSL 171.02, 0.9%, 0.32%

LAB 57.26, -39.37, 1.9

 

CMYK 14 / 95 / 0 / 39

HEX #85089B

RGB 133 8 155

HSL 291.02, 0.9%, 0.32%

LAB 32.98, 63.09, -48.02

 

CMYK 0 / 14 / 95 / 39

HEX #9B8608

RGB 155 134 8

HSL 51.43, 0.9%, 0.32%

LAB 56.12, -3.48, 59.54

 

CMYK 95 / 0 / 90 / 39

HEX #089B10

RGB 8 155 16

HSL 123.27, 0.9%, 0.32%

LAB 55.62, -58.45, 54.82

 

CMYK 95 / 81 / 0 / 39

HEX #081E9B

RGB 8 30 155

HSL 231.02, 0.9%, 0.32%

LAB 21.38, 43.14, -67.56

 

CMYK 0 / 95 / 5 / 39

HEX #9B0894

RGB 155 8 148

HSL 302.86, 0.9%, 0.32%

LAB 36.52, 65.72, -37.85

 

CMYK 0 / 14 / 95 / 39

HEX #9B8608

RGB 155 134 8

HSL 51.43, 0.9%, 0.32%

LAB 56.12, -3.48, 59.54

 

CMYK 95 / 0 / 61 / 39

HEX #089B3C

RGB 8 155 60

HSL 141.22, 0.9%, 0.32%

LAB 55.91, -54.75, 39.5

 

CMYK 95 / 81 / 0 / 39

HEX #081E9B

RGB 8 30 155

HSL 231.02, 0.9%, 0.32%

LAB 21.38, 43.14, -67.56

 

CMYK 0 / 95 / 33 / 39

HEX #9B0868

RGB 155 8 104

HSL 320.82, 0.9%, 0.32%

LAB 34.28, 59.96, -13.83

 

Description

Color code: RGB 155 134 8 | qconv.com Color code: RGB 155 134 8 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 134 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 134 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 95 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 95% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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