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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 126.8 93.4 it is the complementary color RGB 100 128.2 161.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 126.8 93.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 126.8 93.4 shade: RGB 160 126.8 88.4, RGB 177 144.8 107.4, RGB 194 162.8 126.4, RGB 211 180.8 145.4 and RGB 228 198.8 164.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 126.8 93.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 126.8 93.4 shade: RGB 155 126.8 93.4, RGB 138 108.8 74.4, RGB 121 90.8 55.4, RGB 104 72.8 36.4 and RGB 87 54.8 17.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 126.8 93.4 shade: RGB 156 128 94, RGB 156 111 94 and RGB 156 94 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 126.8 93.4 shade: RGB 156 128 94, RGB 156 144 94, RGB 151 156 94, RGB 134 156 94 and RGB 117 156 94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 126.8 93.4 shade matches the following richer shades: RGB 156 128 94, RGB 176 129 73, RGB 197 131 53, RGB 217 133 33 and RGB 237 134 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 126.8 93.4 shade: RGB 156 128 94, RGB 136 126 114, RGB 116 124 134, RGB 96 122 154 and RGB 75 121 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 126.8 93.4 shade: RGB 156 94 94, RGB 156 110 94, RGB 156 127 94, RGB 156 144 94 and RGB 152 156 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 126.8 93.4 shade: RGB 105 85 63, RGB 130 107 78, RGB 156 128 94, RGB 173 148 118 and RGB 188 168 144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 126.8 93.4 shade: RGB 155 126.8 93.4, RGB 110 156 94 and RGB 102 94 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 126.8 93.4 shade: RGB 155 126.8 93.4, RGB 94 156 127 and RGB 127 94 156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 126.8 93.4 shade: RGB 155 126.8 93.4, RGB 110 156 94, RGB 94 123 156 and RGB 140 94 156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 126.8 93.4 shade: RGB 155 126.8 93.4, RGB 94 156 96, RGB 94 123 156 and RGB 156 94 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 40 / 39

HEX #9B7E5D

RGB 155 126.8 93.4

HSL 32.53, 0.25%, 0.49%

LAB 54.96, 6.04, 22.25

 

Complementary color

CMYK 38 / 21 / 0 / 37

HEX #6480A1

RGB 100 128.2 161.6

HSL 212.53, 0.25%, 0.51%

LAB 52.72, -1.39, -21.05

 

CMYK 0 / 21 / 45 / 37

HEX #A07E58

RGB 160 126.8 88.4

HSL 32.18, 0.29%, 0.49%

LAB 55.39, 7.6, 25.72

 

CMYK 0 / 18 / 39 / 31

HEX #B1906B

RGB 177 144.8 107.4

HSL 32.24, 0.31%, 0.56%

LAB 62.17, 6.85, 24.41

 

CMYK 0 / 16 / 35 / 24

HEX #C2A27E

RGB 194 162.8 126.4

HSL 32.31, 0.36%, 0.63%

LAB 68.83, 6.22, 23.2

 

CMYK 0 / 14 / 31 / 17

HEX #D3B491

RGB 211 180.8 145.4

HSL 32.38, 0.43%, 0.7%

LAB 75.37, 5.68, 22.08

 

CMYK 0 / 13 / 28 / 11

HEX #E4C6A4

RGB 228 198.8 164.4

HSL 32.45, 0.54%, 0.77%

LAB 81.81, 5.2, 21.03

 

CMYK 0 / 18 / 40 / 39

HEX #9B7E5D

RGB 155 126.8 93.4

HSL 32.53, 0.25%, 0.49%

LAB 54.96, 6.04, 22.25

 

CMYK 0 / 21 / 46 / 46

HEX #8A6C4A

RGB 138 108.8 74.4

HSL 32.45, 0.3%, 0.42%

LAB 48, 6.81, 23.6

 

CMYK 0 / 25 / 54 / 53

HEX #795A37

RGB 121 90.8 55.4

HSL 32.38, 0.37%, 0.35%

LAB 40.88, 7.77, 25.09

 

CMYK 0 / 30 / 65 / 59

HEX #684824

RGB 104 72.8 36.4

HSL 32.31, 0.48%, 0.28%

LAB 33.59, 9, 26.7

 

CMYK 0 / 37 / 80 / 66

HEX #573611

RGB 87 54.8 17.4

HSL 32.24, 0.67%, 0.2%

LAB 26.1, 10.64, 28.26

 

CMYK 0 / 18 / 40 / 39

HEX #9C805E

RGB 156 128 94

HSL 32.9, 0.25%, 0.49%

LAB 55.39, 5.86, 22.5

 

CMYK 0 / 29 / 40 / 39

HEX #9C6F5E

RGB 156 111 94

HSL 16.45, 0.25%, 0.49%

LAB 50.97, 15.58, 16.55

 

CMYK 0 / 40 / 40 / 39

HEX #9C5E5E

RGB 156 94 94

HSL 0, 0.25%, 0.49%

LAB 46.82, 25.3, 10.81

 

CMYK 0 / 18 / 40 / 39

HEX #9C805E

RGB 156 128 94

HSL 32.9, 0.25%, 0.49%

LAB 55.39, 5.86, 22.5

 

CMYK 0 / 8 / 40 / 39

HEX #9C905E

RGB 156 144 94

HSL 48.39, 0.25%, 0.49%

LAB 59.73, -3.08, 28.19

 

CMYK 3 / 0 / 40 / 39

HEX #979C5E

RGB 151 156 94

HSL 64.84, 0.25%, 0.49%

LAB 62.65, -11.65, 31.85

 

CMYK 14 / 0 / 40 / 39

HEX #869C5E

RGB 134 156 94

HSL 81.29, 0.25%, 0.49%

LAB 61.35, -18.54, 29.93

 

CMYK 25 / 0 / 40 / 39

HEX #759C5E

RGB 117 156 94

HSL 97.74, 0.25%, 0.49%

LAB 60.22, -25.09, 28.24

 

CMYK 0 / 18 / 40 / 39

HEX #9C805E

RGB 156 128 94

HSL 32.9, 0.25%, 0.49%

LAB 55.39, 5.86, 22.5

 

CMYK 0 / 27 / 59 / 31

HEX #B08149

RGB 176 129 73

HSL 32.62, 0.41%, 0.49%

LAB 57.47, 11.81, 37.09

 

CMYK 0 / 34 / 73 / 23

HEX #C58335

RGB 197 131 53

HSL 32.5, 0.58%, 0.49%

LAB 60.21, 18.55, 50.65

 

CMYK 0 / 39 / 85 / 15

HEX #D98521

RGB 217 133 33

HSL 32.61, 0.74%, 0.49%

LAB 63.04, 25.3, 61.99

 

CMYK 0 / 43 / 95 / 7

HEX #ED860D

RGB 237 134 13

HSL 32.41, 0.9%, 0.49%

LAB 65.81, 32.74, 70.12

 

CMYK 0 / 18 / 40 / 39

HEX #9C805E

RGB 156 128 94

HSL 32.9, 0.25%, 0.49%

LAB 55.39, 5.86, 22.5

 

CMYK 0 / 7 / 16 / 47

HEX #887E72

RGB 136 126 114

HSL 32.73, 0.09%, 0.49%

LAB 53.35, 1.65, 7.9

 

CMYK 13 / 7 / 0 / 47

HEX #747C86

RGB 116 124 134

HSL 213.33, 0.07%, 0.49%

LAB 51.67, -0.79, -6.45

 

CMYK 38 / 21 / 0 / 40

HEX #607A9A

RGB 96 122 154

HSL 213.1, 0.23%, 0.49%

LAB 50.38, -1.05, -20.25

 

CMYK 57 / 31 / 0 / 31

HEX #4B79AF

RGB 75 121 175

HSL 212.4, 0.4%, 0.49%

LAB 49.82, 0.63, -33.44

 

CMYK 0 / 40 / 40 / 39

HEX #9C5E5E

RGB 156 94 94

HSL 0, 0.25%, 0.49%

LAB 46.82, 25.3, 10.81

 

CMYK 0 / 29 / 40 / 39

HEX #9C6E5E

RGB 156 110 94

HSL 15.48, 0.25%, 0.49%

LAB 50.72, 16.15, 16.2

 

CMYK 0 / 19 / 40 / 39

HEX #9C7F5E

RGB 156 127 94

HSL 31.94, 0.25%, 0.49%

LAB 55.13, 6.43, 22.15

 

CMYK 0 / 8 / 40 / 39

HEX #9C905E

RGB 156 144 94

HSL 48.39, 0.25%, 0.49%

LAB 59.73, -3.08, 28.19

 

CMYK 3 / 0 / 40 / 39

HEX #989C5E

RGB 152 156 94

HSL 63.87, 0.25%, 0.49%

LAB 62.73, -11.23, 31.97

 

CMYK 0 / 19 / 40 / 59

HEX #69553F

RGB 105 85 63

HSL 31.43, 0.25%, 0.33%

LAB 37.59, 4.83, 15.95

 

CMYK 0 / 18 / 40 / 49

HEX #826B4E

RGB 130 107 78

HSL 33.46, 0.25%, 0.41%

LAB 46.73, 4.78, 19.68

 

CMYK 0 / 18 / 40 / 39

HEX #9C805E

RGB 156 128 94

HSL 32.9, 0.25%, 0.49%

LAB 55.39, 5.86, 22.5

 

CMYK 0 / 14 / 32 / 32

HEX #AD9476

RGB 173 148 118

HSL 32.73, 0.25%, 0.57%

LAB 62.82, 4.78, 19.33

 

CMYK 0 / 11 / 23 / 26

HEX #BCA890

RGB 188 168 144

HSL 32.73, 0.25%, 0.65%

LAB 69.97, 3.42, 15.05

 

CMYK 0 / 18 / 40 / 39

HEX #9B7E5D

RGB 155 126.8 93.4

HSL 32.53, 0.25%, 0.49%

LAB 54.96, 6.04, 22.25

 

CMYK 29 / 0 / 40 / 39

HEX #6E9C5E

RGB 110 156 94

HSL 104.52, 0.25%, 0.49%

LAB 59.8, -27.65, 27.62

 

CMYK 35 / 40 / 0 / 39

HEX #665E9C

RGB 102 94 156

HSL 247.74, 0.25%, 0.49%

LAB 43.11, 18.29, -32.69

 

CMYK 0 / 18 / 40 / 39

HEX #9B7E5D

RGB 155 126.8 93.4

HSL 32.53, 0.25%, 0.49%

LAB 54.96, 6.04, 22.25

 

CMYK 40 / 0 / 19 / 39

HEX #5E9C7F

RGB 94 156 127

HSL 151.94, 0.25%, 0.49%

LAB 59.61, -26.84, 8.96

 

CMYK 19 / 40 / 0 / 39

HEX #7F5E9C

RGB 127 94 156

HSL 271.94, 0.25%, 0.49%

LAB 45.52, 25.92, -28.74

 

CMYK 0 / 18 / 40 / 39

HEX #9B7E5D

RGB 155 126.8 93.4

HSL 32.53, 0.25%, 0.49%

LAB 54.96, 6.04, 22.25

 

CMYK 29 / 0 / 40 / 39

HEX #6E9C5E

RGB 110 156 94

HSL 104.52, 0.25%, 0.49%

LAB 59.8, -27.65, 27.62

 

CMYK 40 / 21 / 0 / 39

HEX #5E7B9C

RGB 94 123 156

HSL 211.94, 0.25%, 0.49%

LAB 50.62, -1.65, -21.05

 

CMYK 10 / 40 / 0 / 39

HEX #8C5E9C

RGB 140 94 156

HSL 284.52, 0.25%, 0.49%

LAB 46.95, 30.06, -26.4

 

CMYK 0 / 18 / 40 / 39

HEX #9B7E5D

RGB 155 126.8 93.4

HSL 32.53, 0.25%, 0.49%

LAB 54.96, 6.04, 22.25

 

CMYK 40 / 0 / 38 / 39

HEX #5E9C60

RGB 94 156 96

HSL 121.94, 0.25%, 0.49%

LAB 58.98, -32.8, 25.3

 

CMYK 40 / 21 / 0 / 39

HEX #5E7B9C

RGB 94 123 156

HSL 211.94, 0.25%, 0.49%

LAB 50.62, -1.65, -21.05

 

CMYK 0 / 40 / 1 / 39

HEX #9C5E9A

RGB 156 94 154

HSL 301.94, 0.25%, 0.49%

LAB 48.77, 34.85, -22.25

 

Description

Color code: RGB 155 126.8 93.4 | qconv.com Color code: RGB 155 126.8 93.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 126.8 green and 93.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 126.8 93.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 40 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 40% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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