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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 10 142 it is the complementary color RGB 100 245 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 10 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 10 142 shade: RGB 160 10 137, RGB 177 28 156, RGB 194 46 175, RGB 211 64 194 and RGB 228 82 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 10 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 10 142 shade: RGB 155 10 142, RGB 138 0 123, RGB 121 0 104, RGB 104 0 85 and RGB 87 0 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 10 142 shade: RGB 153 10 141, RGB 153 10 102, RGB 153 10 63, RGB 153 10 24 and RGB 153 10 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 10 142 shade: RGB 153 10 141, RGB 128 10 153, RGB 89 10 153, RGB 50 10 153 and RGB 11 10 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 10 142 shade matches the following richer shades: RGB 153 10 141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 10 142 shade: RGB 153 10 141, RGB 140 23 130, RGB 127 36 119, RGB 114 49 108 and RGB 101 63 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 10 142 shade: RGB 89 10 153, RGB 127 10 153, RGB 153 10 141, RGB 153 10 103 and RGB 153 10 65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 10 142 shade: RGB 76 5 69, RGB 115 7 105, RGB 153 10 141, RGB 192 12 176 and RGB 231 15 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 10 142 shade: RGB 155 10 142, RGB 153 50 10 and RGB 10 153 108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 10 142 shade: RGB 155 10 142, RGB 141 153 10 and RGB 10 141 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 10 142 shade: RGB 155 10 142, RGB 153 50 10, RGB 10 153 22 and RGB 10 113 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 10 142 shade: RGB 155 10 142, RGB 153 94 10, RGB 10 153 22 and RGB 10 70 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 8 / 39

HEX #9B0A8E

RGB 155 10 142

HSL 305.38, 0.88%, 0.32%

LAB 36.25, 64.6, -34.59

 

Complementary color

CMYK 59 / 0 / 54 / 4

HEX #64F571

RGB 100 245 113

HSL 125.38, 0.88%, 0.68%

LAB 86.61, -64.82, 51.53

 

CMYK 0 / 94 / 14 / 37

HEX #A00A89

RGB 160 10 137

HSL 309.2, 0.88%, 0.33%

LAB 36.92, 64.85, -30.39

 

CMYK 0 / 84 / 12 / 31

HEX #B11C9C

RGB 177 28 156

HSL 308.46, 0.73%, 0.4%

LAB 42.12, 67.9, -33.57

 

CMYK 0 / 76 / 10 / 24

HEX #C22EAF

RGB 194 46 175

HSL 307.7, 0.62%, 0.47%

LAB 47.65, 69.69, -35.98

 

CMYK 0 / 70 / 8 / 17

HEX #D340C2

RGB 211 64 194

HSL 306.94, 0.63%, 0.54%

LAB 53.4, 70.62, -37.82

 

CMYK 0 / 64 / 7 / 11

HEX #E452D5

RGB 228 82 213

HSL 306.16, 0.73%, 0.61%

LAB 59.28, 70.96, -39.25

 

CMYK 0 / 94 / 8 / 39

HEX #9B0A8E

RGB 155 10 142

HSL 305.38, 0.88%, 0.32%

LAB 36.25, 64.6, -34.59

 

CMYK 0 / 100 / 11 / 46

HEX #8A007B

RGB 138 0 123

HSL 306.52, 1%, 0.27%

LAB 31.42, 60, -30.61

 

CMYK 0 / 100 / 14 / 53

HEX #790068

RGB 121 0 104

HSL 308.43, 1%, 0.24%

LAB 26.92, 54.04, -25.8

 

CMYK 0 / 100 / 18 / 59

HEX #680055

RGB 104 0 85

HSL 310.96, 1%, 0.2%

LAB 22.3, 47.93, -20.77

 

CMYK 0 / 100 / 24 / 66

HEX #570042

RGB 87 0 66

HSL 314.48, 1%, 0.17%

LAB 17.55, 41.65, -15.46

 

CMYK 0 / 93 / 8 / 40

HEX #990A8D

RGB 153 10 141

HSL 305.03, 0.88%, 0.32%

LAB 35.82, 64.07, -34.69

 

CMYK 0 / 93 / 33 / 40

HEX #990A66

RGB 153 10 102

HSL 321.4, 0.88%, 0.32%

LAB 33.88, 59.03, -13.19

 

CMYK 0 / 93 / 59 / 40

HEX #990A3F

RGB 153 10 63

HSL 337.76, 0.88%, 0.32%

LAB 32.59, 55.53, 10.4

 

CMYK 0 / 93 / 84 / 40

HEX #990A18

RGB 153 10 24

HSL 354.13, 0.88%, 0.32%

LAB 31.93, 53.69, 34.49

 

CMYK 0 / 93 / 93 / 40

HEX #990A0A

RGB 153 10 10

HSL 0, 0.88%, 0.32%

LAB 31.83, 53.41, 41.45

 

CMYK 0 / 93 / 8 / 40

HEX #990A8D

RGB 153 10 141

HSL 305.03, 0.88%, 0.32%

LAB 35.82, 64.07, -34.69

 

CMYK 16 / 93 / 0 / 40

HEX #800A99

RGB 128 10 153

HSL 289.51, 0.88%, 0.32%

LAB 32.05, 61.65, -48.35

 

CMYK 42 / 93 / 0 / 40

HEX #590A99

RGB 89 10 153

HSL 273.15, 0.88%, 0.32%

LAB 25.69, 56.19, -59

 

CMYK 67 / 93 / 0 / 40

HEX #320A99

RGB 50 10 153

HSL 256.78, 0.88%, 0.32%

LAB 20.81, 52.64, -67.22

 

CMYK 93 / 93 / 0 / 40

HEX #0B0A99

RGB 11 10 153

HSL 240.42, 0.88%, 0.32%

LAB 18.31, 51.15, -71.44

 

CMYK 0 / 93 / 8 / 40

HEX #990A8D

RGB 153 10 141

HSL 305.03, 0.88%, 0.32%

LAB 35.82, 64.07, -34.69

 

CMYK 0 / 93 / 8 / 40

HEX #990A8D

RGB 153 10 141

HSL 305.03, 0.88%, 0.32%

LAB 35.82, 64.07, -34.69

 

CMYK 0 / 84 / 7 / 45

HEX #8C1782

RGB 140 23 130

HSL 305.13, 0.72%, 0.32%

LAB 33.56, 57.47, -31.6

 

CMYK 0 / 72 / 6 / 50

HEX #7F2477

RGB 127 36 119

HSL 305.27, 0.56%, 0.32%

LAB 32.05, 48.61, -27.24

 

CMYK 0 / 57 / 5 / 55

HEX #72316C

RGB 114 49 108

HSL 305.54, 0.4%, 0.32%

LAB 31.48, 37.11, -21.31

 

CMYK 0 / 38 / 4 / 60

HEX #653F61

RGB 101 63 97

HSL 306.32, 0.23%, 0.32%

LAB 32.22, 22.56, -13.29

 

CMYK 42 / 93 / 0 / 40

HEX #590A99

RGB 89 10 153

HSL 273.15, 0.88%, 0.32%

LAB 25.69, 56.19, -59

 

CMYK 17 / 93 / 0 / 40

HEX #7F0A99

RGB 127 10 153

HSL 289.09, 0.88%, 0.32%

LAB 31.87, 61.49, -48.64

 

CMYK 0 / 93 / 8 / 40

HEX #990A8D

RGB 153 10 141

HSL 305.03, 0.88%, 0.32%

LAB 35.82, 64.07, -34.69

 

CMYK 0 / 93 / 33 / 40

HEX #990A67

RGB 153 10 103

HSL 320.98, 0.88%, 0.32%

LAB 33.92, 59.14, -13.77

 

CMYK 0 / 93 / 58 / 40

HEX #990A41

RGB 153 10 65

HSL 336.92, 0.88%, 0.32%

LAB 32.64, 55.66, 9.15

 

CMYK 0 / 93 / 9 / 70

HEX #4C0545

RGB 76 5 69

HSL 305.92, 0.88%, 0.16%

LAB 15.87, 38.09, -20.36

 

CMYK 0 / 94 / 9 / 55

HEX #730769

RGB 115 7 105

HSL 305.56, 0.89%, 0.24%

LAB 26.21, 51.7, -27.65

 

CMYK 0 / 93 / 8 / 40

HEX #990A8D

RGB 153 10 141

HSL 305.03, 0.88%, 0.32%

LAB 35.82, 64.07, -34.69

 

CMYK 0 / 94 / 8 / 25

HEX #C00CB0

RGB 192 12 176

HSL 305.33, 0.88%, 0.4%

LAB 45.09, 76.01, -40.64

 

CMYK 0 / 94 / 8 / 9

HEX #E70FD4

RGB 231 15 212

HSL 305.28, 0.88%, 0.48%

LAB 54.12, 87.5, -46.8

 

CMYK 0 / 94 / 8 / 39

HEX #9B0A8E

RGB 155 10 142

HSL 305.38, 0.88%, 0.32%

LAB 36.25, 64.6, -34.59

 

CMYK 0 / 67 / 93 / 40

HEX #99320A

RGB 153 50 10

HSL 16.78, 0.88%, 0.32%

LAB 36.13, 41.44, 44.36

 

CMYK 93 / 0 / 29 / 40

HEX #0A996C

RGB 10 153 108

HSL 161.12, 0.88%, 0.32%

LAB 56.02, -44.97, 14.29

 

CMYK 0 / 94 / 8 / 39

HEX #9B0A8E

RGB 155 10 142

HSL 305.38, 0.88%, 0.32%

LAB 36.25, 64.6, -34.59

 

CMYK 8 / 0 / 93 / 40

HEX #8D990A

RGB 141 153 10

HSL 65.03, 0.88%, 0.32%

LAB 60.31, -19.93, 61.91

 

CMYK 93 / 8 / 0 / 40

HEX #0A8D99

RGB 10 141 153

HSL 185.03, 0.88%, 0.32%

LAB 53.4, -26.56, -15.31

 

CMYK 0 / 94 / 8 / 39

HEX #9B0A8E

RGB 155 10 142

HSL 305.38, 0.88%, 0.32%

LAB 36.25, 64.6, -34.59

 

CMYK 0 / 67 / 93 / 40

HEX #99320A

RGB 153 50 10

HSL 16.78, 0.88%, 0.32%

LAB 36.13, 41.44, 44.36

 

CMYK 93 / 0 / 86 / 40

HEX #0A9916

RGB 10 153 22

HSL 125.03, 0.88%, 0.32%

LAB 54.97, -57.47, 52.89

 

CMYK 93 / 26 / 0 / 40

HEX #0A7199

RGB 10 113 153

HSL 196.78, 0.88%, 0.32%

LAB 44.48, -11.41, -29.04

 

CMYK 0 / 94 / 8 / 39

HEX #9B0A8E

RGB 155 10 142

HSL 305.38, 0.88%, 0.32%

LAB 36.25, 64.6, -34.59

 

CMYK 0 / 39 / 93 / 40

HEX #995E0A

RGB 153 94 10

HSL 35.24, 0.88%, 0.32%

LAB 45.36, 18.31, 51.01

 

CMYK 93 / 0 / 86 / 40

HEX #0A9916

RGB 10 153 22

HSL 125.03, 0.88%, 0.32%

LAB 54.97, -57.47, 52.89

 

CMYK 93 / 54 / 0 / 40

HEX #0A4699

RGB 10 70 153

HSL 214.83, 0.88%, 0.32%

LAB 31.22, 16.19, -50.18

 

Description

Color code: RGB 155 10 142 | qconv.com Color code: RGB 155 10 142 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 10 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 10 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 8 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 8% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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