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Color name
RGB 155.9 92.2 162

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155.9 92.2 162 it is the complementary color RGB 99.1 162.8 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155.9 92.2 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155.9 92.2 162 shade: RGB 160.9 92.2 157, RGB 177.9 110.2 176, RGB 194.9 128.2 195, RGB 211.9 146.2 214 and RGB 228.9 164.2 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155.9 92.2 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155.9 92.2 162 shade: RGB 155.9 92.2 162, RGB 138.9 74.2 143, RGB 121.9 56.2 124, RGB 104.9 38.2 105 and RGB 87.9 20.2 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155.9 92.2 162 shade: RGB 156 93 162, RGB 162 93 149, RGB 162 93 131, RGB 162 93 112 and RGB 162 93 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155.9 92.2 162 shade: RGB 156 93 162, RGB 137 93 162, RGB 119 93 162, RGB 100 93 162 and RGB 93 93 162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155.9 92.2 162 shade matches the following richer shades: RGB 156 93 162, RGB 173 72 183, RGB 190 52 203, RGB 207 31 224 and RGB 224 11 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155.9 92.2 162 shade: RGB 156 93 162, RGB 139 114 141, RGB 122 134 121, RGB 105 155 100 and RGB 88 176 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155.9 92.2 162 shade: RGB 118 93 162, RGB 137 93 162, RGB 155 93 162, RGB 162 93 150 and RGB 162 93 132

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155.9 92.2 162 shade: RGB 105 63 110, RGB 131 78 136, RGB 156 93 162, RGB 172 119 177 and RGB 188 145 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155.9 92.2 162 shade: RGB 155.9 92.2 162, RGB 162 100 93 and RGB 93 162 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155.9 92.2 162 shade: RGB 155.9 92.2 162, RGB 162 155 93 and RGB 93 162 155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155.9 92.2 162 shade: RGB 155.9 92.2 162, RGB 162 100 93, RGB 100 162 93 and RGB 93 155 162

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155.9 92.2 162 shade: RGB 155.9 92.2 162, RGB 162 121 93, RGB 100 162 93 and RGB 93 134 162

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 43 / 0 / 36

HEX #9B5CA2

RGB 155.9 92.2 162

HSL 294.76, 0.27%, 0.5%

LAB 48.7, 37.38, -27.07

 

Complementary color

CMYK 39 / 0 / 43 / 36

HEX #63A25D

RGB 99.1 162.8 93

HSL 114.76, 0.27%, 0.5%

LAB 61.28, -34.76, 29.95

 

CMYK 0 / 43 / 2 / 37

HEX #A05C9D

RGB 160.9 92.2 157

HSL 303.41, 0.27%, 0.5%

LAB 49.12, 38, -23.44

 

CMYK 0 / 38 / 1 / 30

HEX #B16EB0

RGB 177.9 110.2 176

HSL 301.68, 0.31%, 0.56%

LAB 55.87, 37.22, -23.94

 

CMYK 0 / 34 / 0 / 24

HEX #C280C3

RGB 194.9 128.2 195

HSL 299.91, 0.36%, 0.63%

LAB 62.52, 36.46, -24.38

 

CMYK 1 / 32 / 0 / 16

HEX #D392D6

RGB 211.9 146.2 214

HSL 298.14, 0.45%, 0.71%

LAB 69.08, 35.74, -24.78

 

CMYK 2 / 30 / 0 / 9

HEX #E4A4E9

RGB 228.9 164.2 233

HSL 296.42, 0.61%, 0.78%

LAB 75.54, 35.05, -25.16

 

CMYK 4 / 43 / 0 / 36

HEX #9B5CA2

RGB 155.9 92.2 162

HSL 294.76, 0.27%, 0.5%

LAB 48.7, 37.38, -27.07

 

CMYK 3 / 48 / 0 / 44

HEX #8A4A8F

RGB 138.9 74.2 143

HSL 296.42, 0.32%, 0.43%

LAB 41.83, 38.15, -26.61

 

CMYK 2 / 55 / 0 / 51

HEX #79387C

RGB 121.9 56.2 124

HSL 298.14, 0.38%, 0.35%

LAB 34.87, 38.84, -26

 

CMYK 0 / 64 / 0 / 59

HEX #682669

RGB 104.9 38.2 105

HSL 299.91, 0.47%, 0.28%

LAB 27.89, 39.25, -25.11

 

CMYK 0 / 77 / 2 / 66

HEX #571456

RGB 87.9 20.2 86

HSL 301.68, 0.63%, 0.21%

LAB 21.02, 38.97, -23.68

 

CMYK 4 / 43 / 0 / 36

HEX #9C5DA2

RGB 156 93 162

HSL 294.78, 0.27%, 0.5%

LAB 48.89, 36.97, -26.78

 

CMYK 0 / 43 / 8 / 36

HEX #A25D95

RGB 162 93 149

HSL 311.3, 0.27%, 0.5%

LAB 49.11, 36.45, -18.71

 

CMYK 0 / 43 / 19 / 36

HEX #A25D83

RGB 162 93 131

HSL 326.96, 0.27%, 0.5%

LAB 48.45, 33.39, -8.98

 

CMYK 0 / 43 / 31 / 36

HEX #A25D70

RGB 162 93 112

HSL 343.48, 0.27%, 0.5%

LAB 47.85, 30.54, 1.55

 

CMYK 0 / 43 / 42 / 36

HEX #A25D5E

RGB 162 93 94

HSL 359.13, 0.27%, 0.5%

LAB 47.39, 28.25, 11.72

 

CMYK 4 / 43 / 0 / 36

HEX #9C5DA2

RGB 156 93 162

HSL 294.78, 0.27%, 0.5%

LAB 48.89, 36.97, -26.78

 

CMYK 15 / 43 / 0 / 36

HEX #895DA2

RGB 137 93 162

HSL 278.26, 0.27%, 0.5%

LAB 46.65, 31.03, -30.44

 

CMYK 27 / 43 / 0 / 36

HEX #775DA2

RGB 119 93 162

HSL 262.61, 0.27%, 0.5%

LAB 44.74, 25.54, -33.57

 

CMYK 38 / 43 / 0 / 36

HEX #645DA2

RGB 100 93 162

HSL 246.09, 0.27%, 0.5%

LAB 42.98, 20.05, -36.46

 

CMYK 43 / 43 / 0 / 36

HEX #5D5DA2

RGB 93 93 162

HSL 240, 0.27%, 0.5%

LAB 42.41, 18.15, -37.41

 

CMYK 4 / 43 / 0 / 36

HEX #9C5DA2

RGB 156 93 162

HSL 294.78, 0.27%, 0.5%

LAB 48.89, 36.97, -26.78

 

CMYK 5 / 61 / 0 / 28

HEX #AD48B7

RGB 173 72 183

HSL 294.59, 0.44%, 0.5%

LAB 48.18, 56.44, -40.05

 

CMYK 6 / 74 / 0 / 20

HEX #BE34CB

RGB 190 52 203

HSL 294.83, 0.59%, 0.5%

LAB 49.15, 71.47, -49.96

 

CMYK 8 / 86 / 0 / 12

HEX #CF1FE0

RGB 207 31 224

HSL 294.72, 0.76%, 0.5%

LAB 51.41, 83.11, -58.19

 

CMYK 8 / 95 / 0 / 4

HEX #E00BF4

RGB 224 11 244

HSL 294.85, 0.91%, 0.5%

LAB 54.68, 91.28, -64.06

 

CMYK 4 / 43 / 0 / 36

HEX #9C5DA2

RGB 156 93 162

HSL 294.78, 0.27%, 0.5%

LAB 48.89, 36.97, -26.78

 

CMYK 1 / 19 / 0 / 45

HEX #8B728D

RGB 139 114 141

HSL 295.56, 0.11%, 0.5%

LAB 51.21, 14.84, -11.04

 

CMYK 9 / 0 / 10 / 47

HEX #7A8679

RGB 122 134 121

HSL 115.38, 0.05%, 0.5%

LAB 54.62, -7.01, 5.5

 

CMYK 32 / 0 / 35 / 39

HEX #699B64

RGB 105 155 100

HSL 114.55, 0.22%, 0.5%

LAB 59.31, -27.98, 23.67

 

CMYK 50 / 0 / 55 / 31

HEX #58B04F

RGB 88 176 79

HSL 114.43, 0.38%, 0.5%

LAB 64.72, -45.83, 41.2

 

CMYK 27 / 43 / 0 / 36

HEX #765DA2

RGB 118 93 162

HSL 261.74, 0.27%, 0.5%

LAB 44.64, 25.24, -33.73

 

CMYK 15 / 43 / 0 / 36

HEX #895DA2

RGB 137 93 162

HSL 278.26, 0.27%, 0.5%

LAB 46.65, 31.03, -30.44

 

CMYK 4 / 43 / 0 / 36

HEX #9B5DA2

RGB 155 93 162

HSL 293.91, 0.27%, 0.5%

LAB 48.77, 36.66, -26.99

 

CMYK 0 / 43 / 7 / 36

HEX #A25D96

RGB 162 93 150

HSL 310.43, 0.27%, 0.5%

LAB 49.15, 36.63, -19.24

 

CMYK 0 / 43 / 19 / 36

HEX #A25D84

RGB 162 93 132

HSL 326.09, 0.27%, 0.5%

LAB 48.48, 33.55, -9.53

 

CMYK 5 / 43 / 0 / 57

HEX #693F6E

RGB 105 63 110

HSL 293.62, 0.27%, 0.34%

LAB 33.32, 26.72, -19.82

 

CMYK 4 / 43 / 0 / 47

HEX #834E88

RGB 131 78 136

HSL 294.83, 0.27%, 0.42%

LAB 41.3, 32.11, -23.26

 

CMYK 4 / 43 / 0 / 36

HEX #9C5DA2

RGB 156 93 162

HSL 294.78, 0.27%, 0.5%

LAB 48.89, 36.97, -26.78

 

CMYK 3 / 33 / 0 / 31

HEX #AC77B1

RGB 172 119 177

HSL 294.83, 0.27%, 0.58%

LAB 57.21, 30.62, -22.51

 

CMYK 2 / 24 / 0 / 25

HEX #BC91C0

RGB 188 145 192

HSL 294.89, 0.27%, 0.66%

LAB 65.55, 24.36, -18.14

 

CMYK 4 / 43 / 0 / 36

HEX #9B5CA2

RGB 155.9 92.2 162

HSL 294.76, 0.27%, 0.5%

LAB 48.7, 37.38, -27.07

 

CMYK 0 / 38 / 43 / 36

HEX #A2645D

RGB 162 100 93

HSL 6.09, 0.27%, 0.5%

LAB 48.99, 24.21, 14.54

 

CMYK 43 / 0 / 21 / 36

HEX #5DA280

RGB 93 162 128

HSL 150.43, 0.27%, 0.5%

LAB 61.42, -29.85, 10.95

 

CMYK 4 / 43 / 0 / 36

HEX #9B5CA2

RGB 155.9 92.2 162

HSL 294.76, 0.27%, 0.5%

LAB 48.7, 37.38, -27.07

 

CMYK 0 / 4 / 43 / 36

HEX #A29B5D

RGB 162 155 93

HSL 53.91, 0.27%, 0.5%

LAB 63.27, -6.65, 33.36

 

CMYK 43 / 0 / 4 / 36

HEX #5DA29B

RGB 93 162 155

HSL 173.91, 0.27%, 0.5%

LAB 62.11, -23.54, -3.2

 

CMYK 4 / 43 / 0 / 36

HEX #9B5CA2

RGB 155.9 92.2 162

HSL 294.76, 0.27%, 0.5%

LAB 48.7, 37.38, -27.07

 

CMYK 0 / 38 / 43 / 36

HEX #A2645D

RGB 162 100 93

HSL 6.09, 0.27%, 0.5%

LAB 48.99, 24.21, 14.54

 

CMYK 38 / 0 / 43 / 36

HEX #64A25D

RGB 100 162 93

HSL 113.91, 0.27%, 0.5%

LAB 61.08, -34.1, 29.7

 

CMYK 43 / 4 / 0 / 36

HEX #5D9BA2

RGB 93 155 162

HSL 186.09, 0.27%, 0.5%

LAB 60.23, -18.1, -9.95

 

CMYK 4 / 43 / 0 / 36

HEX #9B5CA2

RGB 155.9 92.2 162

HSL 294.76, 0.27%, 0.5%

LAB 48.7, 37.38, -27.07

 

CMYK 0 / 25 / 43 / 36

HEX #A2795D

RGB 162 121 93

HSL 24.35, 0.27%, 0.5%

LAB 54.18, 12.26, 21.57

 

CMYK 38 / 0 / 43 / 36

HEX #64A25D

RGB 100 162 93

HSL 113.91, 0.27%, 0.5%

LAB 61.08, -34.1, 29.7

 

CMYK 43 / 17 / 0 / 36

HEX #5D86A2

RGB 93 134 162

HSL 204.35, 0.27%, 0.5%

LAB 54.01, -6.57, -19.35

 

Description

Color code: RGB 155.9 92.2 162 | qconv.com Color code: RGB 155.9 92.2 162 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155.9 red, 92.2 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155.9 92.2 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 43 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 43% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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