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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155.7 38.6 92 it is the complementary color RGB 99.3 216.4 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155.7 38.6 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155.7 38.6 92 shade: RGB 160.7 38.6 87, RGB 177.7 56.6 106, RGB 194.7 74.6 125, RGB 211.7 92.6 144 and RGB 228.7 110.6 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155.7 38.6 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155.7 38.6 92 shade: RGB 155.7 38.6 92, RGB 138.7 20.6 73, RGB 121.7 2.6 54, RGB 104.7 0 35 and RGB 87.7 0 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155.7 38.6 92 shade: RGB 155 39 92, RGB 155 39 60 and RGB 155 39 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155.7 38.6 92 shade: RGB 155 39 92, RGB 155 39 123, RGB 155 39 154, RGB 124 39 155 and RGB 93 39 155

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155.7 38.6 92 shade matches the following richer shades: RGB 155 39 92, RGB 171 23 90 and RGB 186 7 89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155.7 38.6 92 shade: RGB 155 39 92, RGB 139 54 93, RGB 124 70 95, RGB 108 86 96 and RGB 92 101 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155.7 38.6 92 shade: RGB 155 39 155, RGB 155 39 124, RGB 155 39 93, RGB 155 39 62 and RGB 155 47 39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155.7 38.6 92 shade: RGB 89 22 53, RGB 122 31 72, RGB 155 39 92, RGB 188 47 111 and RGB 208 68 132

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155.7 38.6 92 shade: RGB 155.7 38.6 92, RGB 155 124 39 and RGB 39 140 155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155.7 38.6 92 shade: RGB 155.7 38.6 92, RGB 93 155 39 and RGB 39 93 155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155.7 38.6 92 shade: RGB 155.7 38.6 92, RGB 155 124 39, RGB 39 155 101 and RGB 39 70 155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155.7 38.6 92 shade: RGB 155.7 38.6 92, RGB 151 155 39, RGB 39 155 101 and RGB 43 39 155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 41 / 39

HEX #9B265C

RGB 155.7 38.6 92

HSL 332.64, 0.6%, 0.38%

LAB 36.43, 51.76, -2.88

 

Complementary color

CMYK 54 / 0 / 25 / 15

HEX #63D8A3

RGB 99.3 216.4 163

HSL 152.64, 0.6%, 0.62%

LAB 78.83, -45.48, 16.45

 

CMYK 0 / 76 / 46 / 37

HEX #A02657

RGB 160.7 38.6 87

HSL 336.22, 0.61%, 0.39%

LAB 37.22, 52.69, 1.58

 

CMYK 0 / 68 / 40 / 30

HEX #B1386A

RGB 177.7 56.6 106

HSL 335.52, 0.52%, 0.46%

LAB 43.3, 52.96, -1.14

 

CMYK 0 / 62 / 36 / 24

HEX #C24A7D

RGB 194.7 74.6 125

HSL 334.82, 0.5%, 0.53%

LAB 49.52, 52.71, -3.26

 

CMYK 0 / 56 / 32 / 17

HEX #D35C90

RGB 211.7 92.6 144

HSL 334.11, 0.58%, 0.6%

LAB 55.81, 52.16, -4.97

 

CMYK 0 / 52 / 29 / 10

HEX #E46EA3

RGB 228.7 110.6 163

HSL 333.38, 0.69%, 0.67%

LAB 62.11, 51.47, -6.38

 

CMYK 0 / 75 / 41 / 39

HEX #9B265C

RGB 155.7 38.6 92

HSL 332.64, 0.6%, 0.38%

LAB 36.43, 51.76, -2.88

 

CMYK 0 / 85 / 47 / 46

HEX #8A1449

RGB 138.7 20.6 73

HSL 333.38, 0.74%, 0.31%

LAB 30.56, 50.57, 0.48

 

CMYK 0 / 98 / 56 / 52

HEX #790236

RGB 121.7 2.6 54

HSL 334.11, 0.96%, 0.24%

LAB 25.07, 48.11, 4.94

 

CMYK 0 / 100 / 67 / 59

HEX #680023

RGB 104.7 0 35

HSL 339.94, 1%, 0.21%

LAB 20.47, 42.94, 11.28

 

CMYK 0 / 100 / 82 / 66

HEX #570010

RGB 87.7 0 16

HSL 349.05, 1%, 0.17%

LAB 15.99, 37.32, 17.85

 

CMYK 0 / 75 / 41 / 39

HEX #9B275C

RGB 155 39 92

HSL 332.59, 0.6%, 0.38%

LAB 36.35, 51.42, -3.02

 

CMYK 0 / 75 / 61 / 39

HEX #9B273C

RGB 155 39 60

HSL 349.14, 0.6%, 0.38%

LAB 35.49, 48.61, 16.36

 

CMYK 0 / 75 / 75 / 39

HEX #9B2727

RGB 155 39 39

HSL 0, 0.6%, 0.38%

LAB 35.14, 47.43, 29.11

 

CMYK 0 / 75 / 41 / 39

HEX #9B275C

RGB 155 39 92

HSL 332.59, 0.6%, 0.38%

LAB 36.35, 51.42, -3.02

 

CMYK 0 / 75 / 21 / 39

HEX #9B277B

RGB 155 39 123

HSL 316.55, 0.6%, 0.38%

LAB 37.57, 55.25, -20.76

 

CMYK 0 / 75 / 1 / 39

HEX #9B279A

RGB 155 39 154

HSL 300.52, 0.6%, 0.38%

LAB 39.16, 60.01, -37.3

 

CMYK 20 / 75 / 0 / 39

HEX #7C279B

RGB 124 39 155

HSL 283.97, 0.6%, 0.38%

LAB 34.2, 53.56, -46.13

 

CMYK 40 / 75 / 0 / 39

HEX #5D279B

RGB 93 39 155

HSL 267.93, 0.6%, 0.38%

LAB 29.77, 47.5, -53.51

 

CMYK 0 / 75 / 41 / 39

HEX #9B275C

RGB 155 39 92

HSL 332.59, 0.6%, 0.38%

LAB 36.35, 51.42, -3.02

 

CMYK 0 / 87 / 47 / 33

HEX #AB175A

RGB 171 23 90

HSL 332.84, 0.76%, 0.38%

LAB 37.86, 59.93, 0.84

 

CMYK 0 / 96 / 52 / 27

HEX #BA0759

RGB 186 7 89

HSL 332.51, 0.93%, 0.38%

LAB 40.1, 65.78, 5.1

 

CMYK 0 / 75 / 41 / 39

HEX #9B275C

RGB 155 39 92

HSL 332.59, 0.6%, 0.38%

LAB 36.35, 51.42, -3.02

 

CMYK 0 / 61 / 33 / 45

HEX #8B365D

RGB 139 54 93

HSL 332.47, 0.44%, 0.38%

LAB 35.83, 40.31, -4.75

 

CMYK 0 / 44 / 23 / 51

HEX #7C465F

RGB 124 70 95

HSL 332.22, 0.28%, 0.38%

LAB 36.91, 26.65, -4.65

 

CMYK 0 / 20 / 11 / 58

HEX #6C5660

RGB 108 86 96

HSL 332.73, 0.11%, 0.38%

LAB 39.05, 10.9, -2.33

 

CMYK 9 / 0 / 4 / 60

HEX #5C6561

RGB 92 101 97

HSL 153.33, 0.05%, 0.38%

LAB 41.92, -4.33, 1.07

 

CMYK 0 / 75 / 0 / 39

HEX #9B279B

RGB 155 39 155

HSL 300, 0.6%, 0.38%

LAB 39.22, 60.18, -37.81

 

CMYK 0 / 75 / 20 / 39

HEX #9B277C

RGB 155 39 124

HSL 316.03, 0.6%, 0.38%

LAB 37.62, 55.39, -21.31

 

CMYK 0 / 75 / 40 / 39

HEX #9B275D

RGB 155 39 93

HSL 332.07, 0.6%, 0.38%

LAB 36.39, 51.53, -3.61

 

CMYK 0 / 75 / 60 / 39

HEX #9B273E

RGB 155 39 62

HSL 348.1, 0.6%, 0.38%

LAB 35.53, 48.75, 15.13

 

CMYK 0 / 70 / 75 / 39

HEX #9B2F27

RGB 155 47 39

HSL 4.14, 0.6%, 0.38%

LAB 36.27, 44.31, 30.39

 

CMYK 0 / 75 / 40 / 65

HEX #591635

RGB 89 22 53

HSL 332.24, 0.6%, 0.22%

LAB 19.86, 33.39, -2.79

 

CMYK 0 / 75 / 41 / 52

HEX #7A1F48

RGB 122 31 72

HSL 332.97, 0.59%, 0.3%

LAB 28.34, 42.42, -2.5

 

CMYK 0 / 75 / 41 / 39

HEX #9B275C

RGB 155 39 92

HSL 332.59, 0.6%, 0.38%

LAB 36.35, 51.42, -3.02

 

CMYK 0 / 75 / 41 / 26

HEX #BC2F6F

RGB 188 47 111

HSL 332.77, 0.6%, 0.46%

LAB 44.05, 59.92, -2.92

 

CMYK 0 / 67 / 37 / 18

HEX #D04484

RGB 208 68 132

HSL 332.57, 0.6%, 0.54%

LAB 50.93, 60.22, -5.14

 

CMYK 0 / 75 / 41 / 39

HEX #9B265C

RGB 155.7 38.6 92

HSL 332.64, 0.6%, 0.38%

LAB 36.43, 51.76, -2.88

 

CMYK 0 / 20 / 75 / 39

HEX #9B7C27

RGB 155 124 39

HSL 43.97, 0.6%, 0.38%

LAB 53.53, 3.03, 48.43

 

CMYK 75 / 10 / 0 / 39

HEX #278C9B

RGB 39 140 155

HSL 187.76, 0.6%, 0.38%

LAB 53.55, -22.96, -16.2

 

CMYK 0 / 75 / 41 / 39

HEX #9B265C

RGB 155.7 38.6 92

HSL 332.64, 0.6%, 0.38%

LAB 36.43, 51.76, -2.88

 

CMYK 40 / 0 / 75 / 39

HEX #5D9B27

RGB 93 155 39

HSL 92.07, 0.6%, 0.38%

LAB 57.96, -39.29, 51.21

 

CMYK 75 / 40 / 0 / 39

HEX #275D9B

RGB 39 93 155

HSL 212.07, 0.6%, 0.38%

LAB 38.94, 4.35, -38.93

 

CMYK 0 / 75 / 41 / 39

HEX #9B265C

RGB 155.7 38.6 92

HSL 332.64, 0.6%, 0.38%

LAB 36.43, 51.76, -2.88

 

CMYK 0 / 20 / 75 / 39

HEX #9B7C27

RGB 155 124 39

HSL 43.97, 0.6%, 0.38%

LAB 53.53, 3.03, 48.43

 

CMYK 75 / 0 / 35 / 39

HEX #279B65

RGB 39 155 101

HSL 152.07, 0.6%, 0.38%

LAB 56.89, -44.55, 19.45

 

CMYK 75 / 55 / 0 / 39

HEX #27469B

RGB 39 70 155

HSL 223.97, 0.6%, 0.38%

LAB 32.21, 19.62, -49.75

 

CMYK 0 / 75 / 41 / 39

HEX #9B265C

RGB 155.7 38.6 92

HSL 332.64, 0.6%, 0.38%

LAB 36.43, 51.76, -2.88

 

CMYK 3 / 0 / 75 / 39

HEX #979B27

RGB 151 155 39

HSL 62.07, 0.6%, 0.38%

LAB 61.8, -15.62, 56.24

 

CMYK 75 / 0 / 35 / 39

HEX #279B65

RGB 39 155 101

HSL 152.07, 0.6%, 0.38%

LAB 56.89, -44.55, 19.45

 

CMYK 72 / 75 / 0 / 39

HEX #2B279B

RGB 43 39 155

HSL 242.07, 0.6%, 0.38%

LAB 24.74, 40.18, -61.96

 

Description

Color code: RGB 155.7 38.6 92 | qconv.com Color code: RGB 155.7 38.6 92 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155.7 red, 38.6 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155.7 38.6 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 41 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 41% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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