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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 154 253 213 it is the complementary color RGB 101 2 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 154 253 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 154 253 213 shade: RGB 159 253 208, RGB 176 255 227, RGB 193 255 246, RGB 210 255 255 and RGB 227 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 154 253 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 154 253 213 shade: RGB 154 253 213, RGB 137 235 194, RGB 120 217 175, RGB 103 199 156 and RGB 86 181 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 154 253 213 shade: RGB 155 252 213, RGB 155 252 186, RGB 155 252 160, RGB 175 252 155 and RGB 202 252 155

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 154 253 213 shade: RGB 155 252 213, RGB 155 252 239, RGB 155 239 252, RGB 155 213 252 and RGB 155 186 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 154 253 213 shade matches the following richer shades: RGB 155 252 213

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 154 253 213 shade: RGB 155 252 213, RGB 163 244 211, RGB 171 236 210, RGB 179 228 208 and RGB 188 219 207

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 154 253 213 shade: RGB 155 252 159, RGB 155 252 186, RGB 155 252 212, RGB 155 252 238 and RGB 155 241 252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 154 253 213 shade: RGB 74 251 179, RGB 114 252 196, RGB 155 252 213, RGB 195 253 230 and RGB 235 254 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 154 253 213 shade: RGB 154 253 213, RGB 155 176 252 and RGB 252 172 155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 154 253 213 shade: RGB 154 253 213, RGB 212 155 252 and RGB 252 212 155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 154 253 213 shade: RGB 154 253 213, RGB 155 176 252, RGB 252 155 195 and RGB 252 231 155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 154 253 213 shade: RGB 154 253 213, RGB 163 155 252, RGB 252 155 195 and RGB 244 252 155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 16 / 1

HEX #9AFDD5

RGB 154 253 213

HSL 155.76, 0.96%, 0.8%

LAB 92.54, -37.84, 10.06

 

Complementary color

CMYK 0 / 98 / 58 / 60

HEX #65022A

RGB 101 2 42

HSL 335.76, 0.96%, 0.2%

LAB 19.95, 41.95, 5.45

 

CMYK 37 / 0 / 18 / 1

HEX #9FFDD0

RGB 159 253 208

HSL 151.28, 0.96%, 0.81%

LAB 92.65, -37.49, 12.82

 

CMYK 31 / 0 / 11 / 0

HEX #B0FFE3

RGB 176 255 227

HSL 158.73, 1%, 0.85%

LAB 94.44, -29.87, 5.7

 

CMYK 24 / 0 / 4 / 0

HEX #C1FFF6

RGB 193 255 246

HSL 171.29, 1%, 0.88%

LAB 95.79, -21.09, -2.01

 

CMYK 18 / 0 / 0 / 0

HEX #D2FFFF

RGB 210 255 255

HSL 180, 1%, 0.91%

LAB 97, -14.22, -4.76

 

CMYK 11 / 0 / 0 / 0

HEX #E3FFFF

RGB 227 255 255

HSL 180, 1%, 0.95%

LAB 98.06, -9, -3.08

 

CMYK 39 / 0 / 16 / 1

HEX #9AFDD5

RGB 154 253 213

HSL 155.76, 0.96%, 0.8%

LAB 92.54, -37.84, 10.06

 

CMYK 42 / 0 / 17 / 8

HEX #89EBC2

RGB 137 235 194

HSL 154.9, 0.71%, 0.73%

LAB 86.32, -38.05, 10.95

 

CMYK 45 / 0 / 19 / 15

HEX #78D9AF

RGB 120 217 175

HSL 154.02, 0.56%, 0.66%

LAB 80.02, -38.25, 11.89

 

CMYK 48 / 0 / 22 / 22

HEX #67C79C

RGB 103 199 156

HSL 153.13, 0.46%, 0.59%

LAB 73.63, -38.44, 12.9

 

CMYK 52 / 0 / 24 / 29

HEX #56B589

RGB 86 181 137

HSL 152.21, 0.39%, 0.52%

LAB 67.15, -38.58, 14

 

CMYK 38 / 0 / 15 / 1

HEX #9BFCD5

RGB 155 252 213

HSL 155.88, 0.94%, 0.8%

LAB 92.31, -37.12, 9.73

 

CMYK 38 / 0 / 26 / 1

HEX #9BFCBA

RGB 155 252 186

HSL 139.18, 0.94%, 0.8%

LAB 91.75, -42.3, 22.8

 

CMYK 38 / 0 / 37 / 1

HEX #9BFCA0

RGB 155 252 160

HSL 123.09, 0.94%, 0.8%

LAB 91.29, -46.64, 35.3

 

CMYK 31 / 0 / 38 / 1

HEX #AFFC9B

RGB 175 252 155

HSL 107.63, 0.94%, 0.8%

LAB 92.18, -41.19, 39.11

 

CMYK 20 / 0 / 38 / 1

HEX #CAFC9B

RGB 202 252 155

HSL 90.93, 0.94%, 0.8%

LAB 93.69, -32.08, 41.36

 

CMYK 38 / 0 / 15 / 1

HEX #9BFCD5

RGB 155 252 213

HSL 155.88, 0.94%, 0.8%

LAB 92.31, -37.12, 9.73

 

CMYK 38 / 0 / 5 / 1

HEX #9BFCEF

RGB 155 252 239

HSL 171.96, 0.94%, 0.8%

LAB 92.94, -31.52, -2.8

 

CMYK 38 / 5 / 0 / 1

HEX #9BEFFC

RGB 155 239 252

HSL 188.04, 0.94%, 0.8%

LAB 89.73, -22.22, -14.32

 

CMYK 38 / 15 / 0 / 1

HEX #9BD5FC

RGB 155 213 252

HSL 204.12, 0.94%, 0.8%

LAB 82.69, -9.04, -24.95

 

CMYK 38 / 26 / 0 / 1

HEX #9BBAFC

RGB 155 186 252

HSL 220.82, 0.94%, 0.8%

LAB 75.52, 5.46, -35.97

 

CMYK 38 / 0 / 15 / 1

HEX #9BFCD5

RGB 155 252 213

HSL 155.88, 0.94%, 0.8%

LAB 92.31, -37.12, 9.73

 

CMYK 38 / 0 / 15 / 1

HEX #9BFCD5

RGB 155 252 213

HSL 155.88, 0.94%, 0.8%

LAB 92.31, -37.12, 9.73

 

CMYK 33 / 0 / 14 / 4

HEX #A3F4D3

RGB 163 244 211

HSL 155.56, 0.79%, 0.8%

LAB 90.41, -31.63, 8.09

 

CMYK 28 / 0 / 11 / 7

HEX #ABECD2

RGB 171 236 210

HSL 156, 0.63%, 0.8%

LAB 88.59, -25.7, 6.05

 

CMYK 21 / 0 / 9 / 11

HEX #B3E4D0

RGB 179 228 208

HSL 155.51, 0.48%, 0.8%

LAB 86.81, -19.74, 4.59

 

CMYK 14 / 0 / 5 / 14

HEX #BCDBCF

RGB 188 219 207

HSL 156.77, 0.3%, 0.8%

LAB 84.92, -12.55, 2.45

 

CMYK 38 / 0 / 37 / 1

HEX #9BFC9F

RGB 155 252 159

HSL 122.47, 0.94%, 0.8%

LAB 91.28, -46.79, 35.77

 

CMYK 38 / 0 / 26 / 1

HEX #9BFCBA

RGB 155 252 186

HSL 139.18, 0.94%, 0.8%

LAB 91.75, -42.3, 22.8

 

CMYK 38 / 0 / 16 / 1

HEX #9BFCD4

RGB 155 252 212

HSL 155.26, 0.94%, 0.8%

LAB 92.28, -37.32, 10.21

 

CMYK 38 / 0 / 6 / 1

HEX #9BFCEE

RGB 155 252 238

HSL 171.34, 0.94%, 0.8%

LAB 92.91, -31.74, -2.32

 

CMYK 38 / 4 / 0 / 1

HEX #9BF1FC

RGB 155 241 252

HSL 186.8, 0.94%, 0.8%

LAB 90.28, -23.2, -13.5

 

CMYK 71 / 0 / 29 / 2

HEX #4AFBB3

RGB 74 251 179

HSL 155.59, 0.96%, 0.64%

LAB 88.78, -60.63, 21.88

 

CMYK 55 / 0 / 22 / 1

HEX #72FCC4

RGB 114 252 196

HSL 155.65, 0.96%, 0.72%

LAB 90.41, -50.46, 15.58

 

CMYK 38 / 0 / 15 / 1

HEX #9BFCD5

RGB 155 252 213

HSL 155.88, 0.94%, 0.8%

LAB 92.31, -37.12, 9.73

 

CMYK 23 / 0 / 9 / 1

HEX #C3FDE6

RGB 195 253 230

HSL 156.21, 0.94%, 0.88%

LAB 94.98, -22.74, 5.06

 

CMYK 7 / 0 / 3 / 0

HEX #EBFEF7

RGB 235 254 247

HSL 157.89, 0.9%, 0.96%

LAB 98.14, -7.45, 1.21

 

CMYK 39 / 0 / 16 / 1

HEX #9AFDD5

RGB 154 253 213

HSL 155.76, 0.96%, 0.8%

LAB 92.54, -37.84, 10.06

 

CMYK 38 / 30 / 0 / 1

HEX #9BB0FC

RGB 155 176 252

HSL 227.01, 0.94%, 0.8%

LAB 72.92, 11.01, -40

 

CMYK 0 / 32 / 38 / 1

HEX #FCAC9B

RGB 252 172 155

HSL 10.52, 0.94%, 0.8%

LAB 77.62, 27.32, 20.66

 

CMYK 39 / 0 / 16 / 1

HEX #9AFDD5

RGB 154 253 213

HSL 155.76, 0.96%, 0.8%

LAB 92.54, -37.84, 10.06

 

CMYK 16 / 38 / 0 / 1

HEX #D49BFC

RGB 212 155 252

HSL 275.26, 0.94%, 0.8%

LAB 72.54, 38.63, -40.25

 

CMYK 0 / 16 / 38 / 1

HEX #FCD49B

RGB 252 212 155

HSL 35.26, 0.94%, 0.8%

LAB 87.07, 6.42, 33.42

 

CMYK 39 / 0 / 16 / 1

HEX #9AFDD5

RGB 154 253 213

HSL 155.76, 0.96%, 0.8%

LAB 92.54, -37.84, 10.06

 

CMYK 38 / 30 / 0 / 1

HEX #9BB0FC

RGB 155 176 252

HSL 227.01, 0.94%, 0.8%

LAB 72.92, 11.01, -40

 

CMYK 0 / 38 / 23 / 1

HEX #FC9BC3

RGB 252 155 195

HSL 335.26, 0.94%, 0.8%

LAB 74.87, 41.27, -5.13

 

CMYK 0 / 8 / 38 / 1

HEX #FCE79B

RGB 252 231 155

HSL 47.01, 0.94%, 0.8%

LAB 91.78, -3.28, 39.6

 

CMYK 39 / 0 / 16 / 1

HEX #9AFDD5

RGB 154 253 213

HSL 155.76, 0.96%, 0.8%

LAB 92.54, -37.84, 10.06

 

CMYK 35 / 38 / 0 / 1

HEX #A39BFC

RGB 163 155 252

HSL 244.95, 0.94%, 0.8%

LAB 68.21, 24.97, -47.35

 

CMYK 0 / 38 / 23 / 1

HEX #FC9BC3

RGB 252 155 195

HSL 335.26, 0.94%, 0.8%

LAB 74.87, 41.27, -5.13

 

CMYK 3 / 0 / 38 / 1

HEX #F4FC9B

RGB 244 252 155

HSL 64.95, 0.94%, 0.8%

LAB 96.5, -16.73, 45.54

 

Description

Color code: RGB 154 253 213 | qconv.com Color code: RGB 154 253 213 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 253 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 253 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 16 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 16% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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