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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 154.1 252.8 175 it is the complementary color RGB 100.9 2.2 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 154.1 252.8 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 154.1 252.8 175 shade: RGB 159.1 252.8 170, RGB 176.1 255 189, RGB 193.1 255 208, RGB 210.1 255 227 and RGB 227.1 255 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 154.1 252.8 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 154.1 252.8 175 shade: RGB 154.1 252.8 175, RGB 137.1 234.8 156, RGB 120.1 216.8 137, RGB 103.1 198.8 118 and RGB 86.1 180.8 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 154.1 252.8 175 shade: RGB 155 253 176, RGB 161 253 155, RGB 187 253 155, RGB 214 253 155 and RGB 240 253 155

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 154.1 252.8 175 shade: RGB 155 253 176, RGB 155 253 202, RGB 155 253 229, RGB 155 251 253 and RGB 155 225 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 154.1 252.8 175 shade matches the following richer shades: RGB 155 253 176

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 154.1 252.8 175 shade: RGB 155 253 176, RGB 163 245 181, RGB 172 236 185, RGB 180 228 190 and RGB 188 220 195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 154.1 252.8 175 shade: RGB 188 253 155, RGB 162 253 155, RGB 155 253 175, RGB 155 253 201 and RGB 155 253 227

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 154.1 252.8 175 shade: RGB 74 251 112, RGB 115 252 144, RGB 155 253 176, RGB 195 254 208 and RGB 236 255 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 154.1 252.8 175 shade: RGB 154.1 252.8 175, RGB 155 214 253 and RGB 253 155 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 154.1 252.8 175 shade: RGB 154.1 252.8 175, RGB 175 155 253 and RGB 253 175 155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 154.1 252.8 175 shade: RGB 154.1 252.8 175, RGB 155 214 253, RGB 253 155 233 and RGB 253 194 155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 154.1 252.8 175 shade: RGB 154.1 252.8 175, RGB 155 184 253, RGB 253 155 233 and RGB 253 224 155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 31 / 1

HEX #9AFCAF

RGB 154.1 252.8 175

HSL 132.71, 0.96%, 0.8%

LAB 91.73, -44.82, 28.36

 

Complementary color

CMYK 0 / 98 / 21 / 60

HEX #640250

RGB 100.9 2.2 80

HSL 312.71, 0.96%, 0.2%

LAB 21.53, 46.06, -18.64

 

CMYK 37 / 0 / 33 / 1

HEX #9FFCAA

RGB 159.1 252.8 170

HSL 126.98, 0.96%, 0.81%

LAB 91.87, -44.2, 31.1

 

CMYK 31 / 0 / 26 / 0

HEX #B0FFBD

RGB 176.1 255 189

HSL 129.81, 1%, 0.85%

LAB 93.64, -36.93, 24.04

 

CMYK 24 / 0 / 18 / 0

HEX #C1FFD0

RGB 193.1 255 208

HSL 134.44, 1%, 0.88%

LAB 94.92, -28.37, 16.27

 

CMYK 18 / 0 / 11 / 0

HEX #D2FFE3

RGB 210.1 255 227

HSL 142.58, 1%, 0.91%

LAB 96.32, -19.59, 8.65

 

CMYK 11 / 0 / 4 / 0

HEX #E3FFF6

RGB 227.1 255 246

HSL 160.65, 1%, 0.95%

LAB 97.84, -10.67, 1.23

 

CMYK 39 / 0 / 31 / 1

HEX #9AFCAF

RGB 154.1 252.8 175

HSL 132.71, 0.96%, 0.8%

LAB 91.73, -44.82, 28.36

 

CMYK 42 / 0 / 34 / 8

HEX #89EA9C

RGB 137.1 234.8 156

HSL 131.61, 0.71%, 0.73%

LAB 85.52, -45.06, 29.48

 

CMYK 45 / 0 / 37 / 15

HEX #78D889

RGB 120.1 216.8 137

HSL 130.49, 0.56%, 0.66%

LAB 79.23, -45.27, 30.67

 

CMYK 48 / 0 / 41 / 22

HEX #67C676

RGB 103.1 198.8 118

HSL 129.34, 0.46%, 0.59%

LAB 72.86, -45.44, 31.94

 

CMYK 52 / 0 / 45 / 29

HEX #56B463

RGB 86.1 180.8 99

HSL 128.17, 0.39%, 0.52%

LAB 66.41, -45.52, 33.27

 

CMYK 39 / 0 / 30 / 1

HEX #9BFDB0

RGB 155 253 176

HSL 132.86, 0.96%, 0.8%

LAB 91.84, -44.48, 28.01

 

CMYK 36 / 0 / 39 / 1

HEX #A1FD9B

RGB 161 253 155

HSL 116.33, 0.96%, 0.8%

LAB 91.77, -46.02, 38.45

 

CMYK 26 / 0 / 39 / 1

HEX #BBFD9B

RGB 187 253 155

HSL 100.41, 0.96%, 0.8%

LAB 93.09, -37.69, 40.43

 

CMYK 15 / 0 / 39 / 1

HEX #D6FD9B

RGB 214 253 155

HSL 83.88, 0.96%, 0.8%

LAB 94.7, -28.28, 42.82

 

CMYK 5 / 0 / 39 / 1

HEX #F0FD9B

RGB 240 253 155

HSL 67.96, 0.96%, 0.8%

LAB 96.47, -18.72, 45.44

 

CMYK 39 / 0 / 30 / 1

HEX #9BFDB0

RGB 155 253 176

HSL 132.86, 0.96%, 0.8%

LAB 91.84, -44.48, 28.01

 

CMYK 39 / 0 / 20 / 1

HEX #9BFDCA

RGB 155 253 202

HSL 148.78, 0.96%, 0.8%

LAB 92.35, -39.76, 15.45

 

CMYK 39 / 0 / 9 / 1

HEX #9BFDE5

RGB 155 253 229

HSL 165.31, 0.96%, 0.8%

LAB 92.96, -34.2, 2.41

 

CMYK 39 / 1 / 0 / 1

HEX #9BFBFD

RGB 155 251 253

HSL 181.22, 0.96%, 0.8%

LAB 93.04, -27.8, -9.91

 

CMYK 39 / 11 / 0 / 1

HEX #9BE1FD

RGB 155 225 253

HSL 197.14, 0.96%, 0.8%

LAB 85.96, -14.97, -20.52

 

CMYK 39 / 0 / 30 / 1

HEX #9BFDB0

RGB 155 253 176

HSL 132.86, 0.96%, 0.8%

LAB 91.84, -44.48, 28.01

 

CMYK 39 / 0 / 30 / 1

HEX #9BFDB0

RGB 155 253 176

HSL 132.86, 0.96%, 0.8%

LAB 91.84, -44.48, 28.01

 

CMYK 33 / 0 / 26 / 4

HEX #A3F5B5

RGB 163 245 181

HSL 133.17, 0.8%, 0.8%

LAB 90.06, -37.74, 23.08

 

CMYK 27 / 0 / 22 / 7

HEX #ACECB9

RGB 172 236 185

HSL 132.19, 0.63%, 0.8%

LAB 88.1, -30.11, 18.37

 

CMYK 21 / 0 / 17 / 11

HEX #B4E4BE

RGB 180 228 190

HSL 132.5, 0.47%, 0.8%

LAB 86.46, -22.81, 13.53

 

CMYK 15 / 0 / 11 / 14

HEX #BCDCC3

RGB 188 220 195

HSL 133.13, 0.31%, 0.8%

LAB 84.9, -15.31, 8.76

 

CMYK 26 / 0 / 39 / 1

HEX #BCFD9B

RGB 188 253 155

HSL 99.8, 0.96%, 0.8%

LAB 93.15, -37.35, 40.51

 

CMYK 36 / 0 / 39 / 1

HEX #A2FD9B

RGB 162 253 155

HSL 115.71, 0.96%, 0.8%

LAB 91.82, -45.71, 38.52

 

CMYK 39 / 0 / 31 / 1

HEX #9BFDAF

RGB 155 253 175

HSL 132.24, 0.96%, 0.8%

LAB 91.83, -44.65, 28.49

 

CMYK 39 / 0 / 21 / 1

HEX #9BFDC9

RGB 155 253 201

HSL 148.16, 0.96%, 0.8%

LAB 92.33, -39.95, 15.93

 

CMYK 39 / 0 / 10 / 1

HEX #9BFDE3

RGB 155 253 227

HSL 164.08, 0.96%, 0.8%

LAB 92.91, -34.63, 3.37

 

CMYK 71 / 0 / 55 / 2

HEX #4AFB70

RGB 74 251 112

HSL 132.88, 0.96%, 0.64%

LAB 87.79, -71.89, 53.24

 

CMYK 54 / 0 / 43 / 1

HEX #73FC90

RGB 115 252 144

HSL 132.7, 0.96%, 0.72%

LAB 89.52, -59.69, 40.58

 

CMYK 39 / 0 / 30 / 1

HEX #9BFDB0

RGB 155 253 176

HSL 132.86, 0.96%, 0.8%

LAB 91.84, -44.48, 28.01

 

CMYK 23 / 0 / 18 / 0

HEX #C3FED0

RGB 195 254 208

HSL 133.22, 0.97%, 0.88%

LAB 94.76, -27.3, 16.06

 

CMYK 7 / 0 / 6 / 0

HEX #ECFFF0

RGB 236 255 240

HSL 132.63, 1%, 0.96%

LAB 98.29, -8.88, 5.03

 

CMYK 39 / 0 / 31 / 1

HEX #9AFCAF

RGB 154.1 252.8 175

HSL 132.71, 0.96%, 0.8%

LAB 91.73, -44.82, 28.36

 

CMYK 39 / 15 / 0 / 1

HEX #9BD6FD

RGB 155 214 253

HSL 203.88, 0.96%, 0.8%

LAB 83, -9.31, -25.02

 

CMYK 0 / 39 / 31 / 1

HEX #FD9BAF

RGB 253 155 175

HSL 347.76, 0.96%, 0.8%

LAB 74.46, 38.94, 5.3

 

CMYK 39 / 0 / 31 / 1

HEX #9AFCAF

RGB 154.1 252.8 175

HSL 132.71, 0.96%, 0.8%

LAB 91.73, -44.82, 28.36

 

CMYK 31 / 39 / 0 / 1

HEX #AF9BFD

RGB 175 155 253

HSL 252.24, 0.96%, 0.8%

LAB 69.22, 28.43, -46.24

 

CMYK 0 / 31 / 39 / 1

HEX #FDAF9B

RGB 253 175 155

HSL 12.24, 0.96%, 0.8%

LAB 78.41, 26.12, 21.76

 

CMYK 39 / 0 / 31 / 1

HEX #9AFCAF

RGB 154.1 252.8 175

HSL 132.71, 0.96%, 0.8%

LAB 91.73, -44.82, 28.36

 

CMYK 39 / 15 / 0 / 1

HEX #9BD6FD

RGB 155 214 253

HSL 203.88, 0.96%, 0.8%

LAB 83, -9.31, -25.02

 

CMYK 0 / 39 / 8 / 1

HEX #FD9BE9

RGB 253 155 233

HSL 312.24, 0.96%, 0.8%

LAB 76.2, 47.45, -23.92

 

CMYK 0 / 23 / 39 / 1

HEX #FDC29B

RGB 253 194 155

HSL 23.88, 0.96%, 0.8%

LAB 82.82, 16.16, 27.77

 

CMYK 39 / 0 / 31 / 1

HEX #9AFCAF

RGB 154.1 252.8 175

HSL 132.71, 0.96%, 0.8%

LAB 91.73, -44.82, 28.36

 

CMYK 39 / 27 / 0 / 1

HEX #9BB8FD

RGB 155 184 253

HSL 222.24, 0.96%, 0.8%

LAB 75.04, 6.83, -37.25

 

CMYK 0 / 39 / 8 / 1

HEX #FD9BE9

RGB 253 155 233

HSL 312.24, 0.96%, 0.8%

LAB 76.2, 47.45, -23.92

 

CMYK 0 / 11 / 39 / 1

HEX #FDE09B

RGB 253 224 155

HSL 42.24, 0.96%, 0.8%

LAB 90.12, 0.65, 37.45

 

Description

Color code: RGB 154.1 252.8 175 | qconv.com Color code: RGB 154.1 252.8 175 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154.1 red, 252.8 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154.1 252.8 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 31 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 31% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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