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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 92 33 it is the complementary color RGB 102 163 222. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 92 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 153 92 33 shade: RGB 158 92 28, RGB 175 110 47, RGB 192 128 66, RGB 209 146 85 and RGB 226 164 104

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 92 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 153 92 33 shade: RGB 153 92 33, RGB 136 74 14, RGB 119 56 0, RGB 102 38 0 and RGB 85 20 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 153 92 33 shade: RGB 151 90 32, RGB 151 58 32 and RGB 151 32 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 153 92 33 shade: RGB 151 90 32, RGB 151 122 32, RGB 147 151 32, RGB 115 151 32 and RGB 83 151 32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 153 92 33 shade matches the following richer shades: RGB 151 90 32, RGB 166 90 17 and RGB 181 90 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 153 92 33 shade: RGB 151 90 32, RGB 136 91 46, RGB 121 91 61, RGB 106 91 76 and RGB 92 91 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 153 92 33 shade: RGB 151 32 38, RGB 151 57 32, RGB 151 89 32, RGB 151 121 32 and RGB 149 151 32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 153 92 33 shade: RGB 83 49 17, RGB 117 70 24, RGB 151 90 32, RGB 185 111 39 and RGB 212 131 53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 153 92 33 shade: RGB 153 92 33, RGB 69 151 32 and RGB 42 32 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 153 92 33 shade: RGB 153 92 33, RGB 32 151 89 and RGB 89 32 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 153 92 33 shade: RGB 153 92 33, RGB 69 151 32, RGB 32 93 151 and RGB 113 32 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 153 92 33 shade: RGB 153 92 33, RGB 34 151 32, RGB 32 93 151 and RGB 149 32 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 78 / 40

HEX #995C21

RGB 153 92 33

HSL 29.5, 0.65%, 0.36%

LAB 44.99, 20.13, 42.58

 

Complementary color

CMYK 54 / 27 / 0 / 13

HEX #66A3DE

RGB 102 163 222

HSL 209.5, 0.65%, 0.64%

LAB 65.19, -3.01, -35.89

 

CMYK 0 / 42 / 82 / 38

HEX #9E5C1C

RGB 158 92 28

HSL 29.54, 0.7%, 0.36%

LAB 45.64, 22.15, 45.61

 

CMYK 0 / 37 / 73 / 31

HEX #AF6E2F

RGB 175 110 47

HSL 29.53, 0.58%, 0.44%

LAB 52.37, 20.33, 44.45

 

CMYK 0 / 33 / 66 / 25

HEX #C08042

RGB 192 128 66

HSL 29.52, 0.5%, 0.51%

LAB 59.01, 18.77, 42.96

 

CMYK 0 / 30 / 59 / 18

HEX #D19255

RGB 209 146 85

HSL 29.52, 0.57%, 0.58%

LAB 65.57, 17.44, 41.42

 

CMYK 0 / 27 / 54 / 11

HEX #E2A468

RGB 226 164 104

HSL 29.51, 0.68%, 0.65%

LAB 72.04, 16.29, 39.93

 

CMYK 0 / 40 / 78 / 40

HEX #995C21

RGB 153 92 33

HSL 29.5, 0.65%, 0.36%

LAB 44.99, 20.13, 42.58

 

CMYK 0 / 46 / 90 / 47

HEX #884A0E

RGB 136 74 14

HSL 29.51, 0.81%, 0.29%

LAB 38.13, 22.16, 43.26

 

CMYK 0 / 53 / 100 / 53

HEX #773800

RGB 119 56 0

HSL 28.24, 1%, 0.23%

LAB 31.23, 24.5, 42.01

 

CMYK 0 / 63 / 100 / 60

HEX #662600

RGB 102 38 0

HSL 22.35, 1%, 0.2%

LAB 24.36, 27.02, 35.02

 

CMYK 0 / 76 / 100 / 67

HEX #551400

RGB 85 20 0

HSL 14.12, 1%, 0.17%

LAB 17.61, 29.01, 26.66

 

CMYK 0 / 40 / 79 / 41

HEX #975A20

RGB 151 90 32

HSL 29.24, 0.65%, 0.36%

LAB 44.23, 20.33, 42.19

 

CMYK 0 / 62 / 79 / 41

HEX #973A20

RGB 151 58 32

HSL 13.11, 0.65%, 0.36%

LAB 37.32, 37.58, 35.27

 

CMYK 0 / 79 / 79 / 41

HEX #972020

RGB 151 32 32

HSL 0, 0.65%, 0.36%

LAB 33.39, 48.26, 31.15

 

CMYK 0 / 40 / 79 / 41

HEX #975A20

RGB 151 90 32

HSL 29.24, 0.65%, 0.36%

LAB 44.23, 20.33, 42.19

 

CMYK 0 / 19 / 79 / 41

HEX #977A20

RGB 151 122 32

HSL 45.38, 0.65%, 0.36%

LAB 52.51, 2, 50.07

 

CMYK 3 / 0 / 79 / 41

HEX #939720

RGB 147 151 32

HSL 62.02, 0.65%, 0.36%

LAB 60.28, -15.62, 57.04

 

CMYK 24 / 0 / 79 / 41

HEX #739720

RGB 115 151 32

HSL 78.15, 0.65%, 0.36%

LAB 57.93, -29.41, 54.01

 

CMYK 45 / 0 / 79 / 41

HEX #539720

RGB 83 151 32

HSL 94.29, 0.65%, 0.36%

LAB 56.16, -41.49, 51.73

 

CMYK 0 / 40 / 79 / 41

HEX #975A20

RGB 151 90 32

HSL 29.24, 0.65%, 0.36%

LAB 44.23, 20.33, 42.19

 

CMYK 0 / 46 / 90 / 35

HEX #A65A11

RGB 166 90 17

HSL 29.4, 0.81%, 0.36%

LAB 46.26, 26.46, 50.59

 

CMYK 0 / 50 / 99 / 29

HEX #B55A02

RGB 181 90 2

HSL 29.5, 0.98%, 0.36%

LAB 48.44, 32.58, 56.89

 

CMYK 0 / 40 / 79 / 41

HEX #975A20

RGB 151 90 32

HSL 29.24, 0.65%, 0.36%

LAB 44.23, 20.33, 42.19

 

CMYK 0 / 33 / 66 / 47

HEX #885B2E

RGB 136 91 46

HSL 30, 0.49%, 0.36%

LAB 42.63, 13.74, 32.88

 

CMYK 0 / 25 / 50 / 53

HEX #795B3D

RGB 121 91 61

HSL 30, 0.33%, 0.36%

LAB 41.03, 8.23, 22

 

CMYK 0 / 14 / 28 / 58

HEX #6A5B4C

RGB 106 91 76

HSL 30, 0.16%, 0.36%

LAB 39.7, 3.52, 10.9

 

CMYK 0 / 1 / 1 / 64

HEX #5C5B5B

RGB 92 91 91

HSL 0, 0.01%, 0.36%

LAB 38.75, 0.4, 0.14

 

CMYK 0 / 79 / 75 / 41

HEX #972026

RGB 151 32 38

HSL 356.97, 0.65%, 0.36%

LAB 33.46, 48.51, 27.6

 

CMYK 0 / 62 / 79 / 41

HEX #973920

RGB 151 57 32

HSL 12.61, 0.65%, 0.36%

LAB 37.13, 38.06, 35.08

 

CMYK 0 / 41 / 79 / 41

HEX #975920

RGB 151 89 32

HSL 28.74, 0.65%, 0.36%

LAB 43.99, 20.9, 41.96

 

CMYK 0 / 20 / 79 / 41

HEX #977920

RGB 151 121 32

HSL 44.87, 0.65%, 0.36%

LAB 52.24, 2.56, 49.82

 

CMYK 1 / 0 / 79 / 41

HEX #959720

RGB 149 151 32

HSL 61.01, 0.65%, 0.36%

LAB 60.45, -14.73, 57.25

 

CMYK 0 / 41 / 80 / 67

HEX #533111

RGB 83 49 17

HSL 29.09, 0.66%, 0.2%

LAB 23.92, 12.31, 26.05

 

CMYK 0 / 40 / 79 / 54

HEX #754618

RGB 117 70 24

HSL 29.68, 0.66%, 0.28%

LAB 34.45, 16.11, 34.74

 

CMYK 0 / 40 / 79 / 41

HEX #975A20

RGB 151 90 32

HSL 29.24, 0.65%, 0.36%

LAB 44.23, 20.33, 42.19

 

CMYK 0 / 40 / 79 / 27

HEX #B96F27

RGB 185 111 39

HSL 29.59, 0.65%, 0.44%

LAB 53.85, 23.76, 49.97

 

CMYK 0 / 38 / 75 / 17

HEX #D48335

RGB 212 131 53

HSL 29.43, 0.65%, 0.52%

LAB 62.07, 24.95, 53.14

 

CMYK 0 / 40 / 78 / 40

HEX #995C21

RGB 153 92 33

HSL 29.5, 0.65%, 0.36%

LAB 44.99, 20.13, 42.58

 

CMYK 54 / 0 / 79 / 41

HEX #459720

RGB 69 151 32

HSL 101.34, 0.65%, 0.36%

LAB 55.59, -45.88, 50.97

 

CMYK 72 / 79 / 0 / 41

HEX #2A2097

RGB 42 32 151

HSL 245.04, 0.65%, 0.36%

LAB 22.86, 42.65, -62.61

 

CMYK 0 / 40 / 78 / 40

HEX #995C21

RGB 153 92 33

HSL 29.5, 0.65%, 0.36%

LAB 44.99, 20.13, 42.58

 

CMYK 79 / 0 / 41 / 41

HEX #209759

RGB 32 151 89

HSL 148.74, 0.65%, 0.36%

LAB 55.24, -46.41, 23.81

 

CMYK 41 / 79 / 0 / 41

HEX #592097

RGB 89 32 151

HSL 268.74, 0.65%, 0.36%

LAB 27.82, 48.89, -54.27

 

CMYK 0 / 40 / 78 / 40

HEX #995C21

RGB 153 92 33

HSL 29.5, 0.65%, 0.36%

LAB 44.99, 20.13, 42.58

 

CMYK 54 / 0 / 79 / 41

HEX #459720

RGB 69 151 32

HSL 101.34, 0.65%, 0.36%

LAB 55.59, -45.88, 50.97

 

CMYK 79 / 38 / 0 / 41

HEX #205D97

RGB 32 93 151

HSL 209.24, 0.65%, 0.36%

LAB 38.5, 1.89, -37.25

 

CMYK 25 / 79 / 0 / 41

HEX #712097

RGB 113 32 151

HSL 280.84, 0.65%, 0.36%

LAB 31.3, 53.17, -48.46

 

CMYK 0 / 40 / 78 / 40

HEX #995C21

RGB 153 92 33

HSL 29.5, 0.65%, 0.36%

LAB 44.99, 20.13, 42.58

 

CMYK 77 / 0 / 79 / 41

HEX #229720

RGB 34 151 32

HSL 118.99, 0.65%, 0.36%

LAB 54.63, -53.72, 49.72

 

CMYK 79 / 38 / 0 / 41

HEX #205D97

RGB 32 93 151

HSL 209.24, 0.65%, 0.36%

LAB 38.5, 1.89, -37.25

 

CMYK 1 / 79 / 0 / 41

HEX #952097

RGB 149 32 151

HSL 298.99, 0.65%, 0.36%

LAB 37.22, 60.36, -38.63

 

Description

Color code: RGB 153 92 33 | qconv.com Color code: RGB 153 92 33 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 92 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 92 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 78 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 78% 40% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - ナスパニューオータニオフィシャルサイト【...
Link: http://www.naspa.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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