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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 53 239 it is the complementary color RGB 102 202 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 53 239. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 153 53 239 shade: RGB 158 53 234, RGB 175 71 253, RGB 192 89 255, RGB 209 107 255 and RGB 226 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 53 239. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 153 53 239 shade: RGB 153 53 239, RGB 136 35 220, RGB 119 17 201, RGB 102 0 182 and RGB 85 0 163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 153 53 239 shade: RGB 152 52 239, RGB 203 52 239, RGB 239 52 224, RGB 239 52 174 and RGB 239 52 124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 153 53 239 shade: RGB 152 52 239, RGB 102 52 239 and RGB 52 52 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 153 53 239 shade matches the following richer shades: RGB 152 52 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 153 53 239 shade: RGB 152 52 239, RGB 151 70 221, RGB 150 88 203, RGB 148 105 185 and RGB 147 123 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 153 53 239 shade: RGB 52 52 239, RGB 102 52 239, RGB 152 52 239, RGB 201 52 239 and RGB 239 52 226

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 153 53 239 shade: RGB 111 16 193, RGB 133 19 231, RGB 152 52 239, RGB 172 90 242 and RGB 191 128 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 153 53 239 shade: RGB 153 53 239, RGB 239 52 102 and RGB 52 239 77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 153 53 239 shade: RGB 153 53 239, RGB 239 152 52 and RGB 52 239 152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 153 53 239 shade: RGB 153 53 239, RGB 239 52 102, RGB 139 239 52 and RGB 52 239 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 153 53 239 shade: RGB 153 53 239, RGB 239 58 52, RGB 139 239 52 and RGB 52 232 239

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 78 / 0 / 6

HEX #9935EF

RGB 153 53 239

HSL 272.26, 0.85%, 0.57%

LAB 46.38, 71.52, -75.21

 

Complementary color

CMYK 50 / 0 / 92 / 21

HEX #66CA10

RGB 102 202 16

HSL 92.26, 0.85%, 0.43%

LAB 72.96, -56.01, 70.35

 

CMYK 32 / 77 / 0 / 8

HEX #9E35EA

RGB 158 53 234

HSL 274.81, 0.81%, 0.56%

LAB 46.65, 71.23, -71.91

 

CMYK 31 / 72 / 0 / 1

HEX #AF47FD

RGB 175 71 253

HSL 274.29, 0.98%, 0.64%

LAB 52.63, 71.41, -72.74

 

CMYK 25 / 65 / 0 / 0

HEX #C059FF

RGB 192 89 255

HSL 277.23, 1%, 0.67%

LAB 57.63, 67.55, -65.67

 

CMYK 18 / 58 / 0 / 0

HEX #D16BFF

RGB 209 107 255

HSL 281.35, 1%, 0.71%

LAB 62.75, 63.1, -57.34

 

CMYK 11 / 51 / 0 / 0

HEX #E27DFF

RGB 226 125 255

HSL 286.62, 1%, 0.75%

LAB 68.06, 58.69, -48.8

 

CMYK 36 / 78 / 0 / 6

HEX #9935EF

RGB 153 53 239

HSL 272.26, 0.85%, 0.57%

LAB 46.38, 71.52, -75.21

 

CMYK 38 / 84 / 0 / 14

HEX #8823DC

RGB 136 35 220

HSL 272.76, 0.73%, 0.5%

LAB 40.58, 70.71, -73.99

 

CMYK 41 / 92 / 0 / 21

HEX #7711C9

RGB 119 17 201

HSL 273.26, 0.84%, 0.43%

LAB 35.08, 68.8, -72.11

 

CMYK 44 / 100 / 0 / 29

HEX #6600B6

RGB 102 0 182

HSL 273.63, 1%, 0.36%

LAB 29.92, 65.66, -69.5

 

CMYK 48 / 100 / 0 / 36

HEX #5500A3

RGB 85 0 163

HSL 271.29, 1%, 0.32%

LAB 25.49, 59.98, -65.45

 

CMYK 36 / 78 / 0 / 6

HEX #9834EF

RGB 152 52 239

HSL 272.09, 0.85%, 0.57%

LAB 46.13, 71.72, -75.62

 

CMYK 15 / 78 / 0 / 6

HEX #CB34EF

RGB 203 52 239

HSL 288.45, 0.85%, 0.57%

LAB 53.37, 80.13, -63.54

 

CMYK 0 / 78 / 6 / 6

HEX #EF34E0

RGB 239 52 224

HSL 304.81, 0.85%, 0.57%

LAB 58.22, 84.48, -47.03

 

CMYK 0 / 78 / 27 / 6

HEX #EF34AE

RGB 239 52 174

HSL 320.86, 0.85%, 0.57%

LAB 55.95, 78.02, -21.89

 

CMYK 0 / 78 / 48 / 6

HEX #EF347C

RGB 239 52 124

HSL 336.9, 0.85%, 0.57%

LAB 54.3, 73.1, 5.23

 

CMYK 36 / 78 / 0 / 6

HEX #9834EF

RGB 152 52 239

HSL 272.09, 0.85%, 0.57%

LAB 46.13, 71.72, -75.62

 

CMYK 57 / 78 / 0 / 6

HEX #6634EF

RGB 102 52 239

HSL 256.04, 0.85%, 0.57%

LAB 40.43, 65.09, -85.19

 

CMYK 78 / 78 / 0 / 6

HEX #3434EF

RGB 52 52 239

HSL 240, 0.85%, 0.57%

LAB 36.78, 60.83, -91.35

 

CMYK 36 / 78 / 0 / 6

HEX #9834EF

RGB 152 52 239

HSL 272.09, 0.85%, 0.57%

LAB 46.13, 71.72, -75.62

 

CMYK 36 / 78 / 0 / 6

HEX #9834EF

RGB 152 52 239

HSL 272.09, 0.85%, 0.57%

LAB 46.13, 71.72, -75.62

 

CMYK 32 / 68 / 0 / 13

HEX #9746DD

RGB 151 70 221

HSL 272.19, 0.69%, 0.57%

LAB 47.21, 60.25, -63.68

 

CMYK 26 / 57 / 0 / 20

HEX #9658CB

RGB 150 88 203

HSL 272.35, 0.53%, 0.57%

LAB 49.22, 46.93, -50.15

 

CMYK 20 / 43 / 0 / 27

HEX #9469B9

RGB 148 105 185

HSL 272.25, 0.36%, 0.57%

LAB 51.73, 32.74, -35.83

 

CMYK 13 / 27 / 0 / 34

HEX #937BA8

RGB 147 123 168

HSL 272, 0.21%, 0.57%

LAB 55.27, 18.12, -20.52

 

CMYK 78 / 78 / 0 / 6

HEX #3434EF

RGB 52 52 239

HSL 240, 0.85%, 0.57%

LAB 36.78, 60.83, -91.35

 

CMYK 57 / 78 / 0 / 6

HEX #6634EF

RGB 102 52 239

HSL 256.04, 0.85%, 0.57%

LAB 40.43, 65.09, -85.19

 

CMYK 36 / 78 / 0 / 6

HEX #9834EF

RGB 152 52 239

HSL 272.09, 0.85%, 0.57%

LAB 46.13, 71.72, -75.62

 

CMYK 16 / 78 / 0 / 6

HEX #C934EF

RGB 201 52 239

HSL 287.81, 0.85%, 0.57%

LAB 53.06, 79.78, -64.05

 

CMYK 0 / 78 / 5 / 6

HEX #EF34E2

RGB 239 52 226

HSL 304.17, 0.85%, 0.57%

LAB 58.32, 84.77, -47.99

 

CMYK 42 / 92 / 0 / 24

HEX #6F10C1

RGB 111 16 193

HSL 272.2, 0.85%, 0.41%

LAB 33.14, 66.37, -70.66

 

CMYK 42 / 92 / 0 / 9

HEX #8513E7

RGB 133 19 231

HSL 272.26, 0.85%, 0.49%

LAB 39.95, 76.3, -81.32

 

CMYK 36 / 78 / 0 / 6

HEX #9834EF

RGB 152 52 239

HSL 272.09, 0.85%, 0.57%

LAB 46.13, 71.72, -75.62

 

CMYK 29 / 63 / 0 / 5

HEX #AC5AF2

RGB 172 90 242

HSL 272.37, 0.85%, 0.65%

LAB 54.55, 60, -63.54

 

CMYK 22 / 48 / 0 / 4

HEX #BF80F5

RGB 191 128 245

HSL 272.31, 0.85%, 0.73%

LAB 64.25, 45.77, -49.59

 

CMYK 36 / 78 / 0 / 6

HEX #9935EF

RGB 153 53 239

HSL 272.26, 0.85%, 0.57%

LAB 46.38, 71.52, -75.21

 

CMYK 0 / 78 / 57 / 6

HEX #EF3466

RGB 239 52 102

HSL 343.96, 0.85%, 0.57%

LAB 53.78, 71.49, 17.7

 

CMYK 78 / 0 / 68 / 6

HEX #34EF4D

RGB 52 239 77

HSL 128.02, 0.85%, 0.57%

LAB 83.44, -75.01, 62.9

 

CMYK 36 / 78 / 0 / 6

HEX #9935EF

RGB 153 53 239

HSL 272.26, 0.85%, 0.57%

LAB 46.38, 71.52, -75.21

 

CMYK 0 / 36 / 78 / 6

HEX #EF9834

RGB 239 152 52

HSL 32.09, 0.85%, 0.57%

LAB 70.21, 25.02, 62.59

 

CMYK 78 / 0 / 36 / 6

HEX #34EF98

RGB 52 239 152

HSL 152.09, 0.85%, 0.57%

LAB 84.34, -64.34, 29.53

 

CMYK 36 / 78 / 0 / 6

HEX #9935EF

RGB 153 53 239

HSL 272.26, 0.85%, 0.57%

LAB 46.38, 71.52, -75.21

 

CMYK 0 / 78 / 57 / 6

HEX #EF3466

RGB 239 52 102

HSL 343.96, 0.85%, 0.57%

LAB 53.78, 71.49, 17.7

 

CMYK 42 / 0 / 78 / 6

HEX #8BEF34

RGB 139 239 52

HSL 92.09, 0.85%, 0.57%

LAB 85.74, -57.3, 74.35

 

CMYK 78 / 0 / 21 / 6

HEX #34EFBD

RGB 52 239 189

HSL 163.96, 0.85%, 0.57%

LAB 85.07, -56.41, 11.45

 

CMYK 36 / 78 / 0 / 6

HEX #9935EF

RGB 153 53 239

HSL 272.26, 0.85%, 0.57%

LAB 46.38, 71.52, -75.21

 

CMYK 0 / 76 / 78 / 6

HEX #EF3A34

RGB 239 58 52

HSL 1.93, 0.85%, 0.57%

LAB 53.63, 67.35, 46.41

 

CMYK 42 / 0 / 78 / 6

HEX #8BEF34

RGB 139 239 52

HSL 92.09, 0.85%, 0.57%

LAB 85.74, -57.3, 74.35

 

CMYK 78 / 3 / 0 / 6

HEX #34E8EF

RGB 52 232 239

HSL 182.25, 0.85%, 0.57%

LAB 84.32, -40.25, -15.93

 

Description

Color code: RGB 153 53 239 | qconv.com Color code: RGB 153 53 239 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 53 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 53 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 78 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 78% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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