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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 53 154 it is the complementary color RGB 102 202 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 53 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 153 53 154 shade: RGB 158 53 149, RGB 175 71 168, RGB 192 89 187, RGB 209 107 206 and RGB 226 125 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 53 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 153 53 154 shade: RGB 153 53 154, RGB 136 35 135, RGB 119 17 116, RGB 102 0 97 and RGB 85 0 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 153 53 154 shade: RGB 155 53 156, RGB 156 53 129, RGB 156 53 102, RGB 156 53 74 and RGB 156 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 153 53 154 shade: RGB 155 53 156, RGB 127 53 156, RGB 100 53 156, RGB 72 53 156 and RGB 53 53 156

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 153 53 154 shade matches the following richer shades: RGB 155 53 156, RGB 171 36 173, RGB 188 19 190 and RGB 205 3 207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 153 53 154 shade: RGB 155 53 156, RGB 138 70 139, RGB 122 87 122, RGB 105 104 105 and RGB 88 121 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 153 53 154 shade: RGB 99 53 156, RGB 127 53 156, RGB 154 53 156, RGB 156 53 130 and RGB 156 53 103

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 153 53 154 shade: RGB 94 32 94, RGB 124 43 125, RGB 155 53 156, RGB 185 64 187 and RGB 198 92 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 153 53 154 shade: RGB 153 53 154, RGB 156 72 53 and RGB 53 156 113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 153 53 154 shade: RGB 153 53 154, RGB 156 154 53 and RGB 53 156 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 153 53 154 shade: RGB 153 53 154, RGB 156 72 53, RGB 55 156 53 and RGB 53 137 156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 153 53 154 shade: RGB 153 53 154, RGB 156 103 53, RGB 55 156 53 and RGB 53 106 156

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 66 / 0 / 40

HEX #99359A

RGB 153 53 154

HSL 299.41, 0.49%, 0.41%

LAB 40.66, 54.38, -34.95

 

Complementary color

CMYK 50 / 0 / 50 / 21

HEX #66CA65

RGB 102 202 101

HSL 119.41, 0.49%, 0.59%

LAB 73.55, -49.58, 41.34

 

CMYK 0 / 66 / 6 / 38

HEX #9E3595

RGB 158 53 149

HSL 305.14, 0.5%, 0.41%

LAB 41.19, 54.78, -31.03

 

CMYK 0 / 59 / 4 / 31

HEX #AF47A8

RGB 175 71 168

HSL 304.04, 0.42%, 0.48%

LAB 47.56, 54.74, -32.21

 

CMYK 0 / 54 / 3 / 25

HEX #C059BB

RGB 192 89 187

HSL 302.91, 0.45%, 0.55%

LAB 53.96, 54.35, -33.1

 

CMYK 0 / 49 / 1 / 18

HEX #D16BCE

RGB 209 107 206

HSL 301.76, 0.53%, 0.62%

LAB 60.36, 53.77, -33.8

 

CMYK 0 / 45 / 0 / 11

HEX #E27DE1

RGB 226 125 225

HSL 300.59, 0.64%, 0.69%

LAB 66.73, 53.11, -34.37

 

CMYK 1 / 66 / 0 / 40

HEX #99359A

RGB 153 53 154

HSL 299.41, 0.49%, 0.41%

LAB 40.66, 54.38, -34.95

 

CMYK 0 / 74 / 1 / 47

HEX #882387

RGB 136 35 135

HSL 300.59, 0.59%, 0.34%

LAB 34.37, 53.87, -33.48

 

CMYK 0 / 86 / 3 / 53

HEX #771174

RGB 119 17 116

HSL 301.76, 0.75%, 0.27%

LAB 28.34, 52.26, -31.3

 

CMYK 0 / 100 / 5 / 60

HEX #660061

RGB 102 0 97

HSL 302.94, 1%, 0.2%

LAB 22.61, 49.33, -28.29

 

CMYK 0 / 100 / 8 / 67

HEX #55004E

RGB 85 0 78

HSL 304.94, 1%, 0.17%

LAB 17.83, 43.02, -23.35

 

CMYK 1 / 66 / 0 / 39

HEX #9B359C

RGB 155 53 156

HSL 299.42, 0.49%, 0.41%

LAB 41.08, 55.23, -35.46

 

CMYK 0 / 66 / 17 / 39

HEX #9C3581

RGB 156 53 129

HSL 315.73, 0.49%, 0.41%

LAB 39.91, 51.07, -20.84

 

CMYK 0 / 66 / 35 / 39

HEX #9C3566

RGB 156 53 102

HSL 331.46, 0.49%, 0.41%

LAB 38.85, 47.37, -5.63

 

CMYK 0 / 66 / 53 / 39

HEX #9C354A

RGB 156 53 74

HSL 347.77, 0.49%, 0.41%

LAB 38.04, 44.42, 10.91

 

CMYK 0 / 66 / 66 / 39

HEX #9C3535

RGB 156 53 53

HSL 0, 0.49%, 0.41%

LAB 37.61, 42.83, 23.54

 

CMYK 1 / 66 / 0 / 39

HEX #9B359C

RGB 155 53 156

HSL 299.42, 0.49%, 0.41%

LAB 41.08, 55.23, -35.46

 

CMYK 19 / 66 / 0 / 39

HEX #7F359C

RGB 127 53 156

HSL 283.11, 0.49%, 0.41%

LAB 36.85, 48.42, -42.44

 

CMYK 36 / 66 / 0 / 39

HEX #64359C

RGB 100 53 156

HSL 267.38, 0.49%, 0.41%

LAB 33.26, 42.16, -48.42

 

CMYK 54 / 66 / 0 / 39

HEX #48359C

RGB 72 53 156

HSL 251.07, 0.49%, 0.41%

LAB 30.22, 36.41, -53.49

 

CMYK 66 / 66 / 0 / 39

HEX #35359C

RGB 53 53 156

HSL 240, 0.49%, 0.41%

LAB 28.65, 33.24, -56.11

 

CMYK 1 / 66 / 0 / 39

HEX #9B359C

RGB 155 53 156

HSL 299.42, 0.49%, 0.41%

LAB 41.08, 55.23, -35.46

 

CMYK 1 / 79 / 0 / 32

HEX #AB24AD

RGB 171 36 173

HSL 299.12, 0.66%, 0.41%

LAB 42.67, 67.34, -42.94

 

CMYK 1 / 90 / 0 / 25

HEX #BC13BE

RGB 188 19 190

HSL 299.3, 0.82%, 0.41%

LAB 45.46, 76.51, -48.32

 

CMYK 1 / 99 / 0 / 19

HEX #CD03CF

RGB 205 3 207

HSL 299.41, 0.97%, 0.41%

LAB 48.94, 83.4, -52.45

 

CMYK 1 / 66 / 0 / 39

HEX #9B359C

RGB 155 53 156

HSL 299.42, 0.49%, 0.41%

LAB 41.08, 55.23, -35.46

 

CMYK 1 / 50 / 0 / 45

HEX #8A468B

RGB 138 70 139

HSL 299.13, 0.33%, 0.41%

LAB 40.65, 39.35, -26.02

 

CMYK 0 / 29 / 0 / 52

HEX #7A577A

RGB 122 87 122

HSL 300, 0.17%, 0.41%

LAB 41.78, 20.83, -14.09

 

CMYK 0 / 1 / 0 / 59

HEX #696869

RGB 105 104 105

HSL 300, 0%, 0.41%

LAB 44.12, 0.6, -0.43

 

CMYK 27 / 0 / 27 / 53

HEX #587958

RGB 88 121 88

HSL 120, 0.16%, 0.41%

LAB 47.56, -18.88, 14.39

 

CMYK 37 / 66 / 0 / 39

HEX #63359C

RGB 99 53 156

HSL 266.8, 0.49%, 0.41%

LAB 33.13, 41.94, -48.62

 

CMYK 19 / 66 / 0 / 39

HEX #7F359C

RGB 127 53 156

HSL 283.11, 0.49%, 0.41%

LAB 36.85, 48.42, -42.44

 

CMYK 1 / 66 / 0 / 39

HEX #9A359C

RGB 154 53 156

HSL 298.83, 0.49%, 0.41%

LAB 40.92, 54.98, -35.72

 

CMYK 0 / 66 / 17 / 39

HEX #9C3582

RGB 156 53 130

HSL 315.15, 0.49%, 0.41%

LAB 39.96, 51.22, -21.38

 

CMYK 0 / 66 / 34 / 39

HEX #9C3567

RGB 156 53 103

HSL 330.87, 0.49%, 0.41%

LAB 38.89, 47.5, -6.21

 

CMYK 0 / 66 / 0 / 63

HEX #5E205E

RGB 94 32 94

HSL 300, 0.49%, 0.25%

LAB 24.39, 37.01, -23.59

 

CMYK 1 / 66 / 0 / 51

HEX #7C2B7D

RGB 124 43 125

HSL 299.27, 0.49%, 0.33%

LAB 32.9, 46.01, -29.69

 

CMYK 1 / 66 / 0 / 39

HEX #9B359C

RGB 155 53 156

HSL 299.42, 0.49%, 0.41%

LAB 41.08, 55.23, -35.46

 

CMYK 1 / 66 / 0 / 27

HEX #B940BB

RGB 185 64 187

HSL 299.02, 0.49%, 0.49%

LAB 48.97, 63.43, -41.02

 

CMYK 1 / 54 / 0 / 22

HEX #C65CC7

RGB 198 92 199

HSL 299.44, 0.49%, 0.57%

LAB 55.87, 56.69, -36.94

 

CMYK 1 / 66 / 0 / 40

HEX #99359A

RGB 153 53 154

HSL 299.41, 0.49%, 0.41%

LAB 40.66, 54.38, -34.95

 

CMYK 0 / 54 / 66 / 39

HEX #9C4835

RGB 156 72 53

HSL 11.07, 0.49%, 0.41%

LAB 41.15, 33.53, 27.9

 

CMYK 66 / 0 / 28 / 39

HEX #359C71

RGB 53 156 113

HSL 154.95, 0.49%, 0.41%

LAB 57.78, -40, 14.03

 

CMYK 1 / 66 / 0 / 40

HEX #99359A

RGB 153 53 154

HSL 299.41, 0.49%, 0.41%

LAB 40.66, 54.38, -34.95

 

CMYK 0 / 1 / 66 / 39

HEX #9C9A35

RGB 156 154 53

HSL 58.83, 0.49%, 0.41%

LAB 62.03, -12.14, 51.2

 

CMYK 66 / 0 / 1 / 39

HEX #359C9A

RGB 53 156 154

HSL 178.83, 0.49%, 0.41%

LAB 58.85, -29.31, -7.62

 

CMYK 1 / 66 / 0 / 40

HEX #99359A

RGB 153 53 154

HSL 299.41, 0.49%, 0.41%

LAB 40.66, 54.38, -34.95

 

CMYK 0 / 54 / 66 / 39

HEX #9C4835

RGB 156 72 53

HSL 11.07, 0.49%, 0.41%

LAB 41.15, 33.53, 27.9

 

CMYK 65 / 0 / 66 / 39

HEX #379C35

RGB 55 156 53

HSL 118.83, 0.49%, 0.41%

LAB 56.93, -49.61, 44.04

 

CMYK 66 / 12 / 0 / 39

HEX #35899C

RGB 53 137 156

HSL 191.07, 0.49%, 0.41%

LAB 53, -18.98, -17.58

 

CMYK 1 / 66 / 0 / 40

HEX #99359A

RGB 153 53 154

HSL 299.41, 0.49%, 0.41%

LAB 40.66, 54.38, -34.95

 

CMYK 0 / 34 / 66 / 39

HEX #9C6735

RGB 156 103 53

HSL 29.13, 0.49%, 0.41%

LAB 48.29, 16.27, 36.28

 

CMYK 65 / 0 / 66 / 39

HEX #379C35

RGB 55 156 53

HSL 118.83, 0.49%, 0.41%

LAB 56.93, -49.61, 44.04

 

CMYK 66 / 32 / 0 / 39

HEX #356A9C

RGB 53 106 156

HSL 209.13, 0.49%, 0.41%

LAB 43.46, -1.18, -32.35

 

Description

Color code: RGB 153 53 154 | qconv.com Color code: RGB 153 53 154 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 53 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 53 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 66 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 66% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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