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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 32 196 it is the complementary color RGB 102 223 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 32 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 153 32 196: RGB 158 32 191, RGB 175 50 210, RGB 192 68 229, RGB 209 86 248 and RGB 226 104 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 32 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 153 32 196: RGB 153 32 196, RGB 136 14 177, RGB 119 0 158, RGB 102 0 139 and RGB 85 0 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 84 / 0 / 23

HEX #9920C4

RGB 153 32 196

HSL 284.27, 0.72%, 0.45%

LAB 40.88, 69.16, -59.51

 

Complementary color

CMYK 54 / 0 / 74 / 13

HEX #66DF3B

RGB 102 223 59

HSL 104.27, 0.72%, 0.55%

LAB 79.57, -61.72, 65.76

 

CMYK 17 / 83 / 0 / 25

HEX #9E20BF

RGB 158 32 191

HSL 287.55, 0.71%, 0.44%

LAB 41.32, 69.06, -55.84

 

CMYK 17 / 76 / 0 / 18

HEX #AF32D2

RGB 175 50 210

HSL 286.88, 0.64%, 0.51%

LAB 47.04, 70.42, -57.5

 

CMYK 16 / 70 / 0 / 10

HEX #C044E5

RGB 192 68 229

HSL 286.21, 0.76%, 0.58%

LAB 52.95, 70.99, -58.68

 

CMYK 16 / 65 / 0 / 3

HEX #D156F8

RGB 209 86 248

HSL 285.56, 0.92%, 0.65%

LAB 58.96, 71.05, -59.53

 

CMYK 11 / 59 / 0 / 0

HEX #E268FF

RGB 226 104 255

HSL 288.48, 1%, 0.7%

LAB 64.39, 68.52, -54.6

 

CMYK 22 / 84 / 0 / 23

HEX #9920C4

RGB 153 32 196

HSL 284.27, 0.72%, 0.45%

LAB 40.88, 69.16, -59.51

 

CMYK 23 / 92 / 0 / 31

HEX #880EB1

RGB 136 14 177

HSL 284.91, 0.85%, 0.37%

LAB 35.44, 66.69, -57.26

 

CMYK 25 / 100 / 0 / 38

HEX #77009E

RGB 119 0 158

HSL 285.19, 1%, 0.31%

LAB 30.38, 62.76, -54.19

 

CMYK 27 / 100 / 0 / 45

HEX #66008B

RGB 102 0 139

HSL 284.03, 1%, 0.27%

LAB 25.83, 56.84, -50.02

 

CMYK 29 / 100 / 0 / 53

HEX #550078

RGB 85 0 120

HSL 282.5, 1%, 0.24%

LAB 21.16, 50.76, -45.75

 

CMYK 22 / 84 / 0 / 23

HEX #9920C4

RGB 153 32 196

HSL 284.27, 0.72%, 0.45%

LAB 40.88, 69.16, -59.51

 

CMYK 9 / 84 / 0 / 23

HEX #B420C5

RGB 180 32 197

HSL 293.82, 0.72%, 0.45%

LAB 45.31, 73.93, -52.72

 

CMYK 0 / 84 / 6 / 23

HEX #C520BA

RGB 197 32 186

HSL 304, 0.72%, 0.45%

LAB 47.56, 75.34, -42.55

 

CMYK 0 / 84 / 20 / 23

HEX #C5209E

RGB 197 32 158

HSL 314.18, 0.72%, 0.45%

LAB 46.14, 71.5, -28.21

 

CMYK 0 / 84 / 34 / 23

HEX #C52083

RGB 197 32 131

HSL 324, 0.72%, 0.45%

LAB 45, 68.32, -13.63

 

CMYK 22 / 84 / 0 / 23

HEX #9920C4

RGB 153 32 196

HSL 284.27, 0.72%, 0.45%

LAB 40.88, 69.16, -59.51

 

CMYK 22 / 84 / 0 / 3

HEX #C128F7

RGB 193 40 247

HSL 284.35, 0.93%, 0.56%

LAB 51.35, 82.96, -71.36

 

CMYK 21 / 84 / 0 / 83

HEX #22072B

RGB 34 7 43

HSL 285, 0.72%, 0.1%

LAB 6.02, 20.59, -17.74

 

CMYK 22 / 84 / 0 / 63

HEX #490F5E

RGB 73 15 94

HSL 284.05, 0.72%, 0.21%

LAB 18.22, 39.1, -33.66

 

CMYK 22 / 83 / 0 / 43

HEX #711891

RGB 113 24 145

HSL 284.13, 0.72%, 0.33%

LAB 29.93, 54.56, -46.98

 

CMYK 22 / 84 / 0 / 23

HEX #9920C4

RGB 153 32 196

HSL 284.27, 0.72%, 0.45%

LAB 40.88, 69.16, -59.51

 

CMYK 0 / 84 / 78 / 23

HEX #C5202B

RGB 197 32 43

HSL 356, 0.72%, 0.45%

LAB 42.88, 62.14, 37.65

 

CMYK 84 / 0 / 56 / 23

HEX #20C557

RGB 32 197 87

HSL 140, 0.72%, 0.45%

LAB 70.13, -62.93, 43.52

 

CMYK 22 / 84 / 0 / 23

HEX #9920C4

RGB 153 32 196

HSL 284.27, 0.72%, 0.45%

LAB 40.88, 69.16, -59.51

 

CMYK 0 / 22 / 84 / 23

HEX #C59920

RGB 197 153 32

HSL 44, 0.72%, 0.45%

LAB 65.56, 5.73, 63.48

 

CMYK 84 / 0 / 22 / 23

HEX #20C599

RGB 32 197 153

HSL 164, 0.72%, 0.45%

LAB 71.24, -50.17, 10.9

 

CMYK 22 / 84 / 0 / 23

HEX #9920C4

RGB 153 32 196

HSL 284.27, 0.72%, 0.45%

LAB 40.88, 69.16, -59.51

 

CMYK 0 / 84 / 78 / 23

HEX #C5202B

RGB 197 32 43

HSL 356, 0.72%, 0.45%

LAB 42.88, 62.14, 37.65

 

CMYK 61 / 0 / 84 / 23

HEX #4CC520

RGB 76 197 32

HSL 104, 0.72%, 0.45%

LAB 70.58, -60.66, 64.92

 

CMYK 84 / 0 / 6 / 23

HEX #20C5BA

RGB 32 197 186

HSL 176, 0.72%, 0.45%

LAB 72.08, -41.43, -5.81

 

CMYK 22 / 84 / 0 / 23

HEX #9920C4

RGB 153 32 196

HSL 284.27, 0.72%, 0.45%

LAB 40.88, 69.16, -59.51

 

CMYK 0 / 64 / 84 / 23

HEX #C54620

RGB 197 70 32

HSL 13.82, 0.72%, 0.45%

LAB 47.44, 48.95, 47.78

 

CMYK 61 / 0 / 84 / 23

HEX #4CC520

RGB 76 197 32

HSL 104, 0.72%, 0.45%

LAB 70.58, -60.66, 64.92

 

CMYK 84 / 20 / 0 / 23

HEX #209EC5

RGB 32 158 197

HSL 194.18, 0.72%, 0.45%

LAB 60.6, -19.03, -29.29

 

Description

Color code: RGB 153 32 196 | qconv.com Color code: RGB 153 32 196 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 32 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 32 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 84 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 84% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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