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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 209 239 it is the complementary color RGB 102 46 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 209 239. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 153 209 239: RGB 158 209 234, RGB 175 227 253, RGB 192 245 255, RGB 209 255 255 and RGB 226 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 209 239. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 153 209 239: RGB 153 209 239, RGB 136 191 220, RGB 119 173 201, RGB 102 155 182 and RGB 85 137 163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 13 / 0 / 6

HEX #99D1EF

RGB 153 209 239

HSL 200.93, 0.73%, 0.77%

LAB 81.07, -10.75, -20.51

 

Complementary color

CMYK 0 / 55 / 84 / 60

HEX #662E10

RGB 102 46 16

HSL 20.93, 0.73%, 0.23%

LAB 26.2, 23.08, 29.87

 

CMYK 32 / 11 / 0 / 8

HEX #9ED1EA

RGB 158 209 234

HSL 199.74, 0.64%, 0.77%

LAB 81.19, -10.62, -17.64

 

CMYK 31 / 10 / 0 / 1

HEX #AFE3FD

RGB 175 227 253

HSL 200, 0.95%, 0.84%

LAB 87.55, -10.69, -18.01

 

CMYK 25 / 4 / 0 / 0

HEX #C0F5FF

RGB 192 245 255

HSL 189.52, 1%, 0.88%

LAB 93.33, -14.54, -10.3

 

CMYK 18 / 0 / 0 / 0

HEX #D1FFFF

RGB 209 255 255

HSL 180, 1%, 0.91%

LAB 96.94, -14.52, -4.86

 

CMYK 11 / 0 / 0 / 0

HEX #E2FFFF

RGB 226 255 255

HSL 180, 1%, 0.94%

LAB 98, -9.32, -3.18

 

CMYK 36 / 13 / 0 / 6

HEX #99D1EF

RGB 153 209 239

HSL 200.93, 0.73%, 0.77%

LAB 81.07, -10.75, -20.51

 

CMYK 38 / 13 / 0 / 14

HEX #88BFDC

RGB 136 191 220

HSL 200.71, 0.55%, 0.7%

LAB 74.61, -10.63, -20.18

 

CMYK 41 / 14 / 0 / 21

HEX #77ADC9

RGB 119 173 201

HSL 200.49, 0.43%, 0.63%

LAB 68.04, -10.49, -19.85

 

CMYK 44 / 15 / 0 / 29

HEX #669BB6

RGB 102 155 182

HSL 200.25, 0.35%, 0.56%

LAB 61.35, -10.3, -19.52

 

CMYK 48 / 16 / 0 / 36

HEX #5589A3

RGB 85 137 163

HSL 200, 0.31%, 0.49%

LAB 54.52, -10.06, -19.19

 

CMYK 36 / 13 / 0 / 6

HEX #99D1EF

RGB 153 209 239

HSL 200.93, 0.73%, 0.77%

LAB 81.07, -10.75, -20.51

 

CMYK 36 / 18 / 0 / 6

HEX #99C4EF

RGB 153 196 239

HSL 210, 0.73%, 0.77%

LAB 77.57, -3.89, -25.84

 

CMYK 36 / 24 / 0 / 6

HEX #99B6EF

RGB 153 182 239

HSL 219.77, 0.73%, 0.77%

LAB 73.84, 3.72, -31.56

 

CMYK 36 / 30 / 0 / 6

HEX #99A7EF

RGB 153 167 239

HSL 230.23, 0.73%, 0.77%

LAB 69.92, 12.09, -37.63

 

CMYK 36 / 36 / 0 / 6

HEX #9999EF

RGB 153 153 239

HSL 240, 0.73%, 0.77%

LAB 66.36, 20.05, -43.21

 

CMYK 36 / 13 / 0 / 6

HEX #99D1EF

RGB 153 209 239

HSL 200.93, 0.73%, 0.77%

LAB 81.07, -10.75, -20.51

 

CMYK 37 / 11 / 0 / 86

HEX #161F23

RGB 22 31 35

HSL 198.46, 0.23%, 0.11%

LAB 11.08, -2.79, -4.04

 

CMYK 36 / 13 / 0 / 66

HEX #374B56

RGB 55 75 86

HSL 201.29, 0.22%, 0.28%

LAB 30.68, -4.68, -9.02

 

CMYK 36 / 12 / 0 / 46

HEX #587889

RGB 88 120 137

HSL 200.82, 0.22%, 0.44%

LAB 48.65, -6.94, -12.93

 

CMYK 36 / 13 / 0 / 26

HEX #78A4BC

RGB 120 164 188

HSL 201.18, 0.34%, 0.6%

LAB 65.1, -8.77, -17.09

 

CMYK 36 / 13 / 0 / 6

HEX #99D1EF

RGB 153 209 239

HSL 200.93, 0.73%, 0.77%

LAB 81.07, -10.75, -20.51

 

CMYK 17 / 36 / 0 / 6

HEX #C799EF

RGB 199 153 239

HSL 272.09, 0.73%, 0.77%

LAB 70.29, 33.11, -36.78

 

CMYK 0 / 3 / 36 / 6

HEX #EFE999

RGB 239 233 153

HSL 55.81, 0.73%, 0.77%

LAB 91.2, -9.5, 39.64

 

CMYK 36 / 13 / 0 / 6

HEX #99D1EF

RGB 153 209 239

HSL 200.93, 0.73%, 0.77%

LAB 81.07, -10.75, -20.51

 

CMYK 0 / 36 / 12 / 6

HEX #EF99D2

RGB 239 153 210

HSL 320.23, 0.73%, 0.77%

LAB 73.41, 40.23, -15.73

 

CMYK 12 / 0 / 36 / 6

HEX #D2EF99

RGB 210 239 153

HSL 80.23, 0.73%, 0.77%

LAB 90.66, -23.34, 38.53

 

CMYK 36 / 13 / 0 / 6

HEX #99D1EF

RGB 153 209 239

HSL 200.93, 0.73%, 0.77%

LAB 81.07, -10.75, -20.51

 

CMYK 17 / 36 / 0 / 6

HEX #C799EF

RGB 199 153 239

HSL 272.09, 0.73%, 0.77%

LAB 70.29, 33.11, -36.78

 

CMYK 0 / 24 / 36 / 6

HEX #EFB699

RGB 239 182 153

HSL 20.23, 0.73%, 0.77%

LAB 78.52, 16.85, 22.76

 

CMYK 19 / 0 / 36 / 6

HEX #C1EF99

RGB 193 239 153

HSL 92.09, 0.73%, 0.77%

LAB 89.57, -29.45, 36.89

 

CMYK 36 / 13 / 0 / 6

HEX #99D1EF

RGB 153 209 239

HSL 200.93, 0.73%, 0.77%

LAB 81.07, -10.75, -20.51

 

CMYK 6 / 36 / 0 / 6

HEX #E099EF

RGB 224 153 239

HSL 289.53, 0.73%, 0.77%

LAB 72.8, 40.63, -32.68

 

CMYK 0 / 24 / 36 / 6

HEX #EFB699

RGB 239 182 153

HSL 20.23, 0.73%, 0.77%

LAB 78.52, 16.85, 22.76

 

CMYK 30 / 0 / 36 / 6

HEX #A7EF99

RGB 167 239 153

HSL 110.23, 0.73%, 0.77%

LAB 88.09, -38.27, 34.67

 

Description

Color code: RGB 153 209 239 | qconv.com Color code: RGB 153 209 239 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 209 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 209 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 13 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 13% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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