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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 174 150 it is the complementary color RGB 102 81 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 174 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 153 174 150 shade: RGB 158 174 145, RGB 175 192 164, RGB 192 210 183, RGB 209 228 202 and RGB 226 246 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 174 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 153 174 150 shade: RGB 153 174 150, RGB 136 156 131, RGB 119 138 112, RGB 102 120 93 and RGB 85 102 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 153 174 150 shade: RGB 154 175 151, RGB 160 175 151, RGB 167 175 151, RGB 173 175 151 and RGB 175 170 151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 153 174 150 shade: RGB 154 175 151, RGB 151 175 154, RGB 151 175 161, RGB 151 175 167 and RGB 151 175 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 153 174 150 shade matches the following richer shades: RGB 154 175 151, RGB 143 189 136, RGB 131 204 121, RGB 120 219 106 and RGB 109 234 91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 153 174 150 shade: RGB 154 175 151, RGB 165 160 166, RGB 176 145 180, RGB 187 130 195 and RGB 198 115 210

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 153 174 150 shade: RGB 167 175 151, RGB 160 175 151, RGB 154 175 151, RGB 151 175 154 and RGB 151 175 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 153 174 150 shade: RGB 110 137 106, RGB 131 157 127, RGB 154 175 151, RGB 176 193 174 and RGB 199 211 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 153 174 150 shade: RGB 153 174 150, RGB 151 173 175 and RGB 175 151 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 153 174 150 shade: RGB 153 174 150, RGB 151 154 175 and RGB 175 151 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 153 174 150 shade: RGB 153 174 150, RGB 151 173 175, RGB 171 151 175 and RGB 175 152 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 153 174 150 shade: RGB 153 174 150, RGB 151 166 175, RGB 171 151 175 and RGB 175 160 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 14 / 32

HEX #99AE96

RGB 153 174 150

HSL 112.5, 0.13%, 0.64%

LAB 68.93, -11.91, 9.89

 

Complementary color

CMYK 3 / 23 / 0 / 59

HEX #665169

RGB 102 81 105

HSL 292.5, 0.13%, 0.36%

LAB 37.35, 13.49, -10.53

 

CMYK 9 / 0 / 17 / 32

HEX #9EAE91

RGB 158 174 145

HSL 93.1, 0.15%, 0.63%

LAB 69.17, -10.99, 13.03

 

CMYK 9 / 0 / 15 / 25

HEX #AFC0A4

RGB 175 192 164

HSL 96.43, 0.18%, 0.7%

LAB 75.76, -10.99, 12.16

 

CMYK 9 / 0 / 13 / 18

HEX #C0D2B7

RGB 192 210 183

HSL 100, 0.23%, 0.77%

LAB 82.23, -10.99, 11.33

 

CMYK 8 / 0 / 11 / 11

HEX #D1E4CA

RGB 209 228 202

HSL 103.85, 0.33%, 0.84%

LAB 88.59, -11, 10.55

 

CMYK 8 / 0 / 10 / 4

HEX #E2F6DD

RGB 226 246 221

HSL 108, 0.58%, 0.92%

LAB 94.87, -11.01, 9.79

 

CMYK 12 / 0 / 14 / 32

HEX #99AE96

RGB 153 174 150

HSL 112.5, 0.13%, 0.64%

LAB 68.93, -11.91, 9.89

 

CMYK 13 / 0 / 16 / 39

HEX #889C83

RGB 136 156 131

HSL 108, 0.11%, 0.56%

LAB 62.21, -11.97, 10.75

 

CMYK 14 / 0 / 19 / 46

HEX #778A70

RGB 119 138 112

HSL 103.85, 0.1%, 0.49%

LAB 55.35, -12.03, 11.67

 

CMYK 15 / 0 / 23 / 53

HEX #66785D

RGB 102 120 93

HSL 100, 0.13%, 0.42%

LAB 48.32, -12.11, 12.67

 

CMYK 17 / 0 / 27 / 60

HEX #55664A

RGB 85 102 74

HSL 96.43, 0.16%, 0.35%

LAB 41.1, -12.2, 13.76

 

CMYK 12 / 0 / 14 / 31

HEX #9AAF97

RGB 154 175 151

HSL 112.5, 0.13%, 0.64%

LAB 69.3, -11.9, 9.87

 

CMYK 9 / 0 / 14 / 31

HEX #A0AF97

RGB 160 175 151

HSL 97.5, 0.13%, 0.64%

LAB 69.73, -9.74, 10.54

 

CMYK 5 / 0 / 14 / 31

HEX #A7AF97

RGB 167 175 151

HSL 80, 0.13%, 0.64%

LAB 70.25, -7.18, 11.36

 

CMYK 1 / 0 / 14 / 31

HEX #ADAF97

RGB 173 175 151

HSL 65, 0.13%, 0.64%

LAB 70.72, -4.96, 12.08

 

CMYK 0 / 3 / 14 / 31

HEX #AFAA97

RGB 175 170 151

HSL 47.5, 0.13%, 0.64%

LAB 69.54, -1.53, 10.43

 

CMYK 12 / 0 / 14 / 31

HEX #9AAF97

RGB 154 175 151

HSL 112.5, 0.13%, 0.64%

LAB 69.3, -11.9, 9.87

 

CMYK 14 / 0 / 12 / 31

HEX #97AF9A

RGB 151 175 154

HSL 127.5, 0.13%, 0.64%

LAB 69.16, -12.41, 8

 

CMYK 14 / 0 / 8 / 31

HEX #97AFA1

RGB 151 175 161

HSL 145, 0.13%, 0.64%

LAB 69.34, -11.07, 4.39

 

CMYK 14 / 0 / 5 / 31

HEX #97AFA7

RGB 151 175 167

HSL 160, 0.13%, 0.64%

LAB 69.49, -9.88, 1.31

 

CMYK 14 / 0 / 1 / 31

HEX #97AFAE

RGB 151 175 174

HSL 177.5, 0.13%, 0.64%

LAB 69.68, -8.44, -2.28

 

CMYK 12 / 0 / 14 / 31

HEX #9AAF97

RGB 154 175 151

HSL 112.5, 0.13%, 0.64%

LAB 69.3, -11.9, 9.87

 

CMYK 24 / 0 / 28 / 26

HEX #8FBD88

RGB 143 189 136

HSL 112.08, 0.29%, 0.64%

LAB 72.24, -25.5, 21.99

 

CMYK 36 / 0 / 41 / 20

HEX #83CC79

RGB 131 204 121

HSL 112.77, 0.45%, 0.64%

LAB 75.69, -38.9, 34.32

 

CMYK 45 / 0 / 52 / 14

HEX #78DB6A

RGB 120 219 106

HSL 112.57, 0.61%, 0.64%

LAB 79.44, -50.7, 46.3

 

CMYK 53 / 0 / 61 / 8

HEX #6DEA5B

RGB 109 234 91

HSL 112.45, 0.77%, 0.64%

LAB 83.36, -61.19, 57.54

 

CMYK 12 / 0 / 14 / 31

HEX #9AAF97

RGB 154 175 151

HSL 112.5, 0.13%, 0.64%

LAB 69.3, -11.9, 9.87

 

CMYK 1 / 4 / 0 / 35

HEX #A5A0A6

RGB 165 160 166

HSL 290, 0.03%, 0.64%

LAB 66.44, 2.94, -2.48

 

CMYK 2 / 19 / 0 / 29

HEX #B091B4

RGB 176 145 180

HSL 293.14, 0.19%, 0.64%

LAB 63.98, 17.92, -13.89

 

CMYK 4 / 33 / 0 / 24

HEX #BB82C3

RGB 187 130 195

HSL 292.62, 0.35%, 0.64%

LAB 62.06, 32.94, -25.17

 

CMYK 6 / 45 / 0 / 18

HEX #C673D2

RGB 198 115 210

HSL 292.42, 0.51%, 0.64%

LAB 60.71, 47.3, -35.61

 

CMYK 5 / 0 / 14 / 31

HEX #A7AF97

RGB 167 175 151

HSL 80, 0.13%, 0.64%

LAB 70.25, -7.18, 11.36

 

CMYK 9 / 0 / 14 / 31

HEX #A0AF97

RGB 160 175 151

HSL 97.5, 0.13%, 0.64%

LAB 69.73, -9.74, 10.54

 

CMYK 12 / 0 / 14 / 31

HEX #9AAF97

RGB 154 175 151

HSL 112.5, 0.13%, 0.64%

LAB 69.3, -11.9, 9.87

 

CMYK 14 / 0 / 12 / 31

HEX #97AF9A

RGB 151 175 154

HSL 127.5, 0.13%, 0.64%

LAB 69.16, -12.41, 8

 

CMYK 14 / 0 / 9 / 31

HEX #97AFA0

RGB 151 175 160

HSL 142.5, 0.13%, 0.64%

LAB 69.31, -11.27, 4.91

 

CMYK 20 / 0 / 23 / 46

HEX #6E896A

RGB 110 137 106

HSL 112.26, 0.13%, 0.48%

LAB 54.29, -15.95, 13.53

 

CMYK 17 / 0 / 19 / 38

HEX #839D7F

RGB 131 157 127

HSL 112, 0.13%, 0.56%

LAB 62.06, -15.05, 12.72

 

CMYK 12 / 0 / 14 / 31

HEX #9AAF97

RGB 154 175 151

HSL 112.5, 0.13%, 0.64%

LAB 69.3, -11.9, 9.87

 

CMYK 9 / 0 / 10 / 24

HEX #B0C1AE

RGB 176 193 174

HSL 113.68, 0.13%, 0.72%

LAB 76.33, -9.39, 7.58

 

CMYK 6 / 0 / 7 / 17

HEX #C7D3C5

RGB 199 211 197

HSL 111.43, 0.14%, 0.8%

LAB 83.32, -6.63, 5.52

 

CMYK 12 / 0 / 14 / 32

HEX #99AE96

RGB 153 174 150

HSL 112.5, 0.13%, 0.64%

LAB 68.93, -11.91, 9.89

 

CMYK 14 / 1 / 0 / 31

HEX #97ADAF

RGB 151 173 175

HSL 185, 0.13%, 0.64%

LAB 69.16, -7.16, -3.6

 

CMYK 0 / 14 / 7 / 31

HEX #AF97A3

RGB 175 151 163

HSL 330, 0.13%, 0.64%

LAB 64.88, 10.99, -2.99

 

CMYK 12 / 0 / 14 / 32

HEX #99AE96

RGB 153 174 150

HSL 112.5, 0.13%, 0.64%

LAB 68.93, -11.91, 9.89

 

CMYK 14 / 12 / 0 / 31

HEX #979AAF

RGB 151 154 175

HSL 232.5, 0.13%, 0.64%

LAB 63.99, 3.27, -11.28

 

CMYK 0 / 14 / 12 / 31

HEX #AF979A

RGB 175 151 154

HSL 352.5, 0.13%, 0.64%

LAB 64.63, 9.4, 1.71

 

CMYK 12 / 0 / 14 / 32

HEX #99AE96

RGB 153 174 150

HSL 112.5, 0.13%, 0.64%

LAB 68.93, -11.91, 9.89

 

CMYK 14 / 1 / 0 / 31

HEX #97ADAF

RGB 151 173 175

HSL 185, 0.13%, 0.64%

LAB 69.16, -7.16, -3.6

 

CMYK 2 / 14 / 0 / 31

HEX #AB97AF

RGB 171 151 175

HSL 290, 0.13%, 0.64%

LAB 64.87, 11.83, -9.78

 

CMYK 0 / 13 / 14 / 31

HEX #AF9897

RGB 175 152 151

HSL 2.5, 0.13%, 0.64%

LAB 64.81, 8.34, 3.66

 

CMYK 12 / 0 / 14 / 32

HEX #99AE96

RGB 153 174 150

HSL 112.5, 0.13%, 0.64%

LAB 68.93, -11.91, 9.89

 

CMYK 14 / 5 / 0 / 31

HEX #97A6AF

RGB 151 166 175

HSL 202.5, 0.13%, 0.64%

LAB 67.24, -3.37, -6.44

 

CMYK 2 / 14 / 0 / 31

HEX #AB97AF

RGB 171 151 175

HSL 290, 0.13%, 0.64%

LAB 64.87, 11.83, -9.78

 

CMYK 0 / 9 / 14 / 31

HEX #AFA097

RGB 175 160 151

HSL 22.5, 0.13%, 0.64%

LAB 66.89, 3.92, 6.66

 

Description

Color code: RGB 153 174 150 | qconv.com Color code: RGB 153 174 150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 174 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 174 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 14 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 14% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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