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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 62 15 it is the complementary color RGB 103 193 240. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 62 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 62 15 shade: RGB 157 62 10, RGB 174 80 29, RGB 191 98 48, RGB 208 116 67 and RGB 225 134 86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 62 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 62 15 shade: RGB 152 62 15, RGB 135 44 0, RGB 118 26 0, RGB 101 8 0 and RGB 84 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 62 15 shade: RGB 153 62 15, RGB 153 25 15 and RGB 153 15 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 62 15 shade: RGB 153 62 15, RGB 153 100 15, RGB 153 137 15, RGB 132 153 15 and RGB 95 153 15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 62 15 shade matches the following richer shades: RGB 153 62 15 and RGB 167 58 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 62 15 shade: RGB 153 62 15, RGB 140 67 29, RGB 126 71 42, RGB 112 75 56 and RGB 99 80 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 62 15 shade: RGB 153 15 43, RGB 153 24 15, RGB 153 61 15, RGB 153 98 15 and RGB 153 135 15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 62 15 shade: RGB 78 32 8, RGB 116 47 11, RGB 153 62 15, RGB 191 78 19 and RGB 228 93 23

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 62 15 shade: RGB 152 62 15, RGB 80 153 15 and RGB 15 24 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 62 15 shade: RGB 152 62 15, RGB 15 153 61 and RGB 61 15 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 62 15 shade: RGB 152 62 15, RGB 80 153 15, RGB 15 107 153 and RGB 89 15 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 62 15 shade: RGB 152 62 15, RGB 38 153 15, RGB 15 107 153 and RGB 130 15 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 90 / 40

HEX #983E0F

RGB 152 62 15

HSL 20.58, 0.82%, 0.33%

LAB 38.12, 35.47, 43.97

 

Complementary color

CMYK 57 / 20 / 0 / 6

HEX #67C1F0

RGB 103 193 240

HSL 200.58, 0.82%, 0.67%

LAB 74.39, -13.7, -31.46

 

CMYK 0 / 61 / 94 / 38

HEX #9D3E0A

RGB 157 62 10

HSL 21.22, 0.88%, 0.33%

LAB 38.96, 37.34, 46.67

 

CMYK 0 / 54 / 83 / 32

HEX #AE501D

RGB 174 80 29

HSL 21.1, 0.71%, 0.4%

LAB 45.39, 35.45, 45.84

 

CMYK 0 / 49 / 75 / 25

HEX #BF6230

RGB 191 98 48

HSL 20.98, 0.6%, 0.47%

LAB 51.87, 33.65, 44.12

 

CMYK 0 / 44 / 68 / 18

HEX #D07443

RGB 208 116 67

HSL 20.85, 0.6%, 0.54%

LAB 58.33, 32.01, 42.22

 

CMYK 0 / 40 / 62 / 12

HEX #E18656

RGB 225 134 86

HSL 20.72, 0.7%, 0.61%

LAB 64.75, 30.53, 40.38

 

CMYK 0 / 59 / 90 / 40

HEX #983E0F

RGB 152 62 15

HSL 20.58, 0.82%, 0.33%

LAB 38.12, 35.47, 43.97

 

CMYK 0 / 67 / 100 / 47

HEX #872C00

RGB 135 44 0

HSL 19.56, 1%, 0.26%

LAB 31.7, 37.27, 43.67

 

CMYK 0 / 78 / 100 / 54

HEX #761A00

RGB 118 26 0

HSL 13.22, 1%, 0.23%

LAB 25.53, 38.63, 37.26

 

CMYK 0 / 92 / 100 / 60

HEX #650800

RGB 101 8 0

HSL 4.75, 1%, 0.2%

LAB 19.8, 38.52, 30.14

 

CMYK 0 / 100 / 100 / 67

HEX #540000

RGB 84 0 0

HSL 0, 1%, 0.16%

LAB 14.87, 35.72, 23.19

 

CMYK 0 / 59 / 90 / 40

HEX #993E0F

RGB 153 62 15

HSL 20.43, 0.82%, 0.33%

LAB 38.29, 35.86, 44.18

 

CMYK 0 / 84 / 90 / 40

HEX #99190F

RGB 153 25 15

HSL 4.35, 0.82%, 0.33%

LAB 32.92, 50.45, 40.03

 

CMYK 0 / 90 / 90 / 40

HEX #990F0F

RGB 153 15 15

HSL 0, 0.82%, 0.33%

LAB 32.14, 52.68, 39.43

 

CMYK 0 / 59 / 90 / 40

HEX #993E0F

RGB 153 62 15

HSL 20.43, 0.82%, 0.33%

LAB 38.29, 35.86, 44.18

 

CMYK 0 / 35 / 90 / 40

HEX #99640F

RGB 153 100 15

HSL 36.96, 0.82%, 0.33%

LAB 46.87, 14.96, 50.89

 

CMYK 0 / 10 / 90 / 40

HEX #99890F

RGB 153 137 15

HSL 53.04, 0.82%, 0.33%

LAB 56.78, -5.93, 58.72

 

CMYK 14 / 0 / 90 / 40

HEX #84990F

RGB 132 153 15

HSL 69.13, 0.82%, 0.33%

LAB 59.64, -23.78, 60.27

 

CMYK 38 / 0 / 90 / 40

HEX #5F990F

RGB 95 153 15

HSL 85.22, 0.82%, 0.33%

LAB 57.32, -38.82, 57.41

 

CMYK 0 / 59 / 90 / 40

HEX #993E0F

RGB 153 62 15

HSL 20.43, 0.82%, 0.33%

LAB 38.29, 35.86, 44.18

 

CMYK 0 / 65 / 99 / 35

HEX #A73A02

RGB 167 58 2

HSL 20.36, 0.98%, 0.33%

LAB 39.99, 42.89, 50.73

 

CMYK 0 / 59 / 90 / 40

HEX #993E0F

RGB 153 62 15

HSL 20.43, 0.82%, 0.33%

LAB 38.29, 35.86, 44.18

 

CMYK 0 / 52 / 79 / 45

HEX #8C431D

RGB 140 67 29

HSL 20.54, 0.66%, 0.33%

LAB 37.26, 28.34, 36.2

 

CMYK 0 / 44 / 67 / 51

HEX #7E472A

RGB 126 71 42

HSL 20.71, 0.5%, 0.33%

LAB 36.19, 20.71, 27.29

 

CMYK 0 / 33 / 50 / 56

HEX #704B38

RGB 112 75 56

HSL 20.36, 0.33%, 0.33%

LAB 35.52, 13.27, 17.64

 

CMYK 0 / 19 / 29 / 61

HEX #635046

RGB 99 80 70

HSL 20.69, 0.17%, 0.33%

LAB 35.66, 6.23, 8.88

 

CMYK 0 / 90 / 72 / 40

HEX #990F2B

RGB 153 15 43

HSL 347.83, 0.82%, 0.33%

LAB 32.45, 53.58, 23.35

 

CMYK 0 / 84 / 90 / 40

HEX #99180F

RGB 153 24 15

HSL 3.91, 0.82%, 0.33%

LAB 32.83, 50.71, 39.96

 

CMYK 0 / 60 / 90 / 40

HEX #993D0F

RGB 153 61 15

HSL 20, 0.82%, 0.33%

LAB 38.1, 36.36, 44.03

 

CMYK 0 / 36 / 90 / 40

HEX #99620F

RGB 153 98 15

HSL 36.09, 0.82%, 0.33%

LAB 46.37, 16.11, 50.5

 

CMYK 0 / 12 / 90 / 40

HEX #99870F

RGB 153 135 15

HSL 52.17, 0.82%, 0.33%

LAB 56.22, -4.83, 58.28

 

CMYK 0 / 59 / 90 / 69

HEX #4E2008

RGB 78 32 8

HSL 20.57, 0.81%, 0.17%

LAB 18.67, 20.04, 24.33

 

CMYK 0 / 59 / 91 / 55

HEX #742F0B

RGB 116 47 11

HSL 20.57, 0.83%, 0.25%

LAB 28.83, 28.43, 35.49

 

CMYK 0 / 59 / 90 / 40

HEX #993E0F

RGB 153 62 15

HSL 20.43, 0.82%, 0.33%

LAB 38.29, 35.86, 44.18

 

CMYK 0 / 59 / 90 / 25

HEX #BF4E13

RGB 191 78 19

HSL 20.58, 0.82%, 0.41%

LAB 47.72, 42.82, 52.76

 

CMYK 0 / 59 / 90 / 11

HEX #E45D17

RGB 228 93 23

HSL 20.49, 0.82%, 0.49%

LAB 56.47, 49.6, 60.66

 

CMYK 0 / 59 / 90 / 40

HEX #983E0F

RGB 152 62 15

HSL 20.58, 0.82%, 0.33%

LAB 38.12, 35.47, 43.97

 

CMYK 48 / 0 / 90 / 40

HEX #50990F

RGB 80 153 15

HSL 91.74, 0.82%, 0.33%

LAB 56.61, -44.05, 56.52

 

CMYK 90 / 84 / 0 / 40

HEX #0F1899

RGB 15 24 153

HSL 236.09, 0.82%, 0.33%

LAB 20.26, 45.76, -68.19

 

CMYK 0 / 59 / 90 / 40

HEX #983E0F

RGB 152 62 15

HSL 20.58, 0.82%, 0.33%

LAB 38.12, 35.47, 43.97

 

CMYK 90 / 0 / 60 / 40

HEX #0F993D

RGB 15 153 61

HSL 140, 0.82%, 0.33%

LAB 55.3, -53.53, 38.33

 

CMYK 60 / 90 / 0 / 40

HEX #3D0F99

RGB 61 15 153

HSL 260, 0.82%, 0.33%

LAB 22.42, 52.09, -64.51

 

CMYK 0 / 59 / 90 / 40

HEX #983E0F

RGB 152 62 15

HSL 20.58, 0.82%, 0.33%

LAB 38.12, 35.47, 43.97

 

CMYK 48 / 0 / 90 / 40

HEX #50990F

RGB 80 153 15

HSL 91.74, 0.82%, 0.33%

LAB 56.61, -44.05, 56.52

 

CMYK 90 / 30 / 0 / 40

HEX #0F6B99

RGB 15 107 153

HSL 200, 0.82%, 0.33%

LAB 42.64, -7.59, -31.93

 

CMYK 42 / 90 / 0 / 40

HEX #590F99

RGB 89 15 153

HSL 272.17, 0.82%, 0.33%

LAB 26.06, 55.09, -58.39

 

CMYK 0 / 59 / 90 / 40

HEX #983E0F

RGB 152 62 15

HSL 20.58, 0.82%, 0.33%

LAB 38.12, 35.47, 43.97

 

CMYK 75 / 0 / 90 / 40

HEX #26990F

RGB 38 153 15

HSL 110, 0.82%, 0.33%

LAB 55.31, -54.61, 54.9

 

CMYK 90 / 30 / 0 / 40

HEX #0F6B99

RGB 15 107 153

HSL 200, 0.82%, 0.33%

LAB 42.64, -7.59, -31.93

 

CMYK 15 / 90 / 0 / 40

HEX #820F99

RGB 130 15 153

HSL 290, 0.82%, 0.33%

LAB 32.67, 61.16, -47.32

 

Description

Color code: RGB 152 62 15 | qconv.com Color code: RGB 152 62 15 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 62 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 62 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 90 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 90% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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