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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 60 169 it is the complementary color RGB 103 195 86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 60 169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 60 169 shade: RGB 157 60 164, RGB 174 78 183, RGB 191 96 202, RGB 208 114 221 and RGB 225 132 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 60 169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 60 169 shade: RGB 152 60 169, RGB 135 42 150, RGB 118 24 131, RGB 101 6 112 and RGB 84 0 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 60 169 shade: RGB 153 60 170, RGB 170 60 157, RGB 170 60 128, RGB 170 60 98 and RGB 170 60 68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 60 169 shade: RGB 153 60 170, RGB 123 60 170, RGB 93 60 170, RGB 64 60 170 and RGB 60 60 170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 60 169 shade matches the following richer shades: RGB 153 60 170, RGB 165 41 188, RGB 178 23 207 and RGB 191 4 226

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 60 169 shade: RGB 153 60 170, RGB 140 78 151, RGB 127 97 133, RGB 114 115 114 and RGB 102 134 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 60 169 shade: RGB 93 60 170, RGB 122 60 170, RGB 151 60 170, RGB 170 60 159 and RGB 170 60 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 60 169 shade: RGB 98 38 109, RGB 125 49 139, RGB 153 60 170, RGB 175 78 193 and RGB 189 108 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 60 169 shade: RGB 152 60 169, RGB 170 63 60 and RGB 60 170 107

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 60 169 shade: RGB 152 60 169, RGB 170 151 60 and RGB 60 170 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 60 169 shade: RGB 152 60 169, RGB 170 63 60, RGB 78 170 60 and RGB 60 166 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 60 169 shade: RGB 152 60 169, RGB 170 96 60, RGB 78 170 60 and RGB 60 133 170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 64 / 0 / 34

HEX #983CA9

RGB 152 60 169

HSL 290.64, 0.48%, 0.45%

LAB 42.42, 53.92, -41.14

 

Complementary color

CMYK 47 / 0 / 56 / 24

HEX #67C356

RGB 103 195 86

HSL 110.64, 0.48%, 0.55%

LAB 71.27, -48.35, 45.79

 

CMYK 4 / 63 / 0 / 36

HEX #9D3CA4

RGB 157 60 164

HSL 295.96, 0.46%, 0.44%

LAB 42.88, 54.21, -37.38

 

CMYK 5 / 57 / 0 / 28

HEX #AE4EB7

RGB 174 78 183

HSL 294.86, 0.42%, 0.51%

LAB 49.33, 53.94, -38.22

 

CMYK 5 / 52 / 0 / 21

HEX #BF60CA

RGB 191 96 202

HSL 293.77, 0.5%, 0.58%

LAB 55.79, 53.41, -38.85

 

CMYK 6 / 48 / 0 / 13

HEX #D072DD

RGB 208 114 221

HSL 292.71, 0.61%, 0.66%

LAB 62.22, 52.76, -39.33

 

CMYK 6 / 45 / 0 / 6

HEX #E184F0

RGB 225 132 240

HSL 291.67, 0.78%, 0.73%

LAB 68.61, 52.05, -39.73

 

CMYK 10 / 64 / 0 / 34

HEX #983CA9

RGB 152 60 169

HSL 290.64, 0.48%, 0.45%

LAB 42.42, 53.92, -41.14

 

CMYK 10 / 72 / 0 / 41

HEX #872A96

RGB 135 42 150

HSL 291.67, 0.56%, 0.38%

LAB 36, 53.79, -40.1

 

CMYK 10 / 82 / 0 / 49

HEX #761883

RGB 118 24 131

HSL 292.71, 0.69%, 0.3%

LAB 29.77, 52.8, -38.5

 

CMYK 10 / 95 / 0 / 56

HEX #650670

RGB 101 6 112

HSL 293.77, 0.9%, 0.23%

LAB 23.89, 50.39, -36.04

 

CMYK 10 / 100 / 0 / 64

HEX #54005D

RGB 84 0 93

HSL 294.19, 1%, 0.18%

LAB 18.69, 45.39, -32.12

 

CMYK 10 / 65 / 0 / 33

HEX #993CAA

RGB 153 60 170

HSL 290.73, 0.48%, 0.45%

LAB 42.62, 54.35, -41.4

 

CMYK 0 / 65 / 8 / 33

HEX #AA3C9D

RGB 170 60 157

HSL 307.09, 0.48%, 0.45%

LAB 44.54, 56.32, -30.46

 

CMYK 0 / 65 / 25 / 33

HEX #AA3C80

RGB 170 60 128

HSL 322.91, 0.48%, 0.45%

LAB 43.27, 51.96, -14.88

 

CMYK 0 / 65 / 42 / 33

HEX #AA3C62

RGB 170 60 98

HSL 339.27, 0.48%, 0.45%

LAB 42.25, 48.3, 2.13

 

CMYK 0 / 65 / 60 / 33

HEX #AA3C44

RGB 170 60 68

HSL 355.64, 0.48%, 0.45%

LAB 41.52, 45.61, 19.8

 

CMYK 10 / 65 / 0 / 33

HEX #993CAA

RGB 153 60 170

HSL 290.73, 0.48%, 0.45%

LAB 42.62, 54.35, -41.4

 

CMYK 28 / 65 / 0 / 33

HEX #7B3CAA

RGB 123 60 170

HSL 274.36, 0.48%, 0.45%

LAB 38.45, 47.22, -48.31

 

CMYK 45 / 65 / 0 / 33

HEX #5D3CAA

RGB 93 60 170

HSL 258, 0.48%, 0.45%

LAB 34.93, 40.63, -54.18

 

CMYK 62 / 65 / 0 / 33

HEX #403CAA

RGB 64 60 170

HSL 242.18, 0.48%, 0.45%

LAB 32.31, 35.32, -58.55

 

CMYK 65 / 65 / 0 / 33

HEX #3C3CAA

RGB 60 60 170

HSL 240, 0.48%, 0.45%

LAB 32.02, 34.7, -59.04

 

CMYK 10 / 65 / 0 / 33

HEX #993CAA

RGB 153 60 170

HSL 290.73, 0.48%, 0.45%

LAB 42.62, 54.35, -41.4

 

CMYK 12 / 78 / 0 / 26

HEX #A529BC

RGB 165 41 188

HSL 290.61, 0.64%, 0.45%

LAB 43.09, 67.32, -51.17

 

CMYK 14 / 89 / 0 / 19

HEX #B217CF

RGB 178 23 207

HSL 290.54, 0.8%, 0.45%

LAB 45.06, 76.99, -58.94

 

CMYK 15 / 98 / 0 / 11

HEX #BF04E2

RGB 191 4 226

HSL 290.54, 0.97%, 0.45%

LAB 47.82, 84.16, -65.25

 

CMYK 10 / 65 / 0 / 33

HEX #993CAA

RGB 153 60 170

HSL 290.73, 0.48%, 0.45%

LAB 42.62, 54.35, -41.4

 

CMYK 7 / 48 / 0 / 41

HEX #8C4E97

RGB 140 78 151

HSL 290.96, 0.32%, 0.45%

LAB 43.15, 38.04, -29.35

 

CMYK 5 / 27 / 0 / 48

HEX #7F6185

RGB 127 97 133

HSL 290, 0.16%, 0.45%

LAB 45.3, 18.94, -15.34

 

CMYK 1 / 0 / 1 / 55

HEX #727372

RGB 114 115 114

HSL 120, 0%, 0.45%

LAB 48.33, -0.58, 0.41

 

CMYK 24 / 0 / 28 / 47

HEX #668660

RGB 102 134 96

HSL 110.53, 0.17%, 0.45%

LAB 52.64, -19.12, 16.88

 

CMYK 45 / 65 / 0 / 33

HEX #5D3CAA

RGB 93 60 170

HSL 258, 0.48%, 0.45%

LAB 34.93, 40.63, -54.18

 

CMYK 28 / 65 / 0 / 33

HEX #7A3CAA

RGB 122 60 170

HSL 273.82, 0.48%, 0.45%

LAB 38.33, 46.98, -48.52

 

CMYK 11 / 65 / 0 / 33

HEX #973CAA

RGB 151 60 170

HSL 289.64, 0.48%, 0.45%

LAB 42.33, 53.87, -41.89

 

CMYK 0 / 65 / 6 / 33

HEX #AA3C9F

RGB 170 60 159

HSL 306, 0.48%, 0.45%

LAB 44.63, 56.65, -31.5

 

CMYK 0 / 65 / 24 / 33

HEX #AA3C81

RGB 170 60 129

HSL 322.36, 0.48%, 0.45%

LAB 43.3, 52.09, -15.43

 

CMYK 10 / 65 / 0 / 57

HEX #62266D

RGB 98 38 109

HSL 290.7, 0.48%, 0.29%

LAB 26.98, 38.25, -29.19

 

CMYK 10 / 65 / 0 / 45

HEX #7D318B

RGB 125 49 139

HSL 290.67, 0.48%, 0.37%

LAB 34.84, 46.25, -35.3

 

CMYK 10 / 65 / 0 / 33

HEX #993CAA

RGB 153 60 170

HSL 290.73, 0.48%, 0.45%

LAB 42.62, 54.35, -41.4

 

CMYK 9 / 60 / 0 / 24

HEX #AF4EC1

RGB 175 78 193

HSL 290.61, 0.48%, 0.53%

LAB 49.99, 56.09, -42.97

 

CMYK 7 / 47 / 0 / 20

HEX #BD6CCC

RGB 189 108 204

HSL 290.63, 0.48%, 0.61%

LAB 57.95, 47.17, -36.63

 

CMYK 10 / 64 / 0 / 34

HEX #983CA9

RGB 152 60 169

HSL 290.64, 0.48%, 0.45%

LAB 42.42, 53.92, -41.14

 

CMYK 0 / 63 / 65 / 33

HEX #AA3F3C

RGB 170 63 60

HSL 1.64, 0.48%, 0.45%

LAB 41.89, 43.71, 25.15

 

CMYK 65 / 0 / 37 / 33

HEX #3CAA6B

RGB 60 170 107

HSL 145.64, 0.48%, 0.45%

LAB 62.31, -45.76, 23.55

 

CMYK 10 / 64 / 0 / 34

HEX #983CA9

RGB 152 60 169

HSL 290.64, 0.48%, 0.45%

LAB 42.42, 53.92, -41.14

 

CMYK 0 / 11 / 65 / 33

HEX #AA973C

RGB 170 151 60

HSL 49.64, 0.48%, 0.45%

LAB 62.51, -3.91, 49.03

 

CMYK 65 / 0 / 11 / 33

HEX #3CAA97

RGB 60 170 151

HSL 169.64, 0.48%, 0.45%

LAB 63.3, -35.62, 0.64

 

CMYK 10 / 64 / 0 / 34

HEX #983CA9

RGB 152 60 169

HSL 290.64, 0.48%, 0.45%

LAB 42.42, 53.92, -41.14

 

CMYK 0 / 63 / 65 / 33

HEX #AA3F3C

RGB 170 63 60

HSL 1.64, 0.48%, 0.45%

LAB 41.89, 43.71, 25.15

 

CMYK 54 / 0 / 65 / 33

HEX #4EAA3C

RGB 78 170 60

HSL 110.18, 0.48%, 0.45%

LAB 62.25, -48.4, 47.04

 

CMYK 65 / 2 / 0 / 33

HEX #3CA6AA

RGB 60 166 170

HSL 182.18, 0.48%, 0.45%

LAB 62.62, -28.42, -11

 

CMYK 10 / 64 / 0 / 34

HEX #983CA9

RGB 152 60 169

HSL 290.64, 0.48%, 0.45%

LAB 42.42, 53.92, -41.14

 

CMYK 0 / 44 / 65 / 33

HEX #AA603C

RGB 170 96 60

HSL 19.64, 0.48%, 0.45%

LAB 48.56, 26.74, 33.28

 

CMYK 54 / 0 / 65 / 33

HEX #4EAA3C

RGB 78 170 60

HSL 110.18, 0.48%, 0.45%

LAB 62.25, -48.4, 47.04

 

CMYK 65 / 22 / 0 / 33

HEX #3C85AA

RGB 60 133 170

HSL 200.18, 0.48%, 0.45%

LAB 52.55, -10.99, -26.34

 

Description

Color code: RGB 152 60 169 | qconv.com Color code: RGB 152 60 169 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 60 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 60 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 64 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 64% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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