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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 53 189 it is the complementary color RGB 103 202 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 53 189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 53 189 shade: RGB 157 53 184, RGB 174 71 203, RGB 191 89 222, RGB 208 107 241 and RGB 225 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 53 189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 53 189 shade: RGB 152 53 189, RGB 135 35 170, RGB 118 17 151, RGB 101 0 132 and RGB 84 0 113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 53 189 shade: RGB 150 53 187, RGB 187 53 187, RGB 187 53 151, RGB 187 53 115 and RGB 187 53 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 53 189 shade: RGB 150 53 187, RGB 114 53 187, RGB 78 53 187 and RGB 53 53 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 53 189 shade matches the following richer shades: RGB 150 53 187, RGB 159 33 206 and RGB 168 14 226

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 53 189 shade: RGB 150 53 187, RGB 142 72 168, RGB 133 92 148, RGB 124 111 129 and RGB 115 130 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 53 189 shade: RGB 77 53 187, RGB 113 53 187, RGB 149 53 187, RGB 185 53 187 and RGB 187 53 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 53 189 shade: RGB 99 35 123, RGB 125 44 155, RGB 150 53 187, RGB 170 76 205 and RGB 185 109 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 53 189 shade: RGB 152 53 189, RGB 187 53 64 and RGB 53 187 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 53 189 shade: RGB 152 53 189, RGB 187 149 53 and RGB 53 187 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 53 189 shade: RGB 152 53 189, RGB 187 53 64, RGB 91 187 53 and RGB 53 187 176

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 53 189 shade: RGB 152 53 189, RGB 187 82 53, RGB 91 187 53 and RGB 53 158 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 72 / 0 / 26

HEX #9835BD

RGB 152 53 189

HSL 283.68, 0.56%, 0.47%

LAB 42.61, 60.8, -52.64

 

Complementary color

CMYK 49 / 0 / 67 / 21

HEX #67CA42

RGB 103 202 66

HSL 103.68, 0.56%, 0.53%

LAB 73.23, -53.13, 56.7

 

CMYK 15 / 71 / 0 / 28

HEX #9D35B8

RGB 157 53 184

HSL 287.63, 0.55%, 0.46%

LAB 43.03, 60.86, -48.99

 

CMYK 14 / 65 / 0 / 20

HEX #AE47CB

RGB 174 71 203

HSL 286.82, 0.56%, 0.54%

LAB 49.27, 60.92, -49.89

 

CMYK 14 / 60 / 0 / 13

HEX #BF59DE

RGB 191 89 222

HSL 286.02, 0.67%, 0.61%

LAB 55.58, 60.6, -50.53

 

CMYK 14 / 56 / 0 / 5

HEX #D06BF1

RGB 208 107 241

HSL 285.22, 0.83%, 0.68%

LAB 61.89, 60.06, -50.99

 

CMYK 12 / 51 / 0 / 0

HEX #E17DFF

RGB 225 125 255

HSL 286.15, 1%, 0.75%

LAB 67.94, 58.43, -48.99

 

CMYK 20 / 72 / 0 / 26

HEX #9835BD

RGB 152 53 189

HSL 283.68, 0.56%, 0.47%

LAB 42.61, 60.8, -52.64

 

CMYK 21 / 79 / 0 / 33

HEX #8723AA

RGB 135 35 170

HSL 284.44, 0.66%, 0.4%

LAB 36.47, 60.15, -51.42

 

CMYK 22 / 89 / 0 / 41

HEX #761197

RGB 118 17 151

HSL 285.22, 0.8%, 0.33%

LAB 30.61, 58.41, -49.54

 

CMYK 23 / 100 / 0 / 48

HEX #650084

RGB 101 0 132

HSL 285.91, 1%, 0.26%

LAB 25.05, 55.35, -46.9

 

CMYK 26 / 100 / 0 / 56

HEX #540071

RGB 84 0 113

HSL 284.6, 1%, 0.22%

LAB 20.35, 49.21, -42.57

 

CMYK 20 / 72 / 0 / 27

HEX #9635BB

RGB 150 53 187

HSL 283.43, 0.56%, 0.47%

LAB 42.18, 59.98, -52.16

 

CMYK 0 / 72 / 0 / 27

HEX #BB35BB

RGB 187 53 187

HSL 300, 0.56%, 0.47%

LAB 47.88, 67.86, -42.73

 

CMYK 0 / 72 / 19 / 27

HEX #BB3597

RGB 187 53 151

HSL 316.12, 0.56%, 0.47%

LAB 46.1, 62.42, -24.21

 

CMYK 0 / 72 / 39 / 27

HEX #BB3573

RGB 187 53 115

HSL 332.24, 0.56%, 0.47%

LAB 44.73, 58, -4.4

 

CMYK 0 / 72 / 58 / 27

HEX #BB354F

RGB 187 53 79

HSL 348.36, 0.56%, 0.47%

LAB 43.76, 54.78, 16.52

 

CMYK 20 / 72 / 0 / 27

HEX #9635BB

RGB 150 53 187

HSL 283.43, 0.56%, 0.47%

LAB 42.18, 59.98, -52.16

 

CMYK 39 / 72 / 0 / 27

HEX #7235BB

RGB 114 53 187

HSL 267.31, 0.56%, 0.47%

LAB 37.32, 52.89, -60.27

 

CMYK 58 / 72 / 0 / 27

HEX #4E35BB

RGB 78 53 187

HSL 251.19, 0.56%, 0.47%

LAB 33.46, 46.92, -66.72

 

CMYK 72 / 72 / 0 / 27

HEX #3535BB

RGB 53 53 187

HSL 240, 0.56%, 0.47%

LAB 31.56, 43.81, -69.93

 

CMYK 20 / 72 / 0 / 27

HEX #9635BB

RGB 150 53 187

HSL 283.43, 0.56%, 0.47%

LAB 42.18, 59.98, -52.16

 

CMYK 23 / 84 / 0 / 19

HEX #9F21CE

RGB 159 33 206

HSL 283.7, 0.72%, 0.47%

LAB 42.63, 71.77, -62.43

 

CMYK 26 / 94 / 0 / 11

HEX #A80EE2

RGB 168 14 226

HSL 283.58, 0.88%, 0.47%

LAB 44.42, 80.13, -70.95

 

CMYK 20 / 72 / 0 / 27

HEX #9635BB

RGB 150 53 187

HSL 283.43, 0.56%, 0.47%

LAB 42.18, 59.98, -52.16

 

CMYK 15 / 57 / 0 / 34

HEX #8E48A8

RGB 142 72 168

HSL 283.75, 0.4%, 0.47%

LAB 43.08, 45.39, -39.58

 

CMYK 10 / 38 / 0 / 42

HEX #855C94

RGB 133 92 148

HSL 283.93, 0.23%, 0.47%

LAB 45.33, 27.2, -24.22

 

CMYK 4 / 14 / 0 / 49

HEX #7C6F81

RGB 124 111 129

HSL 283.33, 0.08%, 0.47%

LAB 48.56, 8.64, -8.06

 

CMYK 12 / 0 / 16 / 49

HEX #73826D

RGB 115 130 109

HSL 102.86, 0.09%, 0.47%

LAB 52.64, -9.71, 9.54

 

CMYK 59 / 72 / 0 / 27

HEX #4D35BB

RGB 77 53 187

HSL 250.75, 0.56%, 0.47%

LAB 33.38, 46.78, -66.87

 

CMYK 40 / 72 / 0 / 27

HEX #7135BB

RGB 113 53 187

HSL 266.87, 0.56%, 0.47%

LAB 37.2, 52.71, -60.47

 

CMYK 20 / 72 / 0 / 27

HEX #9535BB

RGB 149 53 187

HSL 282.99, 0.56%, 0.47%

LAB 42.04, 59.77, -52.4

 

CMYK 1 / 72 / 0 / 27

HEX #B935BB

RGB 185 53 187

HSL 299.1, 0.56%, 0.47%

LAB 47.56, 67.42, -43.26

 

CMYK 0 / 72 / 18 / 27

HEX #BB3599

RGB 187 53 153

HSL 315.22, 0.56%, 0.47%

LAB 46.19, 62.7, -25.27

 

CMYK 20 / 72 / 0 / 52

HEX #63237B

RGB 99 35 123

HSL 283.64, 0.56%, 0.31%

LAB 27.53, 42.95, -37.23

 

CMYK 19 / 72 / 0 / 39

HEX #7D2C9B

RGB 125 44 155

HSL 283.78, 0.56%, 0.39%

LAB 35.06, 51.76, -44.73

 

CMYK 20 / 72 / 0 / 27

HEX #9635BB

RGB 150 53 187

HSL 283.43, 0.56%, 0.47%

LAB 42.18, 59.98, -52.16

 

CMYK 17 / 63 / 0 / 20

HEX #AA4CCD

RGB 170 76 205

HSL 283.72, 0.56%, 0.55%

LAB 49.64, 58.17, -50.48

 

CMYK 14 / 49 / 0 / 16

HEX #B96DD6

RGB 185 109 214

HSL 283.43, 0.56%, 0.63%

LAB 58.14, 47.53, -42.01

 

CMYK 20 / 72 / 0 / 26

HEX #9835BD

RGB 152 53 189

HSL 283.68, 0.56%, 0.47%

LAB 42.61, 60.8, -52.64

 

CMYK 0 / 72 / 66 / 27

HEX #BB3540

RGB 187 53 64

HSL 355.07, 0.56%, 0.47%

LAB 43.48, 53.8, 25.37

 

CMYK 72 / 0 / 49 / 27

HEX #35BB5F

RGB 53 187 95

HSL 138.81, 0.56%, 0.47%

LAB 67.37, -55.63, 36.32

 

CMYK 20 / 72 / 0 / 26

HEX #9835BD

RGB 152 53 189

HSL 283.68, 0.56%, 0.47%

LAB 42.61, 60.8, -52.64

 

CMYK 0 / 20 / 72 / 27

HEX #BB9535

RGB 187 149 53

HSL 42.99, 0.56%, 0.47%

LAB 63.6, 4.29, 53.74

 

CMYK 72 / 0 / 20 / 27

HEX #35BB95

RGB 53 187 149

HSL 162.99, 0.56%, 0.47%

LAB 68.36, -44.72, 9.03

 

CMYK 20 / 72 / 0 / 26

HEX #9835BD

RGB 152 53 189

HSL 283.68, 0.56%, 0.47%

LAB 42.61, 60.8, -52.64

 

CMYK 0 / 72 / 66 / 27

HEX #BB3540

RGB 187 53 64

HSL 355.07, 0.56%, 0.47%

LAB 43.48, 53.8, 25.37

 

CMYK 51 / 0 / 72 / 27

HEX #5BBB35

RGB 91 187 53

HSL 102.99, 0.56%, 0.47%

LAB 68.04, -51.89, 56.16

 

CMYK 72 / 0 / 6 / 27

HEX #35BBB0

RGB 53 187 176

HSL 175.07, 0.56%, 0.47%

LAB 69.06, -37.66, -4.77

 

CMYK 20 / 72 / 0 / 26

HEX #9835BD

RGB 152 53 189

HSL 283.68, 0.56%, 0.47%

LAB 42.61, 60.8, -52.64

 

CMYK 0 / 56 / 72 / 27

HEX #BB5235

RGB 187 82 53

HSL 12.99, 0.56%, 0.47%

LAB 48.08, 40.5, 37.23

 

CMYK 51 / 0 / 72 / 27

HEX #5BBB35

RGB 91 187 53

HSL 102.99, 0.56%, 0.47%

LAB 68.04, -51.89, 56.16

 

CMYK 72 / 16 / 0 / 27

HEX #359EBB

RGB 53 158 187

HSL 192.99, 0.56%, 0.47%

LAB 60.6, -20.13, -23.63

 

Description

Color code: RGB 152 53 189 | qconv.com Color code: RGB 152 53 189 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 53 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 53 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 72 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 72% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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