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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 239 6 it is the complementary color RGB 103 16 249. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 239 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 239 6 shade: RGB 157 239 1, RGB 174 255 20, RGB 191 255 39, RGB 208 255 58 and RGB 225 255 77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 239 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 239 6 shade: RGB 152 239 6, RGB 135 221 0, RGB 118 203 0, RGB 101 185 0 and RGB 84 167 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 239 6 shade: RGB 151 238 6, RGB 214 238 6, RGB 238 200 6, RGB 238 137 6 and RGB 238 74 6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 239 6 shade: RGB 151 238 6, RGB 89 238 6, RGB 26 238 6, RGB 6 238 48 and RGB 6 238 111

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 239 6 shade matches the following richer shades: RGB 151 238 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 239 6 shade: RGB 151 238 6, RGB 146 218 25, RGB 141 199 45, RGB 136 179 65 and RGB 131 159 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 239 6 shade: RGB 238 199 6, RGB 215 238 6, RGB 153 238 6, RGB 91 238 6 and RGB 29 238 6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 239 6 shade: RGB 100 158 4, RGB 126 198 5, RGB 151 238 6, RGB 169 249 36 and RGB 185 250 76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 239 6 shade: RGB 152 239 6, RGB 6 238 137 and RGB 230 6 238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 239 6 shade: RGB 152 239 6, RGB 6 153 238 and RGB 238 6 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 239 6 shade: RGB 152 239 6, RGB 6 238 137, RGB 91 6 238 and RGB 238 6 106

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 239 6 shade: RGB 152 239 6, RGB 6 238 207, RGB 91 6 238 and RGB 238 6 37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 97 / 6

HEX #98EF06

RGB 152 239 6

HSL 82.4, 0.95%, 0.48%

LAB 86.22, -54.25, 82.9

 

Complementary color

CMYK 59 / 94 / 0 / 2

HEX #6710F9

RGB 103 16 249

HSL 262.4, 0.95%, 0.52%

LAB 38.01, 78.22, -94.83

 

CMYK 34 / 0 / 100 / 6

HEX #9DEF01

RGB 157 239 1

HSL 80.67, 0.99%, 0.47%

LAB 86.46, -52.57, 83.59

 

CMYK 32 / 0 / 92 / 0

HEX #AEFF14

RGB 174 255 20

HSL 80.68, 1%, 0.54%

LAB 91.94, -52.83, 86.62

 

CMYK 25 / 0 / 85 / 0

HEX #BFFF27

RGB 191 255 39

HSL 77.78, 1%, 0.58%

LAB 92.9, -46.25, 84.8

 

CMYK 18 / 0 / 77 / 0

HEX #D0FF3A

RGB 208 255 58

HSL 74.31, 1%, 0.61%

LAB 93.98, -39.19, 81.6

 

CMYK 12 / 0 / 70 / 0

HEX #E1FF4D

RGB 225 255 77

HSL 70.11, 1%, 0.65%

LAB 95.19, -31.73, 77.21

 

CMYK 36 / 0 / 97 / 6

HEX #98EF06

RGB 152 239 6

HSL 82.4, 0.95%, 0.48%

LAB 86.22, -54.25, 82.9

 

CMYK 39 / 0 / 100 / 13

HEX #87DD00

RGB 135 221 0

HSL 83.35, 1%, 0.43%

LAB 80.1, -52.98, 78.3

 

CMYK 42 / 0 / 100 / 20

HEX #76CB00

RGB 118 203 0

HSL 85.12, 1%, 0.4%

LAB 73.91, -51.6, 73.15

 

CMYK 45 / 0 / 100 / 27

HEX #65B900

RGB 101 185 0

HSL 87.24, 1%, 0.36%

LAB 67.62, -50.16, 67.93

 

CMYK 50 / 0 / 100 / 35

HEX #54A700

RGB 84 167 0

HSL 89.82, 1%, 0.33%

LAB 61.24, -48.62, 62.63

 

CMYK 37 / 0 / 97 / 7

HEX #97EE06

RGB 151 238 6

HSL 82.5, 0.95%, 0.48%

LAB 85.88, -54.19, 82.61

 

CMYK 10 / 0 / 97 / 7

HEX #D6EE06

RGB 214 238 6

HSL 66.21, 0.95%, 0.48%

LAB 89.61, -30.28, 87.1

 

CMYK 0 / 16 / 97 / 7

HEX #EEC806

RGB 238 200 6

HSL 50.17, 0.95%, 0.48%

LAB 81.57, -1.5, 82.05

 

CMYK 0 / 42 / 97 / 7

HEX #EE8906

RGB 238 137 6

HSL 33.88, 0.95%, 0.48%

LAB 66.58, 31.53, 71.71

 

CMYK 0 / 69 / 97 / 7

HEX #EE4A06

RGB 238 74 6

HSL 17.59, 0.95%, 0.48%

LAB 55.16, 60.77, 64.81

 

CMYK 37 / 0 / 97 / 7

HEX #97EE06

RGB 151 238 6

HSL 82.5, 0.95%, 0.48%

LAB 85.88, -54.19, 82.61

 

CMYK 63 / 0 / 97 / 7

HEX #59EE06

RGB 89 238 6

HSL 98.53, 0.95%, 0.48%

LAB 83.59, -71.83, 79.83

 

CMYK 89 / 0 / 97 / 7

HEX #1AEE06

RGB 26 238 6

HSL 114.83, 0.95%, 0.48%

LAB 82.58, -80.63, 78.59

 

CMYK 97 / 0 / 80 / 7

HEX #06EE30

RGB 6 238 48

HSL 130.86, 0.95%, 0.48%

LAB 82.59, -80.12, 71.5

 

CMYK 97 / 0 / 53 / 7

HEX #06EE6F

RGB 6 238 111

HSL 147.16, 0.95%, 0.48%

LAB 83.09, -73.86, 47.88

 

CMYK 37 / 0 / 97 / 7

HEX #97EE06

RGB 151 238 6

HSL 82.5, 0.95%, 0.48%

LAB 85.88, -54.19, 82.61

 

CMYK 37 / 0 / 97 / 7

HEX #97EE06

RGB 151 238 6

HSL 82.5, 0.95%, 0.48%

LAB 85.88, -54.19, 82.61

 

CMYK 33 / 0 / 89 / 15

HEX #92DA19

RGB 146 218 25

HSL 82.38, 0.79%, 0.48%

LAB 79.8, -47.51, 75.43

 

CMYK 29 / 0 / 77 / 22

HEX #8DC72D

RGB 141 199 45

HSL 82.6, 0.63%, 0.48%

LAB 74, -40.51, 65.49

 

CMYK 24 / 0 / 64 / 30

HEX #88B341

RGB 136 179 65

HSL 82.63, 0.47%, 0.48%

LAB 67.91, -32.1, 51.89

 

CMYK 18 / 0 / 47 / 38

HEX #839F55

RGB 131 159 85

HSL 82.7, 0.3%, 0.48%

LAB 61.89, -22.38, 35.3

 

CMYK 0 / 16 / 97 / 7

HEX #EEC706

RGB 238 199 6

HSL 49.91, 0.95%, 0.48%

LAB 81.31, -0.99, 81.87

 

CMYK 10 / 0 / 97 / 7

HEX #D7EE06

RGB 215 238 6

HSL 65.95, 0.95%, 0.48%

LAB 89.68, -29.87, 87.18

 

CMYK 36 / 0 / 97 / 7

HEX #99EE06

RGB 153 238 6

HSL 81.98, 0.95%, 0.48%

LAB 85.97, -53.5, 82.73

 

CMYK 62 / 0 / 97 / 7

HEX #5BEE06

RGB 91 238 6

HSL 98.02, 0.95%, 0.48%

LAB 83.65, -71.39, 79.89

 

CMYK 88 / 0 / 97 / 7

HEX #1DEE06

RGB 29 238 6

HSL 114.05, 0.95%, 0.48%

LAB 82.61, -80.43, 78.62

 

CMYK 37 / 0 / 97 / 38

HEX #649E04

RGB 100 158 4

HSL 82.6, 0.95%, 0.32%

LAB 59.13, -39.38, 60.72

 

CMYK 36 / 0 / 97 / 22

HEX #7EC605

RGB 126 198 5

HSL 82.38, 0.95%, 0.4%

LAB 72.78, -46.75, 71.91

 

CMYK 37 / 0 / 97 / 7

HEX #97EE06

RGB 151 238 6

HSL 82.5, 0.95%, 0.48%

LAB 85.88, -54.19, 82.61

 

CMYK 32 / 0 / 86 / 2

HEX #A9F924

RGB 169 249 36

HSL 82.54, 0.95%, 0.56%

LAB 90, -51.8, 82.46

 

CMYK 26 / 0 / 70 / 2

HEX #B9FA4C

RGB 185 250 76

HSL 82.41, 0.95%, 0.64%

LAB 91.33, -44.71, 72.89

 

CMYK 36 / 0 / 97 / 6

HEX #98EF06

RGB 152 239 6

HSL 82.4, 0.95%, 0.48%

LAB 86.22, -54.25, 82.9

 

CMYK 97 / 0 / 42 / 7

HEX #06EE89

RGB 6 238 137

HSL 153.88, 0.95%, 0.48%

LAB 83.44, -69.67, 35.8

 

CMYK 3 / 97 / 0 / 7

HEX #E606EE

RGB 230 6 238

HSL 297.93, 0.95%, 0.48%

LAB 55.2, 91.63, -59.8

 

CMYK 36 / 0 / 97 / 6

HEX #98EF06

RGB 152 239 6

HSL 82.4, 0.95%, 0.48%

LAB 86.22, -54.25, 82.9

 

CMYK 97 / 36 / 0 / 7

HEX #0699EE

RGB 6 153 238

HSL 201.98, 0.95%, 0.48%

LAB 60.78, -2.66, -51.83

 

CMYK 0 / 97 / 36 / 7

HEX #EE0699

RGB 238 6 153

HSL 321.98, 0.95%, 0.48%

LAB 52.52, 82.69, -14.77

 

CMYK 36 / 0 / 97 / 6

HEX #98EF06

RGB 152 239 6

HSL 82.4, 0.95%, 0.48%

LAB 86.22, -54.25, 82.9

 

CMYK 97 / 0 / 42 / 7

HEX #06EE89

RGB 6 238 137

HSL 153.88, 0.95%, 0.48%

LAB 83.44, -69.67, 35.8

 

CMYK 62 / 97 / 0 / 7

HEX #5B06EE

RGB 91 6 238

HSL 261.98, 0.95%, 0.48%

LAB 35.06, 76.38, -93.55

 

CMYK 0 / 97 / 55 / 7

HEX #EE066A

RGB 238 6 106

HSL 334.14, 0.95%, 0.48%

LAB 51.09, 78.92, 11.54

 

CMYK 36 / 0 / 97 / 6

HEX #98EF06

RGB 152 239 6

HSL 82.4, 0.95%, 0.48%

LAB 86.22, -54.25, 82.9

 

CMYK 97 / 0 / 13 / 7

HEX #06EECF

RGB 6 238 207

HSL 171.98, 0.95%, 0.48%

LAB 84.84, -54.08, 1.66

 

CMYK 62 / 97 / 0 / 7

HEX #5B06EE

RGB 91 6 238

HSL 261.98, 0.95%, 0.48%

LAB 35.06, 76.38, -93.55

 

CMYK 0 / 97 / 84 / 7

HEX #EE0625

RGB 238 6 37

HSL 351.98, 0.95%, 0.48%

LAB 50.03, 76.02, 50.67

 

Description

Color code: RGB 152 239 6 | qconv.com Color code: RGB 152 239 6 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 239 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 239 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 97 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 97% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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