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Color name
RGB 152 194 105

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 194 105 it is the complementary color RGB 103 61 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 194 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 194 105 shade: RGB 157 194 100, RGB 174 212 119, RGB 191 230 138, RGB 208 248 157 and RGB 225 255 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 194 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 194 105 shade: RGB 152 194 105, RGB 135 176 86, RGB 118 158 67, RGB 101 140 48 and RGB 84 122 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 194 105 shade: RGB 153 194 107, RGB 177 194 107, RGB 194 188 107, RGB 194 165 107 and RGB 194 141 107

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 194 105 shade: RGB 153 194 107, RGB 129 194 107, RGB 107 194 108, RGB 107 194 131 and RGB 107 194 155

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 194 105 shade matches the following richer shades: RGB 153 194 107, RGB 154 211 90, RGB 155 228 73 and RGB 156 245 56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 194 105 shade: RGB 153 194 107, RGB 152 177 123, RGB 151 161 140, RGB 150 144 157 and RGB 149 127 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 194 105 shade: RGB 194 189 107, RGB 177 194 107, RGB 153 194 107, RGB 130 194 107 and RGB 107 194 107

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 194 105 shade: RGB 112 155 63, RGB 133 182 77, RGB 153 194 107, RGB 173 206 136 and RGB 193 218 165

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 194 105 shade: RGB 152 194 105, RGB 107 194 165 and RGB 194 107 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 194 105 shade: RGB 152 194 105, RGB 107 153 194 and RGB 194 107 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 194 105 shade: RGB 152 194 105, RGB 107 194 165, RGB 148 107 194 and RGB 194 107 136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 194 105 shade: RGB 152 194 105, RGB 107 194 191, RGB 148 107 194 and RGB 194 107 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 46 / 24

HEX #98C269

RGB 152 194 105

HSL 88.31, 0.42%, 0.59%

LAB 73.73, -29.08, 40.14

 

Complementary color

CMYK 31 / 59 / 0 / 41

HEX #673D96

RGB 103 61 150

HSL 268.31, 0.42%, 0.41%

LAB 34.85, 36.89, -42.19

 

CMYK 19 / 0 / 48 / 24

HEX #9DC264

RGB 157 194 100

HSL 83.62, 0.44%, 0.58%

LAB 73.98, -27.77, 43

 

CMYK 18 / 0 / 44 / 17

HEX #AED477

RGB 174 212 119

HSL 84.52, 0.52%, 0.65%

LAB 80.41, -27.83, 41.84

 

CMYK 17 / 0 / 40 / 10

HEX #BFE68A

RGB 191 230 138

HSL 85.43, 0.65%, 0.72%

LAB 86.75, -27.84, 40.69

 

CMYK 16 / 0 / 37 / 3

HEX #D0F89D

RGB 208 248 157

HSL 86.37, 0.87%, 0.79%

LAB 93.01, -27.84, 39.57

 

CMYK 12 / 0 / 31 / 0

HEX #E1FFB0

RGB 225 255 176

HSL 82.78, 1%, 0.85%

LAB 96.27, -22.61, 34.64

 

CMYK 22 / 0 / 46 / 24

HEX #98C269

RGB 152 194 105

HSL 88.31, 0.42%, 0.59%

LAB 73.73, -29.08, 40.14

 

CMYK 23 / 0 / 51 / 31

HEX #87B056

RGB 135 176 86

HSL 87.33, 0.36%, 0.51%

LAB 67.18, -29.06, 41.31

 

CMYK 25 / 0 / 58 / 38

HEX #769E43

RGB 118 158 67

HSL 86.37, 0.4%, 0.44%

LAB 60.53, -28.97, 42.43

 

CMYK 28 / 0 / 66 / 45

HEX #658C30

RGB 101 140 48

HSL 85.43, 0.49%, 0.37%

LAB 53.75, -28.77, 43.36

 

CMYK 31 / 0 / 76 / 52

HEX #547A1D

RGB 84 122 29

HSL 84.52, 0.62%, 0.3%

LAB 46.83, -28.38, 43.79

 

CMYK 21 / 0 / 45 / 24

HEX #99C26B

RGB 153 194 107

HSL 88.28, 0.42%, 0.59%

LAB 73.82, -28.47, 39.26

 

CMYK 9 / 0 / 45 / 24

HEX #B1C26B

RGB 177 194 107

HSL 71.72, 0.42%, 0.59%

LAB 75.45, -19.23, 41.65

 

CMYK 0 / 3 / 45 / 24

HEX #C2BC6B

RGB 194 188 107

HSL 55.86, 0.42%, 0.59%

LAB 75.14, -9.34, 41.56

 

CMYK 0 / 15 / 45 / 24

HEX #C2A56B

RGB 194 165 107

HSL 40, 0.42%, 0.59%

LAB 69.07, 2.81, 33.94

 

CMYK 0 / 27 / 45 / 24

HEX #C28D6B

RGB 194 141 107

HSL 23.45, 0.42%, 0.59%

LAB 62.99, 15.92, 26.04

 

CMYK 21 / 0 / 45 / 24

HEX #99C26B

RGB 153 194 107

HSL 88.28, 0.42%, 0.59%

LAB 73.82, -28.47, 39.26

 

CMYK 34 / 0 / 45 / 24

HEX #81C26B

RGB 129 194 107

HSL 104.83, 0.42%, 0.59%

LAB 72.44, -37.02, 37.24

 

CMYK 45 / 0 / 44 / 24

HEX #6BC26C

RGB 107 194 108

HSL 120.69, 0.42%, 0.59%

LAB 71.41, -43.84, 35.22

 

CMYK 45 / 0 / 32 / 24

HEX #6BC283

RGB 107 194 131

HSL 136.55, 0.42%, 0.59%

LAB 71.79, -40.06, 23.75

 

CMYK 45 / 0 / 20 / 24

HEX #6BC29B

RGB 107 194 155

HSL 153.1, 0.42%, 0.59%

LAB 72.28, -35.34, 11.56

 

CMYK 21 / 0 / 45 / 24

HEX #99C26B

RGB 153 194 107

HSL 88.28, 0.42%, 0.59%

LAB 73.82, -28.47, 39.26

 

CMYK 27 / 0 / 57 / 17

HEX #9AD35A

RGB 154 211 90

HSL 88.26, 0.58%, 0.59%

LAB 78.58, -37.81, 53.08

 

CMYK 32 / 0 / 68 / 11

HEX #9BE449

RGB 155 228 73

HSL 88.26, 0.74%, 0.59%

LAB 83.41, -46.25, 65.39

 

CMYK 36 / 0 / 77 / 4

HEX #9CF538

RGB 156 245 56

HSL 88.25, 0.9%, 0.59%

LAB 88.28, -53.9, 75.86

 

CMYK 21 / 0 / 45 / 24

HEX #99C26B

RGB 153 194 107

HSL 88.28, 0.42%, 0.59%

LAB 73.82, -28.47, 39.26

 

CMYK 14 / 0 / 31 / 31

HEX #98B17B

RGB 152 177 123

HSL 87.78, 0.26%, 0.59%

LAB 69.15, -18.29, 24.87

 

CMYK 6 / 0 / 13 / 37

HEX #97A18C

RGB 151 161 140

HSL 88.57, 0.1%, 0.59%

LAB 64.93, -7.51, 9.73

 

CMYK 4 / 8 / 0 / 38

HEX #96909D

RGB 150 144 157

HSL 267.69, 0.06%, 0.59%

LAB 60.66, 4.76, -6.07

 

CMYK 14 / 27 / 0 / 32

HEX #957FAE

RGB 149 127 174

HSL 268.09, 0.22%, 0.59%

LAB 56.71, 17.8, -21.76

 

CMYK 0 / 3 / 45 / 24

HEX #C2BD6B

RGB 194 189 107

HSL 56.55, 0.42%, 0.59%

LAB 75.41, -9.86, 41.89

 

CMYK 9 / 0 / 45 / 24

HEX #B1C26B

RGB 177 194 107

HSL 71.72, 0.42%, 0.59%

LAB 75.45, -19.23, 41.65

 

CMYK 21 / 0 / 45 / 24

HEX #99C26B

RGB 153 194 107

HSL 88.28, 0.42%, 0.59%

LAB 73.82, -28.47, 39.26

 

CMYK 33 / 0 / 45 / 24

HEX #82C26B

RGB 130 194 107

HSL 104.14, 0.42%, 0.59%

LAB 72.49, -36.68, 37.31

 

CMYK 45 / 0 / 45 / 24

HEX #6BC26B

RGB 107 194 107

HSL 120, 0.42%, 0.59%

LAB 71.4, -43.99, 35.71

 

CMYK 28 / 0 / 59 / 39

HEX #709B3F

RGB 112 155 63

HSL 88.04, 0.42%, 0.43%

LAB 59.2, -30.26, 42.72

 

CMYK 27 / 0 / 58 / 29

HEX #85B64D

RGB 133 182 77

HSL 88, 0.42%, 0.51%

LAB 68.74, -33.58, 47.41

 

CMYK 21 / 0 / 45 / 24

HEX #99C26B

RGB 153 194 107

HSL 88.28, 0.42%, 0.59%

LAB 73.82, -28.47, 39.26

 

CMYK 16 / 0 / 34 / 19

HEX #ADCE88

RGB 173 206 136

HSL 88.29, 0.42%, 0.67%

LAB 78.93, -23.12, 31.3

 

CMYK 11 / 0 / 24 / 15

HEX #C1DAA5

RGB 193 218 165

HSL 88.3, 0.42%, 0.75%

LAB 84.07, -17.58, 23.39

 

CMYK 22 / 0 / 46 / 24

HEX #98C269

RGB 152 194 105

HSL 88.31, 0.42%, 0.59%

LAB 73.73, -29.08, 40.14

 

CMYK 45 / 0 / 15 / 24

HEX #6BC2A5

RGB 107 194 165

HSL 160, 0.42%, 0.59%

LAB 72.51, -33.15, 6.47

 

CMYK 0 / 45 / 3 / 24

HEX #C26BBD

RGB 194 107 189

HSL 303.45, 0.42%, 0.59%

LAB 57.71, 46.34, -28.4

 

CMYK 22 / 0 / 46 / 24

HEX #98C269

RGB 152 194 105

HSL 88.31, 0.42%, 0.59%

LAB 73.73, -29.08, 40.14

 

CMYK 45 / 21 / 0 / 24

HEX #6B99C2

RGB 107 153 194

HSL 208.28, 0.42%, 0.59%

LAB 61.48, -4.52, -26.03

 

CMYK 0 / 45 / 21 / 24

HEX #C26B99

RGB 194 107 153

HSL 328.28, 0.42%, 0.59%

LAB 56.37, 40.38, -9.66

 

CMYK 22 / 0 / 46 / 24

HEX #98C269

RGB 152 194 105

HSL 88.31, 0.42%, 0.59%

LAB 73.73, -29.08, 40.14

 

CMYK 45 / 0 / 15 / 24

HEX #6BC2A5

RGB 107 194 165

HSL 160, 0.42%, 0.59%

LAB 72.51, -33.15, 6.47

 

CMYK 24 / 45 / 0 / 24

HEX #946BC2

RGB 148 107 194

HSL 268.28, 0.42%, 0.59%

LAB 52.63, 33.72, -39.6

 

CMYK 0 / 45 / 30 / 24

HEX #C26B88

RGB 194 107 136

HSL 340, 0.42%, 0.59%

LAB 55.85, 37.96, -0.51

 

CMYK 22 / 0 / 46 / 24

HEX #98C269

RGB 152 194 105

HSL 88.31, 0.42%, 0.59%

LAB 73.73, -29.08, 40.14

 

CMYK 45 / 0 / 2 / 24

HEX #6BC2BF

RGB 107 194 191

HSL 177.93, 0.42%, 0.59%

LAB 73.2, -26.93, -6.67

 

CMYK 24 / 45 / 0 / 24

HEX #946BC2

RGB 148 107 194

HSL 268.28, 0.42%, 0.59%

LAB 52.63, 33.72, -39.6

 

CMYK 0 / 45 / 44 / 24

HEX #C26B6D

RGB 194 107 109

HSL 358.62, 0.42%, 0.59%

LAB 55.16, 34.7, 14.31

 

Description

Color code: RGB 152 194 105 | qconv.com Color code: RGB 152 194 105 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 194 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 194 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 46 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 46% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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