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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 193 81 it is the complementary color RGB 103 62 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 193 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 193 81 shade: RGB 157 193 76, RGB 174 211 95, RGB 191 229 114, RGB 208 247 133 and RGB 225 255 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 193 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 193 81 shade: RGB 152 193 81, RGB 135 175 62, RGB 118 157 43, RGB 101 139 24 and RGB 84 121 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 193 81 shade: RGB 152 192 82, RGB 182 192 82, RGB 192 173 82, RGB 192 143 82 and RGB 192 114 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 193 81 shade: RGB 152 192 82, RGB 122 192 82, RGB 93 192 82, RGB 82 192 101 and RGB 82 192 131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 193 81 shade matches the following richer shades: RGB 152 192 82, RGB 157 211 63, RGB 162 230 44 and RGB 167 249 25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 193 81 shade: RGB 152 192 82, RGB 147 173 101, RGB 142 154 120, RGB 137 135 139 and RGB 132 116 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 193 81 shade: RGB 192 172 82, RGB 183 192 82, RGB 154 192 82, RGB 124 192 82 and RGB 95 192 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 193 81 shade: RGB 108 141 51, RGB 131 172 62, RGB 152 192 82, RGB 170 203 112 and RGB 188 214 143

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 193 81 shade: RGB 152 193 81, RGB 82 192 143 and RGB 187 82 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 193 81 shade: RGB 152 193 81, RGB 82 154 192 and RGB 192 82 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 193 81 shade: RGB 152 193 81, RGB 82 192 143, RGB 121 82 192 and RGB 192 82 132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 193 81 shade: RGB 152 193 81, RGB 82 192 176, RGB 121 82 192 and RGB 192 82 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 58 / 24

HEX #98C151

RGB 152 193 81

HSL 81.96, 0.47%, 0.54%

LAB 73.16, -31.11, 50.93

 

Complementary color

CMYK 41 / 64 / 0 / 32

HEX #673EAE

RGB 103 62 174

HSL 261.96, 0.47%, 0.46%

LAB 36.71, 42.72, -53.62

 

CMYK 19 / 0 / 61 / 24

HEX #9DC14C

RGB 157 193 76

HSL 78.46, 0.49%, 0.53%

LAB 73.43, -29.59, 53.55

 

CMYK 18 / 0 / 55 / 17

HEX #AED35F

RGB 174 211 95

HSL 79.14, 0.57%, 0.6%

LAB 79.85, -29.85, 52.6

 

CMYK 17 / 0 / 50 / 10

HEX #BFE572

RGB 191 229 114

HSL 79.83, 0.69%, 0.67%

LAB 86.17, -30.04, 51.54

 

CMYK 16 / 0 / 46 / 3

HEX #D0F785

RGB 208 247 133

HSL 80.53, 0.88%, 0.75%

LAB 92.41, -30.16, 50.43

 

CMYK 12 / 0 / 40 / 0

HEX #E1FF98

RGB 225 255 152

HSL 77.48, 1%, 0.8%

LAB 95.91, -25.58, 45.97

 

CMYK 21 / 0 / 58 / 24

HEX #98C151

RGB 152 193 81

HSL 81.96, 0.47%, 0.54%

LAB 73.16, -31.11, 50.93

 

CMYK 23 / 0 / 65 / 31

HEX #87AF3E

RGB 135 175 62

HSL 81.24, 0.48%, 0.46%

LAB 66.64, -30.84, 51.78

 

CMYK 25 / 0 / 73 / 38

HEX #769D2B

RGB 118 157 43

HSL 80.53, 0.57%, 0.39%

LAB 60.01, -30.43, 52.24

 

CMYK 27 / 0 / 83 / 45

HEX #658B18

RGB 101 139 24

HSL 79.83, 0.71%, 0.32%

LAB 53.27, -29.82, 51.88

 

CMYK 31 / 0 / 96 / 53

HEX #547905

RGB 84 121 5

HSL 79.14, 0.92%, 0.25%

LAB 46.41, -28.92, 50.04

 

CMYK 21 / 0 / 57 / 25

HEX #98C052

RGB 152 192 82

HSL 81.82, 0.47%, 0.54%

LAB 72.88, -30.55, 50.16

 

CMYK 5 / 0 / 57 / 25

HEX #B6C052

RGB 182 192 82

HSL 65.45, 0.47%, 0.54%

LAB 74.98, -18.53, 53.11

 

CMYK 0 / 10 / 57 / 25

HEX #C0AD52

RGB 192 173 82

HSL 49.64, 0.47%, 0.54%

LAB 70.67, -4.56, 48.43

 

CMYK 0 / 26 / 57 / 25

HEX #C08F52

RGB 192 143 82

HSL 33.27, 0.47%, 0.54%

LAB 62.89, 11.66, 39.31

 

CMYK 0 / 41 / 57 / 25

HEX #C07252

RGB 192 114 82

HSL 17.45, 0.47%, 0.54%

LAB 55.94, 27.61, 30.76

 

CMYK 21 / 0 / 57 / 25

HEX #98C052

RGB 152 192 82

HSL 81.82, 0.47%, 0.54%

LAB 72.88, -30.55, 50.16

 

CMYK 36 / 0 / 57 / 25

HEX #7AC052

RGB 122 192 82

HSL 98.18, 0.47%, 0.54%

LAB 71.18, -41.5, 47.75

 

CMYK 52 / 0 / 57 / 25

HEX #5DC052

RGB 93 192 82

HSL 114, 0.47%, 0.54%

LAB 69.92, -50.47, 45.97

 

CMYK 57 / 0 / 47 / 25

HEX #52C065

RGB 82 192 101

HSL 130.36, 0.47%, 0.54%

LAB 69.78, -50.75, 36.49

 

CMYK 57 / 0 / 32 / 25

HEX #52C083

RGB 82 192 131

HSL 146.73, 0.47%, 0.54%

LAB 70.27, -45.51, 21.53

 

CMYK 21 / 0 / 57 / 25

HEX #98C052

RGB 152 192 82

HSL 81.82, 0.47%, 0.54%

LAB 72.88, -30.55, 50.16

 

CMYK 26 / 0 / 70 / 17

HEX #9DD33F

RGB 157 211 63

HSL 81.89, 0.63%, 0.54%

LAB 78.53, -38.8, 64.15

 

CMYK 30 / 0 / 81 / 10

HEX #A2E62C

RGB 162 230 44

HSL 81.94, 0.79%, 0.54%

LAB 84.2, -46.14, 75.5

 

CMYK 33 / 0 / 90 / 2

HEX #A7F919

RGB 167 249 25

HSL 81.96, 0.95%, 0.54%

LAB 89.88, -52.77, 84.16

 

CMYK 21 / 0 / 57 / 25

HEX #98C052

RGB 152 192 82

HSL 81.82, 0.47%, 0.54%

LAB 72.88, -30.55, 50.16

 

CMYK 15 / 0 / 42 / 32

HEX #93AD65

RGB 147 173 101

HSL 81.67, 0.31%, 0.54%

LAB 67.3, -21.19, 34.03

 

CMYK 8 / 0 / 22 / 40

HEX #8E9A78

RGB 142 154 120

HSL 81.18, 0.14%, 0.54%

LAB 61.84, -10.53, 16.45

 

CMYK 1 / 3 / 0 / 45

HEX #89878B

RGB 137 135 139

HSL 270, 0.02%, 0.54%

LAB 56.6, 1.53, -1.88

 

CMYK 16 / 27 / 0 / 38

HEX #84749E

RGB 132 116 158

HSL 262.86, 0.18%, 0.54%

LAB 51.68, 14.94, -20.34

 

CMYK 0 / 10 / 57 / 25

HEX #C0AC52

RGB 192 172 82

HSL 49.09, 0.47%, 0.54%

LAB 70.4, -4.03, 48.13

 

CMYK 5 / 0 / 57 / 25

HEX #B7C052

RGB 183 192 82

HSL 64.91, 0.47%, 0.54%

LAB 75.06, -18.12, 53.21

 

CMYK 20 / 0 / 57 / 25

HEX #9AC052

RGB 154 192 82

HSL 80.73, 0.47%, 0.54%

LAB 73.01, -29.77, 50.34

 

CMYK 35 / 0 / 57 / 25

HEX #7CC052

RGB 124 192 82

HSL 97.09, 0.47%, 0.54%

LAB 71.28, -40.82, 47.9

 

CMYK 51 / 0 / 57 / 25

HEX #5FC052

RGB 95 192 82

HSL 112.91, 0.47%, 0.54%

LAB 69.99, -49.91, 46.08

 

CMYK 23 / 0 / 64 / 45

HEX #6C8D33

RGB 108 141 51

HSL 82, 0.47%, 0.38%

LAB 54.53, -26.18, 42.99

 

CMYK 24 / 0 / 64 / 33

HEX #83AC3E

RGB 131 172 62

HSL 82.36, 0.47%, 0.46%

LAB 65.5, -31, 50.48

 

CMYK 21 / 0 / 57 / 25

HEX #98C052

RGB 152 192 82

HSL 81.82, 0.47%, 0.54%

LAB 72.88, -30.55, 50.16

 

CMYK 16 / 0 / 45 / 20

HEX #AACB70

RGB 170 203 112

HSL 81.76, 0.47%, 0.62%

LAB 77.54, -25.82, 41.65

 

CMYK 12 / 0 / 33 / 16

HEX #BCD68F

RGB 188 214 143

HSL 81.97, 0.46%, 0.7%

LAB 82.25, -20.57, 32.28

 

CMYK 21 / 0 / 58 / 24

HEX #98C151

RGB 152 193 81

HSL 81.96, 0.47%, 0.54%

LAB 73.16, -31.11, 50.93

 

CMYK 57 / 0 / 26 / 25

HEX #52C08F

RGB 82 192 143

HSL 153.27, 0.47%, 0.54%

LAB 70.51, -43.04, 15.42

 

CMYK 3 / 57 / 0 / 25

HEX #BB52C0

RGB 187 82 192

HSL 297.27, 0.47%, 0.54%

LAB 52.29, 57.15, -38.65

 

CMYK 21 / 0 / 58 / 24

HEX #98C151

RGB 152 193 81

HSL 81.96, 0.47%, 0.54%

LAB 73.16, -31.11, 50.93

 

CMYK 57 / 20 / 0 / 25

HEX #529AC0

RGB 82 154 192

HSL 200.73, 0.47%, 0.54%

LAB 60.53, -11.43, -26.48

 

CMYK 0 / 57 / 20 / 25

HEX #C0529A

RGB 192 82 154

HSL 320.73, 0.47%, 0.54%

LAB 51.35, 52.33, -17.86

 

CMYK 21 / 0 / 58 / 24

HEX #98C151

RGB 152 193 81

HSL 81.96, 0.47%, 0.54%

LAB 73.16, -31.11, 50.93

 

CMYK 57 / 0 / 26 / 25

HEX #52C08F

RGB 82 192 143

HSL 153.27, 0.47%, 0.54%

LAB 70.51, -43.04, 15.42

 

CMYK 37 / 57 / 0 / 25

HEX #7952C0

RGB 121 82 192

HSL 261.27, 0.47%, 0.54%

LAB 44.1, 40.41, -52.19

 

CMYK 0 / 57 / 31 / 25

HEX #C05284

RGB 192 82 132

HSL 332.73, 0.47%, 0.54%

LAB 50.58, 49.32, -5.95

 

CMYK 21 / 0 / 58 / 24

HEX #98C151

RGB 152 193 81

HSL 81.96, 0.47%, 0.54%

LAB 73.16, -31.11, 50.93

 

CMYK 57 / 0 / 8 / 25

HEX #52C0B0

RGB 82 192 176

HSL 171.27, 0.47%, 0.54%

LAB 71.3, -35.24, -1.39

 

CMYK 37 / 57 / 0 / 25

HEX #7952C0

RGB 121 82 192

HSL 261.27, 0.47%, 0.54%

LAB 44.1, 40.41, -52.19

 

CMYK 0 / 57 / 48 / 25

HEX #C05263

RGB 192 82 99

HSL 350.73, 0.47%, 0.54%

LAB 49.67, 45.66, 12.56

 

Description

Color code: RGB 152 193 81 | qconv.com Color code: RGB 152 193 81 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 193 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 193 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 58 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 58% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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