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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 180.4 195.4 it is the complementary color RGB 103 74.6 59.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 180.4 195.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 180.4 195.4 shade: RGB 157 180.4 190.4, RGB 174 198.4 209.4, RGB 191 216.4 228.4, RGB 208 234.4 247.4 and RGB 225 252.4 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 180.4 195.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 180.4 195.4 shade: RGB 152 180.4 195.4, RGB 135 162.4 176.4, RGB 118 144.4 157.4, RGB 101 126.4 138.4 and RGB 84 108.4 119.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 180.4 195.4 shade: RGB 151 180 195, RGB 151 168 195, RGB 151 156 195, RGB 158 151 195 and RGB 170 151 195

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 180.4 195.4 shade: RGB 151 180 195, RGB 151 168 195, RGB 151 156 195 and RGB 151 151 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 180.4 195.4 shade matches the following richer shades: RGB 151 180 195, RGB 138 184 209, RGB 125 188 222, RGB 112 192 235 and RGB 99 197 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 180.4 195.4 shade: RGB 151 180 195, RGB 165 176 182, RGB 178 172 169, RGB 191 168 156 and RGB 204 164 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 180.4 195.4 shade: RGB 151 195 187, RGB 151 192 195, RGB 151 181 195, RGB 151 169 195 and RGB 151 157 195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 180.4 195.4 shade: RGB 99 142 165, RGB 125 161 180, RGB 151 180 195, RGB 178 199 210 and RGB 204 218 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 180.4 195.4 shade: RGB 152 180.4 195.4, RGB 175 151 195 and RGB 195 192 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 180.4 195.4 shade: RGB 152 180.4 195.4, RGB 195 151 181 and RGB 181 195 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 180.4 195.4 shade: RGB 152 180.4 195.4, RGB 175 151 195, RGB 195 166 151 and RGB 172 195 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 180.4 195.4 shade: RGB 152 180.4 195.4, RGB 188 151 195, RGB 195 166 151 and RGB 159 195 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 8 / 0 / 23

HEX #98B4C3

RGB 152 180.4 195.4

HSL 200.74, 0.27%, 0.68%

LAB 71.85, -6.34, -10.83

 

Complementary color

CMYK 0 / 28 / 42 / 60

HEX #674A3B

RGB 103 74.6 59.6

HSL 20.74, 0.27%, 0.32%

LAB 34.36, 9.86, 13.67

 

CMYK 18 / 5 / 0 / 25

HEX #9DB4BE

RGB 157 180.4 190.4

HSL 197.96, 0.21%, 0.68%

LAB 72.03, -5.87, -7.78

 

CMYK 17 / 5 / 0 / 18

HEX #AEC6D1

RGB 174 198.4 209.4

HSL 198.64, 0.28%, 0.75%

LAB 78.57, -5.91, -8.27

 

CMYK 16 / 5 / 0 / 10

HEX #BFD8E4

RGB 191 216.4 228.4

HSL 199.25, 0.41%, 0.82%

LAB 85.01, -5.96, -8.74

 

CMYK 16 / 5 / 0 / 3

HEX #D0EAF7

RGB 208 234.4 247.4

HSL 199.8, 0.72%, 0.89%

LAB 91.34, -6.02, -9.21

 

CMYK 12 / 1 / 0 / 0

HEX #E1FCFF

RGB 225 252.4 255

HSL 185.2, 1%, 0.94%

LAB 97.27, -8.33, -4.26

 

CMYK 22 / 8 / 0 / 23

HEX #98B4C3

RGB 152 180.4 195.4

HSL 200.74, 0.27%, 0.68%

LAB 71.85, -6.34, -10.83

 

CMYK 23 / 8 / 0 / 31

HEX #87A2B0

RGB 135 162.4 176.4

HSL 200.29, 0.21%, 0.61%

LAB 65.19, -6.29, -10.39

 

CMYK 25 / 8 / 0 / 38

HEX #76909D

RGB 118 144.4 157.4

HSL 199.8, 0.17%, 0.54%

LAB 58.38, -6.25, -9.95

 

CMYK 27 / 9 / 0 / 46

HEX #657E8A

RGB 101 126.4 138.4

HSL 199.25, 0.16%, 0.47%

LAB 51.42, -6.2, -9.5

 

CMYK 30 / 9 / 0 / 53

HEX #546C77

RGB 84 108.4 119.4

HSL 198.64, 0.17%, 0.4%

LAB 44.28, -6.16, -9.05

 

CMYK 23 / 8 / 0 / 24

HEX #97B4C3

RGB 151 180 195

HSL 200.45, 0.27%, 0.68%

LAB 71.66, -6.53, -10.89

RGB 151 180 195

CMYK 23 / 14 / 0 / 24

HEX #97A8C3

RGB 151 168 195

HSL 216.82, 0.27%, 0.68%

LAB 68.41, -0, -15.79

RGB 151 168 195

CMYK 23 / 20 / 0 / 24

HEX #979CC3

RGB 151 156 195

HSL 233.18, 0.27%, 0.68%

LAB 65.2, 6.68, -20.66

RGB 151 156 195

CMYK 19 / 23 / 0 / 24

HEX #9E97C3

RGB 158 151 195

HSL 249.55, 0.27%, 0.68%

LAB 64.44, 11.73, -21.77

RGB 158 151 195

CMYK 13 / 23 / 0 / 24

HEX #AA97C3

RGB 170 151 195

HSL 265.91, 0.27%, 0.68%

LAB 65.45, 15.62, -20.13

RGB 170 151 195

CMYK 23 / 8 / 0 / 24

HEX #97B4C3

RGB 151 180 195

HSL 200.45, 0.27%, 0.68%

LAB 71.66, -6.53, -10.89

RGB 151 180 195

CMYK 23 / 14 / 0 / 24

HEX #97A8C3

RGB 151 168 195

HSL 216.82, 0.27%, 0.68%

LAB 68.41, -0, -15.79

RGB 151 168 195

CMYK 23 / 20 / 0 / 24

HEX #979CC3

RGB 151 156 195

HSL 233.18, 0.27%, 0.68%

LAB 65.2, 6.68, -20.66

RGB 151 156 195

CMYK 23 / 23 / 0 / 24

HEX #9797C3

RGB 151 151 195

HSL 240, 0.27%, 0.68%

LAB 63.88, 9.51, -22.67

RGB 151 151 195

CMYK 23 / 8 / 0 / 24

HEX #97B4C3

RGB 151 180 195

HSL 200.45, 0.27%, 0.68%

LAB 71.66, -6.53, -10.89

RGB 151 180 195

CMYK 34 / 12 / 0 / 18

HEX #8AB8D1

RGB 138 184 209

HSL 201.13, 0.44%, 0.68%

LAB 72.42, -9.16, -17.5

RGB 138 184 209

CMYK 44 / 15 / 0 / 13

HEX #7DBCDE

RGB 125 188 222

HSL 201.03, 0.6%, 0.68%

LAB 73.29, -11.33, -23.33

RGB 125 188 222

CMYK 52 / 18 / 0 / 8

HEX #70C0EB

RGB 112 192 235

HSL 200.98, 0.75%, 0.68%

LAB 74.28, -12.81, -28.9

RGB 112 192 235

CMYK 60 / 21 / 0 / 3

HEX #63C5F8

RGB 99 197 248

HSL 200.54, 0.91%, 0.68%

LAB 75.68, -14.15, -33.79

RGB 99 197 248

CMYK 23 / 8 / 0 / 24

HEX #97B4C3

RGB 151 180 195

HSL 200.45, 0.27%, 0.68%

LAB 71.66, -6.53, -10.89

RGB 151 180 195

CMYK 9 / 3 / 0 / 29

HEX #A5B0B6

RGB 165 176 182

HSL 201.18, 0.1%, 0.68%

LAB 71.16, -2.63, -4.39

RGB 165 176 182

CMYK 0 / 3 / 5 / 30

HEX #B2ACA9

RGB 178 172 169

HSL 20, 0.06%, 0.68%

LAB 70.76, 1.6, 2.29

RGB 178 172 169

CMYK 0 / 12 / 18 / 25

HEX #BFA89C

RGB 191 168 156

HSL 20.57, 0.21%, 0.68%

LAB 70.51, 6.39, 9.25

RGB 191 168 156

CMYK 0 / 20 / 30 / 20

HEX #CCA48F

RGB 204 164 143

HSL 20.66, 0.37%, 0.68%

LAB 70.44, 11.67, 16.47

RGB 204 164 143

CMYK 23 / 0 / 4 / 24

HEX #97C3BB

RGB 151 195 187

HSL 169.09, 0.27%, 0.68%

LAB 75.57, -16.17, -0.75

 

CMYK 23 / 2 / 0 / 24

HEX #97C0C3

RGB 151 192 195

HSL 184.09, 0.27%, 0.68%

LAB 74.96, -12.87, -5.99

 

CMYK 23 / 7 / 0 / 24

HEX #97B5C3

RGB 151 181 195

HSL 199.09, 0.27%, 0.68%

LAB 71.94, -7.07, -10.49

 

CMYK 23 / 13 / 0 / 24

HEX #97A9C3

RGB 151 169 195

HSL 215.45, 0.27%, 0.68%

LAB 68.68, -0.55, -15.38

 

CMYK 23 / 19 / 0 / 24

HEX #979DC3

RGB 151 157 195

HSL 231.82, 0.27%, 0.68%

LAB 65.46, 6.12, -20.25

 

CMYK 40 / 14 / 0 / 35

HEX #638EA5

RGB 99 142 165

HSL 200.91, 0.27%, 0.52%

LAB 56.8, -8.61, -16.8

 

CMYK 31 / 11 / 0 / 29

HEX #7DA1B4

RGB 125 161 180

HSL 200.73, 0.27%, 0.6%

LAB 64.28, -7.72, -13.83

 

CMYK 23 / 8 / 0 / 24

HEX #97B4C3

RGB 151 180 195

HSL 200.45, 0.27%, 0.68%

LAB 71.66, -6.53, -10.89

RGB 151 180 195

CMYK 15 / 5 / 0 / 18

HEX #B2C7D2

RGB 178 199 210

HSL 200.63, 0.26%, 0.76%

LAB 79.02, -4.83, -7.9

RGB 178 199 210

CMYK 10 / 4 / 0 / 11

HEX #CCDAE2

RGB 204 218 226

HSL 201.82, 0.28%, 0.84%

LAB 86.24, -3.14, -5.54

RGB 204 218 226

CMYK 22 / 8 / 0 / 23

HEX #98B4C3

RGB 152 180.4 195.4

HSL 200.74, 0.27%, 0.68%

LAB 71.85, -6.34, -10.83

 

CMYK 10 / 23 / 0 / 24

HEX #AF97C3

RGB 175 151 195

HSL 272.73, 0.27%, 0.68%

LAB 65.89, 17.27, -19.41

 

CMYK 0 / 2 / 23 / 24

HEX #C3C097

RGB 195 192 151

HSL 55.91, 0.27%, 0.68%

LAB 77, -5.65, 21.1

 

CMYK 22 / 8 / 0 / 23

HEX #98B4C3

RGB 152 180.4 195.4

HSL 200.74, 0.27%, 0.68%

LAB 71.85, -6.34, -10.83

 

CMYK 0 / 23 / 7 / 24

HEX #C397B5

RGB 195 151 181

HSL 319.09, 0.27%, 0.68%

LAB 67.33, 21.39, -9.24

 

CMYK 7 / 0 / 23 / 24

HEX #B5C397

RGB 181 195 151

HSL 79.09, 0.27%, 0.68%

LAB 76.73, -12.46, 20.56

 

CMYK 22 / 8 / 0 / 23

HEX #98B4C3

RGB 152 180.4 195.4

HSL 200.74, 0.27%, 0.68%

LAB 71.85, -6.34, -10.83

 

CMYK 10 / 23 / 0 / 24

HEX #AF97C3

RGB 175 151 195

HSL 272.73, 0.27%, 0.68%

LAB 65.89, 17.27, -19.41

 

CMYK 0 / 15 / 23 / 24

HEX #C3A697

RGB 195 166 151

HSL 20.45, 0.27%, 0.68%

LAB 70.25, 8.24, 11.69

 

CMYK 12 / 0 / 23 / 24

HEX #ACC397

RGB 172 195 151

HSL 91.36, 0.27%, 0.68%

LAB 76.09, -15.76, 19.57

 

CMYK 22 / 8 / 0 / 23

HEX #98B4C3

RGB 152 180.4 195.4

HSL 200.74, 0.27%, 0.68%

LAB 71.85, -6.34, -10.83

 

CMYK 4 / 23 / 0 / 24

HEX #BC97C3

RGB 188 151 195

HSL 290.45, 0.27%, 0.68%

LAB 67.1, 21.61, -17.47

 

CMYK 0 / 15 / 23 / 24

HEX #C3A697

RGB 195 166 151

HSL 20.45, 0.27%, 0.68%

LAB 70.25, 8.24, 11.69

 

CMYK 18 / 0 / 23 / 24

HEX #9FC397

RGB 159 195 151

HSL 109.09, 0.27%, 0.68%

LAB 75.22, -20.4, 18.24

 

Description

Color code: RGB 152 180.4 195.4 | qconv.com Color code: RGB 152 180.4 195.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 180.4 green and 195.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 180.4 195.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 8 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 8% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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