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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 160 48 it is the complementary color RGB 103 95 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 160 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 160 48 shade: RGB 157 160 43, RGB 174 178 62, RGB 191 196 81, RGB 208 214 100 and RGB 225 232 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 160 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 160 48 shade: RGB 152 160 48, RGB 135 142 29, RGB 118 124 10, RGB 101 106 0 and RGB 84 88 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 160 48 shade: RGB 152 161 48, RGB 161 138 48, RGB 161 108 48, RGB 161 77 48 and RGB 161 48 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 160 48 shade: RGB 152 161 48, RGB 122 161 48, RGB 92 161 48, RGB 61 161 48 and RGB 48 161 65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 160 48 shade matches the following richer shades: RGB 152 161 48, RGB 167 177 31 and RGB 181 194 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 160 48 shade: RGB 152 161 48, RGB 138 144 65, RGB 123 127 81, RGB 109 110 98 and RGB 94 93 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 160 48 shade: RGB 161 108 48, RGB 161 138 48, RGB 153 161 48, RGB 123 161 48 and RGB 93 161 48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 160 48 shade: RGB 92 97 29, RGB 122 129 38, RGB 152 161 48, RGB 183 192 57 and RGB 196 204 86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 160 48 shade: RGB 152 160 48, RGB 48 161 78 and RGB 123 48 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 160 48 shade: RGB 152 160 48, RGB 48 153 161 and RGB 161 48 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 160 48 shade: RGB 152 160 48, RGB 48 161 78, RGB 55 48 161 and RGB 161 48 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 160 48 shade: RGB 152 160 48, RGB 48 161 112, RGB 55 48 161 and RGB 161 48 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 70 / 37

HEX #98A030

RGB 152 160 48

HSL 64.29, 0.54%, 0.41%

LAB 63.37, -17.31, 54.47

 

Complementary color

CMYK 50 / 54 / 0 / 19

HEX #675FCF

RGB 103 95 207

HSL 244.29, 0.54%, 0.59%

LAB 46.41, 33.02, -57.21

 

CMYK 2 / 0 / 73 / 37

HEX #9DA02B

RGB 157 160 43

HSL 61.54, 0.58%, 0.4%

LAB 63.74, -15.39, 56.84

 

CMYK 2 / 0 / 65 / 30

HEX #AEB23E

RGB 174 178 62

HSL 62.07, 0.48%, 0.47%

LAB 70.31, -16.22, 56.5

 

CMYK 3 / 0 / 59 / 23

HEX #BFC451

RGB 191 196 81

HSL 62.61, 0.49%, 0.54%

LAB 76.77, -16.9, 55.73

 

CMYK 3 / 0 / 53 / 16

HEX #D0D664

RGB 208 214 100

HSL 63.16, 0.58%, 0.62%

LAB 83.14, -17.44, 54.74

 

CMYK 3 / 0 / 49 / 9

HEX #E1E877

RGB 225 232 119

HSL 63.72, 0.71%, 0.69%

LAB 89.42, -17.89, 53.66

 

CMYK 5 / 0 / 70 / 37

HEX #98A030

RGB 152 160 48

HSL 64.29, 0.54%, 0.41%

LAB 63.37, -17.31, 54.47

 

CMYK 5 / 0 / 80 / 44

HEX #878E1D

RGB 135 142 29

HSL 63.72, 0.66%, 0.34%

LAB 56.67, -16.4, 54.35

 

CMYK 5 / 0 / 92 / 51

HEX #767C0A

RGB 118 124 10

HSL 63.16, 0.85%, 0.26%

LAB 49.84, -15.22, 52.85

 

CMYK 5 / 0 / 100 / 58

HEX #656A00

RGB 101 106 0

HSL 62.83, 1%, 0.21%

LAB 42.88, -13.7, 49.01

 

CMYK 5 / 0 / 100 / 65

HEX #545800

RGB 84 88 0

HSL 62.73, 1%, 0.17%

LAB 35.72, -11.91, 43.06

 

CMYK 6 / 0 / 70 / 37

HEX #98A130

RGB 152 161 48

HSL 64.78, 0.54%, 0.41%

LAB 63.65, -17.82, 54.76

 

CMYK 0 / 14 / 70 / 37

HEX #A18A30

RGB 161 138 48

HSL 47.79, 0.54%, 0.41%

LAB 58.01, -1.56, 49.32

 

CMYK 0 / 33 / 70 / 37

HEX #A16C30

RGB 161 108 48

HSL 31.86, 0.54%, 0.41%

LAB 50.12, 15.33, 41.04

 

CMYK 0 / 52 / 70 / 37

HEX #A14D30

RGB 161 77 48

HSL 15.4, 0.54%, 0.41%

LAB 42.91, 32.59, 33.03

 

CMYK 0 / 70 / 70 / 37

HEX #A13030

RGB 161 48 48

HSL 0, 0.54%, 0.41%

LAB 37.67, 46.39, 26.89

 

CMYK 6 / 0 / 70 / 37

HEX #98A130

RGB 152 161 48

HSL 64.78, 0.54%, 0.41%

LAB 63.65, -17.82, 54.76

 

CMYK 24 / 0 / 70 / 37

HEX #7AA130

RGB 122 161 48

HSL 80.71, 0.54%, 0.41%

LAB 61.52, -30.4, 51.91

 

CMYK 43 / 0 / 70 / 37

HEX #5CA130

RGB 92 161 48

HSL 96.64, 0.54%, 0.41%

LAB 59.87, -41.54, 49.69

 

CMYK 62 / 0 / 70 / 37

HEX #3DA130

RGB 61 161 48

HSL 113.1, 0.54%, 0.41%

LAB 58.69, -50.53, 48.1

 

CMYK 70 / 0 / 60 / 37

HEX #30A141

RGB 48 161 65

HSL 129.03, 0.54%, 0.41%

LAB 58.51, -51.45, 40.29

 

CMYK 6 / 0 / 70 / 37

HEX #98A130

RGB 152 161 48

HSL 64.78, 0.54%, 0.41%

LAB 63.65, -17.82, 54.76

 

CMYK 6 / 0 / 82 / 31

HEX #A7B11F

RGB 167 177 31

HSL 64.11, 0.7%, 0.41%

LAB 69.3, -20.17, 65.86

 

CMYK 7 / 0 / 93 / 24

HEX #B5C20E

RGB 181 194 14

HSL 64.33, 0.87%, 0.41%

LAB 75.1, -22.96, 74.22

 

CMYK 6 / 0 / 70 / 37

HEX #98A130

RGB 152 161 48

HSL 64.78, 0.54%, 0.41%

LAB 63.65, -17.82, 54.76

 

CMYK 4 / 0 / 55 / 44

HEX #8A9041

RGB 138 144 65

HSL 64.56, 0.38%, 0.41%

LAB 57.78, -13.8, 40.61

 

CMYK 3 / 0 / 36 / 50

HEX #7B7F51

RGB 123 127 81

HSL 65.22, 0.22%, 0.41%

LAB 51.82, -9.27, 24.54

 

CMYK 1 / 0 / 11 / 57

HEX #6D6E62

RGB 109 110 98

HSL 65, 0.06%, 0.41%

LAB 46.02, -2.73, 6.56

 

CMYK 18 / 19 / 0 / 55

HEX #5E5D73

RGB 94 93 115

HSL 242.73, 0.11%, 0.41%

LAB 40.32, 5.42, -12.28

 

CMYK 0 / 33 / 70 / 37

HEX #A16C30

RGB 161 108 48

HSL 31.86, 0.54%, 0.41%

LAB 50.12, 15.33, 41.04

 

CMYK 0 / 14 / 70 / 37

HEX #A18A30

RGB 161 138 48

HSL 47.79, 0.54%, 0.41%

LAB 58.01, -1.56, 49.32

 

CMYK 5 / 0 / 70 / 37

HEX #99A130

RGB 153 161 48

HSL 64.25, 0.54%, 0.41%

LAB 63.73, -17.39, 54.86

 

CMYK 24 / 0 / 70 / 37

HEX #7BA130

RGB 123 161 48

HSL 80.18, 0.54%, 0.41%

LAB 61.58, -30, 51.99

 

CMYK 42 / 0 / 70 / 37

HEX #5DA130

RGB 93 161 48

HSL 96.11, 0.54%, 0.41%

LAB 59.92, -41.2, 49.76

 

CMYK 5 / 0 / 70 / 62

HEX #5C611D

RGB 92 97 29

HSL 64.41, 0.54%, 0.25%

LAB 39.43, -11.81, 36.55

 

CMYK 5 / 0 / 71 / 49

HEX #7A8126

RGB 122 129 38

HSL 64.62, 0.54%, 0.33%

LAB 51.81, -14.92, 46.1

 

CMYK 6 / 0 / 70 / 37

HEX #98A130

RGB 152 161 48

HSL 64.78, 0.54%, 0.41%

LAB 63.65, -17.82, 54.76

 

CMYK 5 / 0 / 70 / 25

HEX #B7C039

RGB 183 192 57

HSL 64, 0.54%, 0.49%

LAB 74.86, -19.74, 63.27

 

CMYK 4 / 0 / 58 / 20

HEX #C4CC56

RGB 196 204 86

HSL 64.07, 0.54%, 0.57%

LAB 79.38, -18.46, 56.53

 

CMYK 5 / 0 / 70 / 37

HEX #98A030

RGB 152 160 48

HSL 64.29, 0.54%, 0.41%

LAB 63.37, -17.31, 54.47

 

CMYK 70 / 0 / 52 / 37

HEX #30A14E

RGB 48 161 78

HSL 135.93, 0.54%, 0.41%

LAB 58.67, -49.61, 34.07

 

CMYK 24 / 70 / 0 / 37

HEX #7B30A1

RGB 123 48 161

HSL 279.82, 0.54%, 0.41%

LAB 35.79, 50.88, -47.21

 

CMYK 5 / 0 / 70 / 37

HEX #98A030

RGB 152 160 48

HSL 64.29, 0.54%, 0.41%

LAB 63.37, -17.31, 54.47

 

CMYK 70 / 5 / 0 / 37

HEX #3099A1

RGB 48 153 161

HSL 184.25, 0.54%, 0.41%

LAB 58.02, -26.49, -12.85

 

CMYK 0 / 70 / 5 / 37

HEX #A13099

RGB 161 48 153

HSL 304.25, 0.54%, 0.41%

LAB 41.2, 58.11, -33.4

 

CMYK 5 / 0 / 70 / 37

HEX #98A030

RGB 152 160 48

HSL 64.29, 0.54%, 0.41%

LAB 63.37, -17.31, 54.47

 

CMYK 70 / 0 / 52 / 37

HEX #30A14E

RGB 48 161 78

HSL 135.93, 0.54%, 0.41%

LAB 58.67, -49.61, 34.07

 

CMYK 66 / 70 / 0 / 37

HEX #3730A1

RGB 55 48 161

HSL 243.72, 0.54%, 0.41%

LAB 28.11, 38.31, -60.03

 

CMYK 0 / 70 / 19 / 37

HEX #A13082

RGB 161 48 130

HSL 316.46, 0.54%, 0.41%

LAB 40.09, 54.57, -21.12

 

CMYK 5 / 0 / 70 / 37

HEX #98A030

RGB 152 160 48

HSL 64.29, 0.54%, 0.41%

LAB 63.37, -17.31, 54.47

 

CMYK 70 / 0 / 30 / 37

HEX #30A170

RGB 48 161 112

HSL 153.98, 0.54%, 0.41%

LAB 59.24, -43.21, 16.59

 

CMYK 66 / 70 / 0 / 37

HEX #3730A1

RGB 55 48 161

HSL 243.72, 0.54%, 0.41%

LAB 28.11, 38.31, -60.03

 

CMYK 0 / 70 / 40 / 37

HEX #A13061

RGB 161 48 97

HSL 333.98, 0.54%, 0.41%

LAB 38.82, 50.38, -2.43

 

Description

Color code: RGB 152 160 48 | qconv.com Color code: RGB 152 160 48 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 160 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 160 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 70 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 70% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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