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Color name
RGB 152 111 110

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 111 110 it is the complementary color RGB 103 144 145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 111 110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 111 110 shade: RGB 157 111 105, RGB 174 129 124, RGB 191 147 143, RGB 208 165 162 and RGB 225 183 181

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 111 110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 111 110 shade: RGB 152 111 110, RGB 135 93 91, RGB 118 75 72, RGB 101 57 53 and RGB 84 39 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 111 110 shade: RGB 151 109 108 and RGB 151 108 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 111 110 shade: RGB 151 109 108, RGB 151 121 108, RGB 151 132 108, RGB 151 144 108 and RGB 146 151 108

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 111 110 shade matches the following richer shades: RGB 151 109 108, RGB 171 90 88, RGB 191 71 68, RGB 211 52 48 and RGB 232 32 27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 111 110 shade: RGB 151 109 108, RGB 131 129 129, RGB 110 148 149, RGB 90 167 169 and RGB 70 186 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 111 110 shade: RGB 151 108 130, RGB 151 108 119, RGB 151 109 108, RGB 151 120 108 and RGB 151 132 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 111 110 shade: RGB 103 74 73, RGB 128 91 90, RGB 151 109 108, RGB 168 133 132 and RGB 185 157 157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 111 110 shade: RGB 152 111 110, RGB 142 151 108 and RGB 108 125 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 111 110 shade: RGB 152 111 110, RGB 108 151 109 and RGB 109 108 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 111 110 shade: RGB 152 111 110, RGB 142 151 108, RGB 108 150 151 and RGB 118 108 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 111 110 shade: RGB 152 111 110, RGB 129 151 108, RGB 108 150 151 and RGB 130 108 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 28 / 40

HEX #986F6E

RGB 152 111 110

HSL 1.43, 0.17%, 0.51%

LAB 50.89, 16.1, 6.95

 

Complementary color

CMYK 29 / 1 / 0 / 43

HEX #679091

RGB 103 144 145

HSL 181.43, 0.17%, 0.49%

LAB 56.95, -13.74, -5.08

 

CMYK 0 / 29 / 33 / 38

HEX #9D6F69

RGB 157 111 105

HSL 6.92, 0.21%, 0.51%

LAB 51.33, 17.41, 10.61

 

CMYK 0 / 26 / 29 / 32

HEX #AE817C

RGB 174 129 124

HSL 6, 0.24%, 0.58%

LAB 58.18, 16.63, 9.5

 

CMYK 0 / 23 / 25 / 25

HEX #BF938F

RGB 191 147 143

HSL 5, 0.27%, 0.65%

LAB 64.9, 15.95, 8.5

 

CMYK 0 / 21 / 22 / 18

HEX #D0A5A2

RGB 208 165 162

HSL 3.91, 0.33%, 0.73%

LAB 71.51, 15.35, 7.58

 

CMYK 0 / 19 / 20 / 12

HEX #E1B7B5

RGB 225 183 181

HSL 2.73, 0.42%, 0.8%

LAB 78, 14.81, 6.73

 

CMYK 0 / 27 / 28 / 40

HEX #986F6E

RGB 152 111 110

HSL 1.43, 0.17%, 0.51%

LAB 50.89, 16.1, 6.95

 

CMYK 0 / 31 / 33 / 47

HEX #875D5B

RGB 135 93 91

HSL 2.73, 0.19%, 0.44%

LAB 43.85, 16.91, 8.06

 

CMYK 0 / 36 / 39 / 54

HEX #764B48

RGB 118 75 72

HSL 3.91, 0.24%, 0.37%

LAB 36.65, 17.87, 9.35

 

CMYK 0 / 44 / 48 / 60

HEX #653935

RGB 101 57 53

HSL 5, 0.31%, 0.3%

LAB 29.29, 19, 10.92

 

CMYK 0 / 54 / 60 / 67

HEX #542722

RGB 84 39 34

HSL 6, 0.42%, 0.23%

LAB 21.77, 20.34, 12.94

 

CMYK 0 / 28 / 28 / 41

HEX #976D6C

RGB 151 109 108

HSL 1.4, 0.17%, 0.51%

LAB 50.22, 16.56, 7.16

 

CMYK 0 / 28 / 28 / 41

HEX #976C6C

RGB 151 108 108

HSL 0, 0.17%, 0.51%

LAB 49.96, 17.14, 6.8

 

CMYK 0 / 28 / 28 / 41

HEX #976D6C

RGB 151 109 108

HSL 1.4, 0.17%, 0.51%

LAB 50.22, 16.56, 7.16

 

CMYK 0 / 20 / 28 / 41

HEX #97796C

RGB 151 121 108

HSL 18.14, 0.17%, 0.51%

LAB 53.32, 9.64, 11.54

 

CMYK 0 / 13 / 28 / 41

HEX #97846C

RGB 151 132 108

HSL 33.49, 0.17%, 0.51%

LAB 56.25, 3.37, 15.62

 

CMYK 0 / 5 / 28 / 41

HEX #97906C

RGB 151 144 108

HSL 50.23, 0.17%, 0.51%

LAB 59.53, -3.34, 20.11

 

CMYK 3 / 0 / 28 / 41

HEX #92976C

RGB 146 151 108

HSL 66.98, 0.17%, 0.51%

LAB 61.07, -9.18, 22.11

 

CMYK 0 / 28 / 28 / 41

HEX #976D6C

RGB 151 109 108

HSL 1.4, 0.17%, 0.51%

LAB 50.22, 16.56, 7.16

 

CMYK 0 / 47 / 49 / 33

HEX #AB5A58

RGB 171 90 88

HSL 1.45, 0.33%, 0.51%

LAB 47.85, 32.77, 16.15

 

CMYK 0 / 63 / 64 / 25

HEX #BF4744

RGB 191 71 68

HSL 1.46, 0.49%, 0.51%

LAB 46.97, 47.98, 27.51

 

CMYK 0 / 75 / 77 / 17

HEX #D33430

RGB 211 52 48

HSL 1.47, 0.65%, 0.51%

LAB 47.65, 60.81, 40.71

 

CMYK 0 / 86 / 88 / 9

HEX #E8201B

RGB 232 32 27

HSL 1.46, 0.82%, 0.51%

LAB 49.82, 71.21, 54.65

 

CMYK 0 / 28 / 28 / 41

HEX #976D6C

RGB 151 109 108

HSL 1.4, 0.17%, 0.51%

LAB 50.22, 16.56, 7.16

 

CMYK 0 / 2 / 2 / 49

HEX #838181

RGB 131 129 129

HSL 0, 0.01%, 0.51%

LAB 54.14, 0.75, 0.26

 

CMYK 26 / 1 / 0 / 42

HEX #6E9495

RGB 110 148 149

HSL 181.54, 0.16%, 0.51%

LAB 58.66, -12.77, -4.79

 

CMYK 47 / 1 / 0 / 34

HEX #5AA7A9

RGB 90 167 169

HSL 181.52, 0.31%, 0.51%

LAB 63.9, -23.19, -8.43

 

CMYK 63 / 2 / 0 / 26

HEX #46BABD

RGB 70 186 189

HSL 181.51, 0.47%, 0.51%

LAB 69.54, -31.04, -11.17

 

CMYK 0 / 28 / 14 / 41

HEX #976C82

RGB 151 108 130

HSL 329.3, 0.17%, 0.51%

LAB 50.59, 20.69, -5.33

 

CMYK 0 / 28 / 21 / 41

HEX #976C77

RGB 151 108 119

HSL 344.65, 0.17%, 0.51%

LAB 50.26, 18.84, 0.7

 

CMYK 0 / 28 / 28 / 41

HEX #976D6C

RGB 151 109 108

HSL 1.4, 0.17%, 0.51%

LAB 50.22, 16.56, 7.16

 

CMYK 0 / 21 / 28 / 41

HEX #97786C

RGB 151 120 108

HSL 16.74, 0.17%, 0.51%

LAB 53.05, 10.21, 11.17

 

CMYK 0 / 13 / 28 / 41

HEX #97846C

RGB 151 132 108

HSL 33.49, 0.17%, 0.51%

LAB 56.25, 3.37, 15.62

 

CMYK 0 / 28 / 29 / 60

HEX #674A49

RGB 103 74 73

HSL 2, 0.17%, 0.35%

LAB 34.52, 12.17, 5.45

 

CMYK 0 / 29 / 30 / 50

HEX #805B5A

RGB 128 91 90

HSL 1.58, 0.17%, 0.43%

LAB 42.47, 15.05, 6.61

 

CMYK 0 / 28 / 28 / 41

HEX #976D6C

RGB 151 109 108

HSL 1.4, 0.17%, 0.51%

LAB 50.22, 16.56, 7.16

 

CMYK 0 / 21 / 21 / 34

HEX #A88584

RGB 168 133 132

HSL 1.67, 0.17%, 0.59%

LAB 58.76, 13.22, 5.64

 

CMYK 0 / 15 / 15 / 27

HEX #B99D9D

RGB 185 157 157

HSL 0, 0.17%, 0.67%

LAB 67.17, 10.32, 3.83

 

CMYK 0 / 27 / 28 / 40

HEX #986F6E

RGB 152 111 110

HSL 1.43, 0.17%, 0.51%

LAB 50.89, 16.1, 6.95

 

CMYK 6 / 0 / 28 / 41

HEX #8E976C

RGB 142 151 108

HSL 72.56, 0.17%, 0.51%

LAB 60.75, -10.77, 21.63

 

CMYK 28 / 17 / 0 / 41

HEX #6C7D97

RGB 108 125 151

HSL 216.28, 0.17%, 0.51%

LAB 51.94, 0.05, -16.04

 

CMYK 0 / 27 / 28 / 40

HEX #986F6E

RGB 152 111 110

HSL 1.43, 0.17%, 0.51%

LAB 50.89, 16.1, 6.95

 

CMYK 28 / 0 / 28 / 41

HEX #6C976D

RGB 108 151 109

HSL 121.4, 0.17%, 0.51%

LAB 58.44, -23.41, 17.54

 

CMYK 28 / 28 / 0 / 41

HEX #6D6C97

RGB 109 108 151

HSL 241.4, 0.17%, 0.51%

LAB 47.25, 10.49, -23.22

 

CMYK 0 / 27 / 28 / 40

HEX #986F6E

RGB 152 111 110

HSL 1.43, 0.17%, 0.51%

LAB 50.89, 16.1, 6.95

 

CMYK 6 / 0 / 28 / 41

HEX #8E976C

RGB 142 151 108

HSL 72.56, 0.17%, 0.51%

LAB 60.75, -10.77, 21.63

 

CMYK 28 / 1 / 0 / 41

HEX #6C9697

RGB 108 150 151

HSL 181.4, 0.17%, 0.51%

LAB 59.19, -13.99, -5.16

 

CMYK 22 / 28 / 0 / 41

HEX #766C97

RGB 118 108 151

HSL 253.95, 0.17%, 0.51%

LAB 48.02, 13.39, -21.97

 

CMYK 0 / 27 / 28 / 40

HEX #986F6E

RGB 152 111 110

HSL 1.43, 0.17%, 0.51%

LAB 50.89, 16.1, 6.95

 

CMYK 15 / 0 / 28 / 41

HEX #81976C

RGB 129 151 108

HSL 90.7, 0.17%, 0.51%

LAB 59.78, -15.86, 20.15

 

CMYK 28 / 1 / 0 / 41

HEX #6C9697

RGB 108 150 151

HSL 181.4, 0.17%, 0.51%

LAB 59.19, -13.99, -5.16

 

CMYK 14 / 28 / 0 / 41

HEX #826C97

RGB 130 108 151

HSL 270.7, 0.17%, 0.51%

LAB 49.14, 17.4, -20.16

 

Description

Color code: RGB 152 111 110 | qconv.com Color code: RGB 152 111 110 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 111 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 111 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 28 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 28% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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