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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 151 53 127 it is the complementary color RGB 104 202 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 151 53 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 151 53 127 shade: RGB 156 53 122, RGB 173 71 141, RGB 190 89 160, RGB 207 107 179 and RGB 224 125 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 151 53 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 151 53 127 shade: RGB 151 53 127, RGB 134 35 108, RGB 117 17 89, RGB 100 0 70 and RGB 83 0 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 151 53 127 shade: RGB 151 53 127, RGB 151 53 101, RGB 151 53 74 and RGB 151 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 151 53 127 shade: RGB 151 53 127, RGB 149 53 151, RGB 122 53 151, RGB 96 53 151 and RGB 69 53 151

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 151 53 127 shade matches the following richer shades: RGB 151 53 127, RGB 167 37 135, RGB 184 20 144 and RGB 200 4 152

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 151 53 127 shade: RGB 151 53 127, RGB 134 70 119, RGB 118 86 110, RGB 101 103 102 and RGB 85 119 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 151 53 127 shade: RGB 122 53 151, RGB 148 53 151, RGB 151 53 128, RGB 151 53 102 and RGB 151 53 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 151 53 127 shade: RGB 90 32 76, RGB 120 42 101, RGB 151 53 127, RGB 181 64 153 and RGB 197 90 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 151 53 127 shade: RGB 151 53 127, RGB 151 95 53 and RGB 53 151 135

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 151 53 127 shade: RGB 151 53 127, RGB 128 151 53 and RGB 53 128 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 151 53 127 shade: RGB 151 53 127, RGB 151 95 53, RGB 53 151 76 and RGB 53 109 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 151 53 127 shade: RGB 151 53 127, RGB 151 125 53, RGB 53 151 76 and RGB 53 79 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 16 / 41

HEX #97357F

RGB 151 53 127

HSL 314.69, 0.48%, 0.4%

LAB 39, 49.36, -21.08

 

Complementary color

CMYK 49 / 0 / 37 / 21

HEX #68CA80

RGB 104 202 128

HSL 134.69, 0.48%, 0.6%

LAB 74.02, -44.88, 28.3

 

CMYK 0 / 66 / 22 / 39

HEX #9C357A

RGB 156 53 122

HSL 319.81, 0.49%, 0.41%

LAB 39.61, 50.04, -16.97

 

CMYK 0 / 59 / 18 / 32

HEX #AD478D

RGB 173 71 141

HSL 318.82, 0.42%, 0.48%

LAB 46.06, 49.81, -18.45

 

CMYK 0 / 53 / 16 / 25

HEX #BE59A0

RGB 190 89 160

HSL 317.82, 0.44%, 0.55%

LAB 52.54, 49.3, -19.6

 

CMYK 0 / 48 / 14 / 19

HEX #CF6BB3

RGB 207 107 179

HSL 316.8, 0.51%, 0.62%

LAB 59.01, 48.64, -20.53

 

CMYK 0 / 44 / 12 / 12

HEX #E07DC6

RGB 224 125 198

HSL 315.76, 0.61%, 0.68%

LAB 65.43, 47.92, -21.32

 

CMYK 0 / 65 / 16 / 41

HEX #97357F

RGB 151 53 127

HSL 314.69, 0.48%, 0.4%

LAB 39, 49.36, -21.08

 

CMYK 0 / 74 / 19 / 47

HEX #86236C

RGB 134 35 108

HSL 315.76, 0.59%, 0.33%

LAB 32.6, 49.06, -19.31

 

CMYK 0 / 85 / 24 / 54

HEX #751159

RGB 117 17 89

HSL 316.8, 0.75%, 0.26%

LAB 26.46, 47.71, -16.74

 

CMYK 0 / 100 / 30 / 61

HEX #640046

RGB 100 0 70

HSL 318, 1%, 0.2%

LAB 20.64, 45.07, -13.22

 

CMYK 0 / 100 / 39 / 67

HEX #530033

RGB 83 0 51

HSL 323.13, 1%, 0.16%

LAB 15.89, 38.81, -7.46

 

CMYK 0 / 65 / 16 / 41

HEX #97357F

RGB 151 53 127

HSL 314.69, 0.48%, 0.4%

LAB 39, 49.36, -21.08

 

CMYK 0 / 65 / 33 / 41

HEX #973565

RGB 151 53 101

HSL 330.61, 0.48%, 0.4%

LAB 37.96, 45.69, -6.43

 

CMYK 0 / 65 / 51 / 41

HEX #97354A

RGB 151 53 74

HSL 347.14, 0.48%, 0.4%

LAB 37.15, 42.72, 9.55

 

CMYK 0 / 65 / 65 / 41

HEX #973535

RGB 151 53 53

HSL 0, 0.48%, 0.4%

LAB 36.71, 41.05, 22.22

 

CMYK 0 / 65 / 16 / 41

HEX #97357F

RGB 151 53 127

HSL 314.69, 0.48%, 0.4%

LAB 39, 49.36, -21.08

 

CMYK 1 / 65 / 0 / 41

HEX #953597

RGB 149 53 151

HSL 298.78, 0.48%, 0.4%

LAB 39.87, 52.85, -34.43

 

CMYK 19 / 65 / 0 / 41

HEX #7A3597

RGB 122 53 151

HSL 282.24, 0.48%, 0.4%

LAB 35.83, 46.12, -41.1

 

CMYK 36 / 65 / 0 / 41

HEX #603597

RGB 96 53 151

HSL 266.33, 0.48%, 0.4%

LAB 32.41, 39.95, -46.77

 

CMYK 54 / 65 / 0 / 41

HEX #453597

RGB 69 53 151

HSL 249.8, 0.48%, 0.4%

LAB 29.53, 34.27, -51.58

 

CMYK 0 / 65 / 16 / 41

HEX #97357F

RGB 151 53 127

HSL 314.69, 0.48%, 0.4%

LAB 39, 49.36, -21.08

 

CMYK 0 / 78 / 19 / 35

HEX #A72587

RGB 167 37 135

HSL 314.77, 0.64%, 0.4%

LAB 40.06, 60.49, -24.15

 

CMYK 0 / 89 / 22 / 28

HEX #B81490

RGB 184 20 144

HSL 314.63, 0.8%, 0.4%

LAB 42.31, 69.22, -25.91

 

CMYK 0 / 98 / 24 / 22

HEX #C80498

RGB 200 4 152

HSL 314.69, 0.96%, 0.4%

LAB 45.13, 75.17, -26.14

 

CMYK 0 / 65 / 16 / 41

HEX #97357F

RGB 151 53 127

HSL 314.69, 0.48%, 0.4%

LAB 39, 49.36, -21.08

 

CMYK 0 / 48 / 11 / 47

HEX #864677

RGB 134 70 119

HSL 314.06, 0.31%, 0.4%

LAB 39.21, 34.33, -16.03

 

CMYK 0 / 27 / 7 / 54

HEX #76566E

RGB 118 86 110

HSL 315, 0.16%, 0.4%

LAB 40.63, 17.53, -8.52

 

CMYK 2 / 0 / 1 / 60

HEX #656766

RGB 101 103 102

HSL 150, 0.01%, 0.4%

LAB 43.4, -0.98, 0.29

 

CMYK 29 / 0 / 22 / 53

HEX #55775D

RGB 85 119 93

HSL 134.12, 0.17%, 0.4%

LAB 46.86, -17.93, 10.46

 

CMYK 19 / 65 / 0 / 41

HEX #7A3597

RGB 122 53 151

HSL 282.24, 0.48%, 0.4%

LAB 35.83, 46.12, -41.1

 

CMYK 2 / 65 / 0 / 41

HEX #943597

RGB 148 53 151

HSL 298.16, 0.48%, 0.4%

LAB 39.71, 52.6, -34.68

 

CMYK 0 / 65 / 15 / 41

HEX #973580

RGB 151 53 128

HSL 314.08, 0.48%, 0.4%

LAB 39.04, 49.51, -21.63

 

CMYK 0 / 65 / 32 / 41

HEX #973566

RGB 151 53 102

HSL 330, 0.48%, 0.4%

LAB 37.99, 45.82, -7.01

 

CMYK 0 / 65 / 50 / 41

HEX #97354C

RGB 151 53 76

HSL 345.92, 0.48%, 0.4%

LAB 37.2, 42.91, 8.34

 

CMYK 0 / 64 / 16 / 65

HEX #5A204C

RGB 90 32 76

HSL 314.48, 0.48%, 0.24%

LAB 22.75, 32.46, -14.21

 

CMYK 0 / 65 / 16 / 53

HEX #782A65

RGB 120 42 101

HSL 314.62, 0.48%, 0.32%

LAB 30.85, 41.14, -17.72

 

CMYK 0 / 65 / 16 / 41

HEX #97357F

RGB 151 53 127

HSL 314.69, 0.48%, 0.4%

LAB 39, 49.36, -21.08

 

CMYK 0 / 65 / 15 / 29

HEX #B54099

RGB 181 64 153

HSL 314.36, 0.48%, 0.48%

LAB 46.7, 56.96, -24.57

 

CMYK 0 / 54 / 13 / 23

HEX #C55AAB

RGB 197 90 171

HSL 314.58, 0.48%, 0.56%

LAB 54.16, 52.65, -23.47

 

CMYK 0 / 65 / 16 / 41

HEX #97357F

RGB 151 53 127

HSL 314.69, 0.48%, 0.4%

LAB 39, 49.36, -21.08

 

CMYK 0 / 37 / 65 / 41

HEX #975F35

RGB 151 95 53

HSL 25.71, 0.48%, 0.4%

LAB 45.66, 18.65, 33.08

 

CMYK 65 / 0 / 11 / 41

HEX #359787

RGB 53 151 135

HSL 170.2, 0.48%, 0.4%

LAB 56.72, -32.25, 0.06

 

CMYK 0 / 65 / 16 / 41

HEX #97357F

RGB 151 53 127

HSL 314.69, 0.48%, 0.4%

LAB 39, 49.36, -21.08

 

CMYK 15 / 0 / 65 / 41

HEX #809735

RGB 128 151 53

HSL 74.08, 0.48%, 0.4%

LAB 58.96, -22.69, 47.29

 

CMYK 65 / 15 / 0 / 41

HEX #358097

RGB 53 128 151

HSL 194.08, 0.48%, 0.4%

LAB 50.01, -15.71, -19.23

 

CMYK 0 / 65 / 16 / 41

HEX #97357F

RGB 151 53 127

HSL 314.69, 0.48%, 0.4%

LAB 39, 49.36, -21.08

 

CMYK 0 / 37 / 65 / 41

HEX #975F35

RGB 151 95 53

HSL 25.71, 0.48%, 0.4%

LAB 45.66, 18.65, 33.08

 

CMYK 65 / 0 / 50 / 41

HEX #35974C

RGB 53 151 76

HSL 134.08, 0.48%, 0.4%

LAB 55.49, -45.12, 31.18

 

CMYK 65 / 28 / 0 / 41

HEX #356D97

RGB 53 109 151

HSL 205.71, 0.48%, 0.4%

LAB 44.13, -4.76, -28.33

 

CMYK 0 / 65 / 16 / 41

HEX #97357F

RGB 151 53 127

HSL 314.69, 0.48%, 0.4%

LAB 39, 49.36, -21.08

 

CMYK 0 / 17 / 65 / 41

HEX #977D35

RGB 151 125 53

HSL 44.08, 0.48%, 0.4%

LAB 53.5, 1.46, 41.95

 

CMYK 65 / 0 / 50 / 41

HEX #35974C

RGB 53 151 76

HSL 134.08, 0.48%, 0.4%

LAB 55.49, -45.12, 31.18

 

CMYK 65 / 48 / 0 / 41

HEX #354F97

RGB 53 79 151

HSL 224.08, 0.48%, 0.4%

LAB 35.17, 14.3, -42.52

 

Description

Color code: RGB 151 53 127 | qconv.com Color code: RGB 151 53 127 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 53 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 53 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 16 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 16% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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