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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 151 233 52 it is the complementary color RGB 104 22 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 151 233 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 151 233 52 shade: RGB 156 233 47, RGB 173 251 66, RGB 190 255 85, RGB 207 255 104 and RGB 224 255 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 151 233 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 151 233 52 shade: RGB 151 233 52, RGB 134 215 33, RGB 117 197 14, RGB 100 179 0 and RGB 83 161 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 151 233 52 shade: RGB 151 233 53, RGB 200 233 53, RGB 233 217 53, RGB 233 169 53 and RGB 233 120 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 151 233 52 shade: RGB 151 233 53, RGB 103 233 53, RGB 54 233 53, RGB 53 233 100 and RGB 53 233 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 151 233 52 shade matches the following richer shades: RGB 151 233 53 and RGB 153 251 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 151 233 52 shade: RGB 151 233 53, RGB 150 214 71, RGB 148 196 89, RGB 146 178 108 and RGB 144 160 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 151 233 52 shade: RGB 233 218 53, RGB 200 233 53, RGB 152 233 53, RGB 104 233 53 and RGB 56 233 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 151 233 52 shade: RGB 109 183 20, RGB 131 220 24, RGB 151 233 53, RGB 170 237 90 and RGB 189 241 127

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 151 233 52 shade: RGB 151 233 52, RGB 53 233 170 and RGB 233 53 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 151 233 52 shade: RGB 151 233 52, RGB 53 152 233 and RGB 233 53 152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 151 233 52 shade: RGB 151 233 52, RGB 53 233 170, RGB 134 53 233 and RGB 233 53 116

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 151 233 52 shade: RGB 151 233 52, RGB 53 233 224, RGB 134 53 233 and RGB 233 53 62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 78 / 9

HEX #97E934

RGB 151 233 52

HSL 87.18, 0.8%, 0.56%

LAB 84.54, -50.95, 73.43

 

Complementary color

CMYK 49 / 89 / 0 / 20

HEX #6816CB

RGB 104 22 203

HSL 267.18, 0.8%, 0.44%

LAB 33.62, 66.57, -75.75

 

CMYK 33 / 0 / 80 / 9

HEX #9CE92F

RGB 156 233 47

HSL 84.84, 0.81%, 0.55%

LAB 84.77, -49.43, 75.11

 

CMYK 31 / 0 / 74 / 2

HEX #ADFB42

RGB 173 251 66

HSL 85.3, 0.96%, 0.62%

LAB 90.9, -49.99, 75.61

 

CMYK 25 / 0 / 67 / 0

HEX #BEFF55

RGB 190 255 85

HSL 82.94, 1%, 0.67%

LAB 93.07, -44.48, 71.5

 

CMYK 19 / 0 / 59 / 0

HEX #CFFF68

RGB 207 255 104

HSL 79.07, 1%, 0.7%

LAB 94.22, -36.86, 65.51

 

CMYK 12 / 0 / 52 / 0

HEX #E0FF7B

RGB 224 255 123

HSL 74.09, 1%, 0.74%

LAB 95.5, -28.89, 59.01

 

CMYK 35 / 0 / 78 / 9

HEX #97E934

RGB 151 233 52

HSL 87.18, 0.8%, 0.56%

LAB 84.54, -50.95, 73.43

 

CMYK 38 / 0 / 85 / 16

HEX #86D721

RGB 134 215 33

HSL 86.7, 0.73%, 0.49%

LAB 78.33, -50.26, 72.39

 

CMYK 41 / 0 / 93 / 23

HEX #75C50E

RGB 117 197 14

HSL 86.23, 0.87%, 0.41%

LAB 72.06, -49.34, 70.15

 

CMYK 44 / 0 / 100 / 30

HEX #64B300

RGB 100 179 0

HSL 86.48, 1%, 0.35%

LAB 65.71, -48.13, 66.42

 

CMYK 48 / 0 / 100 / 37

HEX #53A100

RGB 83 161 0

HSL 89.07, 1%, 0.32%

LAB 59.28, -46.61, 61.08

 

CMYK 35 / 0 / 77 / 9

HEX #97E935

RGB 151 233 53

HSL 87.33, 0.8%, 0.56%

LAB 84.54, -50.9, 73.14

 

CMYK 14 / 0 / 77 / 9

HEX #C8E935

RGB 200 233 53

HSL 71, 0.8%, 0.56%

LAB 87.39, -32.57, 76.82

 

CMYK 0 / 7 / 77 / 9

HEX #E9D935

RGB 233 217 53

HSL 54.67, 0.8%, 0.56%

LAB 85.61, -11.3, 76.13

 

CMYK 0 / 27 / 77 / 9

HEX #E9A935

RGB 233 169 53

HSL 38.67, 0.8%, 0.56%

LAB 73.52, 13.52, 65.06

 

CMYK 0 / 48 / 77 / 9

HEX #E97835

RGB 233 120 53

HSL 22.33, 0.8%, 0.56%

LAB 62.52, 39.23, 54.52

 

CMYK 35 / 0 / 77 / 9

HEX #97E935

RGB 151 233 53

HSL 87.33, 0.8%, 0.56%

LAB 84.54, -50.9, 73.14

 

CMYK 56 / 0 / 77 / 9

HEX #67E935

RGB 103 233 53

HSL 103.33, 0.8%, 0.56%

LAB 82.6, -65.36, 70.63

 

CMYK 77 / 0 / 77 / 9

HEX #36E935

RGB 54 233 53

HSL 119.67, 0.8%, 0.56%

LAB 81.47, -74.82, 69.14

 

CMYK 77 / 0 / 57 / 9

HEX #35E964

RGB 53 233 100

HSL 135.67, 0.8%, 0.56%

LAB 81.81, -70.52, 51.47

 

CMYK 77 / 0 / 36 / 9

HEX #35E994

RGB 53 233 148

HSL 151.67, 0.8%, 0.56%

LAB 82.47, -62.84, 29.05

 

CMYK 35 / 0 / 77 / 9

HEX #97E935

RGB 151 233 53

HSL 87.33, 0.8%, 0.56%

LAB 84.54, -50.9, 73.14

 

CMYK 39 / 0 / 86 / 2

HEX #99FB23

RGB 153 251 35

HSL 87.22, 0.96%, 0.56%

LAB 89.81, -58.07, 82.18

 

CMYK 35 / 0 / 77 / 9

HEX #97E935

RGB 151 233 53

HSL 87.33, 0.8%, 0.56%

LAB 84.54, -50.9, 73.14

 

CMYK 30 / 0 / 67 / 16

HEX #96D647

RGB 150 214 71

HSL 86.85, 0.64%, 0.56%

LAB 79.06, -42.17, 61.54

 

CMYK 24 / 0 / 55 / 23

HEX #94C459

RGB 148 196 89

HSL 86.92, 0.48%, 0.56%

LAB 73.87, -33.27, 48

 

CMYK 18 / 0 / 39 / 30

HEX #92B26C

RGB 146 178 108

HSL 87.43, 0.31%, 0.56%

LAB 68.78, -23.17, 32.26

 

CMYK 10 / 0 / 21 / 37

HEX #90A07E

RGB 144 160 126

HSL 88.24, 0.15%, 0.56%

LAB 63.82, -11.99, 15.87

 

CMYK 0 / 6 / 77 / 9

HEX #E9DA35

RGB 233 218 53

HSL 55, 0.8%, 0.56%

LAB 85.87, -11.8, 76.37

 

CMYK 14 / 0 / 77 / 9

HEX #C8E935

RGB 200 233 53

HSL 71, 0.8%, 0.56%

LAB 87.39, -32.57, 76.82

 

CMYK 35 / 0 / 77 / 9

HEX #98E935

RGB 152 233 53

HSL 87, 0.8%, 0.56%

LAB 84.59, -50.55, 73.21

 

CMYK 55 / 0 / 77 / 9

HEX #68E935

RGB 104 233 53

HSL 103, 0.8%, 0.56%

LAB 82.64, -65.1, 70.67

 

CMYK 76 / 0 / 77 / 9

HEX #38E935

RGB 56 233 53

HSL 119, 0.8%, 0.56%

LAB 81.5, -74.56, 69.18

 

CMYK 40 / 0 / 89 / 28

HEX #6DB714

RGB 109 183 20

HSL 87.24, 0.8%, 0.4%

LAB 67.4, -46.27, 65.22

 

CMYK 40 / 0 / 89 / 14

HEX #83DC18

RGB 131 220 24

HSL 87.24, 0.8%, 0.48%

LAB 79.66, -53.53, 75.18

 

CMYK 35 / 0 / 77 / 9

HEX #97E935

RGB 151 233 53

HSL 87.33, 0.8%, 0.56%

LAB 84.54, -50.9, 73.14

 

CMYK 28 / 0 / 62 / 7

HEX #AAED5A

RGB 170 237 90

HSL 87.35, 0.8%, 0.64%

LAB 86.92, -43.52, 62.66

 

CMYK 22 / 0 / 47 / 5

HEX #BDF17F

RGB 189 241 127

HSL 87.37, 0.8%, 0.72%

LAB 89.52, -34.96, 49.45

 

CMYK 35 / 0 / 78 / 9

HEX #97E934

RGB 151 233 52

HSL 87.18, 0.8%, 0.56%

LAB 84.54, -50.95, 73.43

 

CMYK 77 / 0 / 27 / 9

HEX #35E9AA

RGB 53 233 170

HSL 159, 0.8%, 0.56%

LAB 82.88, -58.31, 18.28

 

CMYK 0 / 77 / 4 / 9

HEX #E935E0

RGB 233 53 224

HSL 303, 0.8%, 0.56%

LAB 57.32, 83.05, -48.51

 

CMYK 35 / 0 / 78 / 9

HEX #97E934

RGB 151 233 52

HSL 87.18, 0.8%, 0.56%

LAB 84.54, -50.95, 73.43

 

CMYK 77 / 35 / 0 / 9

HEX #3598E9

RGB 53 152 233

HSL 207, 0.8%, 0.56%

LAB 60.87, -1.01, -48.89

 

CMYK 0 / 77 / 35 / 9

HEX #E93598

RGB 233 53 152

HSL 327, 0.8%, 0.56%

LAB 54.17, 73.92, -11.77

 

CMYK 35 / 0 / 78 / 9

HEX #97E934

RGB 151 233 52

HSL 87.18, 0.8%, 0.56%

LAB 84.54, -50.95, 73.43

 

CMYK 77 / 0 / 27 / 9

HEX #35E9AA

RGB 53 233 170

HSL 159, 0.8%, 0.56%

LAB 82.88, -58.31, 18.28

 

CMYK 42 / 77 / 0 / 9

HEX #8635E9

RGB 134 53 233

HSL 267, 0.8%, 0.56%

LAB 43.5, 67.31, -76.62

 

CMYK 0 / 77 / 50 / 9

HEX #E93574

RGB 233 53 116

HSL 339, 0.8%, 0.56%

LAB 53.09, 70.63, 8.16

 

CMYK 35 / 0 / 78 / 9

HEX #97E934

RGB 151 233 52

HSL 87.18, 0.8%, 0.56%

LAB 84.54, -50.95, 73.43

 

CMYK 77 / 0 / 4 / 9

HEX #35E9E0

RGB 53 233 224

HSL 177, 0.8%, 0.56%

LAB 84.18, -44.85, -8.22

 

CMYK 42 / 77 / 0 / 9

HEX #8635E9

RGB 134 53 233

HSL 267, 0.8%, 0.56%

LAB 43.5, 67.31, -76.62

 

CMYK 0 / 77 / 73 / 9

HEX #E9353E

RGB 233 53 62

HSL 357, 0.8%, 0.56%

LAB 52.08, 67.45, 38.92

 

Description

Color code: RGB 151 233 52 | qconv.com Color code: RGB 151 233 52 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 233 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 233 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 78 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 78% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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