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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 151 191 131 it is the complementary color RGB 104 64 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 151 191 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 151 191 131 shade: RGB 156 191 126, RGB 173 209 145, RGB 190 227 164, RGB 207 245 183 and RGB 224 255 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 151 191 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 151 191 131 shade: RGB 151 191 131, RGB 134 173 112, RGB 117 155 93, RGB 100 137 74 and RGB 83 119 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 151 191 131 shade: RGB 151 191 130, RGB 167 191 130, RGB 183 191 130, RGB 191 182 130 and RGB 191 166 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 151 191 131 shade: RGB 151 191 130, RGB 134 191 130, RGB 130 191 143, RGB 130 191 159 and RGB 130 191 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 151 191 131 shade matches the following richer shades: RGB 151 191 130, RGB 145 206 115, RGB 140 221 100, RGB 135 237 85 and RGB 130 252 69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 151 191 131 shade: RGB 151 191 130, RGB 156 176 146, RGB 161 160 161, RGB 166 145 176 and RGB 171 130 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 151 191 131 shade: RGB 183 191 130, RGB 167 191 130, RGB 151 191 130, RGB 134 191 130 and RGB 130 191 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 151 191 131 shade: RGB 107 158 81, RGB 128 177 103, RGB 151 191 130, RGB 173 205 158 and RGB 196 219 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 151 191 131 shade: RGB 151 191 131, RGB 130 191 183 and RGB 191 130 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 151 191 131 shade: RGB 151 191 131, RGB 130 151 191 and RGB 191 130 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 151 191 131 shade: RGB 151 191 131, RGB 130 191 183, RGB 171 130 191 and RGB 191 130 139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 151 191 131 shade: RGB 151 191 131, RGB 130 181 191, RGB 171 130 191 and RGB 191 141 130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 31 / 25

HEX #97BF83

RGB 151 191 131

HSL 100, 0.32%, 0.63%

LAB 73.21, -24.46, 26.05

 

Complementary color

CMYK 16 / 48 / 0 / 51

HEX #68407C

RGB 104 64 124

HSL 280, 0.32%, 0.37%

LAB 34.12, 28.96, -27.35

 

CMYK 18 / 0 / 34 / 25

HEX #9CBF7E

RGB 156 191 126

HSL 92.31, 0.34%, 0.62%

LAB 73.44, -23.39, 29.05

 

CMYK 17 / 0 / 31 / 18

HEX #ADD191

RGB 173 209 145

HSL 93.75, 0.41%, 0.69%

LAB 79.91, -23.31, 27.95

 

CMYK 16 / 0 / 28 / 11

HEX #BEE3A4

RGB 190 227 164

HSL 95.24, 0.53%, 0.77%

LAB 86.29, -23.22, 26.9

 

CMYK 16 / 0 / 25 / 4

HEX #CFF5B7

RGB 207 245 183

HSL 96.77, 0.76%, 0.84%

LAB 92.57, -23.14, 25.91

 

CMYK 12 / 0 / 21 / 0

HEX #E0FFCA

RGB 224 255 202

HSL 95.09, 1%, 0.9%

LAB 96.67, -19.21, 22.06

 

CMYK 21 / 0 / 31 / 25

HEX #97BF83

RGB 151 191 131

HSL 100, 0.32%, 0.63%

LAB 73.21, -24.46, 26.05

 

CMYK 23 / 0 / 35 / 32

HEX #86AD70

RGB 134 173 112

HSL 98.36, 0.27%, 0.56%

LAB 66.62, -24.6, 27.18

 

CMYK 25 / 0 / 40 / 39

HEX #759B5D

RGB 117 155 93

HSL 96.77, 0.25%, 0.49%

LAB 59.9, -24.73, 28.37

 

CMYK 27 / 0 / 46 / 46

HEX #64894A

RGB 100 137 74

HSL 95.24, 0.3%, 0.41%

LAB 53.05, -24.84, 29.62

 

CMYK 30 / 0 / 54 / 53

HEX #537737

RGB 83 119 55

HSL 93.75, 0.37%, 0.34%

LAB 46.05, -24.9, 30.89

 

CMYK 21 / 0 / 32 / 25

HEX #97BF82

RGB 151 191 130

HSL 99.34, 0.32%, 0.63%

LAB 73.19, -24.62, 26.55

 

CMYK 13 / 0 / 32 / 25

HEX #A7BF82

RGB 167 191 130

HSL 83.61, 0.32%, 0.63%

LAB 74.25, -18.73, 28.15

 

CMYK 4 / 0 / 32 / 25

HEX #B7BF82

RGB 183 191 130

HSL 67.87, 0.32%, 0.63%

LAB 75.41, -12.62, 29.91

 

CMYK 0 / 5 / 32 / 25

HEX #BFB682

RGB 191 182 130

HSL 51.15, 0.32%, 0.63%

LAB 73.64, -4.8, 27.67

 

CMYK 0 / 13 / 32 / 25

HEX #BFA682

RGB 191 166 130

HSL 35.41, 0.32%, 0.63%

LAB 69.44, 3.74, 22.02

 

CMYK 21 / 0 / 32 / 25

HEX #97BF82

RGB 151 191 130

HSL 99.34, 0.32%, 0.63%

LAB 73.19, -24.62, 26.55

 

CMYK 30 / 0 / 32 / 25

HEX #86BF82

RGB 134 191 130

HSL 116.07, 0.32%, 0.63%

LAB 72.19, -30.52, 25.04

 

CMYK 32 / 0 / 25 / 25

HEX #82BF8F

RGB 130 191 143

HSL 132.79, 0.32%, 0.63%

LAB 72.22, -29.58, 18.11

 

CMYK 32 / 0 / 17 / 25

HEX #82BF9F

RGB 130 191 159

HSL 148.52, 0.32%, 0.63%

LAB 72.57, -26.5, 9.95

 

CMYK 32 / 0 / 8 / 25

HEX #82BFAF

RGB 130 191 175

HSL 164.26, 0.32%, 0.63%

LAB 72.96, -23.11, 1.81

 

CMYK 21 / 0 / 32 / 25

HEX #97BF82

RGB 151 191 130

HSL 99.34, 0.32%, 0.63%

LAB 73.19, -24.62, 26.55

 

CMYK 30 / 0 / 44 / 19

HEX #91CE73

RGB 145 206 115

HSL 100.22, 0.48%, 0.63%

LAB 76.92, -35.96, 39.06

 

CMYK 37 / 0 / 55 / 13

HEX #8CDD64

RGB 140 221 100

HSL 100.17, 0.64%, 0.63%

LAB 80.85, -46.02, 51

 

CMYK 43 / 0 / 64 / 7

HEX #87ED55

RGB 135 237 85

HSL 100.26, 0.81%, 0.63%

LAB 85.19, -55.57, 62.31

 

CMYK 48 / 0 / 73 / 1

HEX #82FC45

RGB 130 252 69

HSL 100, 0.97%, 0.63%

LAB 89.3, -63.91, 72.41

 

CMYK 21 / 0 / 32 / 25

HEX #97BF82

RGB 151 191 130

HSL 99.34, 0.32%, 0.63%

LAB 73.19, -24.62, 26.55

 

CMYK 11 / 0 / 17 / 31

HEX #9CB092

RGB 156 176 146

HSL 100, 0.16%, 0.63%

LAB 69.61, -12.59, 13.07

 

CMYK 0 / 1 / 0 / 37

HEX #A1A0A1

RGB 161 160 161

HSL 300, 0.01%, 0.63%

LAB 65.98, 0.55, -0.4

 

CMYK 6 / 18 / 0 / 31

HEX #A691B0

RGB 166 145 176

HSL 280.65, 0.16%, 0.63%

LAB 62.92, 13.67, -13.32

 

CMYK 11 / 32 / 0 / 25

HEX #AB82C0

RGB 171 130 192

HSL 279.68, 0.33%, 0.63%

LAB 60.27, 27.18, -26.36

 

CMYK 4 / 0 / 32 / 25

HEX #B7BF82

RGB 183 191 130

HSL 67.87, 0.32%, 0.63%

LAB 75.41, -12.62, 29.91

 

CMYK 13 / 0 / 32 / 25

HEX #A7BF82

RGB 167 191 130

HSL 83.61, 0.32%, 0.63%

LAB 74.25, -18.73, 28.15

 

CMYK 21 / 0 / 32 / 25

HEX #97BF82

RGB 151 191 130

HSL 99.34, 0.32%, 0.63%

LAB 73.19, -24.62, 26.55

 

CMYK 30 / 0 / 32 / 25

HEX #86BF82

RGB 134 191 130

HSL 116.07, 0.32%, 0.63%

LAB 72.19, -30.52, 25.04

 

CMYK 32 / 0 / 25 / 25

HEX #82BF8F

RGB 130 191 143

HSL 132.79, 0.32%, 0.63%

LAB 72.22, -29.58, 18.11

 

CMYK 32 / 0 / 49 / 38

HEX #6B9E51

RGB 107 158 81

HSL 99.74, 0.32%, 0.47%

LAB 60.05, -31.5, 34.75

 

CMYK 28 / 0 / 42 / 31

HEX #80B167

RGB 128 177 103

HSL 99.73, 0.32%, 0.55%

LAB 67.29, -30.02, 32.73

 

CMYK 21 / 0 / 32 / 25

HEX #97BF82

RGB 151 191 130

HSL 99.34, 0.32%, 0.63%

LAB 73.19, -24.62, 26.55

 

CMYK 16 / 0 / 23 / 20

HEX #ADCD9E

RGB 173 205 158

HSL 100.85, 0.32%, 0.71%

LAB 79.05, -19.32, 19.95

 

CMYK 11 / 0 / 16 / 14

HEX #C4DBB9

RGB 196 219 185

HSL 100.59, 0.32%, 0.79%

LAB 84.95, -13.83, 14.17

 

CMYK 21 / 0 / 31 / 25

HEX #97BF83

RGB 151 191 131

HSL 100, 0.32%, 0.63%

LAB 73.21, -24.46, 26.05

 

CMYK 32 / 0 / 4 / 25

HEX #82BFB7

RGB 130 191 183

HSL 172.13, 0.32%, 0.63%

LAB 73.17, -21.32, -2.24

 

CMYK 0 / 32 / 8 / 25

HEX #BF82AF

RGB 191 130 175

HSL 315.74, 0.32%, 0.63%

LAB 61.77, 30.54, -14.24

 

CMYK 21 / 0 / 31 / 25

HEX #97BF83

RGB 151 191 131

HSL 100, 0.32%, 0.63%

LAB 73.21, -24.46, 26.05

 

CMYK 32 / 21 / 0 / 25

HEX #8297BF

RGB 130 151 191

HSL 219.34, 0.32%, 0.63%

LAB 62.2, 2.12, -23.12

 

CMYK 0 / 32 / 21 / 25

HEX #BF8297

RGB 191 130 151

HSL 339.34, 0.32%, 0.63%

LAB 61.02, 26.57, -1.65

 

CMYK 21 / 0 / 31 / 25

HEX #97BF83

RGB 151 191 131

HSL 100, 0.32%, 0.63%

LAB 73.21, -24.46, 26.05

 

CMYK 32 / 0 / 4 / 25

HEX #82BFB7

RGB 130 191 183

HSL 172.13, 0.32%, 0.63%

LAB 73.17, -21.32, -2.24

 

CMYK 10 / 32 / 0 / 25

HEX #AB82BF

RGB 171 130 191

HSL 280.33, 0.32%, 0.63%

LAB 60.23, 26.97, -25.86

 

CMYK 0 / 32 / 27 / 25

HEX #BF828B

RGB 191 130 139

HSL 351.15, 0.32%, 0.63%

LAB 60.7, 24.79, 4.74

 

CMYK 21 / 0 / 31 / 25

HEX #97BF83

RGB 151 191 131

HSL 100, 0.32%, 0.63%

LAB 73.21, -24.46, 26.05

 

CMYK 32 / 5 / 0 / 25

HEX #82B5BF

RGB 130 181 191

HSL 189.84, 0.32%, 0.63%

LAB 70.56, -14.28, -10.48

 

CMYK 10 / 32 / 0 / 25

HEX #AB82BF

RGB 171 130 191

HSL 280.33, 0.32%, 0.63%

LAB 60.23, 26.97, -25.86

 

CMYK 0 / 26 / 32 / 25

HEX #BF8D82

RGB 191 141 130

HSL 10.82, 0.32%, 0.63%

LAB 63.13, 17.46, 13.31

 

Description

Color code: RGB 151 191 131 | qconv.com Color code: RGB 151 191 131 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 191 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 191 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 31 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 31% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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