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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 151 177 234 it is the complementary color RGB 104 78 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 151 177 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 151 177 234: RGB 156 177 229, RGB 173 195 248, RGB 190 213 255, RGB 207 231 255 and RGB 224 249 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 151 177 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 151 177 234: RGB 151 177 234, RGB 134 159 215, RGB 117 141 196, RGB 100 123 177 and RGB 83 105 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 24 / 0 / 8

HEX #97B1EA

RGB 151 177 234

HSL 221.2, 0.66%, 0.75%

LAB 72.2, 4.64, -31.38

 

Complementary color

CMYK 0 / 25 / 80 / 59

HEX #684E15

RGB 104 78 21

HSL 41.2, 0.66%, 0.25%

LAB 34.89, 4.82, 35.98

 

CMYK 32 / 23 / 0 / 10

HEX #9CB1E5

RGB 156 177 229

HSL 222.74, 0.58%, 0.75%

LAB 72.34, 4.76, -28.43

 

CMYK 30 / 21 / 0 / 3

HEX #ADC3F8

RGB 173 195 248

HSL 222.4, 0.84%, 0.83%

LAB 78.86, 4.43, -28.58

 

CMYK 25 / 16 / 0 / 0

HEX #BED5FF

RGB 190 213 255

HSL 218.77, 1%, 0.87%

LAB 84.87, 1.34, -23.03

 

CMYK 19 / 9 / 0 / 0

HEX #CFE7FF

RGB 207 231 255

HSL 210, 1%, 0.91%

LAB 90.61, -3, -14.26

 

CMYK 12 / 2 / 0 / 0

HEX #E0F9FF

RGB 224 249 255

HSL 191.61, 1%, 0.94%

LAB 96.34, -6.93, -5.64

 

CMYK 35 / 24 / 0 / 8

HEX #97B1EA

RGB 151 177 234

HSL 221.2, 0.66%, 0.75%

LAB 72.2, 4.64, -31.38

 

CMYK 38 / 26 / 0 / 16

HEX #869FD7

RGB 134 159 215

HSL 221.48, 0.5%, 0.68%

LAB 65.57, 5.06, -31.3

 

CMYK 40 / 28 / 0 / 23

HEX #758DC4

RGB 117 141 196

HSL 221.77, 0.4%, 0.61%

LAB 58.8, 5.54, -31.25

 

CMYK 44 / 31 / 0 / 31

HEX #647BB1

RGB 100 123 177

HSL 222.08, 0.33%, 0.54%

LAB 51.89, 6.11, -31.25

 

CMYK 47 / 34 / 0 / 38

HEX #53699E

RGB 83 105 158

HSL 222.4, 0.31%, 0.47%

LAB 44.82, 6.8, -31.29

 

CMYK 35 / 24 / 0 / 8

HEX #97B1EA

RGB 151 177 234

HSL 221.2, 0.66%, 0.75%

LAB 72.2, 4.64, -31.38

 

CMYK 36 / 31 / 0 / 9

HEX #95A1E9

RGB 149 161 233

HSL 231.43, 0.66%, 0.75%

LAB 67.85, 12.82, -37.61

 

CMYK 36 / 36 / 0 / 9

HEX #9695E9

RGB 150 149 233

HSL 240.71, 0.66%, 0.75%

LAB 64.85, 19.95, -42.28

 

CMYK 30 / 36 / 0 / 9

HEX #A495E9

RGB 164 149 233

HSL 250.71, 0.66%, 0.75%

LAB 65.96, 23.8, -40.47

 

CMYK 24 / 36 / 0 / 9

HEX #B295E9

RGB 178 149 233

HSL 260.71, 0.66%, 0.75%

LAB 67.16, 27.8, -38.51

 

CMYK 35 / 24 / 0 / 8

HEX #97B1EA

RGB 151 177 234

HSL 221.2, 0.66%, 0.75%

LAB 72.2, 4.64, -31.38

 

CMYK 37 / 23 / 0 / 88

HEX #13171E

RGB 19 23 30

HSL 218.18, 0.22%, 0.1%

LAB 7.63, 0.25, -5.53

 

CMYK 36 / 25 / 0 / 68

HEX #343D51

RGB 52 61 81

HSL 221.38, 0.22%, 0.26%

LAB 25.75, 1.87, -13.31

 

CMYK 36 / 24 / 0 / 48

HEX #556484

RGB 85 100 132

HSL 220.85, 0.22%, 0.43%

LAB 42.33, 2.65, -19.62

 

CMYK 36 / 25 / 0 / 28

HEX #768AB7

RGB 118 138 183

HSL 221.54, 0.31%, 0.59%

LAB 57.51, 3.97, -25.88

 

CMYK 35 / 24 / 0 / 8

HEX #97B1EA

RGB 151 177 234

HSL 221.2, 0.66%, 0.75%

LAB 72.2, 4.64, -31.38

 

CMYK 4 / 36 / 0 / 9

HEX #DF95E9

RGB 223 149 233

HSL 292.86, 0.66%, 0.75%

LAB 71.6, 41.3, -31.27

 

CMYK 10 / 0 / 36 / 9

HEX #D1E995

RGB 209 233 149

HSL 77.14, 0.66%, 0.75%

LAB 88.92, -21.3, 38.25

 

CMYK 35 / 24 / 0 / 8

HEX #97B1EA

RGB 151 177 234

HSL 221.2, 0.66%, 0.75%

LAB 72.2, 4.64, -31.38

 

CMYK 0 / 36 / 25 / 9

HEX #E995AF

RGB 233 149 175

HSL 341.43, 0.66%, 0.75%

LAB 70.81, 34.99, -0.29

 

CMYK 25 / 0 / 36 / 9

HEX #AFE995

RGB 175 233 149

HSL 101.43, 0.66%, 0.75%

LAB 86.78, -33.45, 35.04

 

CMYK 35 / 24 / 0 / 8

HEX #97B1EA

RGB 151 177 234

HSL 221.2, 0.66%, 0.75%

LAB 72.2, 4.64, -31.38

 

CMYK 4 / 36 / 0 / 9

HEX #DF95E9

RGB 223 149 233

HSL 292.86, 0.66%, 0.75%

LAB 71.6, 41.3, -31.27

 

CMYK 0 / 12 / 36 / 9

HEX #E9CE95

RGB 233 206 149

HSL 40.71, 0.66%, 0.75%

LAB 83.78, 1.46, 31.84

 

CMYK 32 / 0 / 36 / 9

HEX #9EE995

RGB 158 233 149

HSL 113.57, 0.66%, 0.75%

LAB 85.86, -39.07, 33.67

 

CMYK 35 / 24 / 0 / 8

HEX #97B1EA

RGB 151 177 234

HSL 221.2, 0.66%, 0.75%

LAB 72.2, 4.64, -31.38

 

CMYK 0 / 36 / 7 / 9

HEX #E995D9

RGB 233 149 217

HSL 311.43, 0.66%, 0.75%

LAB 72.11, 41.54, -21.6

 

CMYK 0 / 12 / 36 / 9

HEX #E9CE95

RGB 233 206 149

HSL 40.71, 0.66%, 0.75%

LAB 83.78, 1.46, 31.84

 

CMYK 36 / 0 / 30 / 9

HEX #95E9A4

RGB 149 233 164

HSL 130.71, 0.66%, 0.75%

LAB 85.68, -39.45, 25.7

 

Description

Color code: RGB 151 177 234 | qconv.com Color code: RGB 151 177 234 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 177 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 177 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 24 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 24% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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