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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 151 158 113 it is the complementary color RGB 104 97 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 151 158 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 151 158 113 shade: RGB 156 158 108, RGB 173 176 127, RGB 190 194 146, RGB 207 212 165 and RGB 224 230 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 151 158 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 151 158 113 shade: RGB 151 158 113, RGB 134 140 94, RGB 117 122 75, RGB 100 104 56 and RGB 83 86 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 151 158 113 shade: RGB 150 157 112, RGB 157 152 112, RGB 157 140 112, RGB 157 128 112 and RGB 157 115 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 151 158 113 shade: RGB 150 157 112, RGB 138 157 112, RGB 126 157 112, RGB 113 157 112 and RGB 112 157 123

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 151 158 113 shade matches the following richer shades: RGB 150 157 112, RGB 164 177 92, RGB 177 196 73, RGB 190 216 54 and RGB 204 235 34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 151 158 113 shade: RGB 150 157 112, RGB 137 138 131, RGB 124 119 151, RGB 110 99 170 and RGB 97 80 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 151 158 113 shade: RGB 157 140 112, RGB 157 152 112, RGB 151 157 112, RGB 138 157 112 and RGB 126 157 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 151 158 113 shade: RGB 106 111 76, RGB 129 136 92, RGB 150 157 112, RGB 168 174 136 and RGB 186 191 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 151 158 113 shade: RGB 151 158 113, RGB 112 157 128 and RGB 146 112 157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 151 158 113 shade: RGB 151 158 113, RGB 112 151 157 and RGB 157 112 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 151 158 113 shade: RGB 151 158 113, RGB 112 157 128, RGB 119 112 157 and RGB 157 112 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 151 158 113 shade: RGB 151 158 113, RGB 112 157 141, RGB 119 112 157 and RGB 157 112 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 28 / 38

HEX #979E71

RGB 151 158 113

HSL 69.33, 0.19%, 0.53%

LAB 63.53, -10.22, 22.73

 

Complementary color

CMYK 27 / 32 / 0 / 44

HEX #68618E

RGB 104 97 142

HSL 249.33, 0.19%, 0.47%

LAB 43.43, 13.24, -23.81

 

CMYK 1 / 0 / 32 / 38

HEX #9C9E6C

RGB 156 158 108

HSL 62.4, 0.2%, 0.52%

LAB 63.84, -8.91, 25.95

 

CMYK 2 / 0 / 28 / 31

HEX #ADB07F

RGB 173 176 127

HSL 63.67, 0.24%, 0.59%

LAB 70.5, -9.13, 24.82

 

CMYK 2 / 0 / 25 / 24

HEX #BEC292

RGB 190 194 146

HSL 65, 0.28%, 0.67%

LAB 77.04, -9.3, 23.75

 

CMYK 2 / 0 / 22 / 17

HEX #CFD4A5

RGB 207 212 165

HSL 66.38, 0.35%, 0.74%

LAB 83.48, -9.45, 22.74

 

CMYK 3 / 0 / 20 / 10

HEX #E0E6B8

RGB 224 230 184

HSL 67.83, 0.48%, 0.81%

LAB 89.81, -9.58, 21.79

 

CMYK 4 / 0 / 28 / 38

HEX #979E71

RGB 151 158 113

HSL 69.33, 0.19%, 0.53%

LAB 63.53, -10.22, 22.73

 

CMYK 4 / 0 / 33 / 45

HEX #868C5E

RGB 134 140 94

HSL 67.83, 0.2%, 0.46%

LAB 56.72, -10.06, 23.89

 

CMYK 4 / 0 / 39 / 52

HEX #757A4B

RGB 117 122 75

HSL 66.38, 0.24%, 0.39%

LAB 49.75, -9.84, 25.12

 

CMYK 4 / 0 / 46 / 59

HEX #646838

RGB 100 104 56

HSL 65, 0.3%, 0.31%

LAB 42.61, -9.54, 26.42

 

CMYK 3 / 0 / 57 / 66

HEX #535625

RGB 83 86 37

HSL 63.67, 0.4%, 0.24%

LAB 35.26, -9.1, 27.74

 

CMYK 4 / 0 / 29 / 38

HEX #969D70

RGB 150 157 112

HSL 69.33, 0.19%, 0.53%

LAB 63.15, -10.23, 22.76

 

CMYK 0 / 3 / 29 / 38

HEX #9D9870

RGB 157 152 112

HSL 53.33, 0.19%, 0.53%

LAB 62.33, -4.73, 21.76

 

CMYK 0 / 11 / 29 / 38

HEX #9D8C70

RGB 157 140 112

HSL 37.33, 0.19%, 0.53%

LAB 59.06, 1.9, 17.31

 

CMYK 0 / 18 / 29 / 38

HEX #9D8070

RGB 157 128 112

HSL 21.33, 0.19%, 0.53%

LAB 55.86, 8.66, 12.88

 

CMYK 0 / 27 / 29 / 38

HEX #9D7370

RGB 157 115 112

HSL 4, 0.19%, 0.53%

LAB 52.51, 16.1, 8.16

 

CMYK 4 / 0 / 29 / 38

HEX #969D70

RGB 150 157 112

HSL 69.33, 0.19%, 0.53%

LAB 63.15, -10.23, 22.76

 

CMYK 12 / 0 / 29 / 38

HEX #8A9D70

RGB 138 157 112

HSL 85.33, 0.19%, 0.53%

LAB 62.24, -14.93, 21.38

 

CMYK 20 / 0 / 29 / 38

HEX #7E9D70

RGB 126 157 112

HSL 101.33, 0.19%, 0.53%

LAB 61.41, -19.47, 20.12

 

CMYK 28 / 0 / 29 / 38

HEX #719D70

RGB 113 157 112

HSL 118.67, 0.19%, 0.53%

LAB 60.6, -24.15, 18.88

 

CMYK 29 / 0 / 22 / 38

HEX #709D7B

RGB 112 157 123

HSL 134.67, 0.19%, 0.53%

LAB 60.77, -22.46, 12.98

 

CMYK 4 / 0 / 29 / 38

HEX #969D70

RGB 150 157 112

HSL 69.33, 0.19%, 0.53%

LAB 63.15, -10.23, 22.76

 

CMYK 7 / 0 / 48 / 31

HEX #A4B15C

RGB 164 177 92

HSL 69.18, 0.35%, 0.53%

LAB 69.55, -17.45, 41.67

 

CMYK 10 / 0 / 63 / 23

HEX #B1C449

RGB 177 196 73

HSL 69.27, 0.51%, 0.53%

LAB 75.64, -23.23, 57.64

 

CMYK 12 / 0 / 75 / 15

HEX #BED836

RGB 190 216 54

HSL 69.63, 0.68%, 0.53%

LAB 82.01, -28.62, 71.31

 

CMYK 13 / 0 / 86 / 8

HEX #CCEB22

RGB 204 235 34

HSL 69.25, 0.83%, 0.53%

LAB 88.15, -32.5, 82.13

 

CMYK 4 / 0 / 29 / 38

HEX #969D70

RGB 150 157 112

HSL 69.33, 0.19%, 0.53%

LAB 63.15, -10.23, 22.76

 

CMYK 1 / 0 / 5 / 46

HEX #898A83

RGB 137 138 131

HSL 68.57, 0.03%, 0.53%

LAB 57.21, -1.71, 3.61

 

CMYK 18 / 21 / 0 / 41

HEX #7C7797

RGB 124 119 151

HSL 249.38, 0.13%, 0.53%

LAB 51.51, 8.83, -16.58

 

CMYK 35 / 42 / 0 / 33

HEX #6E63AA

RGB 110 99 170

HSL 249.3, 0.29%, 0.53%

LAB 45.83, 21.42, -36.64

 

CMYK 49 / 58 / 0 / 26

HEX #6150BD

RGB 97 80 189

HSL 249.36, 0.45%, 0.53%

LAB 41.14, 35.33, -55.32

 

CMYK 0 / 11 / 29 / 38

HEX #9D8C70

RGB 157 140 112

HSL 37.33, 0.19%, 0.53%

LAB 59.06, 1.9, 17.31

 

CMYK 0 / 3 / 29 / 38

HEX #9D9870

RGB 157 152 112

HSL 53.33, 0.19%, 0.53%

LAB 62.33, -4.73, 21.76

 

CMYK 4 / 0 / 29 / 38

HEX #979D70

RGB 151 157 112

HSL 68, 0.19%, 0.53%

LAB 63.23, -9.83, 22.88

 

CMYK 12 / 0 / 29 / 38

HEX #8A9D70

RGB 138 157 112

HSL 85.33, 0.19%, 0.53%

LAB 62.24, -14.93, 21.38

 

CMYK 20 / 0 / 29 / 38

HEX #7E9D70

RGB 126 157 112

HSL 101.33, 0.19%, 0.53%

LAB 61.41, -19.47, 20.12

 

CMYK 5 / 0 / 32 / 56

HEX #6A6F4C

RGB 106 111 76

HSL 68.57, 0.19%, 0.37%

LAB 45.57, -8.23, 18.9

 

CMYK 5 / 0 / 32 / 47

HEX #81885C

RGB 129 136 92

HSL 69.55, 0.19%, 0.45%

LAB 55.12, -10.21, 22.82

 

CMYK 4 / 0 / 29 / 38

HEX #969D70

RGB 150 157 112

HSL 69.33, 0.19%, 0.53%

LAB 63.15, -10.23, 22.76

 

CMYK 3 / 0 / 22 / 32

HEX #A8AE88

RGB 168 174 136

HSL 69.47, 0.19%, 0.61%

LAB 69.74, -8.7, 18.84

 

CMYK 3 / 0 / 16 / 25

HEX #BABFA1

RGB 186 191 161

HSL 70, 0.19%, 0.69%

LAB 76.24, -6.97, 14.57

 

CMYK 4 / 0 / 28 / 38

HEX #979E71

RGB 151 158 113

HSL 69.33, 0.19%, 0.53%

LAB 63.53, -10.22, 22.73

 

CMYK 29 / 0 / 18 / 38

HEX #709D80

RGB 112 157 128

HSL 141.33, 0.19%, 0.53%

LAB 60.88, -21.48, 10.34

 

CMYK 7 / 29 / 0 / 38

HEX #92709D

RGB 146 112 157

HSL 285.33, 0.19%, 0.53%

LAB 51.99, 21.81, -19.17

 

CMYK 4 / 0 / 28 / 38

HEX #979E71

RGB 151 158 113

HSL 69.33, 0.19%, 0.53%

LAB 63.53, -10.22, 22.73

 

CMYK 29 / 4 / 0 / 38

HEX #70979D

RGB 112 151 157

HSL 188, 0.19%, 0.53%

LAB 59.9, -11.85, -7.5

 

CMYK 0 / 29 / 4 / 38

HEX #9D7097

RGB 157 112 151

HSL 308, 0.19%, 0.53%

LAB 52.94, 24.42, -14.11

 

CMYK 4 / 0 / 28 / 38

HEX #979E71

RGB 151 158 113

HSL 69.33, 0.19%, 0.53%

LAB 63.53, -10.22, 22.73

 

CMYK 29 / 0 / 18 / 38

HEX #709D80

RGB 112 157 128

HSL 141.33, 0.19%, 0.53%

LAB 60.88, -21.48, 10.34

 

CMYK 24 / 29 / 0 / 38

HEX #77709D

RGB 119 112 157

HSL 249.33, 0.19%, 0.53%

LAB 49.43, 12.81, -23.32

 

CMYK 0 / 29 / 10 / 38

HEX #9D708D

RGB 157 112 141

HSL 321.33, 0.19%, 0.53%

LAB 52.6, 22.56, -8.76

 

CMYK 4 / 0 / 28 / 38

HEX #979E71

RGB 151 158 113

HSL 69.33, 0.19%, 0.53%

LAB 63.53, -10.22, 22.73

 

CMYK 29 / 0 / 10 / 38

HEX #709D8D

RGB 112 157 141

HSL 158.67, 0.19%, 0.53%

LAB 61.2, -18.75, 3.48

 

CMYK 24 / 29 / 0 / 38

HEX #77709D

RGB 119 112 157

HSL 249.33, 0.19%, 0.53%

LAB 49.43, 12.81, -23.32

 

CMYK 0 / 29 / 18 / 38

HEX #9D7080

RGB 157 112 128

HSL 338.67, 0.19%, 0.53%

LAB 52.19, 20.31, -1.71

 

Description

Color code: RGB 151 158 113 | qconv.com Color code: RGB 151 158 113 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 158 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 158 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 28 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 28% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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