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Color name
RGB 151 140 26

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 151 140 26 it is the complementary color RGB 104 115 229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 151 140 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 151 140 26 shade: RGB 156 140 21, RGB 173 158 40, RGB 190 176 59, RGB 207 194 78 and RGB 224 212 97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 151 140 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 151 140 26 shade: RGB 151 140 26, RGB 134 122 7, RGB 117 104 0, RGB 100 86 0 and RGB 83 68 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 151 140 26 shade: RGB 152 141 25, RGB 152 107 25, RGB 152 73 25, RGB 152 38 25 and RGB 152 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 151 140 26 shade: RGB 152 141 25, RGB 129 152 25, RGB 95 152 25, RGB 61 152 25 and RGB 27 152 25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 151 140 26 shade matches the following richer shades: RGB 152 141 25 and RGB 167 153 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 151 140 26 shade: RGB 152 141 25, RGB 138 129 40, RGB 123 117 54, RGB 109 105 69 and RGB 94 93 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 151 140 26 shade: RGB 152 72 25, RGB 152 106 25, RGB 152 139 25, RGB 131 152 25 and RGB 97 152 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 151 140 26 shade: RGB 82 76 13, RGB 117 108 19, RGB 152 141 25, RGB 187 174 31 and RGB 218 203 42

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 151 140 26 shade: RGB 151 140 26, RGB 25 152 38 and RGB 89 25 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 151 140 26 shade: RGB 151 140 26, RGB 25 152 139 and RGB 139 25 152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 151 140 26 shade: RGB 151 140 26, RGB 25 152 38, RGB 25 38 152 and RGB 152 25 139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 151 140 26 shade: RGB 151 140 26, RGB 25 152 76, RGB 25 38 152 and RGB 152 25 101

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 83 / 41

HEX #978C1A

RGB 151 140 26

HSL 54.72, 0.71%, 0.35%

LAB 57.47, -8.18, 56.49

 

Complementary color

CMYK 55 / 50 / 0 / 10

HEX #6873E5

RGB 104 115 229

HSL 234.72, 0.71%, 0.65%

LAB 52.8, 27.96, -59.4

 

CMYK 0 / 10 / 87 / 39

HEX #9C8C15

RGB 156 140 21

HSL 52.89, 0.76%, 0.35%

LAB 57.92, -6.04, 58.4

 

CMYK 0 / 9 / 77 / 32

HEX #AD9E28

RGB 173 158 40

HSL 53.23, 0.62%, 0.42%

LAB 64.56, -7.39, 59.16

 

CMYK 0 / 7 / 69 / 25

HEX #BEB03B

RGB 190 176 59

HSL 53.59, 0.53%, 0.49%

LAB 71.09, -8.49, 58.94

 

CMYK 0 / 6 / 62 / 19

HEX #CFC24E

RGB 207 194 78

HSL 53.95, 0.57%, 0.56%

LAB 77.52, -9.4, 58.23

 

CMYK 0 / 5 / 57 / 12

HEX #E0D461

RGB 224 212 97

HSL 54.33, 0.67%, 0.63%

LAB 83.86, -10.17, 57.27

 

CMYK 0 / 7 / 83 / 41

HEX #978C1A

RGB 151 140 26

HSL 54.72, 0.71%, 0.35%

LAB 57.47, -8.18, 56.49

 

CMYK 0 / 9 / 95 / 47

HEX #867A07

RGB 134 122 7

HSL 54.33, 0.9%, 0.28%

LAB 50.69, -6.69, 54.7

 

CMYK 0 / 11 / 100 / 54

HEX #756800

RGB 117 104 0

HSL 53.33, 1%, 0.23%

LAB 43.77, -4.83, 50.35

 

CMYK 0 / 14 / 100 / 61

HEX #645600

RGB 100 86 0

HSL 51.6, 1%, 0.2%

LAB 36.68, -2.73, 44.47

 

CMYK 0 / 18 / 100 / 67

HEX #534400

RGB 83 68 0

HSL 49.16, 1%, 0.16%

LAB 29.34, -0.49, 38.35

 

CMYK 0 / 7 / 84 / 40

HEX #988D19

RGB 152 141 25

HSL 54.8, 0.72%, 0.35%

LAB 57.84, -8.3, 57.13

 

CMYK 0 / 30 / 84 / 40

HEX #986B19

RGB 152 107 25

HSL 38.74, 0.72%, 0.35%

LAB 48.59, 10.76, 49.11

 

CMYK 0 / 52 / 84 / 40

HEX #984919

RGB 152 73 25

HSL 22.68, 0.72%, 0.35%

LAB 40.43, 29.99, 41.81

 

CMYK 0 / 75 / 84 / 40

HEX #982619

RGB 152 38 25

HSL 6.14, 0.72%, 0.35%

LAB 34.26, 46.29, 36.07

 

CMYK 0 / 84 / 84 / 40

HEX #981919

RGB 152 25 25

HSL 0, 0.72%, 0.35%

LAB 32.79, 50.39, 34.67

 

CMYK 0 / 7 / 84 / 40

HEX #988D19

RGB 152 141 25

HSL 54.8, 0.72%, 0.35%

LAB 57.84, -8.3, 57.13

 

CMYK 15 / 0 / 84 / 40

HEX #819819

RGB 129 152 25

HSL 70.87, 0.72%, 0.35%

LAB 59.15, -24.29, 57.53

 

CMYK 38 / 0 / 84 / 40

HEX #5F9819

RGB 95 152 25

HSL 86.93, 0.72%, 0.35%

LAB 57.04, -38.03, 54.85

 

CMYK 60 / 0 / 84 / 40

HEX #3D9819

RGB 61 152 25

HSL 102.99, 0.72%, 0.35%

LAB 55.6, -48.87, 53.01

 

CMYK 82 / 0 / 84 / 40

HEX #1B9819

RGB 27 152 25

HSL 119.06, 0.72%, 0.35%

LAB 54.82, -55.45, 52.01

 

CMYK 0 / 7 / 84 / 40

HEX #988D19

RGB 152 141 25

HSL 54.8, 0.72%, 0.35%

LAB 57.84, -8.3, 57.13

 

CMYK 0 / 8 / 93 / 35

HEX #A7990B

RGB 167 153 11

HSL 54.62, 0.88%, 0.35%

LAB 62.53, -8.22, 64.44

 

CMYK 0 / 7 / 84 / 40

HEX #988D19

RGB 152 141 25

HSL 54.8, 0.72%, 0.35%

LAB 57.84, -8.3, 57.13

 

CMYK 0 / 7 / 71 / 46

HEX #8A8128

RGB 138 129 40

HSL 54.49, 0.55%, 0.35%

LAB 53.23, -7.52, 47.15

 

CMYK 0 / 5 / 56 / 52

HEX #7B7536

RGB 123 117 54

HSL 54.78, 0.39%, 0.35%

LAB 48.51, -6.69, 35.08

 

CMYK 0 / 4 / 37 / 57

HEX #6D6945

RGB 109 105 69

HSL 54, 0.22%, 0.35%

LAB 43.92, -4.47, 20.84

 

CMYK 0 / 1 / 12 / 63

HEX #5E5D53

RGB 94 93 83

HSL 54.55, 0.06%, 0.35%

LAB 39.3, -1.59, 5.89

 

CMYK 0 / 53 / 84 / 40

HEX #984819

RGB 152 72 25

HSL 22.2, 0.72%, 0.35%

LAB 40.21, 30.53, 41.61

 

CMYK 0 / 30 / 84 / 40

HEX #986A19

RGB 152 106 25

HSL 38.27, 0.72%, 0.35%

LAB 48.33, 11.33, 48.88

 

CMYK 0 / 9 / 84 / 40

HEX #988B19

RGB 152 139 25

HSL 53.86, 0.72%, 0.35%

LAB 57.28, -7.22, 56.65

 

CMYK 14 / 0 / 84 / 40

HEX #839819

RGB 131 152 25

HSL 69.92, 0.72%, 0.35%

LAB 59.3, -23.43, 57.71

 

CMYK 36 / 0 / 84 / 40

HEX #619819

RGB 97 152 25

HSL 85.98, 0.72%, 0.35%

LAB 57.14, -37.28, 54.98

 

CMYK 0 / 7 / 84 / 68

HEX #524C0D

RGB 82 76 13

HSL 54.78, 0.73%, 0.19%

LAB 31.79, -5.4, 35.46

 

CMYK 0 / 8 / 84 / 54

HEX #756C13

RGB 117 108 19

HSL 54.49, 0.72%, 0.27%

LAB 45.02, -6.61, 46.52

 

CMYK 0 / 7 / 84 / 40

HEX #988D19

RGB 152 141 25

HSL 54.8, 0.72%, 0.35%

LAB 57.84, -8.3, 57.13

 

CMYK 0 / 7 / 83 / 27

HEX #BBAE1F

RGB 187 174 31

HSL 55, 0.72%, 0.43%

LAB 70.13, -9.9, 67.23

 

CMYK 0 / 7 / 81 / 15

HEX #DACB2A

RGB 218 203 42

HSL 54.89, 0.7%, 0.51%

LAB 80.62, -10.99, 74.37

 

CMYK 0 / 7 / 83 / 41

HEX #978C1A

RGB 151 140 26

HSL 54.72, 0.71%, 0.35%

LAB 57.47, -8.18, 56.49

 

CMYK 84 / 0 / 75 / 40

HEX #199826

RGB 25 152 38

HSL 126.14, 0.72%, 0.35%

LAB 54.87, -54.78, 47.79

 

CMYK 41 / 84 / 0 / 40

HEX #591998

RGB 89 25 152

HSL 270.24, 0.72%, 0.35%

LAB 26.98, 51.85, -56.26

 

CMYK 0 / 7 / 83 / 41

HEX #978C1A

RGB 151 140 26

HSL 54.72, 0.71%, 0.35%

LAB 57.47, -8.18, 56.49

 

CMYK 84 / 0 / 9 / 40

HEX #19988B

RGB 25 152 139

HSL 173.86, 0.72%, 0.35%

LAB 56.61, -35.25, -2.45

 

CMYK 9 / 84 / 0 / 40

HEX #8B1998

RGB 139 25 152

HSL 293.86, 0.72%, 0.35%

LAB 34.91, 60.42, -43.03

 

CMYK 0 / 7 / 83 / 41

HEX #978C1A

RGB 151 140 26

HSL 54.72, 0.71%, 0.35%

LAB 57.47, -8.18, 56.49

 

CMYK 84 / 0 / 75 / 40

HEX #199826

RGB 25 152 38

HSL 126.14, 0.72%, 0.35%

LAB 54.87, -54.78, 47.79

 

CMYK 84 / 75 / 0 / 40

HEX #192698

RGB 25 38 152

HSL 233.86, 0.72%, 0.35%

LAB 23.2, 38.2, -62.69

 

CMYK 0 / 84 / 9 / 40

HEX #98198B

RGB 152 25 139

HSL 306.14, 0.72%, 0.35%

LAB 36.43, 60.9, -32.49

 

CMYK 0 / 7 / 83 / 41

HEX #978C1A

RGB 151 140 26

HSL 54.72, 0.71%, 0.35%

LAB 57.47, -8.18, 56.49

 

CMYK 84 / 0 / 50 / 40

HEX #19984C

RGB 25 152 76

HSL 144.09, 0.72%, 0.35%

LAB 55.26, -49.99, 30.77

 

CMYK 84 / 75 / 0 / 40

HEX #192698

RGB 25 38 152

HSL 233.86, 0.72%, 0.35%

LAB 23.2, 38.2, -62.69

 

CMYK 0 / 84 / 34 / 40

HEX #981965

RGB 152 25 101

HSL 324.09, 0.72%, 0.35%

LAB 34.62, 55.83, -11.44

 

Description

Color code: RGB 151 140 26 | qconv.com Color code: RGB 151 140 26 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 140 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 140 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 83 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 83% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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