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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 151 104 141 it is the complementary color RGB 104 151 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 151 104 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 151 104 141 shade: RGB 156 104 136, RGB 173 122 155, RGB 190 140 174, RGB 207 158 193 and RGB 224 176 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 151 104 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 151 104 141 shade: RGB 151 104 141, RGB 134 86 122, RGB 117 68 103, RGB 100 50 84 and RGB 83 32 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 151 104 141 shade: RGB 150 105 141, RGB 150 105 128, RGB 150 105 116 and RGB 150 105 105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 151 104 141 shade: RGB 150 105 141, RGB 148 105 150, RGB 135 105 150, RGB 123 105 150 and RGB 111 105 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 151 104 141 shade matches the following richer shades: RGB 150 105 141, RGB 171 84 153, RGB 192 63 164, RGB 212 43 176 and RGB 233 22 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 151 104 141 shade: RGB 150 105 141, RGB 130 125 129, RGB 109 146 117, RGB 89 166 105 and RGB 68 187 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 151 104 141 shade: RGB 135 105 150, RGB 147 105 150, RGB 150 105 141, RGB 150 105 129 and RGB 150 105 117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 151 104 141 shade: RGB 102 71 95, RGB 126 88 118, RGB 150 105 141, RGB 167 129 159 and RGB 184 153 178

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 151 104 141 shade: RGB 151 104 141, RGB 150 123 105 and RGB 105 150 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 151 104 141 shade: RGB 151 104 141, RGB 141 150 105 and RGB 105 141 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 151 104 141 shade: RGB 151 104 141, RGB 150 123 105, RGB 105 150 114 and RGB 105 132 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 151 104 141 shade: RGB 151 104 141, RGB 150 137 105, RGB 105 150 114 and RGB 105 118 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 7 / 41

HEX #97688D

RGB 151 104 141

HSL 312.77, 0.18%, 0.5%

LAB 49.98, 25, -12.76

 

Complementary color

CMYK 31 / 0 / 25 / 41

HEX #689772

RGB 104 151 114

HSL 132.77, 0.18%, 0.5%

LAB 58.31, -23.85, 14.53

 

CMYK 0 / 33 / 13 / 39

HEX #9C6888

RGB 156 104 136

HSL 323.08, 0.21%, 0.51%

LAB 50.39, 25.89, -9.13

 

CMYK 0 / 29 / 10 / 32

HEX #AD7A9B

RGB 173 122 155

HSL 321.18, 0.24%, 0.58%

LAB 57.24, 25.15, -9.78

 

CMYK 0 / 26 / 8 / 25

HEX #BE8CAE

RGB 190 140 174

HSL 319.2, 0.28%, 0.65%

LAB 63.97, 24.48, -10.38

 

CMYK 0 / 24 / 7 / 19

HEX #CF9EC1

RGB 207 158 193

HSL 317.14, 0.34%, 0.72%

LAB 70.57, 23.86, -10.95

 

CMYK 0 / 21 / 5 / 12

HEX #E0B0D4

RGB 224 176 212

HSL 315, 0.44%, 0.78%

LAB 77.07, 23.29, -11.48

 

CMYK 0 / 31 / 7 / 41

HEX #97688D

RGB 151 104 141

HSL 312.77, 0.18%, 0.5%

LAB 49.98, 25, -12.76

 

CMYK 0 / 36 / 9 / 47

HEX #86567A

RGB 134 86 122

HSL 315, 0.22%, 0.43%

LAB 42.96, 25.77, -12.17

 

CMYK 0 / 42 / 12 / 54

HEX #754467

RGB 117 68 103

HSL 317.14, 0.26%, 0.36%

LAB 35.78, 26.59, -11.48

 

CMYK 0 / 50 / 16 / 61

HEX #643254

RGB 100 50 84

HSL 319.2, 0.33%, 0.29%

LAB 28.46, 27.45, -10.64

 

CMYK 0 / 61 / 22 / 67

HEX #532041

RGB 83 32 65

HSL 321.18, 0.44%, 0.23%

LAB 21.03, 28.2, -9.47

 

CMYK 0 / 30 / 6 / 41

HEX #96698D

RGB 150 105 141

HSL 312, 0.18%, 0.5%

LAB 50.11, 24.06, -12.58

 

CMYK 0 / 30 / 15 / 41

HEX #966980

RGB 150 105 128

HSL 329.33, 0.18%, 0.5%

LAB 49.67, 21.7, -5.52

 

CMYK 0 / 30 / 23 / 41

HEX #966974

RGB 150 105 116

HSL 345.33, 0.18%, 0.5%

LAB 49.31, 19.71, 1.09

 

CMYK 0 / 30 / 30 / 41

HEX #966969

RGB 150 105 105

HSL 0, 0.18%, 0.5%

LAB 49.02, 18.04, 7.22

 

CMYK 0 / 30 / 6 / 41

HEX #96698D

RGB 150 105 141

HSL 312, 0.18%, 0.5%

LAB 50.11, 24.06, -12.58

 

CMYK 1 / 30 / 0 / 41

HEX #946996

RGB 148 105 150

HSL 297.33, 0.18%, 0.5%

LAB 50.22, 25.11, -17.75

 

CMYK 10 / 30 / 0 / 41

HEX #876996

RGB 135 105 150

HSL 280, 0.18%, 0.5%

LAB 48.83, 20.65, -20

 

CMYK 18 / 30 / 0 / 41

HEX #7B6996

RGB 123 105 150

HSL 264, 0.18%, 0.5%

LAB 47.64, 16.61, -21.92

 

CMYK 26 / 30 / 0 / 41

HEX #6F6996

RGB 111 105 150

HSL 248, 0.18%, 0.5%

LAB 46.56, 12.68, -23.68

 

CMYK 0 / 30 / 6 / 41

HEX #96698D

RGB 150 105 141

HSL 312, 0.18%, 0.5%

LAB 50.11, 24.06, -12.58

 

CMYK 0 / 51 / 11 / 33

HEX #AB5499

RGB 171 84 153

HSL 312.41, 0.34%, 0.5%

LAB 48.63, 44.79, -21.7

 

CMYK 0 / 67 / 15 / 25

HEX #C03FA4

RGB 192 63 164

HSL 313.02, 0.51%, 0.5%

LAB 48.81, 61.89, -27.69

 

CMYK 0 / 80 / 17 / 17

HEX #D42BB0

RGB 212 43 176

HSL 312.78, 0.66%, 0.5%

LAB 50.52, 74.53, -31.84

 

CMYK 0 / 91 / 19 / 9

HEX #E916BC

RGB 233 22 188

HSL 312.8, 0.83%, 0.5%

LAB 53.52, 84.07, -33.88

 

CMYK 0 / 30 / 6 / 41

HEX #96698D

RGB 150 105 141

HSL 312, 0.18%, 0.5%

LAB 50.11, 24.06, -12.58

 

CMYK 0 / 4 / 1 / 49

HEX #827D81

RGB 130 125 129

HSL 312, 0.02%, 0.5%

LAB 52.95, 2.68, -1.5

 

CMYK 25 / 0 / 20 / 43

HEX #6D9275

RGB 109 146 117

HSL 132.97, 0.15%, 0.5%

LAB 57.17, -18.99, 11.28

 

CMYK 46 / 0 / 37 / 35

HEX #59A669

RGB 89 166 105

HSL 132.47, 0.3%, 0.5%

LAB 62.01, -37.35, 24.4

 

CMYK 64 / 0 / 50 / 27

HEX #44BB5D

RGB 68 187 93

HSL 132.61, 0.47%, 0.5%

LAB 67.69, -53.16, 37.8

 

CMYK 10 / 30 / 0 / 41

HEX #876996

RGB 135 105 150

HSL 280, 0.18%, 0.5%

LAB 48.83, 20.65, -20

 

CMYK 2 / 30 / 0 / 41

HEX #936996

RGB 147 105 150

HSL 296, 0.18%, 0.5%

LAB 50.11, 24.77, -17.93

 

CMYK 0 / 30 / 6 / 41

HEX #96698D

RGB 150 105 141

HSL 312, 0.18%, 0.5%

LAB 50.11, 24.06, -12.58

 

CMYK 0 / 30 / 14 / 41

HEX #966981

RGB 150 105 129

HSL 328, 0.18%, 0.5%

LAB 49.7, 21.88, -6.07

 

CMYK 0 / 30 / 22 / 41

HEX #966975

RGB 150 105 117

HSL 344, 0.18%, 0.5%

LAB 49.34, 19.86, 0.54

 

CMYK 0 / 30 / 7 / 60

HEX #66475F

RGB 102 71 95

HSL 313.55, 0.18%, 0.34%

LAB 34.31, 17.6, -8.84

 

CMYK 0 / 30 / 6 / 51

HEX #7E5876

RGB 126 88 118

HSL 312.63, 0.18%, 0.42%

LAB 42.34, 20.89, -10.75

 

CMYK 0 / 30 / 6 / 41

HEX #96698D

RGB 150 105 141

HSL 312, 0.18%, 0.5%

LAB 50.11, 24.06, -12.58

 

CMYK 0 / 23 / 5 / 35

HEX #A7819F

RGB 167 129 159

HSL 312.63, 0.18%, 0.58%

LAB 58.43, 19.77, -10.37

 

CMYK 0 / 17 / 3 / 28

HEX #B899B2

RGB 184 153 178

HSL 311.61, 0.18%, 0.66%

LAB 66.66, 15.86, -8.67

 

CMYK 0 / 31 / 7 / 41

HEX #97688D

RGB 151 104 141

HSL 312.77, 0.18%, 0.5%

LAB 49.98, 25, -12.76

 

CMYK 0 / 18 / 30 / 41

HEX #967B69

RGB 150 123 105

HSL 24, 0.18%, 0.5%

LAB 53.67, 7.65, 13.77

 

CMYK 30 / 0 / 6 / 41

HEX #69968D

RGB 105 150 141

HSL 168, 0.18%, 0.5%

LAB 58.73, -17.28, -0.16

 

CMYK 0 / 31 / 7 / 41

HEX #97688D

RGB 151 104 141

HSL 312.77, 0.18%, 0.5%

LAB 49.98, 25, -12.76

 

CMYK 6 / 0 / 30 / 41

HEX #8D9669

RGB 141 150 105

HSL 72, 0.18%, 0.5%

LAB 60.33, -11.07, 22.71

 

CMYK 30 / 6 / 0 / 41

HEX #698D96

RGB 105 141 150

HSL 192, 0.18%, 0.5%

LAB 56.34, -10.24, -8.85

 

CMYK 0 / 31 / 7 / 41

HEX #97688D

RGB 151 104 141

HSL 312.77, 0.18%, 0.5%

LAB 49.98, 25, -12.76

 

CMYK 0 / 18 / 30 / 41

HEX #967B69

RGB 150 123 105

HSL 24, 0.18%, 0.5%

LAB 53.67, 7.65, 13.77

 

CMYK 30 / 0 / 24 / 41

HEX #699672

RGB 105 150 114

HSL 132, 0.18%, 0.5%

LAB 58.07, -23, 14.2

 

CMYK 30 / 12 / 0 / 41

HEX #698496

RGB 105 132 150

HSL 204, 0.18%, 0.5%

LAB 53.72, -5.19, -12.79

 

CMYK 0 / 31 / 7 / 41

HEX #97688D

RGB 151 104 141

HSL 312.77, 0.18%, 0.5%

LAB 49.98, 25, -12.76

 

CMYK 0 / 9 / 30 / 41

HEX #968969

RGB 150 137 105

HSL 42.67, 0.18%, 0.5%

LAB 57.46, -0.28, 18.96

 

CMYK 30 / 0 / 24 / 41

HEX #699672

RGB 105 150 114

HSL 132, 0.18%, 0.5%

LAB 58.07, -23, 14.2

 

CMYK 30 / 21 / 0 / 41

HEX #697696

RGB 105 118 150

HSL 222.67, 0.18%, 0.5%

LAB 49.69, 2.96, -18.9

 

Description

Color code: RGB 151 104 141 | qconv.com Color code: RGB 151 104 141 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 104 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 104 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 7 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 7% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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