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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 151 103 158 it is the complementary color RGB 104 152 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 151 103 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 151 103 158 shade: RGB 156 103 153, RGB 173 121 172, RGB 190 139 191, RGB 207 157 210 and RGB 224 175 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 151 103 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 151 103 158 shade: RGB 151 103 158, RGB 134 85 139, RGB 117 67 120, RGB 100 49 101 and RGB 83 31 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 151 103 158 shade: RGB 150 102 157, RGB 157 102 149, RGB 157 102 134, RGB 157 102 120 and RGB 157 102 105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 151 103 158 shade: RGB 150 102 157, RGB 135 102 157, RGB 120 102 157, RGB 106 102 157 and RGB 102 102 157

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 151 103 158 shade matches the following richer shades: RGB 150 102 157, RGB 165 82 177, RGB 180 62 197, RGB 195 41 218 and RGB 210 21 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 151 103 158 shade: RGB 150 102 157, RGB 135 122 137, RGB 120 142 117, RGB 105 163 96 and RGB 90 183 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 151 103 158 shade: RGB 120 102 157, RGB 135 102 157, RGB 150 102 157, RGB 157 102 150 and RGB 157 102 135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 151 103 158 shade: RGB 103 69 108, RGB 127 85 133, RGB 150 102 157, RGB 167 127 173 and RGB 185 152 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 151 103 158 shade: RGB 151 103 158, RGB 157 106 102 and RGB 102 157 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 151 103 158 shade: RGB 151 103 158, RGB 157 150 102 and RGB 102 157 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 151 103 158 shade: RGB 151 103 158, RGB 157 106 102, RGB 109 157 102 and RGB 102 153 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 151 103 158 shade: RGB 151 103 158, RGB 157 122 102, RGB 109 157 102 and RGB 102 137 157

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 35 / 0 / 38

HEX #97679E

RGB 151 103 158

HSL 292.36, 0.22%, 0.51%

LAB 50.39, 28.91, -22.16

 

Complementary color

CMYK 32 / 0 / 36 / 40

HEX #689861

RGB 104 152 97

HSL 112.36, 0.22%, 0.49%

LAB 58.29, -27.36, 23.94

 

CMYK 0 / 34 / 2 / 39

HEX #9C6799

RGB 156 103 153

HSL 303.4, 0.21%, 0.51%

LAB 50.77, 29.6, -18.59

 

CMYK 0 / 30 / 1 / 32

HEX #AD79AC

RGB 173 121 172

HSL 301.15, 0.24%, 0.58%

LAB 57.6, 28.86, -19.04

 

CMYK 1 / 27 / 0 / 25

HEX #BE8BBF

RGB 190 139 191

HSL 298.85, 0.29%, 0.65%

LAB 64.3, 28.17, -19.46

 

CMYK 1 / 25 / 0 / 18

HEX #CF9DD2

RGB 207 157 210

HSL 296.6, 0.37%, 0.72%

LAB 70.89, 27.53, -19.86

 

CMYK 2 / 24 / 0 / 10

HEX #E0AFE5

RGB 224 175 229

HSL 294.44, 0.51%, 0.79%

LAB 77.38, 26.93, -20.24

 

CMYK 4 / 35 / 0 / 38

HEX #97679E

RGB 151 103 158

HSL 292.36, 0.22%, 0.51%

LAB 50.39, 28.91, -22.16

 

CMYK 4 / 39 / 0 / 45

HEX #86558B

RGB 134 85 139

HSL 294.44, 0.24%, 0.44%

LAB 43.4, 29.7, -21.79

 

CMYK 3 / 44 / 0 / 53

HEX #754378

RGB 117 67 120

HSL 296.6, 0.28%, 0.37%

LAB 36.28, 30.52, -21.37

 

CMYK 1 / 51 / 0 / 60

HEX #643165

RGB 100 49 101

HSL 298.85, 0.35%, 0.29%

LAB 29.02, 31.31, -20.82

 

CMYK 0 / 63 / 1 / 67

HEX #531F52

RGB 83 31 82

HSL 301.15, 0.46%, 0.22%

LAB 21.68, 31.9, -20

 

CMYK 4 / 35 / 0 / 38

HEX #96669D

RGB 150 102 157

HSL 292.36, 0.22%, 0.51%

LAB 50, 28.94, -22.18

 

CMYK 0 / 35 / 5 / 38

HEX #9D6695

RGB 157 102 149

HSL 308.73, 0.22%, 0.51%

LAB 50.5, 29.74, -16.63

 

CMYK 0 / 35 / 15 / 38

HEX #9D6686

RGB 157 102 134

HSL 325.09, 0.22%, 0.51%

LAB 49.97, 27.05, -8.56

 

CMYK 0 / 35 / 24 / 38

HEX #9D6678

RGB 157 102 120

HSL 340.36, 0.22%, 0.51%

LAB 49.53, 24.76, -0.87

 

CMYK 0 / 35 / 33 / 38

HEX #9D6669

RGB 157 102 105

HSL 356.73, 0.22%, 0.51%

LAB 49.12, 22.57, 7.48

 

CMYK 4 / 35 / 0 / 38

HEX #96669D

RGB 150 102 157

HSL 292.36, 0.22%, 0.51%

LAB 50, 28.94, -22.18

 

CMYK 14 / 35 / 0 / 38

HEX #87669D

RGB 135 102 157

HSL 276, 0.22%, 0.51%

LAB 48.37, 23.99, -24.83

 

CMYK 24 / 35 / 0 / 38

HEX #78669D

RGB 120 102 157

HSL 259.64, 0.22%, 0.51%

LAB 46.88, 19.15, -27.26

 

CMYK 32 / 35 / 0 / 38

HEX #6A669D

RGB 106 102 157

HSL 244.36, 0.22%, 0.51%

LAB 45.64, 14.83, -29.3

 

CMYK 35 / 35 / 0 / 38

HEX #66669D

RGB 102 102 157

HSL 240, 0.22%, 0.51%

LAB 45.31, 13.64, -29.84

 

CMYK 4 / 35 / 0 / 38

HEX #96669D

RGB 150 102 157

HSL 292.36, 0.22%, 0.51%

LAB 50, 28.94, -22.18

 

CMYK 7 / 54 / 0 / 31

HEX #A552B1

RGB 165 82 177

HSL 292.42, 0.38%, 0.51%

LAB 48.52, 48.41, -36.08

 

CMYK 9 / 69 / 0 / 23

HEX #B43EC5

RGB 180 62 197

HSL 292.44, 0.54%, 0.51%

LAB 48.49, 64.82, -47.64

 

CMYK 11 / 81 / 0 / 15

HEX #C329DA

RGB 195 41 218

HSL 292.2, 0.71%, 0.51%

LAB 49.8, 78, -57.47

 

CMYK 12 / 91 / 0 / 7

HEX #D215EE

RGB 210 21 238

HSL 292.26, 0.86%, 0.51%

LAB 52.3, 87.29, -64.65

 

CMYK 4 / 35 / 0 / 38

HEX #96669D

RGB 150 102 157

HSL 292.36, 0.22%, 0.51%

LAB 50, 28.94, -22.18

 

CMYK 1 / 11 / 0 / 46

HEX #877A89

RGB 135 122 137

HSL 292, 0.06%, 0.51%

LAB 52.81, 7.88, -6.33

 

CMYK 15 / 0 / 18 / 44

HEX #788E75

RGB 120 142 117

HSL 112.8, 0.1%, 0.51%

LAB 56.71, -12.91, 10.74

 

CMYK 36 / 0 / 41 / 36

HEX #69A360

RGB 105 163 96

HSL 111.94, 0.27%, 0.51%

LAB 61.69, -32.44, 28.95

 

CMYK 51 / 0 / 58 / 28

HEX #5AB74C

RGB 90 183 76

HSL 112.15, 0.43%, 0.51%

LAB 66.95, -48.44, 45.27

 

CMYK 24 / 35 / 0 / 38

HEX #78669D

RGB 120 102 157

HSL 259.64, 0.22%, 0.51%

LAB 46.88, 19.15, -27.26

 

CMYK 14 / 35 / 0 / 38

HEX #87669D

RGB 135 102 157

HSL 276, 0.22%, 0.51%

LAB 48.37, 23.99, -24.83

 

CMYK 4 / 35 / 0 / 38

HEX #96669D

RGB 150 102 157

HSL 292.36, 0.22%, 0.51%

LAB 50, 28.94, -22.18

 

CMYK 0 / 35 / 4 / 38

HEX #9D6696

RGB 157 102 150

HSL 307.64, 0.22%, 0.51%

LAB 50.54, 29.93, -17.17

 

CMYK 0 / 35 / 14 / 38

HEX #9D6687

RGB 157 102 135

HSL 324, 0.22%, 0.51%

LAB 50, 27.22, -9.1

 

CMYK 5 / 36 / 0 / 58

HEX #67456C

RGB 103 69 108

HSL 292.31, 0.22%, 0.35%

LAB 34.44, 21.94, -16.84

 

CMYK 5 / 36 / 0 / 48

HEX #7F5585

RGB 127 85 133

HSL 292.5, 0.22%, 0.43%

LAB 42.31, 26.08, -19.92

 

CMYK 4 / 35 / 0 / 38

HEX #96669D

RGB 150 102 157

HSL 292.36, 0.22%, 0.51%

LAB 50, 28.94, -22.18

 

CMYK 3 / 27 / 0 / 32

HEX #A77FAD

RGB 167 127 173

HSL 292.17, 0.22%, 0.59%

LAB 58.43, 23.63, -18.41

 

CMYK 2 / 20 / 0 / 26

HEX #B998BD

RGB 185 152 189

HSL 293.51, 0.22%, 0.67%

LAB 66.86, 18.86, -14.51

 

CMYK 4 / 35 / 0 / 38

HEX #97679E

RGB 151 103 158

HSL 292.36, 0.22%, 0.51%

LAB 50.39, 28.91, -22.16

 

CMYK 0 / 32 / 35 / 38

HEX #9D6A66

RGB 157 106 102

HSL 4.36, 0.22%, 0.51%

LAB 50.02, 19.88, 10.54

 

CMYK 35 / 0 / 18 / 38

HEX #669D80

RGB 102 157 128

HSL 148.36, 0.22%, 0.51%

LAB 60.34, -24.7, 9.48

 

CMYK 4 / 35 / 0 / 38

HEX #97679E

RGB 151 103 158

HSL 292.36, 0.22%, 0.51%

LAB 50.39, 28.91, -22.16

 

CMYK 0 / 4 / 35 / 38

HEX #9D9666

RGB 157 150 102

HSL 52.36, 0.22%, 0.51%

LAB 61.6, -4.96, 26.28

 

CMYK 35 / 0 / 4 / 38

HEX #669D96

RGB 102 157 150

HSL 172.36, 0.22%, 0.51%

LAB 60.91, -19.72, -2.1

 

CMYK 4 / 35 / 0 / 38

HEX #97679E

RGB 151 103 158

HSL 292.36, 0.22%, 0.51%

LAB 50.39, 28.91, -22.16

 

CMYK 0 / 32 / 35 / 38

HEX #9D6A66

RGB 157 106 102

HSL 4.36, 0.22%, 0.51%

LAB 50.02, 19.88, 10.54

 

CMYK 31 / 0 / 35 / 38

HEX #6D9D66

RGB 109 157 102

HSL 112.36, 0.22%, 0.51%

LAB 60.18, -27.24, 23.77

 

CMYK 35 / 3 / 0 / 38

HEX #66999D

RGB 102 153 157

HSL 184.36, 0.22%, 0.51%

LAB 59.93, -15.89, -7.52

 

CMYK 4 / 35 / 0 / 38

HEX #97679E

RGB 151 103 158

HSL 292.36, 0.22%, 0.51%

LAB 50.39, 28.91, -22.16

 

CMYK 0 / 22 / 35 / 38

HEX #9D7A66

RGB 157 122 102

HSL 21.82, 0.22%, 0.51%

LAB 54.08, 10.71, 16.17

 

CMYK 31 / 0 / 35 / 38

HEX #6D9D66

RGB 109 157 102

HSL 112.36, 0.22%, 0.51%

LAB 60.18, -27.24, 23.77

 

CMYK 35 / 13 / 0 / 38

HEX #66899D

RGB 102 137 157

HSL 201.82, 0.22%, 0.51%

LAB 55.23, -7.11, -14.57

 

Description

Color code: RGB 151 103 158 | qconv.com Color code: RGB 151 103 158 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 103 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 103 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 35 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 35% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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