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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 53 233 it is the complementary color RGB 105 202 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 53 233. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 53 233 shade: RGB 155 53 228, RGB 172 71 247, RGB 189 89 255, RGB 206 107 255 and RGB 223 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 53 233. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 53 233 shade: RGB 150 53 233, RGB 133 35 214, RGB 116 17 195, RGB 99 0 176 and RGB 82 0 157

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 53 233 shade: RGB 150 53 233, RGB 198 53 233, RGB 233 53 219, RGB 233 53 170 and RGB 233 53 122

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 53 233 shade: RGB 150 53 233, RGB 101 53 233 and RGB 53 53 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 53 233 shade matches the following richer shades: RGB 150 53 233 and RGB 151 35 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 53 233 shade: RGB 150 53 233, RGB 148 71 214, RGB 147 89 196, RGB 146 108 178 and RGB 144 126 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 53 233 shade: RGB 53 53 233, RGB 101 53 233, RGB 149 53 233, RGB 197 53 233 and RGB 233 53 221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 53 233 shade: RGB 108 20 183, RGB 130 24 220, RGB 150 53 233, RGB 169 90 237 and RGB 188 127 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 53 233 shade: RGB 150 53 233, RGB 233 53 101 and RGB 53 233 77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 53 233 shade: RGB 150 53 233, RGB 233 149 53 and RGB 53 233 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 53 233 shade: RGB 150 53 233, RGB 233 53 101, RGB 137 233 53 and RGB 53 233 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 53 233 shade: RGB 150 53 233, RGB 233 59 53, RGB 137 233 53 and RGB 53 227 233

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 77 / 0 / 9

HEX #9635E9

RGB 150 53 233

HSL 272.33, 0.8%, 0.56%

LAB 45.52, 69.74, -73.25

 

Complementary color

CMYK 48 / 0 / 89 / 21

HEX #69CA16

RGB 105 202 22

HSL 92.33, 0.8%, 0.44%

LAB 73.09, -54.96, 69.57

 

CMYK 32 / 77 / 0 / 11

HEX #9B35E4

RGB 155 53 228

HSL 274.97, 0.76%, 0.55%

LAB 45.79, 69.46, -69.93

 

CMYK 30 / 71 / 0 / 3

HEX #AC47F7

RGB 172 71 247

HSL 274.43, 0.92%, 0.62%

LAB 51.83, 69.58, -70.72

 

CMYK 26 / 65 / 0 / 0

HEX #BD59FF

RGB 189 89 255

HSL 276.14, 1%, 0.67%

LAB 57.25, 66.92, -66.29

 

CMYK 19 / 58 / 0 / 0

HEX #CE6BFF

RGB 206 107 255

HSL 280.14, 1%, 0.71%

LAB 62.39, 62.39, -57.95

 

CMYK 13 / 51 / 0 / 0

HEX #DF7DFF

RGB 223 125 255

HSL 285.23, 1%, 0.75%

LAB 67.71, 57.9, -49.38

 

CMYK 36 / 77 / 0 / 9

HEX #9635E9

RGB 150 53 233

HSL 272.33, 0.8%, 0.56%

LAB 45.52, 69.74, -73.25

 

CMYK 38 / 84 / 0 / 16

HEX #8523D6

RGB 133 35 214

HSL 272.85, 0.72%, 0.49%

LAB 39.65, 69.01, -72.07

 

CMYK 41 / 91 / 0 / 24

HEX #7411C3

RGB 116 17 195

HSL 273.37, 0.84%, 0.42%

LAB 34.1, 67.18, -70.23

 

CMYK 44 / 100 / 0 / 31

HEX #6300B0

RGB 99 0 176

HSL 273.75, 1%, 0.35%

LAB 28.87, 64.09, -67.66

 

CMYK 48 / 100 / 0 / 38

HEX #52009D

RGB 82 0 157

HSL 271.34, 1%, 0.31%

LAB 24.41, 58.38, -63.59

 

CMYK 36 / 77 / 0 / 9

HEX #9635E9

RGB 150 53 233

HSL 272.33, 0.8%, 0.56%

LAB 45.52, 69.74, -73.25

 

CMYK 15 / 77 / 0 / 9

HEX #C635E9

RGB 198 53 233

HSL 288.33, 0.8%, 0.56%

LAB 52.33, 77.89, -61.89

 

CMYK 0 / 77 / 6 / 9

HEX #E935DB

RGB 233 53 219

HSL 304.67, 0.8%, 0.56%

LAB 57.06, 82.33, -46.09

 

CMYK 0 / 77 / 27 / 9

HEX #E935AA

RGB 233 53 170

HSL 321, 0.8%, 0.56%

LAB 54.84, 75.91, -21.35

 

CMYK 0 / 77 / 48 / 9

HEX #E9357A

RGB 233 53 122

HSL 337, 0.8%, 0.56%

LAB 53.25, 71.11, 4.77

 

CMYK 36 / 77 / 0 / 9

HEX #9635E9

RGB 150 53 233

HSL 272.33, 0.8%, 0.56%

LAB 45.52, 69.74, -73.25

 

CMYK 57 / 77 / 0 / 9

HEX #6535E9

RGB 101 53 233

HSL 256, 0.8%, 0.56%

LAB 39.91, 62.95, -82.66

 

CMYK 77 / 77 / 0 / 9

HEX #3535E9

RGB 53 53 233

HSL 240, 0.8%, 0.56%

LAB 36.34, 58.57, -88.67

 

CMYK 36 / 77 / 0 / 9

HEX #9635E9

RGB 150 53 233

HSL 272.33, 0.8%, 0.56%

LAB 45.52, 69.74, -73.25

 

CMYK 40 / 86 / 0 / 2

HEX #9723FB

RGB 151 35 251

HSL 272.22, 0.96%, 0.56%

LAB 45.28, 79.18, -83.75

 

CMYK 36 / 77 / 0 / 9

HEX #9635E9

RGB 150 53 233

HSL 272.33, 0.8%, 0.56%

LAB 45.52, 69.74, -73.25

 

CMYK 31 / 67 / 0 / 16

HEX #9447D6

RGB 148 71 214

HSL 272.31, 0.64%, 0.56%

LAB 46.52, 57.58, -60.81

 

CMYK 25 / 55 / 0 / 23

HEX #9359C4

RGB 147 89 196

HSL 272.52, 0.48%, 0.56%

LAB 48.68, 43.99, -47.01

 

CMYK 18 / 39 / 0 / 30

HEX #926CB2

RGB 146 108 178

HSL 272.57, 0.31%, 0.56%

LAB 51.89, 28.79, -31.54

 

CMYK 10 / 21 / 0 / 37

HEX #907EA0

RGB 144 126 160

HSL 271.76, 0.15%, 0.56%

LAB 55.47, 13.6, -15.63

 

CMYK 77 / 77 / 0 / 9

HEX #3535E9

RGB 53 53 233

HSL 240, 0.8%, 0.56%

LAB 36.34, 58.57, -88.67

 

CMYK 57 / 77 / 0 / 9

HEX #6535E9

RGB 101 53 233

HSL 256, 0.8%, 0.56%

LAB 39.91, 62.95, -82.66

 

CMYK 36 / 77 / 0 / 9

HEX #9535E9

RGB 149 53 233

HSL 272, 0.8%, 0.56%

LAB 45.39, 69.58, -73.47

 

CMYK 15 / 77 / 0 / 9

HEX #C535E9

RGB 197 53 233

HSL 288, 0.8%, 0.56%

LAB 52.17, 77.71, -62.14

 

CMYK 0 / 77 / 5 / 9

HEX #E935DD

RGB 233 53 221

HSL 304, 0.8%, 0.56%

LAB 57.16, 82.62, -47.06

 

CMYK 41 / 89 / 0 / 28

HEX #6C14B7

RGB 108 20 183

HSL 272.39, 0.8%, 0.4%

LAB 32.05, 62.98, -66.55

 

CMYK 41 / 89 / 0 / 14

HEX #8218DC

RGB 130 24 220

HSL 272.45, 0.8%, 0.48%

LAB 38.84, 72.7, -76.88

 

CMYK 36 / 77 / 0 / 9

HEX #9635E9

RGB 150 53 233

HSL 272.33, 0.8%, 0.56%

LAB 45.52, 69.74, -73.25

 

CMYK 29 / 62 / 0 / 7

HEX #A95AED

RGB 169 90 237

HSL 272.24, 0.8%, 0.64%

LAB 53.88, 58.21, -61.83

 

CMYK 22 / 47 / 0 / 5

HEX #BC7FF1

RGB 188 127 241

HSL 272.11, 0.8%, 0.72%

LAB 63.53, 44.61, -48.55

 

CMYK 36 / 77 / 0 / 9

HEX #9635E9

RGB 150 53 233

HSL 272.33, 0.8%, 0.56%

LAB 45.52, 69.74, -73.25

 

CMYK 0 / 77 / 57 / 9

HEX #E93565

RGB 233 53 101

HSL 344, 0.8%, 0.56%

LAB 52.74, 69.53, 16.7

 

CMYK 77 / 0 / 67 / 9

HEX #35E94D

RGB 53 233 77

HSL 128, 0.8%, 0.56%

LAB 81.6, -73.07, 60.94

 

CMYK 36 / 77 / 0 / 9

HEX #9635E9

RGB 150 53 233

HSL 272.33, 0.8%, 0.56%

LAB 45.52, 69.74, -73.25

 

CMYK 0 / 36 / 77 / 9

HEX #E99535

RGB 233 149 53

HSL 32, 0.8%, 0.56%

LAB 68.81, 24.14, 60.61

 

CMYK 77 / 0 / 36 / 9

HEX #35E995

RGB 53 233 149

HSL 152, 0.8%, 0.56%

LAB 82.49, -62.65, 28.57

 

CMYK 36 / 77 / 0 / 9

HEX #9635E9

RGB 150 53 233

HSL 272.33, 0.8%, 0.56%

LAB 45.52, 69.74, -73.25

 

CMYK 0 / 77 / 57 / 9

HEX #E93565

RGB 233 53 101

HSL 344, 0.8%, 0.56%

LAB 52.74, 69.53, 16.7

 

CMYK 41 / 0 / 77 / 9

HEX #89E935

RGB 137 233 53

HSL 92, 0.8%, 0.56%

LAB 83.89, -55.56, 72.3

 

CMYK 77 / 0 / 21 / 9

HEX #35E9B9

RGB 53 233 185

HSL 164, 0.8%, 0.56%

LAB 83.2, -54.88, 10.89

 

CMYK 36 / 77 / 0 / 9

HEX #9635E9

RGB 150 53 233

HSL 272.33, 0.8%, 0.56%

LAB 45.52, 69.74, -73.25

 

CMYK 0 / 75 / 77 / 9

HEX #E93B35

RGB 233 59 53

HSL 2, 0.8%, 0.56%

LAB 52.63, 65.31, 44.49

 

CMYK 41 / 0 / 77 / 9

HEX #89E935

RGB 137 233 53

HSL 92, 0.8%, 0.56%

LAB 83.89, -55.56, 72.3

 

CMYK 77 / 3 / 0 / 9

HEX #35E3E9

RGB 53 227 233

HSL 182, 0.8%, 0.56%

LAB 82.69, -39.63, -15.2

 

Description

Color code: RGB 150 53 233 | qconv.com Color code: RGB 150 53 233 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 53 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 53 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 77 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 77% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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