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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 53 193 it is the complementary color RGB 105 202 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 53 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 53 193 shade: RGB 155 53 188, RGB 172 71 207, RGB 189 89 226, RGB 206 107 245 and RGB 223 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 53 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 53 193 shade: RGB 150 53 193, RGB 133 35 174, RGB 116 17 155, RGB 99 0 136 and RGB 82 0 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 53 193 shade: RGB 149 53 192, RGB 187 53 192, RGB 192 53 160, RGB 192 53 122 and RGB 192 53 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 53 193 shade: RGB 149 53 192, RGB 112 53 192, RGB 74 53 192 and RGB 53 53 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 53 193 shade matches the following richer shades: RGB 149 53 192, RGB 157 33 212 and RGB 165 13 232

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 53 193 shade: RGB 149 53 192, RGB 142 72 172, RGB 134 92 153, RGB 126 112 133 and RGB 119 132 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 53 193 shade: RGB 74 53 192, RGB 111 53 192, RGB 148 53 192, RGB 185 53 192 and RGB 192 53 162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 53 193 shade: RGB 99 35 127, RGB 124 44 160, RGB 149 53 192, RGB 168 79 207 and RGB 184 112 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 53 193 shade: RGB 150 53 193, RGB 192 53 69 and RGB 53 192 92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 53 193 shade: RGB 150 53 193, RGB 192 148 53 and RGB 53 192 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 53 193 shade: RGB 150 53 193, RGB 192 53 69, RGB 97 192 53 and RGB 53 192 176

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 53 193 shade: RGB 150 53 193, RGB 192 78 53, RGB 97 192 53 and RGB 53 167 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 73 / 0 / 24

HEX #9635C1

RGB 150 53 193

HSL 281.57, 0.57%, 0.48%

LAB 42.58, 61.2, -55.03

 

Complementary color

CMYK 48 / 0 / 69 / 21

HEX #69CA3E

RGB 105 202 62

HSL 101.57, 0.57%, 0.52%

LAB 73.28, -52.87, 58.33

 

CMYK 18 / 72 / 0 / 26

HEX #9B35BC

RGB 155 53 188

HSL 285.33, 0.56%, 0.47%

LAB 42.98, 61.22, -51.42

 

CMYK 17 / 66 / 0 / 19

HEX #AC47CF

RGB 172 71 207

HSL 284.56, 0.59%, 0.55%

LAB 49.23, 61.25, -52.28

 

CMYK 16 / 61 / 0 / 11

HEX #BD59E2

RGB 189 89 226

HSL 283.8, 0.7%, 0.62%

LAB 55.54, 60.91, -52.86

 

CMYK 16 / 56 / 0 / 4

HEX #CE6BF5

RGB 206 107 245

HSL 283.04, 0.87%, 0.69%

LAB 61.85, 60.36, -53.28

 

CMYK 13 / 51 / 0 / 0

HEX #DF7DFF

RGB 223 125 255

HSL 285.23, 1%, 0.75%

LAB 67.71, 57.9, -49.38

 

CMYK 22 / 73 / 0 / 24

HEX #9635C1

RGB 150 53 193

HSL 281.57, 0.57%, 0.48%

LAB 42.58, 61.2, -55.03

 

CMYK 24 / 80 / 0 / 32

HEX #8523AE

RGB 133 35 174

HSL 282.3, 0.67%, 0.41%

LAB 36.45, 60.59, -53.86

 

CMYK 25 / 89 / 0 / 39

HEX #74119B

RGB 116 17 155

HSL 283.04, 0.8%, 0.34%

LAB 30.59, 58.87, -52.02

 

CMYK 27 / 100 / 0 / 47

HEX #630088

RGB 99 0 136

HSL 283.68, 1%, 0.27%

LAB 25.05, 55.85, -49.44

 

CMYK 30 / 100 / 0 / 54

HEX #520075

RGB 82 0 117

HSL 282.05, 1%, 0.23%

LAB 20.35, 49.75, -45.16

 

CMYK 22 / 72 / 0 / 25

HEX #9535C0

RGB 149 53 192

HSL 281.44, 0.57%, 0.48%

LAB 42.37, 60.8, -54.79

 

CMYK 3 / 72 / 0 / 25

HEX #BB35C0

RGB 187 53 192

HSL 297.84, 0.57%, 0.48%

LAB 48.15, 68.68, -45.2

 

CMYK 0 / 72 / 17 / 25

HEX #C035A0

RGB 192 53 160

HSL 313.81, 0.57%, 0.48%

LAB 47.35, 64.9, -27.58

 

CMYK 0 / 72 / 36 / 25

HEX #C0357A

RGB 192 53 122

HSL 330.22, 0.57%, 0.48%

LAB 45.85, 60.15, -6.94

 

CMYK 0 / 72 / 56 / 25

HEX #C03555

RGB 192 53 85

HSL 346.19, 0.57%, 0.48%

LAB 44.81, 56.74, 14.39

 

CMYK 22 / 72 / 0 / 25

HEX #9535C0

RGB 149 53 192

HSL 281.44, 0.57%, 0.48%

LAB 42.37, 60.8, -54.79

 

CMYK 42 / 72 / 0 / 25

HEX #7035C0

RGB 112 53 192

HSL 265.47, 0.57%, 0.48%

LAB 37.48, 53.79, -62.96

 

CMYK 61 / 72 / 0 / 25

HEX #4A35C0

RGB 74 53 192

HSL 249.06, 0.57%, 0.48%

LAB 33.58, 47.89, -69.49

 

CMYK 72 / 72 / 0 / 25

HEX #3535C0

RGB 53 53 192

HSL 240, 0.57%, 0.48%

LAB 32.05, 45.48, -72.06

 

CMYK 22 / 72 / 0 / 25

HEX #9535C0

RGB 149 53 192

HSL 281.44, 0.57%, 0.48%

LAB 42.37, 60.8, -54.79

 

CMYK 26 / 84 / 0 / 17

HEX #9D21D4

RGB 157 33 212

HSL 281.56, 0.73%, 0.48%

LAB 42.78, 72.6, -65.68

 

CMYK 29 / 94 / 0 / 9

HEX #A50DE8

RGB 165 13 232

HSL 281.64, 0.89%, 0.48%

LAB 44.4, 80.96, -74.42

 

CMYK 22 / 72 / 0 / 25

HEX #9535C0

RGB 149 53 192

HSL 281.44, 0.57%, 0.48%

LAB 42.37, 60.8, -54.79

 

CMYK 17 / 58 / 0 / 33

HEX #8E48AC

RGB 142 72 172

HSL 282, 0.41%, 0.48%

LAB 43.31, 46.25, -41.59

 

CMYK 12 / 40 / 0 / 40

HEX #865C99

RGB 134 92 153

HSL 281.31, 0.25%, 0.48%

LAB 45.67, 28.64, -26.67

 

CMYK 5 / 16 / 0 / 48

HEX #7E7085

RGB 126 112 133

HSL 280, 0.09%, 0.48%

LAB 49.15, 9.63, -9.53

 

CMYK 10 / 0 / 14 / 48

HEX #778471

RGB 119 132 113

HSL 101.05, 0.08%, 0.48%

LAB 53.62, -8.55, 8.66

 

CMYK 61 / 72 / 0 / 25

HEX #4A35C0

RGB 74 53 192

HSL 249.06, 0.57%, 0.48%

LAB 33.58, 47.89, -69.49

 

CMYK 42 / 72 / 0 / 25

HEX #6F35C0

RGB 111 53 192

HSL 265.04, 0.57%, 0.48%

LAB 37.36, 53.61, -63.16

 

CMYK 23 / 72 / 0 / 25

HEX #9435C0

RGB 148 53 192

HSL 281.01, 0.57%, 0.48%

LAB 42.23, 60.6, -55.03

 

CMYK 4 / 72 / 0 / 25

HEX #B935C0

RGB 185 53 192

HSL 296.98, 0.57%, 0.48%

LAB 47.84, 68.26, -45.73

 

CMYK 0 / 72 / 16 / 25

HEX #C035A2

RGB 192 53 162

HSL 312.95, 0.57%, 0.48%

LAB 47.44, 65.19, -28.63

 

CMYK 22 / 72 / 0 / 50

HEX #63237F

RGB 99 35 127

HSL 281.74, 0.57%, 0.32%

LAB 27.81, 43.83, -39.31

 

CMYK 23 / 73 / 0 / 37

HEX #7C2CA0

RGB 124 44 160

HSL 281.38, 0.57%, 0.4%

LAB 35.25, 52.6, -47.46

 

CMYK 22 / 72 / 0 / 25

HEX #9535C0

RGB 149 53 192

HSL 281.44, 0.57%, 0.48%

LAB 42.37, 60.8, -54.79

 

CMYK 19 / 62 / 0 / 19

HEX #A84FCF

RGB 168 79 207

HSL 281.72, 0.57%, 0.56%

LAB 50, 56.71, -51.07

 

CMYK 15 / 48 / 0 / 15

HEX #B870D8

RGB 184 112 216

HSL 281.54, 0.57%, 0.64%

LAB 58.73, 46.09, -42.22

 

CMYK 22 / 73 / 0 / 24

HEX #9635C1

RGB 150 53 193

HSL 281.57, 0.57%, 0.48%

LAB 42.58, 61.2, -55.03

 

CMYK 0 / 72 / 64 / 25

HEX #C03545

RGB 192 53 69

HSL 353.09, 0.57%, 0.48%

LAB 44.49, 55.66, 23.81

 

CMYK 72 / 0 / 52 / 25

HEX #35C05C

RGB 53 192 92

HSL 136.83, 0.57%, 0.48%

LAB 68.92, -57.87, 39.73

 

CMYK 22 / 73 / 0 / 24

HEX #9635C1

RGB 150 53 193

HSL 281.57, 0.57%, 0.48%

LAB 42.58, 61.2, -55.03

 

CMYK 0 / 23 / 72 / 25

HEX #C09435

RGB 192 148 53

HSL 41.01, 0.57%, 0.48%

LAB 63.87, 7.05, 54.18

 

CMYK 72 / 0 / 23 / 25

HEX #35C094

RGB 53 192 148

HSL 161.01, 0.57%, 0.48%

LAB 69.89, -47.05, 11.74

 

CMYK 22 / 73 / 0 / 24

HEX #9635C1

RGB 150 53 193

HSL 281.57, 0.57%, 0.48%

LAB 42.58, 61.2, -55.03

 

CMYK 0 / 72 / 64 / 25

HEX #C03545

RGB 192 53 69

HSL 353.09, 0.57%, 0.48%

LAB 44.49, 55.66, 23.81

 

CMYK 49 / 0 / 72 / 25

HEX #61C035

RGB 97 192 53

HSL 101.01, 0.57%, 0.48%

LAB 69.82, -52.05, 58.04

 

CMYK 72 / 0 / 8 / 25

HEX #35C0B0

RGB 53 192 176

HSL 173.09, 0.57%, 0.48%

LAB 70.59, -39.92, -2.52

 

CMYK 22 / 73 / 0 / 24

HEX #9635C1

RGB 150 53 193

HSL 281.57, 0.57%, 0.48%

LAB 42.58, 61.2, -55.03

 

CMYK 0 / 59 / 72 / 25

HEX #C04E35

RGB 192 78 53

HSL 10.79, 0.57%, 0.48%

LAB 48.15, 44.3, 37.53

 

CMYK 49 / 0 / 72 / 25

HEX #61C035

RGB 97 192 53

HSL 101.01, 0.57%, 0.48%

LAB 69.82, -52.05, 58.04

 

CMYK 72 / 13 / 0 / 25

HEX #35A7C0

RGB 53 167 192

HSL 190.79, 0.57%, 0.48%

LAB 63.51, -23.2, -21.98

 

Description

Color code: RGB 150 53 193 | qconv.com Color code: RGB 150 53 193 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 53 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 53 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 73 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 73% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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