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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 166 235 it is the complementary color RGB 105 89 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 166 235. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 166 235 shade: RGB 155 166 230, RGB 172 184 249, RGB 189 202 255, RGB 206 220 255 and RGB 223 238 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 166 235. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 166 235 shade: RGB 150 166 235, RGB 133 148 216, RGB 116 130 197, RGB 99 112 178 and RGB 82 94 159

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 166 235 shade: RGB 147 164 234, RGB 154 147 234, RGB 178 147 234, RGB 201 147 234 and RGB 225 147 234

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 166 235 shade: RGB 147 164 234 and RGB 147 147 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 166 235 shade matches the following richer shades: RGB 147 164 234 and RGB 137 157 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 166 235 shade: RGB 147 164 234, RGB 158 170 224, RGB 168 177 213, RGB 178 183 203 and RGB 189 189 193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 166 235 shade: RGB 147 211 234, RGB 147 188 234, RGB 147 165 234, RGB 153 147 234 and RGB 176 147 234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 166 235 shade: RGB 78 105 221, RGB 113 134 227, RGB 147 164 234, RGB 182 193 241 and RGB 217 222 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 166 235 shade: RGB 150 166 235, RGB 234 147 234 and RGB 199 234 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 166 235 shade: RGB 150 166 235, RGB 234 147 165 and RGB 165 234 147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 166 235 shade: RGB 150 166 235, RGB 234 147 234, RGB 234 217 147 and RGB 147 234 147

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 166 235 shade: RGB 150 166 235, RGB 234 147 208, RGB 234 217 147 and RGB 147 234 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 29 / 0 / 8

HEX #96A6EB

RGB 150 166 235

HSL 228.71, 0.68%, 0.75%

LAB 69.29, 10.78, -36.44

 

Complementary color

CMYK 0 / 15 / 81 / 59

HEX #695914

RGB 105 89 20

HSL 48.71, 0.68%, 0.25%

LAB 38.2, -1.37, 39.57

 

CMYK 33 / 28 / 0 / 10

HEX #9BA6E6

RGB 155 166 230

HSL 231.2, 0.6%, 0.75%

LAB 69.44, 10.87, -33.46

 

CMYK 31 / 26 / 0 / 2

HEX #ACB8F9

RGB 172 184 249

HSL 230.65, 0.87%, 0.83%

LAB 76, 10.41, -33.52

 

CMYK 26 / 21 / 0 / 0

HEX #BDCAFF

RGB 189 202 255

HSL 228.18, 1%, 0.87%

LAB 81.99, 6.92, -27.43

 

CMYK 19 / 14 / 0 / 0

HEX #CEDCFF

RGB 206 220 255

HSL 222.86, 1%, 0.9%

LAB 87.74, 2.42, -18.59

 

CMYK 13 / 7 / 0 / 0

HEX #DFEEFF

RGB 223 238 255

HSL 211.88, 1%, 0.94%

LAB 93.48, -1.66, -9.88

 

CMYK 36 / 29 / 0 / 8

HEX #96A6EB

RGB 150 166 235

HSL 228.71, 0.68%, 0.75%

LAB 69.29, 10.78, -36.44

 

CMYK 38 / 31 / 0 / 15

HEX #8594D8

RGB 133 148 216

HSL 229.16, 0.52%, 0.68%

LAB 62.61, 11.36, -36.46

 

CMYK 41 / 34 / 0 / 23

HEX #7482C5

RGB 116 130 197

HSL 229.63, 0.41%, 0.61%

LAB 55.8, 12.01, -36.52

 

CMYK 44 / 37 / 0 / 30

HEX #6370B2

RGB 99 112 178

HSL 230.13, 0.34%, 0.54%

LAB 48.83, 12.79, -36.64

 

CMYK 48 / 41 / 0 / 38

HEX #525E9F

RGB 82 94 159

HSL 230.65, 0.32%, 0.47%

LAB 41.69, 13.74, -36.81

 

CMYK 37 / 30 / 0 / 8

HEX #93A4EA

RGB 147 164 234

HSL 228.28, 0.67%, 0.75%

LAB 68.53, 10.84, -37.1

 

CMYK 34 / 37 / 0 / 8

HEX #9A93EA

RGB 154 147 234

HSL 244.83, 0.67%, 0.75%

LAB 64.71, 22.44, -43.04

 

CMYK 24 / 37 / 0 / 8

HEX #B293EA

RGB 178 147 234

HSL 261.38, 0.67%, 0.75%

LAB 66.73, 29.16, -39.73

 

CMYK 14 / 37 / 0 / 8

HEX #C993EA

RGB 201 147 234

HSL 277.24, 0.67%, 0.75%

LAB 68.91, 35.92, -36.16

 

CMYK 4 / 37 / 0 / 8

HEX #E193EA

RGB 225 147 234

HSL 293.79, 0.67%, 0.75%

LAB 71.43, 43.15, -32.06

 

CMYK 37 / 30 / 0 / 8

HEX #93A4EA

RGB 147 164 234

HSL 228.28, 0.67%, 0.75%

LAB 68.53, 10.84, -37.1

 

CMYK 37 / 37 / 0 / 8

HEX #9393EA

RGB 147 147 234

HSL 240, 0.67%, 0.75%

LAB 64.17, 20.56, -43.92

 

CMYK 37 / 30 / 0 / 8

HEX #93A4EA

RGB 147 164 234

HSL 228.28, 0.67%, 0.75%

LAB 68.53, 10.84, -37.1

 

CMYK 44 / 36 / 0 / 4

HEX #899DF4

RGB 137 157 244

HSL 228.79, 0.83%, 0.75%

LAB 66.49, 15.03, -45.81

 

CMYK 37 / 30 / 0 / 8

HEX #93A4EA

RGB 147 164 234

HSL 228.28, 0.67%, 0.75%

LAB 68.53, 10.84, -37.1

 

CMYK 29 / 24 / 0 / 12

HEX #9EAAE0

RGB 158 170 224

HSL 229.09, 0.52%, 0.75%

LAB 70.46, 7.97, -28.58

 

CMYK 21 / 17 / 0 / 16

HEX #A8B1D5

RGB 168 177 213

HSL 228, 0.35%, 0.75%

LAB 72.61, 4.5, -19.21

 

CMYK 12 / 10 / 0 / 20

HEX #B2B7CB

RGB 178 183 203

HSL 228, 0.19%, 0.75%

LAB 74.6, 2.26, -10.69

 

CMYK 2 / 2 / 0 / 24

HEX #BDBDC1

RGB 189 189 193

HSL 240, 0.03%, 0.75%

LAB 76.72, 0.75, -2.02

 

CMYK 37 / 10 / 0 / 8

HEX #93D3EA

RGB 147 211 234

HSL 195.86, 0.67%, 0.75%

LAB 81.14, -14.62, -17.77

 

CMYK 37 / 20 / 0 / 8

HEX #93BCEA

RGB 147 188 234

HSL 211.72, 0.67%, 0.75%

LAB 74.89, -2.47, -27.27

 

CMYK 37 / 29 / 0 / 8

HEX #93A5EA

RGB 147 165 234

HSL 227.59, 0.67%, 0.75%

LAB 68.79, 10.27, -36.7

 

CMYK 35 / 37 / 0 / 8

HEX #9993EA

RGB 153 147 234

HSL 244.14, 0.67%, 0.75%

LAB 64.63, 22.17, -43.17

 

CMYK 25 / 37 / 0 / 8

HEX #B093EA

RGB 176 147 234

HSL 260, 0.67%, 0.75%

LAB 66.55, 28.59, -40.02

 

CMYK 65 / 52 / 0 / 13

HEX #4E69DD

RGB 78 105 221

HSL 228.67, 0.68%, 0.59%

LAB 48.19, 26.77, -62.4

 

CMYK 50 / 41 / 0 / 11

HEX #7186E3

RGB 113 134 227

HSL 228.95, 0.67%, 0.67%

LAB 58.14, 17.82, -49.72

 

CMYK 37 / 30 / 0 / 8

HEX #93A4EA

RGB 147 164 234

HSL 228.28, 0.67%, 0.75%

LAB 68.53, 10.84, -37.1

 

CMYK 24 / 20 / 0 / 5

HEX #B6C1F1

RGB 182 193 241

HSL 228.81, 0.68%, 0.83%

LAB 78.72, 6.47, -25

 

CMYK 12 / 10 / 0 / 3

HEX #D9DEF7

RGB 217 222 247

HSL 230, 0.65%, 0.91%

LAB 88.79, 3.13, -12.73

 

CMYK 36 / 29 / 0 / 8

HEX #96A6EB

RGB 150 166 235

HSL 228.71, 0.68%, 0.75%

LAB 69.29, 10.78, -36.44

 

CMYK 0 / 37 / 0 / 8

HEX #EA93EA

RGB 234 147 234

HSL 300, 0.67%, 0.75%

LAB 72.43, 45.88, -30.43

 

CMYK 15 / 0 / 37 / 8

HEX #C7EA93

RGB 199 234 147

HSL 84.14, 0.67%, 0.75%

LAB 88.49, -25.71, 38.56

 

CMYK 36 / 29 / 0 / 8

HEX #96A6EB

RGB 150 166 235

HSL 228.71, 0.68%, 0.75%

LAB 69.29, 10.78, -36.44

 

CMYK 0 / 37 / 29 / 8

HEX #EA93A5

RGB 234 147 165

HSL 347.59, 0.67%, 0.75%

LAB 70.23, 35.04, 4.45

 

CMYK 29 / 0 / 37 / 8

HEX #A5EA93

RGB 165 234 147

HSL 107.59, 0.67%, 0.75%

LAB 86.48, -37.54, 35.55

 

CMYK 36 / 29 / 0 / 8

HEX #96A6EB

RGB 150 166 235

HSL 228.71, 0.68%, 0.75%

LAB 69.29, 10.78, -36.44

 

CMYK 0 / 37 / 0 / 8

HEX #EA93EA

RGB 234 147 234

HSL 300, 0.67%, 0.75%

LAB 72.43, 45.88, -30.43

 

CMYK 0 / 7 / 37 / 8

HEX #EAD993

RGB 234 217 147

HSL 48.28, 0.67%, 0.75%

LAB 86.62, -4.04, 36.62

 

CMYK 37 / 0 / 37 / 8

HEX #93EA93

RGB 147 234 147

HSL 120, 0.67%, 0.75%

LAB 85.58, -43.25, 34.2

 

CMYK 36 / 29 / 0 / 8

HEX #96A6EB

RGB 150 166 235

HSL 228.71, 0.68%, 0.75%

LAB 69.29, 10.78, -36.44

 

CMYK 0 / 37 / 11 / 8

HEX #EA93D0

RGB 234 147 208

HSL 317.93, 0.67%, 0.75%

LAB 71.5, 41.4, -17.56

 

CMYK 0 / 7 / 37 / 8

HEX #EAD993

RGB 234 217 147

HSL 48.28, 0.67%, 0.75%

LAB 86.62, -4.04, 36.62

 

CMYK 37 / 0 / 26 / 8

HEX #93EAAD

RGB 147 234 173

HSL 137.93, 0.67%, 0.75%

LAB 86.04, -38.91, 21.54

 

Description

Color code: RGB 150 166 235 | qconv.com Color code: RGB 150 166 235 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 166 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 166 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 29 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 29% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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