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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 165 80 it is the complementary color RGB 105 90 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 165 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 165 80 shade: RGB 155 165 75, RGB 172 183 94, RGB 189 201 113, RGB 206 219 132 and RGB 223 237 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 165 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 165 80 shade: RGB 150 165 80, RGB 133 147 61, RGB 116 129 42, RGB 99 111 23 and RGB 82 93 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 165 80 shade: RGB 150 165 80, RGB 165 157 80, RGB 165 134 80, RGB 165 111 80 and RGB 165 88 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 165 80 shade: RGB 150 165 80, RGB 127 165 80, RGB 104 165 80, RGB 81 165 80 and RGB 80 165 101

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 165 80 shade matches the following richer shades: RGB 150 165 80, RGB 163 185 60, RGB 176 205 40, RGB 189 225 20 and RGB 201 244 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 165 80 shade: RGB 150 165 80, RGB 137 145 99, RGB 124 126 119, RGB 112 106 139 and RGB 99 86 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 165 80 shade: RGB 165 134 80, RGB 165 157 80, RGB 151 165 80, RGB 128 165 80 and RGB 105 165 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 165 80 shade: RGB 100 110 53, RGB 125 137 66, RGB 150 165 80, RGB 168 182 104 and RGB 184 196 132

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 165 80 shade: RGB 150 165 80, RGB 80 165 111 and RGB 145 80 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 165 80 shade: RGB 150 165 80, RGB 80 151 165 and RGB 165 80 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 165 80 shade: RGB 150 165 80, RGB 80 165 111, RGB 94 80 165 and RGB 165 80 134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 165 80 shade: RGB 150 165 80, RGB 80 165 137, RGB 94 80 165 and RGB 165 80 108

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 52 / 35

HEX #96A550

RGB 150 165 80

HSL 70.59, 0.35%, 0.48%

LAB 64.94, -18.26, 41.84

 

Complementary color

CMYK 40 / 49 / 0 / 31

HEX #695AAF

RGB 105 90 175

HSL 250.59, 0.35%, 0.52%

LAB 43.38, 26.99, -43.49

 

CMYK 6 / 0 / 55 / 35

HEX #9BA54B

RGB 155 165 75

HSL 66.67, 0.38%, 0.47%

LAB 65.27, -16.64, 44.75

 

CMYK 6 / 0 / 49 / 28

HEX #ACB75E

RGB 172 183 94

HSL 67.42, 0.38%, 0.54%

LAB 71.86, -17.04, 43.61

 

CMYK 6 / 0 / 44 / 21

HEX #BDC971

RGB 189 201 113

HSL 68.18, 0.45%, 0.62%

LAB 78.34, -17.35, 42.44

 

CMYK 6 / 0 / 40 / 14

HEX #CEDB84

RGB 206 219 132

HSL 68.97, 0.55%, 0.69%

LAB 84.72, -17.59, 41.28

 

CMYK 6 / 0 / 36 / 7

HEX #DFED97

RGB 223 237 151

HSL 69.77, 0.7%, 0.76%

LAB 91, -17.78, 40.14

 

CMYK 9 / 0 / 52 / 35

HEX #96A550

RGB 150 165 80

HSL 70.59, 0.35%, 0.48%

LAB 64.94, -18.26, 41.84

 

CMYK 10 / 0 / 59 / 42

HEX #85933D

RGB 133 147 61

HSL 69.77, 0.41%, 0.41%

LAB 58.22, -17.88, 42.94

 

CMYK 10 / 0 / 67 / 49

HEX #74812A

RGB 116 129 42

HSL 68.97, 0.51%, 0.34%

LAB 51.36, -17.35, 43.79

 

CMYK 11 / 0 / 79 / 56

HEX #636F17

RGB 99 111 23

HSL 68.18, 0.66%, 0.26%

LAB 44.35, -16.59, 43.99

 

CMYK 12 / 0 / 96 / 64

HEX #525D04

RGB 82 93 4

HSL 67.42, 0.92%, 0.19%

LAB 37.17, -15.54, 42.86

 

CMYK 9 / 0 / 52 / 35

HEX #96A550

RGB 150 165 80

HSL 70.59, 0.35%, 0.48%

LAB 64.94, -18.26, 41.84

 

CMYK 0 / 5 / 52 / 35

HEX #A59D50

RGB 165 157 80

HSL 54.35, 0.35%, 0.48%

LAB 63.91, -7.75, 40.91

 

CMYK 0 / 19 / 52 / 35

HEX #A58650

RGB 165 134 80

HSL 38.12, 0.35%, 0.48%

LAB 57.68, 4.84, 33.35

 

CMYK 0 / 33 / 52 / 35

HEX #A56F50

RGB 165 111 80

HSL 21.88, 0.35%, 0.48%

LAB 51.78, 17.84, 25.89

 

CMYK 0 / 47 / 52 / 35

HEX #A55850

RGB 165 88 80

HSL 5.65, 0.35%, 0.48%

LAB 46.39, 30.71, 18.82

 

CMYK 9 / 0 / 52 / 35

HEX #96A550

RGB 150 165 80

HSL 70.59, 0.35%, 0.48%

LAB 64.94, -18.26, 41.84

 

CMYK 23 / 0 / 52 / 35

HEX #7FA550

RGB 127 165 80

HSL 86.82, 0.35%, 0.48%

LAB 63.34, -27.49, 39.55

 

CMYK 37 / 0 / 52 / 35

HEX #68A550

RGB 104 165 80

HSL 103.06, 0.35%, 0.48%

LAB 62.03, -35.92, 37.64

 

CMYK 51 / 0 / 52 / 35

HEX #51A550

RGB 81 165 80

HSL 119.29, 0.35%, 0.48%

LAB 60.99, -43.16, 36.14

 

CMYK 52 / 0 / 39 / 35

HEX #50A565

RGB 80 165 101

HSL 134.82, 0.35%, 0.48%

LAB 61.27, -40.13, 25.51

 

CMYK 9 / 0 / 52 / 35

HEX #96A550

RGB 150 165 80

HSL 70.59, 0.35%, 0.48%

LAB 64.94, -18.26, 41.84

 

CMYK 12 / 0 / 68 / 27

HEX #A3B93C

RGB 163 185 60

HSL 70.56, 0.51%, 0.48%

LAB 71.43, -24.46, 58.2

 

CMYK 14 / 0 / 80 / 20

HEX #B0CD28

RGB 176 205 40

HSL 70.55, 0.67%, 0.48%

LAB 77.9, -29.69, 71.27

 

CMYK 16 / 0 / 91 / 12

HEX #BDE114

RGB 189 225 20

HSL 70.54, 0.84%, 0.48%

LAB 84.34, -34.22, 80.93

 

CMYK 18 / 0 / 100 / 4

HEX #C9F400

RGB 201 244 0

HSL 70.57, 1%, 0.48%

LAB 90.38, -38.26, 87.76

 

CMYK 9 / 0 / 52 / 35

HEX #96A550

RGB 150 165 80

HSL 70.59, 0.35%, 0.48%

LAB 64.94, -18.26, 41.84

 

CMYK 6 / 0 / 32 / 43

HEX #899163

RGB 137 145 99

HSL 70.43, 0.19%, 0.48%

LAB 58.48, -10.85, 23.5

 

CMYK 2 / 0 / 6 / 51

HEX #7C7E77

RGB 124 126 119

HSL 77.14, 0.03%, 0.48%

LAB 52.44, -2.12, 3.54

 

CMYK 19 / 24 / 0 / 45

HEX #706A8B

RGB 112 106 139

HSL 250.91, 0.13%, 0.48%

LAB 46.47, 9.65, -17.28

 

CMYK 38 / 46 / 0 / 38

HEX #63569F

RGB 99 86 159

HSL 250.68, 0.3%, 0.48%

LAB 40.91, 23.26, -37.96

 

CMYK 0 / 19 / 52 / 35

HEX #A58650

RGB 165 134 80

HSL 38.12, 0.35%, 0.48%

LAB 57.68, 4.84, 33.35

 

CMYK 0 / 5 / 52 / 35

HEX #A59D50

RGB 165 157 80

HSL 54.35, 0.35%, 0.48%

LAB 63.91, -7.75, 40.91

 

CMYK 8 / 0 / 52 / 35

HEX #97A550

RGB 151 165 80

HSL 69.88, 0.35%, 0.48%

LAB 65.02, -17.85, 41.95

 

CMYK 22 / 0 / 52 / 35

HEX #80A550

RGB 128 165 80

HSL 86.12, 0.35%, 0.48%

LAB 63.41, -27.1, 39.64

 

CMYK 36 / 0 / 52 / 35

HEX #69A550

RGB 105 165 80

HSL 102.35, 0.35%, 0.48%

LAB 62.08, -35.57, 37.72

 

CMYK 9 / 0 / 52 / 57

HEX #646E35

RGB 100 110 53

HSL 70.53, 0.35%, 0.32%

LAB 44.4, -13.24, 30.26

 

CMYK 9 / 0 / 52 / 46

HEX #7D8942

RGB 125 137 66

HSL 70.14, 0.35%, 0.4%

LAB 54.7, -15.59, 36.24

 

CMYK 9 / 0 / 52 / 35

HEX #96A550

RGB 150 165 80

HSL 70.59, 0.35%, 0.48%

LAB 64.94, -18.26, 41.84

 

CMYK 8 / 0 / 43 / 29

HEX #A8B668

RGB 168 182 104

HSL 70.77, 0.35%, 0.56%

LAB 71.41, -17.09, 37.99

 

CMYK 6 / 0 / 33 / 23

HEX #B8C484

RGB 184 196 132

HSL 71.25, 0.35%, 0.64%

LAB 76.88, -14.53, 30.82

 

CMYK 9 / 0 / 52 / 35

HEX #96A550

RGB 150 165 80

HSL 70.59, 0.35%, 0.48%

LAB 64.94, -18.26, 41.84

 

CMYK 52 / 0 / 33 / 35

HEX #50A56F

RGB 80 165 111

HSL 141.88, 0.35%, 0.48%

LAB 61.45, -38.27, 20.32

 

CMYK 12 / 52 / 0 / 35

HEX #9150A5

RGB 145 80 165

HSL 285.88, 0.35%, 0.48%

LAB 44.9, 41.36, -34.89

 

CMYK 9 / 0 / 52 / 35

HEX #96A550

RGB 150 165 80

HSL 70.59, 0.35%, 0.48%

LAB 64.94, -18.26, 41.84

 

CMYK 52 / 8 / 0 / 35

HEX #5097A5

RGB 80 151 165

HSL 189.88, 0.35%, 0.48%

LAB 58.56, -18.31, -14.22

 

CMYK 0 / 52 / 8 / 35

HEX #A55097

RGB 165 80 151

HSL 309.88, 0.35%, 0.48%

LAB 46.94, 44.63, -23.2

 

CMYK 9 / 0 / 52 / 35

HEX #96A550

RGB 150 165 80

HSL 70.59, 0.35%, 0.48%

LAB 64.94, -18.26, 41.84

 

CMYK 52 / 0 / 33 / 35

HEX #50A56F

RGB 80 165 111

HSL 141.88, 0.35%, 0.48%

LAB 61.45, -38.27, 20.32

 

CMYK 43 / 52 / 0 / 35

HEX #5E50A5

RGB 94 80 165

HSL 249.88, 0.35%, 0.48%

LAB 39.3, 27.43, -44.14

 

CMYK 0 / 52 / 19 / 35

HEX #A55086

RGB 165 80 134

HSL 321.88, 0.35%, 0.48%

LAB 46.26, 41.83, -14.05

 

CMYK 9 / 0 / 52 / 35

HEX #96A550

RGB 150 165 80

HSL 70.59, 0.35%, 0.48%

LAB 64.94, -18.26, 41.84

 

CMYK 52 / 0 / 17 / 35

HEX #50A589

RGB 80 165 137

HSL 160.24, 0.35%, 0.48%

LAB 62.02, -32.68, 6.7

 

CMYK 43 / 52 / 0 / 35

HEX #5E50A5

RGB 94 80 165

HSL 249.88, 0.35%, 0.48%

LAB 39.3, 27.43, -44.14

 

CMYK 0 / 52 / 35 / 35

HEX #A5506C

RGB 165 80 108

HSL 340.24, 0.35%, 0.48%

LAB 45.39, 38.12, 0.44

 

Description

Color code: RGB 150 165 80 | qconv.com Color code: RGB 150 165 80 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 165 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 165 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 52 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 52% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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